SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "old Cibber"/1) | (@(roleclean,performerclean) "old Cibber")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3427 matches on Performance Comments, 2731 matches on Author, 989 matches on Performance Title, 757 matches on Event Comments, and 0 matches on Roles/Actors.
Event Comment: From the Small Portico are Entrances to the Pit and One Shilling Gallery only [and see 19 Sept.]. In the Old Passage from the Piazza are new Entrances to the Boxes, Pit and Two Shilling Gallery. The only Entrance to the Two Shilling Gallery is in the Passage from the Piazza. [Beginning with 5 Oct. the playbills have: Upper Gallery 1s. 2nd Price 6d.] Receipts: #336 4s

Performances

Mainpiece Title: Othello

Afterpiece Title: The Irishman in London

Cast
Role: Goldfinch Actor: Lewis

Performances

Mainpiece Title: Columbus

Cast
Role: Roldan Actor: Macready

Afterpiece Title: Harlequin's Museum

Performance Comment: As17921231, but Lieutenant-Davies; Old England forever!-Davies; God save the King-_Spofforth.

Dance: As17921226

Performances

Mainpiece Title: A Grand Selection 0

Afterpiece Title: Grand Selection 1

Performance Comment: Entirely selected from L'Allegro ed il Penseroso; First Grand Concerto-; Come thou goddess-Incledon; Come and trip it as you go-Miss Sharp, Chorus; Haste thee nymph-Incledon, Chorus; First and chief, Sweet bird-Mrs Crouch; accompanied on the violin-G. Ashley; Mirth admit me of thy crew-Bartleman; with corno obligato-Leander; Oft on a plat-Incledon; If I give thee honour due-Kelly; Let me wander not unseen, Let the merry bells-Mrs Crouch; And young and old-Chorus.
Cast
Role: And young and old Actor: Chorus.

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End Part II: a trio for violin viola and violoncello-G. and R. and C. Ashley

Event Comment: Benefit for Johnstone. Afterpiece [1st time; MF 2. Larpent MS 980; not published]: By a Gentleman of the Bar [Horatio Edgar Robson]. The Story partly founded on the celebrated old Scotch Ballad of the Heir of Lynne. The Irish, Scotch, Italian and French Airs selected, and the new Music and Medley Overture composed by Reeve. Books of the Songs to be had at the Theatre. Morning Herald, 24 Apr.: Tickets to be had of Johnstone, No. 19, Piazza, Covent-Garden. Receipts: #488 9s. 6d

Performances

Mainpiece Title: Inkle And Yarico

Related Works
Related Work: Inkle and Yarico Author(s): Samuel Arnold

Afterpiece Title: Money at a Pinch; or, The Irishman's Frolicks

Dance: End: The Merry Sailors-

Song: In afterpiece: the following songs (incidental to the Piece) The Row, The Land of Potatoes, My sweetest Honoria (to a favorite air of Carolan's)-Johnstone

Performances

Mainpiece Title: The Road To Ruin

Cast
Role: Goldfinch Actor: Lewis

Afterpiece Title: MOTHER SHIPTON TRIUMPHANT; or, Harlequin's Museum

Performance Comment: Harlequin-Boyce; Clodpole-Follett; Squire Foxchase-Farley; Paddy Roony O'Gaffey-Rock; Lieutenant (with Old England forever)-Davies; Cobler (with a new song in character)-Fawcett; Skaiters (with This bleak and frosty Morning)-Gray, Linton; Mother Shipton (with songs) Richardson//Colombine-Mme Rossi .

Dance: In afterpiece The Burlesque Pas de Russe by Byrn and Miss Smith; Hornpipe by Holland

Song: In afterpiece God save the King by Gray, Linton, Street, Kendrick, Little, Miss Barnett, Miss Stuart, &c

Related Works
Related Work: Alexander the Little; or, The Rival Queans Author(s): Colley Cibber
Related Work: The Enchanted Wood Author(s): Samuel Arnold

Monologue: 1793 11 19 End of mainpiece An Occasional Address, in the character of Goldfinch, by Lewis

Event Comment: A new Comic Opera; the music by Cimarosa, under the direction of Federici. The music of both dances by Miller. With entirely new Dresses, Scenes and Decorations, both in the Theatre itself, and in the Representations. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. No Money to be returned. The Subscribers are respectfully entreated to observe that they are to produce their Tickets at the doors. The Doors to be opened at 6:30. To begin at 7:30 [same throughout season, except on 15 May). The Ladies at the Head of the Boxes arc respectfully reminded that such Boxes as shall not be paid for at the opening of the Theatre become then vacant, and may be claimed by any of the old Subscribers. No one to be admitted behind the scenes. For the greater Safety of the Company in coming and going out of the Theatre Mr Townsend has taken charge of the Peace Officers, and will himself attend every night of Performance. [Morning Herald, 12 Jan., notes than the original gallery is now divided into two, a lower and an upper, and that the chief colors used in the repainting of the auditorium are blue, white and gold. Ibid, 13 Jan.: The scenes [in the opera], which were entirely new, have never been exceeded in splendour of general effect...One, representing the hall of an Italian villa, shews a ceiling designed like that of the theatre itself [which the same newspaper, 4 Jan., describes as being Apollo and the Muses, in a cove enriched with allegorical figures, flowers, and medals, in chiaroscuro].]

Performances

Mainpiece Title: Il Matrimonio Segreto

Dance: End of Act I a new Divertisement, composed by Noverre [performers not listed]; End of Act II a new Pantomimic Ballet, composed by Noverre, Adelaide; ou, La Bergere des Alpes, by Aumer, Gentili, Mme Del Caro, Mlle Hilligsberg, Mme M. L. Hilligsberg Sen

Related Works
Related Work: Cinna's Conspiracy Author(s): Colley Cibber

Performances

Mainpiece Title: Marian

Performance Comment: As17931118, but added to Sir Henry Freeman: With a new song [Old Towler (see17940407)]; omitted: Oliver .

Afterpiece Title: THE SIEGE OF BERWICK

Performances

Mainpiece Title: The Travellers In Switzerland

Afterpiece Title: THE DEAF LOVER

Performance Comment: Meadows-Munden; Groom-Blanchard; Canteen- Bernard; Young Wrongward-Macready; Old Wrongward Powel; John-Thompson; Sternhold-Rees; James-Farley II Sophia-Miss Chapman; Maid-Mrs Watts; Betsey Blossom-Mrs Martyr .
Cast
Role: Sternhold Actor: Rees

Performances

Mainpiece Title: Alexander's Feast

Performance Comment: Principal Vocal Performers, Leader, Organ as17940307ART I. Overture. 'Twas at the royal. Happy pair. Timotheus plac'd. The song began. The list'ning croud. With ravish'd ears. The praise of Bacchus. Bacchus ever fair. Bacchus' blessings. Sooth'd with the sound. He chose a mournful. He sung Darius. With downcast looks. Behold Darius. The mighty master. Softly sweet, accompanied on the violoncello by C. Ashley. War, be sung. The many rend. The prince unable. PART II. Now strikes the golden. Break his bands. Hark, hark! Revenge, revenge. Behold a ghastly band. Give the vengeance. Thais led the way. The Princes applaud. Thus long ago. At last divine Cecilia. Your voices tune. Let's imitate her notes. Let old Timotheus. PART III. A GRAND MISCELLANEOUS ACT. Overture and March (SCIPIO). He measureth the waters and He layeth the beams by Bartleman (REDEMPTION). O let eternal Honors and From mighty Kings by Miss Parke (JUDAS MACCABAEUS). Softly rise O southern breeze by Incledon; Ye Southern breezes by Chorus (SOLOMON, by Boyce). Bravura Song by Mme Mara. The Lord shall reign by Chorus; And Miriam and Sing ye to the Lord by Mme Mara; The horse and his Rider by Double Chorus (ISRAEL IN EGYPT). To conclude with God save Great George our King and Rule Britannia .

Music: End of Part I Giardini's Sixth Concerto on the Violin by G. Ashley

Performances

Mainpiece Title: L'allegro Ed Il Pensieroso

Performance Comment: Principal Vocal Performers, Leader, Organ as17940307ART I. Fifth Grand Concerto. Hence! loathed. Hence! vain deluding. Come, thou goddess. Come rather, goddess. Haste thee nymph. Come, and trip it. Come, pensive man. Come, but keep. Join with thee. Hence! loathed. And if I give thee honor. Mirth admit me. First and chief. Sweet bird, accompanied on the violin by G. Ashley. If I give thee honor. Mirth admit me, corno obligato by Shutze. Oft on a plat. If I give thee honor. Let me wander. Or let the merry bells. And young and old. PART II. Hence, vain deluding. But O, sad virgin, accompanied on the violoncello by C. Ashley. Thus night, oft see me. Populous cities please. There let Hymen. Me when the sun. Hide me from day's. As steals the morn. These delights if thou canst give. PART III. A GRAND MISCELLANEOUS ACT. Fourth Oboe Concerto. The Lord worketh wonders by Bartleman (JUDAS MACCABAEUS). In sweetest harmony by Mme Mara; O fatal day by Chorus (SAUL). Disdainful of danger by Incledon, Hill, Linton (JUDAS MACCABAEUS). When the sun by Florio (ISRAEL IN EGYPT). May no rash intruder by Chorus (SOLOMON). The soldier tired [from ARTAXERXES, by Dr Arne] by Mme Mara. Kings shall be thy nursing fathers by Grand Chorus ([CORONATION] ANTHEMS). To conclude with God save Great George our King and Rule Britannia .

Music: As17940319athi

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers as17940319but added: Miss Mason (1st appearance in public). Leader as17940312ART I. Overture (ATALANTA). Shall I in Mamre's? by Meredith; For all these Mercies by Chorus (JOSHUA). Come ever smiling liberty by Miss Leak (JUDAS MACCABAEUS). Together let us range by Harrison and Sga Storace (Boyce). How vain is man by Dignum (JUDAS MACCABAEUS). O Baal by Chorus (DEBORAH). Let the bright Seraphim by Sga Storace; Let their celestial Concerts all unite by Chorus (SAMSON). PART II. From L'ALLEGRO IL PENSEROSO. Hence! loathed melancholy by Harrison. Hence! vain deluding joys by Mrs Crouch. Come thou, goddess fair by Harrison. Come rather goddess, sage by Mrs Crouch. Haste thee nymph by Kelly and Chorus. Come and trip it by Mrs Bland and Chorus. Come pensive nun and Come, but keep thy wonted state by Mrs Bland. Join with thee calm peace and quiet by Chorus. Hence loathed melancholy and Mirth admit me of thy crew by Miss Leak. First and Chief and Sweet Bird, accompanied on the flute by Ashe, by Mrs Crouch. If I give thee honour due and Mirth admit me of thy crew by Meredith. Oft on a plat by Harrison. If I give thee honour and Let me wander by Master Welsh. And young and old by Chorus. PART III. The depths have covered them by Chorus (ISRAEL IN EGYPT). Ye men of Gaza by Mrs Crouch (SAMSON). 'Twas at the Royal Feast by Kelly; Happy, happy pair by Kelly and Chorus (ALEXANDER'S FEAST). Hope told a flattering tale by Miss Mason, accompanied on the harp by Meyer Jun. [Paisiello]. Pour forth by Meredith (JEPHTHA). When warlike Ensigns by Master Welsh (OCCASIONAL ORATORIO). From the Censer by Chorus (SOLOMON) .

Music: End of Part II concerto on the violin by Giornovichi

Performances

Mainpiece Title: Everyone Has His Fault

Afterpiece Title: THE TWO MISERS

Music: End of Act II of mainpiece concerto on the Piano Forte, composed by Krumpholtz, accompanied by the Full Band, by Miss Poole

Song: End of Act IV of mainpiece Mad Bm, in character, by Miss Poole

Performances

Mainpiece Title: The Road To Ruin

Cast
Role: Goldfinch Actor: Lewis

Afterpiece Title: ROSINA

Performance Comment: As17931107, but Belville (for that night only, with Old Towler)-Incledon; Captain Belville-Townsend; William (for that night only, with The Brown Jug)-Mrs Clendining//Rosina-Mrs Clendining's Sister (1st appearance on any stage [Miss Arnold]) .Miss Arnold]) .

Afterpiece Title: THE SHIPWRECK

Related Works
Related Work: The Shipwreck Author(s): Samuel James ArnoldSamuel Arnold

Performances

Mainpiece Title: She Stoops To Conquer

Related Works
Related Work: She Stoops to Conquer; or, The Mistakes of a Night Author(s): Oliver Goldsmith

Afterpiece Title: Rosina

Performance Comment: Belville-Johnstone; Capt. Belville-Incledon; Old Towler ,composed by Shield-Incledon; William-Townsend; Rustic-Davies; Irish Haymaker-Rock; Phoebe-Mrs Martyr; Dorcas-Mrs Davenport; Rosina-Miss Poole.

Performances

Mainpiece Title: The Rage

Related Works
Related Work: The Rage! Author(s): Frederick Reynolds

Afterpiece Title: Marian

Performance Comment: Edward-Johnstone; Sir Henry Freeman (with Old Towler)-Incledon; Robin-Townsend; Thomas-Gray; Jamie-Powel; Peggy-Mrs Mountain; Patty-Mrs Martyr; Marian-Miss Poole.

Performances

Mainpiece Title: The Telegraph

Afterpiece Title: The Comedy of Errors

Afterpiece Title: The Miser

Performance Comment: Lovegold-Quick; Frederick-Farren; Taylor-Wilde; James-Rees; Lawyer-Rock; Satin-Abbot; Ramille-Bernard; Mariana-Mrs Mountain; Lappet-Mrs Mattocks.
Cast
Role: Lovegold Actor: Quick

Afterpiece Title: The Devil to Pay

Performance Comment: Jobson (for that night only)-Hughes (Manager of the Theatre Royal, Weymouth); Sir John Loverule (with Old Towler)-Incledon (1st appearance in that character); Butler-Townsend; Coachman-Rock; Cook-Rees; Lady Loverule-Mrs Fawcett; Lucy-Miss Stuart; Lettice-Miss Leserve; Nell-Mrs Mattocks (1st appearance in that character).
Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Song: III 2nd piece: song in character-Mrs Clendining

Performances

Mainpiece Title: Bonduca, Queen Of The Britons

Afterpiece Title: He Wou'd be a Soldier

Cast
Role: Sir Oliver Oldstock Actor: Powel

Entertainment: Monologues and Singing. III: [in the Temple of the Druids Britons Strike Home- [by Purcell for this Play; Vocal Parts-Incledon, Bowden, Linton, Street, Williamson, Sawyer, Tett, Kenrick, Little, Miss Stuart, Mrs Watts, Miss Leserve, Mrs Lloyd, Mrs Bayzand; End: [Recitation and Music, selected from the Performances at Free-Masons Hall. Sally in our Alley-Incledon; [Dryden's Ode of Alexander's Feast [monologue]-Holman; My mother had a maid called Barbara (words from Shakespeare [Othello, IV, iii], composed by Shield)-Incledon, Townsend, Linton, Mrs Clendining; The Equivalent (composed by Reeve)-Fawcett; Black@ey'd Susan-Incledon; [Collins's Ode on the Passions [monologue]-Pope; The Waiter (composed by Reeve)-Fawcett; Old Towler-Incledon

Performance Comment: III: [in the Temple of the Druids Britons Strike Home- [by Purcell for this Play; Vocal Parts-Incledon, Bowden, Linton, Street, Williamson, Sawyer, Tett, Kenrick, Little, Miss Stuart, Mrs Watts, Miss Leserve, Mrs Lloyd, Mrs Bayzand; End: [Recitation and Music, selected from the Performances at Free-Masons Hall. Sally in our Alley-Incledon; [Dryden's Ode of Alexander's Feast [monologue]-Holman; My mother had a maid called Barbara (words from Shakespeare [Othello, IV, iii], composed by Shield)-Incledon, Townsend, Linton, Mrs Clendining; The Equivalent (composed by Reeve)-Fawcett; Black@ey'd Susan-Incledon; [Collins's Ode on the Passions [monologue]-Pope; The Waiter (composed by Reeve)-Fawcett; Old Towler-Incledon.
Cast
Role: Old Towler Actor: Incledon.
Event Comment: Benefit for Mrs Martyr. By Special Desire of the Turkish Ambassador [Yussuf Adijah Effendi]. 2nd piece [1st time; M. INT 1, probably by William Pearce. Text (Glindon and Co., 1795)]: The Music composed by Shield, Reeve, &c. The Dance and Procession by Byrn. With a Naval Medley Overture composed by Dr Arnold. In the course of the Piece will be represented the Engagement in which the brave Captain Robert? Faulknor fell [in an action off Guadeloupe on 5 Jan. 1795] between the English Frigate the Blanche and the French Frigate La Pique. To conclude with the Funeral Procession of Capt. Faulknor (composed by Byrn), accompanied by a new Dead March (composed by Shield). Morning Chronicle, 21 Apr.: Tickets to be had of Mrs Martyr, No. 16, Martlett-court, Bow-street, Covent-garden. Receipts: #402 10s. (201.0; 5.19; tickets: 195.11)

Performances

Mainpiece Title: The Bank Note

Afterpiece Title: The Death of Captain Faulknor; or, British Heroism

Afterpiece Title: Tom Thumb

Performance Comment: As17941010, but Huncamunca-Mrs Clendining; Doodle-_; Noodle-_. [Young Standen billed as: A child only six years old.]Young Standen billed as: A child only six years old.]

Song: Incidental to 1st piece: The Irishman's Peep at the Continent-Johnstone; In course: Black Eyed Susan-Incledon; In course 2nd piece: [Larpent MS 1079 states, correctly, that most of the songs were "Sung in Arrived at Portsmouth"] Glee-Incledon, Linton, Bowden (Shield); With pride we steer for Britain's Coast-Incledon (Shield); O bring me wine-Bowden (Shield); A description of the Irish way of settling a Quarrel-Johnstone (Reeve); Negro Song-Mrs Martyr (Reeve); Description of a Cockney-Munden (Reeve); Hail to the Brave-Johnstone, Bowden, Incledon (Shield)

Entertainment: End II: Imitations of several favorite Vocal Performers-Mrs Wells; End 1st piece: Imitations of two celebrated Tragic Actresses-Mrs Wells (positively her last appearance in public)

Performances

Mainpiece Title: The Deserted Daughter

Afterpiece Title: Rosina

Performance Comment: As17950319but Belville-Incledon; Capt. Belville-Davies; Old Towler-_; Rustic-Powel.

Afterpiece Title: The Tythe Pig

Performances

Mainpiece Title: The Follies Of A Day

Cast
Role: Catalina Actor: Mrs Arnold

Afterpiece Title: The Irish Widow

Afterpiece Title: A Masque, In Honor of the Nuptials of His Royal Highness [the Prince of Wales with Caroline Princess of Brunswick on 8 April 1795]

Performance Comment: Principal Musical Characters-Townsend, Linton, Street, Williamson, Miss Kirton, Mrs Castelle, Mrs Arnold, Miss Stuart, Mrs Norton, Miss Leserve, Mrs Masters, Mrs Clendining. [Larpent MS lists the parts: Neptune, Tritons, Venus, Sea Nymphs.]Larpent MS lists the parts: Neptune, Tritons, Venus, Sea Nymphs.]
Related Works
Related Work: The Harlot's Progress; or, The Ridotto Al' Fresco: With a Grand Masque call'd, The Judgment of Paris; or, The Triumph of Beauty Author(s): Theophilus Cibber

Afterpiece Title: The Poor Soldier

Performance Comment: As17940919, but Dermot (for that night only)-Mrs Clendining; Fitzroy (with Old Towler)-Incledon.

Dance: In 3rd piece: a Grand Dance-Byrn, Holland, Mlle St.Amand, Mme Rossi

Song: End I 2nd piece: The Richmond Primrose Girl (Music by Spofforth-Poetry by William Pearce, Esq.) sung in character-Mrs Clendining

Performances

Mainpiece Title: The Dramatist

Related Works
Related Work: The Dramatist; or, Stop Him Who Can Author(s): Frederick Reynolds

Afterpiece Title: Robin Hood

Song: End: An Irishman's Tour thro' London or, Tully's Vocal and Rhetorical Description of Westminster Abbey, St, James's, St. Paul's, The Tower, A Quarrel, A Masquerade-Johnstone; Old Towler, The Storm-Incledon

Performance Comment: Paul's, The Tower, A Quarrel, A Masquerade-Johnstone; Old Towler, The Storm-Incledon.

Performances

Mainpiece Title: King Lear

Afterpiece Title: Rosina

Performance Comment: Belville-Johnstone; Captain Belville (with Old Towler, composed by Shield)-Incledon; William-Townsend; Rustic-Haymes; Irish Haymaker-Macready; Phoebe-Mrs Martyr; Docas-Mrs Davenport; Rosina-Mrs Clendining.

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Marian

Performance Comment: Edward-Johnstone; Sir Henry Freeman (with Old Towler)-Incledon; Robin-Townsend; Thomas-Haymes; Jamie-Powel; Peggy-Mrs Mountain; Patty-Mrs Martyr; Marian-Mrs Serres (1st appearance in that character).
Event Comment: By Permission of the Lord Chamberlain. Benefit for Wilkinson. Mainpiece [T 3, by John Penn, 1st acted at Richmond, Feb. 1796. Prologue by the author (see text)]: A New Historical Play in 3 Acts (with songs [by John Wall Callcott]). Morning Herald, 11 Apr.: This Day is published The Battle of Eddington, as acted at the Haymarket and at Richmond (1s. 6d.). Tickets to be had of Wilkinson, No. 14, Mary-le-bone-street, Golden-square. The Doors to be opened at 5:30. To begin at 6:30

Performances

Mainpiece Title: The Battle Of Eddington; Or, British Liberty

Performance Comment: Partial cast from Morning Herald, 30 Mar.: Alfred-Clifford; Ceoluph-Wilkinson; Queen-Mrs Sidney; [Text (Elmsley [et al], 1796) lists the parts: Alfred King of England; Mervin, his dependent, Prince of South Wales; Ethelred, General of the English; Ceoluph, English Nobleman; Danish Captain of Auxiliaries; Ceoluph's Vassal; Edmund, Son and Heir of Alfred then very young; Elsitha, Queen of England; Editha, an Old Woman inhabiting the Cottage. Prologue-Wilkinson.

Afterpiece Title: Who's the Dupe

Entertainment: Monologue.End: Collins's Ode on the Passions-Wilkinson