SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "sir W Bartleys"/1) | (@(roleclean,performerclean) "sir W Bartleys")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6924 matches on Performance Comments, 1605 matches on Author, 1149 matches on Event Comments, 494 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Christian Hero

Performances

Mainpiece Title: King Charles The First An Historical Play

Performances

Mainpiece Title: Marina

Afterpiece Title: The Mock Countess

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Honest Yorkshireman

Performances

Mainpiece Title: Bickerstaffs Unburied Dead

Afterpiece Title: Richard III

Performances

Mainpiece Title: Zenobia

Afterpiece Title: The Padlock

Performances

Mainpiece Title: The School For Rakes

Cast
Role: Sir William Evans Actor: Holland

Afterpiece Title: The Jubilee

Event Comment: HHopkins MS Memorandum Book: Mrs Barry sent word she was so ill she could not come out for the Pageant [The Jubilee]. If she did she could not play in the Mourning Bride on Monday. I waited on her by the manager's orders & told her they would excuse her playing on Monday if she would come out & do her part in Pageant; & as it was a thing of great consequence to them, they desir'd and expected as she had begun it [as the Tragic Muse] that she would continue it as long as she was able. Her answer was, that as they seem'd to think it of such consequence she would come out & do it tonight & Monday night, but after that desir'd to be excus'd from do[ing] it. On Tuesday Morning Mr Barry sent a note that Mrs Barry was ill in her Bed & could not come out till she was better. Tancred & Sigismunda was call'd, and I did not receive the note till the rehearsal was begun. I also on Saturday deliver'd a message to Mrs Barry from Mr Garrick that he would never ask her to play in anything in which he was particularly interested. Her answer was that was in his Rage. But if his mind should alter, she was ready and willing to do anything he would desire her to do

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: tis Well Its No Worse

Afterpiece Title: The Miller of Mansfield

Performances

Mainpiece Title: Almida

Afterpiece Title: The Lyar

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: Polly Honeycomb

Performances

Mainpiece Title: A Christmas Tale

Afterpiece Title: Miss in Her Teens

Performances

Mainpiece Title: King John

Afterpiece Title: The Note of Hand or Trip to Newmarket

Performances

Mainpiece Title: The Female Chevalier

Cast
Role: Sir Harry Freelove Actor: Palmer

Afterpiece Title: The Tailors A Tragedy for Warm Weather

Dance: As17780518

Performances

Mainpiece Title: A Widow And No Widow

Afterpiece Title: Midas

Dance: As17790610

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Suicide

Afterpiece Title: Midas

Dance: End 2nd piece: new dance, The Italian Peasants-Master Byrne, Miss Byrne

Performances

Mainpiece Title: The Beaux Stratagem

Performance Comment: Archer-Lewis; Aimwell-Wroughton; Gibbet-Fearon; Boniface-Booth; Foigard-Egan; Sir Charles Freeman-Robson; Sullen-Clarke; Scrub-Quick; Dorinda-Mrs Lessingham; Cherry-Mrs Wilson; Lady Bountiful-Mrs Poussin; Gypsey-Miss Stewart; Mrs Sullen-Mrs Yates.
Cast
Role: Sir Charles Freeman Actor: Robson

Afterpiece Title: The Deaf Lover

Dance: End IV: Dance of Sailors-Langrish

Performances

Mainpiece Title: Much Ado About Nothing

Related Works
Related Work: The Law Against Lovers Author(s): Sir William Davenant

Afterpiece Title: The Humours of an Election

Dance: II: Masquerade Dance-; End: The Humours of Leixlip, as17801018

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Deaf Lover

Dance: End of mainpiece The Shepherd's Wedding by Harris and Miss Matthews

Performances

Mainpiece Title: She Stoops To Conquer

Performance Comment: Hardcastle-Wilson; Tony Lumpkin-Quick Marlow-Lee Lewes; Hastings-Whitfield; Sir Charles Marlow-Fearon; Mrs Hardcastle-Mrs Webb; Miss Neville-Mrs Lewis; Miss Hardcasde-Mrs Mattocks .
Cast
Role: Sir Charles Marlow Actor: Fearon

Afterpiece Title: The Touchstone

Event Comment: The True News; or, Mercurius Anglicus, 4-7 Feb. 1679@80: On Munday night last happened a great dispute in the Duke's Play-house, some Gentlemen in their Cupps entring into the Pitt, flinging Links at the Actors, and using several reproachfull speeches against the Dutchess of P. and other persons of Honour, which has occasioned a Prohibition from farther Acting, till his Majesties farther pleasyre. A letter written by the Dowager Countess of Sunderland to Henry Sidney, dated 6 Jan. 1679@80 [possibly misdated] refers to disorders which are similar to those recorded in The True News: You must needs hear of the abominable disorders amongst us, calling all the women whores and the men rogues in the playhouses--throwing candles and links--calling my Lord Sunderland traitor, but in good company; the Duke of York?, rascal; and all ended in "God bless his Highness, the Duke of Monmouth. We will be for him against the world." I am told they may be fined a great deal if they are prosecuted. Two of these are knights of shires, Sir Scroope How, and my Lord Wharton's@eldest son; the only sufferer yet is Porter. They are ashamed, I hear, and afraid (R. W. Blencowe, Diary of the Times of Charles the Second by the Honourable Henry Sidney [London, 1843], I, 237)

Performances

Event Comment: Lord Preston (in Paris) to the Duke of York, 22 Sept. 1683, N.S.: I should not have presumed to give your Highness the trouble of this if something of charity had not induced me to it. I do it at the instance of a poor servant of his Majesty's who some time since was obliged by a misfortune to leave England. It is Mr Grahme [Grabut?], sir, whom perhaps your Highness may remember. Mr Betterton coming hither some weeks since by his Majesty's command, to endeavour to carry over the Opera, and finding that impracticable, did treat with Monsr Grahme to go over with him to endeavour to represent something at least like an Opera in England for his Majesty's diversion. He hath also assured him of a pension from the House, and finds him very willing and ready to go over. He only desireth his Majesty's protection when he is there, and what encouragement his Majesty shall be pleased to give him if he finds that he deserves it (HMC, 7th Report, Part I, p. 290). W. J. Lawrence (Early French Players in England, p. 149) argued that Grahme should be Grabut, who had once been Master of the King's Music (to 1674) and who had settled in Paris. Grabut was certainly back in London in the spring of 1684

Performances

Performances

Mainpiece Title: The Triumphs Of London

Performance Comment: Performed on Saturday, Octob. 29th 1692. For the Entertainment of the Right Honourable Sir John Fleet, Kt. Lord Mayor of the City of London. Containing A True Description of the several Pageants w ith the Speeches spoken on each Pageant. All set forth at the proper Costs and Charges of the Worshipful Company of Grocers. Together with An Exact Relation of the most Splendid Entertainments, prepared for the Reception of Their Sacred Majesties.
Event Comment: Benefit W. Grove, M.R. by Command of the Honourable Court of Non-Common-Pleas. The Gentlemen of the Society are desir'd to meet at their Court, at Sir John's, at 5 o'Clock exactly, from thence to proceed to the Theatre. 6 p.m. 5s., 4s., 2s

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Flora

Music: I: Trumpet Concerto-Burk Thumoth; II: Concerto-Vivaldi; III: Solo on the German Flute-Thumoth; V: Sonata for the Harpsichord and Violin Harpsichord-Thumoth

Dance: II: Dutch Skipper-Jones Sr, Jones Jr; IV: Sailor's Dance-Jones