SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "prince William"/1) | (@(roleclean,performerclean) "prince William")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 11056 matches on Author, 2327 matches on Performance Comments, 1274 matches on Event Comments, 559 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Related Works
Related Work: Hamlet Author(s): William Shakespeare

Afterpiece Title: Miss in Her Teens

Dance: As17461124

Song: Brett

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Related Works
Related Work: Hamlet Author(s): William Shakespeare

Afterpiece Title: The Suspicious Husband Criticized; or, The Plague of Envy

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Related Works
Related Work: Hamlet Author(s): William Shakespeare

Afterpiece Title: The Double Disappointment

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Related Works
Related Work: Hamlet Author(s): William Shakespeare

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Related Works
Related Work: Hamlet Author(s): William Shakespeare

Afterpiece Title: The Anatomist

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Related Works
Related Work: Hamlet Author(s): William Shakespeare

Afterpiece Title: Miss in Her Teens

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Related Works
Related Work: Hamlet Author(s): William Shakespeare

Afterpiece Title: The Lying Valet

Dance: Phillips

Song: Platt, Master Phillips

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Related Works
Related Work: Hamlet Author(s): William Shakespeare

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Related Works
Related Work: Hamlet Author(s): William Shakespeare

Afterpiece Title: Harlequin Restor'd

Entertainment: Dancing, Quaker's Sermon on Violin-Phillips

Related Works
Related Work: The Dancing Master Author(s): William Cavendish, Duke of Newcastle
Related Work: The French Dancing Master Author(s): William Cavendish, Duke of Newcastle
Related Work: The Gentleman Dancing Master Author(s): William Wycherley

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Related Works
Related Work: Hamlet Author(s): William Shakespeare

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Related Works
Related Work: Hamlet Author(s): William Shakespeare

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: The Prince Of Agra

Related Works
Related Work: The Prince of Agra Author(s): William Addington

Afterpiece Title: The Dragon of Wantly

Dance: End: The Irish Lilt, as17731005

Performances

Mainpiece Title: Edward The Black Prince; Or, The Battle Of Poictiers

Related Works
Related Work: Edward the Black Prince; or, The Battle of Poictiers Author(s): William Shirley

Afterpiece Title: Mother Shipton

Ballet: End: The Sailors' Revels at Portsmouth. As17780511

Song: As17780511

Performances

Mainpiece Title: Edward The Black Prince; Or, The Battle Of Poictiers

Performance Comment: English: Edward-Kemble; Lord Audley-Farren; Earl of Warwick-Barrymore; Earl of Chandos-Williames; Salisbury-Fawcett; Arnold-Brereton. French: King John-Staunton; Dauphin-Phillimore; Duke of Athens-R. Palmer; Charney-Packer; Archbishop of Sens-Chaplin; Cardinal Perigort-Aickin; Ribemont-Palmer; Mariana-Miss E. Kemble .
Cast
Role: Earl of Chandos Actor: Williames
Related Works
Related Work: Edward the Black Prince; or, The Battle of Poictiers Author(s): William Shirley

Afterpiece Title: The Apprentice

Dance: End of mainpiece, as17831018

Event Comment: The King's Company. Pepys, Diary: Being full of my desire of seeing my Lord Orrery's new play this afternoon at the King's house, The Black Prince, the first time it is acted; where though we come by two o'clock, yet there was no room in the pit, but we were forced to go into one of the upper boxes, at 4s. a piece, which is the first time I ever sat in a box in my life. And in the same box come, by and by, behind me, my Lord Barkeley and his lady; but I did not turn my face to them to be known, so that I was excused from giving them my seat; and this pleasure I had, that from this place the scenes do appear very fine indeed, and much better than in the pit. The house infinite full, and the King and Duke of York was there. By and by the play begun, and in it nothing Particular but a very fine dance for variety of figures, but a little too long. But, as to the contrivance, and all that was witty (which, indeed, was much, and very witty), was almost the same that had been in his two former plays of Henry the 5th and Mustapha, and the same points and turns of wit in both, and in this very same play often repeated, but in excellent language, and were so excellent that the whole house was mightily pleased with it all along till towards the end he comes to discover the chief of the plot of the play by the reading of a long letter, which was so long and some things (the people being set already to think too long) so unnecessary that they frequently begun to laugh, and to hiss twenty times, that, had it not been for the King's being there, they had certainly hissed it off the stage. But I must confess that, as my Lord Barkeley says behind me, the having of that long letter was a thing so absurd, that he could not imagine how a man of his parts could possibly fall into it; or, if he did, if he had but let any friend read it, the friend would have told him of it; and, I must confess, it is one of the most remarkable instances that ever I did or expect to meet with in my life of a wise man's not being wise at all times, and in all things, for nothing could be more ridiculous than this, though the letter of itself at another time would be thought an excellent letter, and indeed an excellent Romance, but at the end of the play, when every body was weary of sitting, and were already possessed with the effect of the whole letter, to trouble them with a letter a quarter of an hour long was a most absurd thing. After the play done, and nothing pleasing them from the time of the letter to the end of the play, people being put into a bad humour of disliking (which is another thing worth the noting), I home by coach, and could not forbear laughing almost all the way home, and all the evening to my going to bed, at the ridiculousness of the letter, and the more because my wife was angry with me, and the world, for laughing, because the King was there, though she cannot defend the length of the letter

Performances

Mainpiece Title: The Black Prince

Performance Comment: Edition of 1672: Prologue-the Genius of England [holding Trident in one hand and a Sword in the other; King Edward-Moon [Mohun]; King John-Wintersell; Prince-Kenniston [Kynaston]; Lord Delaware-Hart; Count Guesclin-Burt; Lord Latimer-Cartwright; Page-Beeston; Alizia-Mrs Guinn; Plantaginet-Mrs Marshall; Cleorin-Mrs Corey; Sevina-Mrs Nepp; Valeria disguised-F. Damport [Davenport]; A Lady-Betty Damport [Davenport]; Epilogue to the King-.
Cast
Role: Prince Actor: Kenniston
Related Works
Related Work: Edward the Black Prince; or, The Battle of Poictiers Author(s): William Shirley
Event Comment: Afterpiece [1st time; MF 2, by John O'Keeffe, based on Le Rival Suppose, by Germain Francois Poulain de Saint-Foix. It was written in honor of the 21st birthday, 12 Aug., of the Prince of Wales. Prologue by George Colman, the elder (Colman, Prose, m, 248)]: The Overture by Dr Arnold. Books of the Songs to be had at the Theatre. Public Advertiser, 2 Oct. 1783: This Day is published The Birth Day (1s.)

Performances

Mainpiece Title: The Separate Maintenance

Cast
Role: Lord Newbery Actor: Williamson

Afterpiece Title: The Birth Day; or, The Prince of Arragon

Performance Comment: Principal Characters by Palmer, Williamson, Wilson; Miss George, Mrs Bannister. [Cast from text (T. Cadell, 1783): Prince of Arragon-Palmer; Don Frederick-Williamson; Don Leopold-Wilson; Fiorina-Miss George; Seraphina-Mrs Bannister.] New Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi. New Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi.
Cast
Role: : Prince of Arragon Actor: Palmer
Role: Don Frederick Actor: Williamson

Dance: Afterpiece to conclude with a Grand Chorus and Dance (performers not listed)

Song: As17830613

Event Comment: As alter'd by Mr Dryden and Sir William Davenant from Shakespeare

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Performance Comment: Prospero-Furnival; Sycorax-Hallam Sen; Ferdinand-Goodfellow; Alonzo-Wignell; Antonio-Dove; Gonsalo-Lee; Hippolito-Mrs Hallam; Stephano-Hallam; Mustacho-Shuter; Trinclo-L. Hallam; Ventoso-Cushing; Miranda-Mrs Wignell; Dorinda-Miss Budgell; Ariel-Miss Moreau; Caliban-Paget; Dances-Williams, Baker, Janno, Scott; Setebos-Miles; Pluto-Brett; Demons-Williams, Janno, Baker, Tool, Fulwell; Neptune-Brett; Amphytrite-Mrs Cushing.
Cast
Role: Dances Actor: Williams, Baker, Janno, Scott
Role: Demons Actor: Williams, Janno, Baker, Tool, Fulwell
Related Works
Related Work: The Tempest; or, The Enchanted Island Author(s): Sir William Davenant
Related Work: The Tempest Author(s): William ShakespeareSir William Davenant
Event Comment: [By John Williams] At Mr Penkethman's Theatre. Benefit Author. At 6:30 p.m

Performances

Mainpiece Title: Richmond Wells; Or, Good Luck At Last

Performance Comment: Actors only listed, but edition of 1723 lists: Randome-Shephard; Loveworth-Char. Williams; Gaylove-Wilks Jr; Cheatly-Oates; Tony Souscrown-Miller; Robin-Harper; Belinda-Mrs Morgan; Mrs Fainal-Mrs Wetherilt; Prologue-W. Wilks; Epilogue-Penkethman.
Cast
Role: Loveworth Actor: Char. Williams
Related Works
Related Work: Richmond Wells; or, Good Luck at Last Author(s): John Williams

Song: Drunken Man-Harper

Dance: Drunken Man-Harper

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Hercules and Omphale

Performance Comment: Morning Chronicle, 19 Nov., notes that the Principal parts-Incledon, Quick, Munden, Fawcett, Mrs Martyr, Mrs Mountain; Part I. The Piece commences with a View of Omphale's Palace; Omphale, Queen of Lydia, seated on her Throne, surrounded by Virgins--The Princes of Dacia and Mycoene send Ambassadors, each demanding her hand in marriage--then follows the Magnificent Entry of the Two Princes; Dacians: Dacian Soldiers bearing Spears, Trophies of Armour, Egyptians bearing Presents, Musician, Dacian Officers with Trophies, The Prince of Dacia borne in a Triumphal Car drawn by War-Horses in compleat Armour. Mycoeneans: Mycoenean Officers with Swords and Shields, Armour Bearer, Women bearing Presents, Numidians with Presents, Martial Music, The Prince of Mycoene drawn in a Triumphal Car by Horses richly caparisoned. The Procession over, a Pyrrhic Dance takes place, when Thunder is heard--Jove's Eagle descends, bearing a Festoon with this inscription, "Hercules is doomed the Slave of Omphale"--Hercules enters cloathed in the hide of Nemean Lion, attended by Iolaus--he offers Presents to Omphale--she receives them with tenderness-The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber (a monster with three heads) who had desolated the adjacent country, hearing the sound of horns, lays in wait for his prey--the rival Princes are seen passing thro' the trees--Omphale and her train appear returning from the Chace--The Princes retire and plan to seize her-Cacus enters and forces her into the cave--the Princes with their Attendants attempt to seize Hercules, who for some time defends himself against their united force; nearly va quished he prays to Jupiter, when a Storm arises, thunder, lightning, hail, fire, and massey stones are seen to descend--Hercules gains the Mouth of the Cavern, and thus defends himself from the Storm and his Assailants--Screams are heard within the Cavern--the Prince of Dacia bearing off Omphale, the Prince of Mycoene forces her from him, and after slaying the Prince of Dacia, escapes with his conquest--the Tempest ceases--Hercules and Cacus come from the Cave, a Combat ensues, in which Hercules vanquishes the Robber--He then pursues the Prince of Mycoene, and is informed by Iolaus, that Omphale is shut up in the city of Mycoene--Catapultas, Battering Rams, are prepared, and the Scene changes to The Town and Fortifications of Mycoene. Hercules at the head of his Army summons it to surrender--the Prince brings Omphale on the Battlements bound in Chains-The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Cast
Role: The Prince of Dacia borne in a Triumphal Car drawn Actor: Horses in compleat Armour. Mycoeneans: Mycoenean Officers with Swords and Shields, Armour Bearer, Women bearing Presents, Numidians with Presents, Martial Music, The Prince of Mycoene drawn in a Triumphal Car by Horses richly caparisoned. The Procession over, a Pyrrhic Dance takes place, when Thunder is heard--Jove's Eagle descends, bearing a Festoon with this inscription, "Hercules is doomed the Slave of Omphale"--Hercules enters cloathed in the hide of Nemean Lion, attended by Iolaus--he offers Presents to Omphale--she receives them with tenderness-The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber
Role: she receives them with tenderness Actor: The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber
Role: The Princes retire and plan to seize her Actor: Cacus enters and forces her into the cave--the Princes with their Attendants attempt to seize Hercules, who for some time defends himself against their united force
Role: the Prince brings Omphale on the Battlements bound Actor: The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Related Works
Related Work: Hercules and Omphale Author(s): William Shield
Event Comment: By Command of His Royal Highness the Prince of Wales. Account Book: Present Prince and Princess of Wales, Lady Augusta, Princess Elizabeth, Prince Edward, Prince Frederick. [See also 25 Nov.] Receipts: #171 13s. (Account Book)

Performances

Mainpiece Title: King Henry V : With The conquest Of The French At Agincourtv

Performance Comment: Henry-Smith; Exeter-Ridout; Gloucester-Bennet; Bedford-Holtom; Salisbury-Bencraft; Westmoreland-Buck; Canterbury-Sparks; Fluellin-Arthur; Ely-Wignell; Scroop-R. Smith; Gower-Anderson; Bardolph-Marten; Pistol-Dyer; Erpingham-Redman; Macmorris-Barrington; Nym-Stoppelaer; Falstaff's Boy-Miss Mullart; France-Gibson; Burgundy-Cushing; Dauphin-White; Mountjoy-Baker; Isabel-Mrs Stephens; Hostess-Mrs Pitt; Williams (the English Soldier)-Dunstall; Catharine-Mrs Hamilton; Chorus-Ryan.
Cast
Role: Williams Actor: Dunstall

Afterpiece Title: Catherine and Petruchio

Related Works
Related Work: Catherine and Petruchio Author(s): William Shakespeare
Related Work: Sauny the Scot; or, The Taming of a Shrew Author(s): William Shakespeare

Dance: Several New Entertainments-Guerin, Mlle Capdeville

Performances

Mainpiece Title: King Henry The Fourth, Part I

Performance Comment: King-Thurmond; Prince-Wilks; Hotspur-Booth; Dowglass-Williams; Vernon-Walker; Falstaff-Mills; Carriers-Johnson, Miller; Francis-Norris; Lady Percy-Mrs Booth; Hostess-Mrs Hunt.
Cast
Role: Prince Actor: Wilks
Role: Dowglass Actor: Williams
Related Works
Related Work: King Henry the Fourth: With the Humours of Sir John Falstaff Author(s): William Shakespeare
Related Work: Henry the Fourth, Part I Author(s): William Shakespeare
Related Work: The Siege of Rhodes, Part I Author(s): Sir William Davenant
Related Work: The Siege of Rhodes, Part II Author(s): Sir William Davenant
Related Work: Henry ye Fourth, Part II Author(s): William Shakespeare
Related Work: Henry the Sixth: The First Part, With The Murder of Humphrey Duke of Glocester Author(s): William Shakespeare
Related Work: The Misery of Civil War Author(s): William Shakespeare
Event Comment: Benefit Hallam, Rob. William, and Miss Tynte. Written by Shakespear. Th. Cibber (Lives and Characters, pp. 49-49): I remember, some Years ago, on Mr Giffard's coming from Ireland (then a young Actor) Mr Booth performed the Character of Hotspur one Night, when Mr Giffard played the Part of the Prince of Wales ; Mr Booth knowing Mr Giffard must be naturally prejudiced in favour of Mr Thomas Elrington, to whose Performance in Hotspur he had many times attended with no small Admiration-Mr Booth, piqued on this Occasion, exerted himself in a particular Manner, and played the whole Part with such Fire, and Engergy of Spirit, as rouzed his Auditors to an Extravagance of Applause, and made Mr Giffard confess (as he has often done in my Hearing) that, notwithstanding his Prepossession in favour of Mr Elrington,-Mr Booth, in Power, Spirit, and Judgment, went far beyond him in this Part; as he afterwards, with Admiration confessed,-he did in every other

Performances

Mainpiece Title: King Henry The Fourth, Part I

Cast
Role: Prince of Wales Actor: Wilks
Related Works
Related Work: King Henry the Fourth: With the Humours of Sir John Falstaff Author(s): William Shakespeare
Related Work: Henry the Fourth, Part I Author(s): William Shakespeare
Related Work: The Siege of Rhodes, Part I Author(s): Sir William Davenant
Related Work: The Siege of Rhodes, Part II Author(s): Sir William Davenant
Related Work: Henry ye Fourth, Part II Author(s): William Shakespeare
Related Work: Henry the Sixth: The First Part, With The Murder of Humphrey Duke of Glocester Author(s): William Shakespeare
Related Work: The Misery of Civil War Author(s): William Shakespeare

Afterpiece Title: The Stage Coach

Related Works
Related Work: The Stage Coach Opera Author(s): William Chetwood

Dance: Thurmond, Boval, Mrs Brett, Miss Tenoe, Young Rainton, Miss Robinson

Performances

Mainpiece Title: King Richard The Third

Performance Comment: Richard-Delane; Henry VI-Giffard; Edward Prince of Wales-Master Giffard; Richard Duke of York-Master Huddy; Richmond-Bardin; Buckingham-W. Giffard; Stanly-Rosco; Ratcliff-Jenkins; Catesby-Havard; Tressel-Huddy; Mayor-Morgan; Tirrel-Williams; Norfolk-Smith; Blunt-Bullock; Lady Anne-Mrs Giffard; Queen Elizabeth-Mrs Roberts; Dutchess of York-Mrs Haughton.
Related Works
Related Work: The Tragical History of King Richard III Author(s): William Shakespeare

Afterpiece Title: Flora

Dance:

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard III-Delane; Henry VI-Giffard; Edward Prince of Wales-Master Giffard; Duke of York-Miss Cole, who performed the young Princess in Anna Bullen; Richmond-Bardin; Buckingham-W. Giffard; Stanley-Rosco; Tressel-Huddy; Catesby-Havard; Ratcliff-Jenkins; Norfolk-Winstone; Blunt-James; Tirrel-Williams; Forest-Dove; Mayor-Penkethman; Lady Anne-Mrs Giffard; Queen Elizabeth-Mrs Roberts; Dutchess of York-Mrs Haughton; A New Epilogue to be spoken-Mrs Hamilton.
Related Works
Related Work: The Tragical History of King Richard III Author(s): William Shakespeare

Afterpiece Title: The Mock Doctor

Afterpiece Title: The Amorous Sportsman

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Barry, 1st time; King Henry-Ryan; Richmond-Ridout; Stanley-Anderson; Norfolk-Gibson; Ratcliff-Bennet; Catseby-White; Buckingham-Sparks; Tressel-Dyer; Lord Mayor-Marten; Lieut. of the Tower-Cushing; Oxford-Bencraft; Blunt-Redman; Prince Edward-Miss Mullart; Duke of York-Miss Hallam; Sir William Brandon-Wignel; Tyrrel-Dunstall; Forrest-Holtom; Dighton-R. Smith; Lady Anne-Miss Nossiter; Duchess of York-Mrs Elmy; Queen-Mrs Woffington.
Related Works
Related Work: The Tragical History of King Richard III Author(s): William Shakespeare

Afterpiece Title: A Duke and no Duke

Dance: As17561217