SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "little theatre in the Haymarket"/1) | (@(roleclean,performerclean) "little theatre in the Haymarket")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2898 matches on Event Comments, 582 matches on Performance Comments, 295 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: To the Author of the General Advertiser: Sir: I beg leave by means of your paper, to acquaint the friends of Tom Harbin, that he intends shortly to have a Benefit at the Theatre Royal in Covent Garden: Having in consequebce of the advice of many of them, apply'd himself to Mr Rich, on that account who very generously and readily said he would contribute anything in his power to serve him; and as one night of the week might be better than another, (as his Interest lay) he gave him his choice, whereupon he chose Wednesday, as being a night of most leisure amongst people eminent in trade, on whom the city depends. He persuades himself that those who have laughed with him, will not laugh at him for requesting a favour (which his circumstances could never be supposed to put him above accepting) from persons of affluent fortunes, which the generality of his friends are; and who Experienc'd good nature, he doubts not, will serve him on this occasion. In a few days Publick notice will be given of the time, the Play, &c. I am &c. Jack Friendly, Grigsby's Coffee House, Nov. 7, 1748. [See General Advertiser, 8 Nov. See also 14 Dec.

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: Damon and Phillida

Event Comment: At the New Theatre, at Mr Bradley's, Distiller, in Old Gravel Lane, Wapping. A Concert, etc. Prices: 2s., 1s. To begin at 6:30 p.m

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: An Old Man Taught Wisdom; or, The Virgin Unmasked

Event Comment: Play Never acted there. Characters New Dress'd. toller: [tolerable -?-] (Cross). We hear a new Tragedy called Mahomet and Irene will be acted at the Theatre Royal in Drury Lane after Christmas (General Advertiser). Receipts: #160 (Cross); #155 6d. (Powel)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Barry; Escalus-Winstone; Capulet-Berry; Paris-Lee; Benvolio-Usher; Tybalt-Blakes; Friar Lawrence-Havard; Old Capulet-Wright; Friar John-Champness; Gregory-Taswell; Sampson-James; Balthasar-Bransby; Abraham-Marr; Mercutio-Woodward; Apothecary-Simpson; Peter-Vaughan; Page-Mas Cross; Guards-Raftor, Gray, Ray; Lady Capulet-Mrs Bennet; Nurse-Mrs James; Juliet-Mrs Cibber; with a new dance proper to the play-Cooke, Miss Janneton Auretti.
Event Comment: [G$Garrick] promised me the Part of Tressel; when the Play was given out, and I prepar'd for it, I saw in the Bills next Morn, another Person's Name [Blakes].-Charles Adams to John Gilbert-Cooper, quodet in Theatre Notebook, XI (1957) p. 136. Receipts: #180 (Cross); #182 9s. 6d. (Powel)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Intriguing Chambermaid

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Love in a Mist

Performance Comment: As performed at the Theatre Royal Dublin.

Song: I: Go Rose-Mr Scott; II: 'Tis Liberty-; III: Early Morn-; IV: Dialogueby Stevens-

Dance: V: Hornpipe-Matthews

Event Comment: This farce of Lethe was wrote some years ago and play'd with Success, & was reviv'd this Night with great Alterations, & was but indifferently receiv'd by the Audience (Cross). The Poet, Frenchman, & Sot Mr Garrick perform'd most inimitably (Charles Adams to John Gilbert-Cooper, Theatre Notebook, XI (1957) p. 138). No After Money will be taken, and no Persons will be Admitted behind the Scenes (General Advertiser). Receipts: #180 (Cross); #186 7s. (Powel). N.B.: Mr G-k is the author of Lethe and did receive #36 8s. 6d. for this night which is the overplus after the charge of #63 for the House is paid, and which I must subtract from the rest (Powel). [A letter appeared in the General Advertiser this day giving advance notice and approval of a performance of Cato to be put on at Leicester House 7 Jan. by members of the Royal Family. The author noted that "proper Habits are absolutely in the making," and that the Princes would learn the principles of liberty from the lines of the play.

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Lethe

Event Comment: Benefit for the Performers. Fiftieth Day

Performances

Mainpiece Title: Auction Of Pictures

Performance Comment: Poet-; Beau-; Frenchman-; Miser-; a Taylor-; a Sot-; two young Gentlemen-; a Ghost. Ghost-Marr (Charles Adams to John Gilbert-Cooper, Theatre Notebook, XI 1957, p. 138); Oration in Praise of Sight- As17481212.
Cast
Role: John Gilbert Actor:

Dance: PPrince Eugene's March-

Event Comment: We hear that the Tragedy of Coriolanus, wrote by the late Mr Thompson, has been rehearsed at the Theatre Royal Covent Garden, and will be perform'd there on Friday next

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Royal Chace

Event Comment: By particular Desire. ["We have in Rehearsal a new Tragedy call'd Irene--Author, as yet, unknown."--Charles Adams to John Gilbert-Cooper, Theatre Notebook, XI (1957), pp. 138-39.] Receipts: #130 (Cross); #143 16s. 6d. (Powel)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Anatomist

Dance: IV: Dutch Dance, as17481203

Event Comment: Note in General Advertiser: For the Benefit of the Author's Sisters, Box and Pit Tickets for Coriolanus, a Tragedy written by the late Mr Thomson, and now acting at Covent Garden Theatre, are to be had of A. Millar, opposite to Catherine Street in the Strand; J. Davidson in the Poultry; and R. Dodsley in Pall Mall

Performances

Mainpiece Title: Coriolanus

Event Comment: By Desire. Don John de Nasaquitine, sworn brother and champion to the man that was to have jumped into the bottle...hereby invites all such as were then disappointed to repair to the theatre on Monday the 30th, and that shall be exhibited to them which never was before, nor ever will be hereafter seen. All such as shall swear upon the Book of Wisdom that they paid for seeing the Bottle man, will be admitted gratis; the rest at Gotham prices (General Advertiser). Receipts: #50 (Cross); #70 11s. 6d. (Powel)

Performances

Afterpiece Title: The Miller of Mansfield

Dance: II: New Scotch Dance, as17490118

Event Comment: A Concert, etc. Benefit for a Family under great Necessity. Prices: 4s., 2s. 6d., 1s. 6d. [Announced for 21 and 24 Jan., but postponed because of damage to the theatre until a nobleman paid for some repairs. See Daily Advertiser.

Performances

Mainpiece Title: Hamlet

Event Comment: Mainpiece: For the entertainment of two young Africans. On Friday 10 February will be perform'd a New Oratorio, call'd Susanna, with a Concerto. Pit and boxes to be put together, and no person to be admitted without tickets, which will be deliver'd that day, at the Office in Covent Garden Theatre, at half a guinea each. First Gallery 5s. Second Gallery 3s. 6d. Galleries opened at half past four. Pit and Boxes at Five. To Begin at Half an Hour after Six. [This advertisement repeated in the General Advertiser daily to 10 Feb. 1749.

Performances

Mainpiece Title: Oroonoko

Related Works
Related Work: Oroonoko Author(s): Thomas Southerne
Related Work: The Royal Slave Author(s): Thomas Southerne

Afterpiece Title: Apollo and Daphne

Related Works
Related Work: Apollo and Daphne; or, The Burgomaster Trick'd Author(s): Lewis Theobald
Related Work: Apollo and Daphne Author(s): Theophilus Cibber
Event Comment: Benefit for ye Author (Cross). Places for Boxes to be taken of Hobson at the stage door. Tickets to be had of Mr Miller, in the strand; Mr Dodsley in Pall Mall; at the Half-Moon Tavern, near Holborn Bars, and of Mr Hobson. Just Publish'd Mahomet and Palmira. A Tragedy as it is acted at the Theatre Royal in Drury Lane, by a Gentleman of Wadham College. [This would seem to be James Miller's Mahomet, with the printer capitalizing on Johnson's production at dl.] Receipts: #175 (Cross); house charges, #63 (Powel)

Performances

Mainpiece Title: Mahomet And Irene

Event Comment: At the Old Theatre, Bowling Green, Southwark. A concert, etc. Benefit for Adams and Daniel. Prices: 2s. 6d., 1s. 6d., 1s., 6d

Performances

Mainpiece Title: The Country Lasses; Or, Custom Of The Manor

Afterpiece Title: Columbine Courtezan

Performance Comment: Harlequin-Adams with the Escapes of Harlequin into a quart bottlev .
Event Comment: Tomorrow will be publish'd, at 1s. 6d. Irene. A Tragedy, acted at the Theatre Royal Drury Lane, by Mr Samuel Johnson, Printed for R. Dodsley in Pall Mall, and sold by M. Cooper in Paternoster Row. [In 1749 was published an Essay on Tragedy, with a Critical Examen of Mahomet and Irene (T. P. Barton@Collection, Boston Public Library).

Performances

Mainpiece Title: None

Event Comment: Afterpiece: By Desire. [A full column, front-page letter to the Author of the General Advertiser from one purporting to live many miles from London, but whose curiosity about the New Tragedy Irene brought him to see it, details his experience in the theatre the night of Tues. 14 Feb. Seems to be an illconcealed "puff." The writer listens to three critics in the pit decry the performance, then after seeing it himself concludes: "It was receiv'd with universal approbation...Upon the whole I dare affirm that the Judgment of Posterity will concur with me in distinguishing Irene as the best tragedy which this age has produced, for Sublimity of thought, Harmony of numbers, strength of expression, a scrupulous observation of Dramatic Rules, the sudden Turn of events, the tender and generous distress, the unexpected catastrophe, and the extensive and important moral." He inquires why the play has not been so favorably received as others, and concludes it is too finely and artistically conceived to please the masses. He closes by complimenting the Ladies of Great Britain for he "scarce ever saw so shining an assembly in the Boxes. Their early approbation of a Tragedy in which not only the words but the ideas are entirely chaste; a tragedy filled with noble sentiment and poetic beauty is at once a proof of their delicacy and penetration."] Receipts. #100 (Cross); #101 (Powel)

Performances

Mainpiece Title: Mahomet And Irene

Afterpiece Title: The Lying Valet

Dance: SScotch Dance, as17490118

Event Comment: This month, as recorded in the Gentleman's Magazine Register of Books, was published A General History of the Stage, from its origin in Greece down to the present time. With the Memoirs of most of the principal performers that have appeared on the English and Irish Stage. With notes antient and modern, foreign, domestic, serious, comic, moral, merry, historical, and geographical. Containing many theatrical anecdotes; also several pieces of poetry never before published. Collected and digested by W. R. Chetwood, twenty years prompter to His Majesty's Company of Comedians at the Theatre Royal in Drury Lane. Printed for W. Owen

Performances

Mainpiece Title: None

Event Comment: Other Decorations entirely new. A new Comic Opera [by Ciampi]. The New Comic Opera, entitled Le Tre Cicisbei Ridicoli, was perform'd last Tuesday at the King's Theatre in the Hay Market; though large Bills were stuck up in various Parts of the Town and Hand Bills dispers'd insinuating the Contrary (General Advertiser, 18 March)

Performances

Mainpiece Title: Le Tre Cicisbei Ridicoli

Dance: Between the Acts: New Dances-

Event Comment: Benefit for Berry. Tickets to be had of Berry at Mr Pope's, Peruke Maker in Russel St., Covent Garden and of Hobson at the Stage Door. [From the Gentleman's Magazine Register of Books for this month: An Account of the Life of that Celebrated Tragedian, Mr Thomas Betterton, containing a distinct relation of his excellencies in his profession and character in private life, and interspersed with an account of the English theatre during his time. Printed for J. Robinson.] Receipts: #160 (Cross); house charges, #60 (Powel)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17490302, but Montague also omitted. In Place of the Masquerade Dance%.

Afterpiece Title: The Anatomist

Dance: In I: a Dutch Dance, as17481203; Savoyards, as17480920

Event Comment: Benefit for Miss Falkner. We hear that the two young Africans will be at the Theatre Royal in Covent Garden this night, to see the Spanish Fryar, for the Benefit of Miss Falkner. [Page missing from the General Advertiser with the Bill this day.

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: Phoebe; or, The Beggar's Wedding

Song: Miss Falkner

Performances

Mainpiece Title: The Revenge

Performance Comment: Zanga-Keale; from Theatre at Fort St. George, his second time in England. With a Prologue-; Epilogue-.
Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege

Afterpiece Title: The Country Wedding; or, The Cockneys Bit

Event Comment: Benefit for Charles James Gaylard. A Concert, etc. at the New Theatre, James St. Prices: 3s., 2s., 1s. (Daily Advertiser).

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Mock Doctor

Event Comment: At Phillips's Great Theatrical Booth opposite Cow Lane. With the surprising performances of an Englishman and a Citizen of London [Lort] who performs all the Equilibres on the Slack Rope that were performed by the muchfamed Turk. Prices: 2s. 6d., 1s. 6d., 1s., 6d. To begin at Twelve. [Time and prices the same at all booths.] Afterpiece: With the Escape of Harlequin into a Glass Bottle, also the last new additional Scene of Sig Jumpedo Jumping Down his own Throat. [An unhappy evening, for "last night the gallery of Phillips' booth fell down, with a great number of people in it, by which accident several persons were hurt, and some dangerously. This misfortune could be owing to nothing but the carelessness of the workmen, who upon such occasions deserve to be severely punished" (General Advertiser, 24 Aug.). The Daily Advertiser noted that Mr Stringellow, a goldsmith, in Aldersgate St., and Thomas Hodges, a journeyman-plaisterer in Golden Lane, were killed.

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Bruodin; Duke-Platt; Anthonio-Reynolds; Ferdinand-Walker; Gonzalo-Hall; Ventoso-Smith; Stephano-Massey; Mustachio-Green; Caliban-Machen; Sycorax-Mrs Miller; Trincalo-Morgan; Miranda-Mrs Sandum; Ariel-Miss Platt; Hippolita-Mrs Morgan; Dorinda-Mrs Laguerre (Hogan), but Mrs Phillips from the Theatre Royal in Covent Garden (Daily Advertiser).

Afterpiece Title: The Harlot's Progress

Performance Comment: Harlequin-Phillips; Mordecai the Jew-Massey; Maid-Miss Berry; Colombine-Mrs Phillips.
Cast
Role: Mordecai the Jew Actor: Massey
Related Works
Related Work: The Harlot's Progress; or, The Ridotto Al' Fresco: With a Grand Masque call'd, The Judgment of Paris; or, The Triumph of Beauty Author(s): Theophilus Cibber
Event Comment: At Cushing's Booth, facing the King's Head, Smithfield. The tragedy contains the barbarous contrivances of King John against his nephew Prince Arthur; his method of persuading Hubert to undertake the cruel murder of that youth; the sufferings of Arthur in his confinement, where Hubert attempts to put out eyes with a red-hot iron, til moved to compassion by the tender entreating of the young prince, he quits his horrid purpose. The manner of Arthur's leaping from the battlements of the tower where he was imprisoned, when by attempting to escape his severe treatment he loses his life. The terrors that attended the villainous Uncle King John, and at length his dreadful death, who is poisoned in the midst of all his glory, and in terrible anguish and distraction, pays his nephew's blood with the price of his own. The comic contains the exquisite drolleries of Sir Lubberly and his man, their whimsical journey from Cumberland, and no less whimsical exploits in London; the odd reception they met with from their three faithful friends, Tom Rash the Porter, Jeffrey Holdfast the Constable, and Moll Tatter the Beggar Woman, the one getting a wife, the other a bastard

Performances

Mainpiece Title: The Life And Death Of King John

Afterpiece Title: The Adventures of Sir Lubberly Lackbrains and His Man Blunderbuss

Performance Comment: Sir Thomas Rash-Malone; Ramble-Singleton; Merry-Jenkins; Tom Rash-Beckham; Jeffery Holdfast-Middleton; Moll-Mrs Beckham; Blunderbuss-Costollo; Sir Luberrly-Cushing (from the Theatre Royal in Covent Garden); Christina-Mrs Peters; Pert-Mrs Simon.