SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "lord Monmouth"/1) | (@(roleclean,performerclean) "lord Monmouth")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1659 matches on Performance Comments, 578 matches on Event Comments, 110 matches on Performance Title, 43 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [T$Their Majesties, Prince, Duke, Princesses, and Duke of Lorrain present. See Lord Hervey and His Friends, p. 103.

Performances

Mainpiece Title: The Recruiting Officer

Event Comment: [T$Their Majesties and the Royal Family present. See also Lord Hervey and his Friends, pp. 114-15.

Performances

Mainpiece Title: Porus

Event Comment: [T$Their Majesties, Prince, Prince William, Princess Royal, the young Princesses, and Duke of Lorrain present. See also Lord Hervey and his Friends, p. 115.

Performances

Mainpiece Title: Porus

Event Comment: By Command of His Royal Highness. [Prince of Wales, Lord Malpas, Marquis of Caernarvan present.

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Devil to Pay

Dance:

Event Comment: For an amusing account of the performance, see Lord Hervey and his Friends, p. 69. Hervey's letter is dated 4 April 1731 by the editor, but 4 January 1732 must almost certainly be the correct date

Performances

Mainpiece Title: Henry Viii

Afterpiece Title: The Lottery

Event Comment: For a comment on the season's operas, see See and Seem Blind...In a Letter from Lord B-to A-H-Esq. (London, 1732), part of which is reproduced in Deutsch, Handel, pp. 300-301

Performances

Mainpiece Title: Lucius Papirius

Event Comment: A New Opera. [Text by Pietro Metastasio. Done into English by Humphreys. Music presumably by Leonardo Leo.] Pit and Boxes at half a guinea. [Their Majesties, Prince, and three eldest Princesses present.] See also Lord Hervey and his Friends, pp. 145-46. Daily Advertiser, 6 Nov.: There were present a very numerous Audience; and Signora Celeste Gismondi, who lately arriv'd here, perform'd a principal Part in it with universal Applause. We hear that this Opera was not compos'd by Mr Handell, but by some very eminent Master in Italy

Performances

Mainpiece Title: Cato

Event Comment: DDaily Advertiser, 22 Nov.: A Latin Play of Terence's, call'd Eunuchus; the Theatre was newly built by the said Mr Galliardy, and is large enough to contain 150 Spectators; the Scenes were all new, and the House neat and well lighted; the Performers were young Lords, and Sons of Gentlemen of Distinction, whose Propriety of Speech and Justness of Action, exceeded all that had ever been done of the kind; the Dresses were exceeding rich, and after the Eastern Fashion; the Decorations handsome, and every thing performed...to the intire Satisfaction and Applause of the Audience

Performances

Mainpiece Title: Eunuchus

Event Comment: Benefit Mrs Porter. By Their Majesties' Command. Pit and Front Boxes put together at 5s. [For an account of this performance, see Lord Hervey and his Friends, pp. 156-57. Mrs Theophilus Cibber died on this day.

Performances

Mainpiece Title: The Unhappy Favourite

Dance: Essex, Haughton, Mrs Walter, Miss Robinson

Event Comment: Written by the late Mr Gay. Receipts: #163 12s. [See Lord Hervey and his Friends, pp. 162-63.

Performances

Mainpiece Title: Achilles

Event Comment: By His Majesty's Command. A New Oratorio in English. Composed by Mr Handel. And to be perform'd by a great Number of the best Voices and Instruments. The House to be fitted up and illuminated in a new and particular manner. Tickets One Guinea. Gallery Half a Guinea. [Text by Samuel Humphreys. Their Majesties, Prince, and three eldest Princesses present.] Daily Advertiser, 20 March: An Entertainment, perhaps, the most magnificent that has ever been exhibited on an English Theatre....The Composition of the Musick is by no means inferior to the most finish'd of that Gentleman's Works; but the Disposition of the Performers was in a Taste beyond what has been attempted. There was a very great Number of Instruments by the best Hands, and such as would properly accompany three Organs. The Pit and Orchestre were cover'd as at an Assembly, and the whole House Illuminated in a new and most beautiful manner. [See also Lady A. Irwin to Lord Carlisle, in Deutsch, Handel, pp. 309-10.

Performances

Mainpiece Title: Deborah

Event Comment: At the Desire of several Persons of Quality. Applebee's, 31 March: On Thursday 7-Night last at the Performance of...Love runs all Dangers...one of the Commedians took the Liberty to throw out some Reflections upon the Prime Minister and the Excise, which were not design'd by the Author; Lord Walpole being in the House, went behind the Scenes, and demanded of the Prompter, whether such Words were in the Play, and he answering they were not, his Lordship immediately corrected the Comedian with his own Hands very severely

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Love Runs All Dangers

Dance: End of Mainpiece: Hornpipe-Jones Sr; Concluding with a Dutch Skipper-Jones Sr, Jones Jr

Event Comment: DDaily Advertiser, 28 March: Their Majesties, together with his Royal Highness the Prince of Wales, and the Princesses were again...to see Deborah...at which was likewise present one of the most numerous Audiences of Nobility and Persons of Distinction that has been ever seen in any Theatre. Egmont, Diary, I, 345: It was very magnificent, near a hundred performers, among whom about twenty-five singers. [See also Lady A. Irwin to Lord Carlisle, in Deutsch, Handel, pp. 309-10.

Performances

Mainpiece Title: Deborah

Event Comment: DDaily Post, 29 May: We are assur'd that there will be no more Plays acted this Season at [dl], and we hear that there was Yesterday no Play acted...as had been advertiz'd for that Day; the Occasion we are inform'd was, that at Midnight on Saturday last several persons arm'd took Possession of the same, by Direction from some of the Patentees, and lock'd up and barricado'd all the Doors and Entrances thereunto, against the whole Company of his Majesty's Comedians, as also against Mr Cibber, Jun. notwithstanding he had paid to one of the Patentees several hundred Pounds for one third Part of the Patent, Cloaths, Scenes, &c. and all Rights and Privileges thereunto annexed, for a certain Term not yet expired. Mr Cibber, Jun. and the rest of the Company of Comedians, and this Morning to wait upon his Grace the Duke of Grafton, Lord Chamberlain of his Majesty's Houshold, with their humble Petition, and the Representation of their Cast, and to beg his Grace's Favour and Protection

Performances

Mainpiece Title: Henry Viii

Afterpiece Title: The Harlot's Progress

Event Comment: Lady Bristol to Lord Bristol, 3 Nov.: I am just come home from a dull empty opera, tho' the second time; the first was full to hear the new man, who I can find out to be an extream good singer; the rest are all scrubbs except old Durastante, that sings as well as ever she did. Letter Books of John Hervey, III, 108

Performances

Mainpiece Title: Semiramis

Event Comment: At the Desire of several Ladies of Quality. Daily Advertiser, 20 Nov.: Yesterday Mr Harper was brought up to the Court of King's Bench . . . but the Right Hon. the Lord Hardwicke, Chief Justice, perceiving . . . that it might probably take up a long time to hear [the Counsels'] several Arguments, was pleas'd to put off the Affair till this Morning

Performances

Mainpiece Title: The Provok'd Husband

Music: Second Musick: 1st Concerto of Corelli. Third Musick: Overture compos'd by Handel for the Opera of Alexander. I: A Concerto call'd The Cuckoo by Vivaldi

Dance: II: La Basetelle by Essex, and Miss La Tour. In V: Les Amants Constants by Essex, Houghton, Miss Robinson, F. Tench, Holt, Miss Mann, Miss Brett

Song: II: Limpio Rigor del Fato and Was Ever Nymph Like Rosamond by Miss Arne. IV: Per le Porte del Tormento by Miss Arne and Master Arne

Event Comment: Daily Journal, 21 May: We hear that the Mad Company at the Haymarket design to keep up that Character, by performing the Beggar's Opera in Roman Dresses, and exhibiting Hurlothrumbo, in which Mrs Charke attempts the Character of Lord Flame

Performances

Mainpiece Title:

Performances

Mainpiece Title: Arlequin Astrologue, Ramoneur, Statue, Enfant, & Negre: With The Scene Of The Skelleton

Performance Comment: Cast not listed. And by Way of Prologue: Le Baron de la Crasse; or, My Lord Sloven. Le Baron-Francisque, unmask'd .

Dance:

Event Comment: Benefit Carlo Broschi Farinello. With several Alterations and Additions. Pit and Boxes, Places on the Stage, at Half a Guinea. N.B. Signor Farinello humbly hopes, that the Subscribers will not make use of their Tickets on this Occasion. The Stage will be in the same Manner as in the Assembly with a great Number of Benches. Mrs Pendarves to Mrs Granville, 15 March: Tonight is Farinelli's benefit; all the polite world will flock there, and go at four o'clock, for fear they should not be time enough. I don't love mobbing, and so I shall leave them to themselves. Daily Advertiser, 13 March: 'Tis expected that Signor Farinelli will have the greatest Appearance on Saturday that has been known. We hear that a Contrivance will be made to accommodate 2000 People. His Royal Highness the Prince of Wales has been pleas'd to give him 200 Guineas, the Spanish Ambassador 100, the Emperor's Ambassador 50, his Grace the Duke of Leeds 50, the Countess of Portmore 50, Lord Burlington 50, his Grace the Duke of Richmond 50, the Hon. Col. Paget 30, Lady Rich 20, and most of the other Nobility 50, 30 or 20 Guineas each; so that 'tis believ'd his Benefit will be worth to him upwards of 2000l

Performances

Mainpiece Title: Artaxerxes

Event Comment: A New Opera. [By Metastasio. Music by Francis Veracini. For a full account of this opera and opera in general, see Ilchester, Lord Hervey and his Friends, pp. 238-39.] Daily Advertiser, 26 Nov.: Their Majesties, his Royal Highness, and the Princesses [attended] Adriano, compos'd by the famous Signior Veracini, who perform'd the first Fiddle

Performances

Mainpiece Title: Adriano

Performances

Mainpiece Title: Pasquin

Performance Comment: Cast not listed, but see17360305 According to A Narrative of the Life of Mrs Charlotte Charke, p. 63, Charlotte Charke took the role of Lord Place on this night .
Event Comment: A New Comedy. [By Mrs E. Cooper. Apparently not printed. The characters named in the bill are: Lord Belamour, Sir Roger Wrangle, Sir Charles Cumberland, Froward, Wary, Young Wrangle, Peinter, Snare, Lady Cumberland, Felicia, Ready. See also a puff by Mrs Cooper in Daily Advertiser, 17 May.]

Performances

Mainpiece Title: The Nobleman; Or, Family Quarrel

Event Comment: For discussion of the Licensing Act, see Craftsman, 4 June, and Common Sense, 4 June. London Evening Post, 4 June: We hear that by the Bill now in the House of Peers against Players of Interludes, &c. all Copies of Plays, Farces, or any Thing wrote in the Dramatick Way, are to lie fourteen Days before his Grace the Lord Chamberlain of his Majesty's Household for the Time being, for his Grace's Perusal and Approbation, before they shall be exhibited on the Stage

Performances

Event Comment: DDaily Advertiser, 7 June: Yesterday the Bill...for the better regulating Common Players and Players of Interludes, pass'd the House of Lords on the third Reading. [See also an essay in Daily Gazetteer, 6 June.

Performances

Event Comment: By Authority. By the French Company of Comedians. Boxes 5s. Pit 3s. Gallery 2s. Victor, History of the Theatres, I, 54-60: People went early to the Theatre, as a crouded House was certain. I was there, in the Centre of the Pit; where I soon perceived that we were visited by two Westminster Justices, Deveil and Manning. The Leaders, that had the Conduct of the Opposition, were known to be there; one of whom called aloud for the Song in Praise of English Roast Beef, which was accordingly sung in the Gallery by a Person prepared for that Purpose; and the whole House besides joining in the Chorus, saluted the Close with three Huzzas! This, Justice Deveil was pleased to say, was a Riot; upon which Disputes commenced directly, which were carried on with some Degree of Decency on both Sides. The Justice at first informed us, 'That he was come there as a Magistrate to maintain the King's Authority; that Colonel Pulteney, with a full Company of the Guards, were without, to support him in the Execution of his Office; that it was the King's Command the Play should be acted; and that the obstructing it was opposing the King's Authority; and if that was done, he must read the Proclamation; after which all Offenders would be secured directly by the Guards in waiting.' To all these most arbitrary Threatnings, this Abuse of his Majesty's Name, the Reply was to the following Effect:-'That the Audience had a legal Right to shew their Dislike to any Play or Actor; that the common Laws of the Land were nothing but common Custom, and the antient Usuage of the People; that the Judicature of the Pit had been acknowledged and acquiesced to, Time immemorial; and as the present Set of Actors were to take their Fate from the Public, they were free to receive them as they Pleased.' By this Time the Hour of Six drew near; and the French and Spanish Embassadors, with their Ladies; the late Lord and Lady Gage, and Sir T@R@, a Commissioner of the Excise, all appeared in the Stage Boxes together! At that Instant the Curtain drew up, and discovered the Actors standing between two Files of Grenadiers, with their Bayonets fixed, and resting on their Firelocks. There was a Sight! enough to animate the coldest Briton. At this the whole Pit rose, and unanimously turned to the Justices, who sat in the Middle of it, to demand the Reason of such arbitary Proceedings? The Justices either knew nothing of the Soldiers being placed there, or thought it safest to declare so. At that Declaratinn, they demanded of Justice Deveil (who had owned himself the commanding Officer in the Affair) to order them off the Stage. He did so immediately, and they disappeared. Then began the Serenade; not only Catcalls, but all the various portable Instruments, that could make a disagreeable Noise, were brought up on this Occasion, which were continually tuning in all Parts of the House; and as an Attempt to speaking was ridiculous, the Actors retired, and they opened with a grand Dance of twelve Men and twelve Woman; but even that was prepared for; and they were directly saluted with a Bushel or two of Peas, which made their Capering very unsafe. After this they attempted to open the Comedy; but had the Actor the voice of Thunder, it would have been lost in the confused Sounds from a thousand Various Instruments. Here, at the waving Deviel's Hand, all was silent, and (standing up on his Seat) he made a Proposal to the House to this Effect:-'That if they persisted in the Opposition, he must read the Proclamation; that if they would permit the Play to go on, and to be acted through that Night, he would promise, (on his Honour) to lay their Dislikes, and Resentment to the Actors, before the King, and he doubted not but a speedy End would be put to their acting.' The Answer to this Proposal was very short, and very expressive. 'No Treaties, No Treaties!' At this the Justice called for Candles to read the Proclamation, and ordered the Guards to be in Readiness; but a Gentleman seizing Mr Deveil's Hand, stretched out for the Candle, begged of him to consider what he was going to do, for his own Sake, for ours, for the King's! that he saw the unanimous Resolution of the House; and that the Appearance of Soldiers in the Pit would throw us all into a Tumult, which must end with the Lives of many. This earnest Remostrance made the Justice turn pale and passive. At this Pause the Actors made a second Attempt to go on, and the Uproar revived; which continuing some Time, the Embassadors and their Ladies left their Box, which occasioned a universal. Huzza from the whole House! and after calling out some Time for the Falling of the Curtain, down it fell. [For other accounts of this evening, see Daily Advertiser, 9 and 10 Oct.; London Evening Post, 12 Oct.; Gentleman's Magazine, VIII (1938), 545; Historical Register, XXIII, 278-87.

Performances

Mainpiece Title: Lembaras Des Richesses

Afterpiece Title: Arlequin Poli Par L'Amour

Dance: Paquorel, Mlle Chateauneuf, LeFevre, Madem LeFevre