SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "little theatre in the Haymarket"/1) | (@(roleclean,performerclean) "little theatre in the Haymarket")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2898 matches on Event Comments, 582 matches on Performance Comments, 295 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Miss Barsanti. The Long Continuance of Miss Barsanti's illness, together with a very recent affliction which has fallen the family, having rendered it impossible for her to appear on the stage, Mrs Bulkley has kindly undertaken to perform's for her; which Miss Barsanti humbly hopes will be agreeable to her friends, and that any little apparent Omission, under such peculiar circumstances, will not be construed into want of respect, but that she shall nevertheless obtain the favour of their accustomed patronage

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Two Misers

Dance: II: A Dance-Langrish[, as17750421

Event Comment: [Further letter in The Public Advertiser from Foote to the Duchess of Kingston notes that he, at a visit to her place, "rejected her splendid Offers to suppress The Trip to Calais with the Contempt they deserved....I am happy, Madam, however, to hear that your Robe of Innocence is in such perfect Repair; I was afraid it might have been a little the worse for wearing; may it hold out to aeep you Warm the next winter."

Performances

Mainpiece Title: The Devil Upon Two Sticks

Afterpiece Title: The Waterman

Dance: The Medley-

Event Comment: With New Music, Scenes, Dresses, and Decorations for the Afterpiece. This Farce is brought on the Stage by Mrs Abington--it is very dull--It is vastly well got up and was receiv'd with Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly, mentioning Bickerstaff as the author. Larpent MS 397 contains elaborate stage direction at opening: "An interior apartment in the Seraglio. An arch in the middle of the back scene, which is shut with a curtian. On the right hand toward the front is a sopha in the Turkish manner, low deep, and long, covered with carpets and cushions. A little gold table about eight inches high and a foot and a half square. Upon it a rich or gold saver set with jewels, with two cups on porcelain, and a spoon made of the beak of an Indian bird, which is redder than coral, extremely rare and of extensive price." This may have been intended for a reading audience. In the piece Mrs Abington, an English slave , rebels in the confines of the Seraglio, and start a reform movement wherein men are to please the women. Concludes with demostration of the nobility of English women who will not be enslaved, who will not flatter, who will preserve their liberty and dignity, and who are capable of returning love for honor and respect. Reviewed in Westminster Magazine for Dec.: "The Audience appeared to be divided in their opinion of the merit of the Sultan, some loudly applauding, and others as loudly condemning it, when the curtain dropped. The Majority however, stood firmly for it, and a verdict was returned in its favor. The managers not only well dressed this dramatic trifle, but bestowed three new scenes on it: The Outer Gate of the Seraglio--An Interior view of it--and a Garden terminating in a prospect of the sea. The first was but la! la! The last two were beautiful and picturesque. Five airs were introduced into this piece which had a very good effect....The music of the two first was the composition of Mr Dibdin, and was exceedingly pretty."] Receipts: #143 1s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Sultan; or, A Peep into the Seraglio

Event Comment: Mainpiece. By Particular Desire. Paid half years Land and Window tax, #3 3s. 6d. Licensing Little Gipsey, City Manners, New Epilogue to Maid of the Oaks and Sultan #7 7s. Receipts: #198 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Zara

Afterpiece Title: The Sultan

Event Comment: The father of the runaway siren of Covent Garden [Miss Brown; see 16 Dec. 1775] apprehended the little wanton truant at her aunt's in the city, forcing her into a coach, drove off with her into the country: however, she had not been carried above five miles before her cries raised the inhabitants of a village; whom she soon worked to her purpose by declaring that the man (her father) was carrying her away by force, in order to ship her for America....The peasants released her, when she run to town across the country, and has not been re-taken since by her father (Morning Post, 5 Jan.)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Catherine and Petruchio

Cast
Role: Catherine Actor: Mrs Green.

Dance: End Opera: Mirth and Jollity, as17760102

Event Comment: Mainpiece: By Particular Desire and advertised as Garrick's last time of performing the character of Lusignan. This Farce of Two Acts was written by Mr Colman -the first Act was receiv'd with great Applause the second Act a little heavy -and not so much Applause as the first (Hopkins Diary). Paid Mr Park 1 chorus 4 nights (Jubilee) #1 10s. (Treasurer's Book). [The Westminster Magazine for March tells the plot of the afterpiece, and concludes: "The wit and dialogue of this piece will hardly keep it long in esteem with the public. They are sometimes lively, but generally pert and affected."] Receipts: #272 18s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Zara

Afterpiece Title: The Spleen; or, Islington Spa

Related Works
Related Work: The Spleen; or, Islington Spa Author(s): George Colman, the elder

Dance: V: The Sailors Revels, as17751220

Event Comment: Benefit for Reddish. Mainpiece: Not acted in 4 years. [See 22 Dec. 1772.] Monimia by Mrs Canning very So, so. The Farce much hiss'd it was badly performed (Hopkins Diary). Rec'd Mrs Groath's one years rent to Xmas last #3. Paid Salary list #416 4s. 4d.; Johnston's Music Bills #24 2s. (Treasurer's Book). [The Westminster Magazine concluded with respect to the afterpiece: "This little drama met with rather an unfavourable reception. It would be breaking a butterfly on the wheel, were we to enter into strict examination of it; and as it was a mere benefit-night performance, it would be going out of our way to dwell much on its defects; suffice it therefore that although we so far join with the audience in condemnation of it, that we allow it wanted terseness of dialogue, brilliancy of wit, and strength of fable, yet we protest we have seen worse singing pieces received with applause. Jerry Jingle had same humor, and the music had great prettiness about it."] Receipts: #140. Charges: #67 14s. Profits to Reddish: #72 6s. (Treasurer's Book)

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Performance Comment: Castalio-Reddish; Chamont-Smith; Polydore-Brereton; Chaplain-Usher; Page-Mas. Pulley; Servt-Everard; Acasto-Packer; Monimia-A Lady [Mrs Canning] first appearance this season; Ernesto-Wrighten; Serina-Miss Platt; Florella-Mrs Johnston; before the play A New Occasional Address to the Public-Reddish.

Afterpiece Title: Valentine's Day

Dance: II: The Grand Garland Dance, as17760311

Event Comment: By Desire. Benefit for Miss Abrams (who perform'd the Little Gipsey). Tickets deliver'd for The Maid of the Mill, and by Mr Norris and Mrs Veal will be taken. Rec'd Stopages #11 9s. 6d. Paid salary list #621 16s. 6d.; Mr Gardner (By Order) one night #5 5s. Receipts: #78 16s. Charges: #70 5s. 6d. Profits to Miss Abrahams: #8 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of The Oaks

Performance Comment: As17760409 but Hurry-Waldron, first time; Architect-Norris; Maria-Miss P. Hopkins; Shepherdess, with songs incident to the piece-Miss Abrams; Vocal Parts-Mrs Smith, Mrs _Scott.

Afterpiece Title: The Waterman

Song: V: (By Desire) The Soldier Tir'd-Miss Abrams

Event Comment: House (Hopkins Diary). Last time of Garrick's performing Richard . Ladies desired to send their Servants a little after Five to keep places, to prevent Confuson. It is Vanity to endeavor to describe Mr G. Merits they beggar all Descripiton, suffice it to Say he was what he represented (Hopkins Diary). [MacMillan's note from Kemble conservatively toned down.] Paid Sg Como and Crispi in full #3 8s. 3d. Mr Hurd ditto 7s. 6d. Receipts: #284 10s. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Anatomist; or, The Sham Doctor

Event Comment: By Command of their Majesties. When the play began there was a very great Noise the performers were oblig'd to Stop and go off the Stage Mr Reddish went on and desir'd to Know their pleasure they said they wanted the Pit door be open'd to let out some of the people for so many had Crowded in that they could not Sit down-the door was open'd and in a little time after all was quiet and the Play was begun once more at a quarter after Seven. During this time the King Sent Two Messages to Mr G. to desire that he would not let this Noise disconcert him and his Majesty would take care that all should be quiet before the play began (Hopkins Diary). [MacMillan's note from Kemble: "I cannot say enough of Mr Garrick's Performance tonight." Kemble further notes that Garrick's fatigue led them to abandon further performances until Saturday 8 June.] Paid Mr Heard extra allowance #3; Ditto on note #5 5s.; Mr Carpenter's salary 15s.; Mr Martini a grautity #10 10s.; Wallis salary in full 13s. 4d. Receipts: #293 5s. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Bon Ton

Event Comment: The Provoked Husband and Rival Candidates was given out for Tuesday. On Sunday Morning Mrs Yates sent word she was ill and could not play--sent to Miss Younge, and she sent word that she was ill in bed--King sent word he had a sore Throat, and could not play--so that we could do no Play but the Committee and Rival Candidates. On Monday the Managers met, but nothing was settled. At twelve o'clock Mrs Baddeley sent word she had a sore Throat, and could not play in the Riv[al] Can[didates] (Hopkins Diary). The Hypocrite and The Christmas Tale are obliged to be deferred. "[Smith] has a good figure, is gentlemanlike, and decent in everything he undertakes. When we allow that, we have said all; he wants both feeling to be affected, and powers to convey his feelings, if he had them. In fine, in spite of all the partiality of his friends, or the ignorant prejudices of those who never judge but at second hand, his performance of Richard was little more than a strong union of judgement and industry, unaided by nature. He should woo genteel Comedy oftener; and not that coy sister of hers, who certainly holds Smith at the point of her lance" (London Magazine, Oct. 1776, p. 511). Receipts: #186 18s. 6d

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Elopement

Event Comment: Alexander the Great? [announced on playbill of 4 Nov.] is obliged to be deferred. [The playbill lists Mrs Yates as Lady Townly, but see following note. Miss Younge's name appears in all subsequent playbills, except on 19 Dec.] Alexander was advertised for this Night, but Lacy being hoarse, who was to have played Alexander, it was obliged to be deferred, and this Play substituted. It was between eleven and twelve o'clock at (Night) before we got it settled. Mr. Sheridan ordered me not to send to Mrs. Yates about (it) till the Morning. About eight o'clock I sent her Notice that the Provoked Husband was to be performed at Night. A little after nine, she sent Word by her Niece that she was never so ill treated in her life, that she was never before asked to play on the fifth of November [which day was traditionally set aside for the acting of Tamerlane], that she would not play Lady Townly that Night, nor would she play any more; and if she had an Inclination to play, she had no Cloaths ready to play it in; and sent back the Part of Semiramis in a new Tragedy that was preparing [see 16 Nov., 14 Dec.]. I got Miss Younge to do Lady Townly, and an Apology was made by Packer that Mrs Yates having refused this Morning to do Lady Townly, Miss Younge at a Minutes' Notice undertook to do it. Miss Younge was much applauded and Yates had a few hisses (Hopkins Diary). Receipts: #179 11s. 6d

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Smith; Sir Francis Wronghead-Yates; Manly-Packer; John Moody-Moody; Squire Richard-Burton; Count Basset-Dodd; Lady Grace-Miss Sherry; Lady Wronghead-Mrs Hopkins; Miss Jenny-Mrs Davies; Mrs Motherly-Mrs Cross; Trusty-Mrs Johnston; Myrtilla-Miss Platt; Lady Townly-Miss Younge.
Cast
Role: Mrs Motherly Actor: Mrs Cross
Event Comment: Epilogue by David Garrick. Second Ballet: with New Scenes [by deLoutherbourg] and Dresses [by Lupini]. Two new Grand Ballets, composed by Gallet, were introduced in this Piece (The Maid of the Oaks) in which Gallet and Mlle Dupre made their first Appearance upon the Eng. Stage--the first Dance, which was to be in the 2nd Act, was obliged to be deferred till the end of the 3rd Act, as Lupini, who made the Dancers Dresses, had not brought them to the House--this put us all into great Confusion, and Dodd made an Apology to the Audience, that an unforseen Accident had prevented the Dance being done in the proper Place. At the beginning of the 3rd Act most of the Dresses were brought, but not all, and some of the Dancers were obliged to put on what Dresses could be got for them--They were all very much confused--the Music also was not perfect. Gallet went on, and spoke in French to the Audience, and told the Band that he wished they had any Heads. In the first Dance Mlle Dupre fell down, and a little after Gallet fell down, but (they) did not hurt themselves, and the Dance went on--and even with all these Disadvantages was much applauded (Hopkins Diary). Receipts: #181 19s. 6d

Performances

Mainpiece Title: The Maid Of The Oaks

Performance Comment: Dupely-Dodd; Oldworth-Aickin; Sir Harry Groveby-Brereton; Druid-Bannister; Hurry-Parsons; Painter-Moody; Architect-Fawcett; Old Groveby-Baddeley; Maria-Miss P. Hopkins; Lady Bab Lardoon-Mrs Abington; The last new Epilogue-Mrs Abington. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: Polly Honeycomb

Related Works
Related Work: Polly Honeycomb Author(s): George Colman, the elder

Dance: In II: [but postponed until end of Act III (see following note)]a new grand Ballet, Demie Caractere, composed by Gallet, The Double Festival-Gallet, Mlle Dupre (their 1st appearance upon the English stage), Helme, Slingsby, Sga Vidini, Sga Crespi, Sga Ricci; In V: [a new grand serious Ballet, composed by Gallet, The Triumph of Love-Gallet, Helme, Sga Crespi, Miss Armstrong, Mlle Dupre

Song: In: a Fete Champetre[. The vocal parts-Vernon, Davies, Miss Abrams, Mrs Scott, Mrs Wrighten. [This was included, as here assigned (except on 20 Feb. 1777), in all subsequent performances.

Performance Comment: The vocal parts-Vernon, Davies, Miss Abrams, Mrs Scott, Mrs Wrighten. [This was included, as here assigned (except on 20 Feb. 1777), in all subsequent performances.]This was included, as here assigned (except on 20 Feb. 1777), in all subsequent performances.]
Event Comment: Public Advertiser, 3 Mar.: "When [Reinhold] appeared on the Stage [in the afterpiece], after some little Time the excessive Glare of the Lamps affected him so much [because of an incomplete recovery from illness] that he dropped down in the Middle of his Part in a fainting Fit, of which he soon afterwards perfectly recovered in the Green Room. The Audience, with their wonted Indulgence and Humanity, universally insisted that the Curtain should be dropped." Receipts: #259 5s. (257.17; 1.8)

Performances

Mainpiece Title: Know Your Own Mind

Afterpiece Title: The Golden Pippin

Dance: As17770218

Event Comment: Benefit for Miss Pope. Part of the Pit will be laid into the Boxes. Public Advertiser, 8 Mar.: Tickets to be had of Miss Pope, Little Russel-street, Covent Garden. Receipts: #280 19s. (114.8; 7.9; 0.16; tickets: 158.6) (charge: #74 14s.)

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: [A Favourite Scene from the end of Act II of] The Register Office [and see17770422]

Afterpiece Title: Harlequin's Invasion

Dance: As17761128

Event Comment: Benefit for Miss P. Hopkins, Miss E. Hopkins. Afterpiece [1st time; F 2, by Isaac Jackman. Prologue by David Garrick (Poetical Works, II, 334)]. Public Advertiser, 15 Mar.: Tickets to be had of the Miss Hopkins', No. 7, Little Russel-street. Receipts: #237 11s. 6d. (88.5.0; 23.15.6; 1.15.0; tickets: 123.16.0) (charge: #65 2s. 6d.)

Performances

Mainpiece Title: The Way Of The World

Performance Comment: As17761231, but Marwood-Miss Hopkins; Foible-Miss P. Hopkins (Their 1st appearance in those characters); Mincing-_; Betty-_; Peg-_.

Afterpiece Title: All the World's a Stage

Dance: End V: The Triumph of Love, as17761107

Event Comment: Benefit for Dunstall. Public Advertiser, 3 Apr.: Tickets to be had of Dunstall, Little Queen-street, Lincoln's Inn Fields. Receipts: #282 10s. 6d. (70.17.6 tickets: 211.13.0) (charge: #64 5s.)

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Devil to Pay

Performance Comment: Sir John Loverule (with The Early Horn)-Mattocks; Jobson-Dunstall; Lady Loverule-Mrs Pitt; Nell-Mrs Hunt (1st appearance in that character).
Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Dance: End: As17761109

Event Comment: By Permission [of the Lord Chamberlain]. Benefit for Follet, Smith & T. Smith, late of the Bear, Westminster-bridge. Tickets to be had of Follet, No. 20, Little Wild-street, Lincoln's-inn-fields; of T. Smith at the Golden Cross, Charing Cross. T. Smith hopes to be honoured with the company of his brother Free Masons, Bucks, &c., Gentlemen of the Welsh Society, Hereford Society and West-moreland Society

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Mayor of Garratt

Song: Between Acts: Singing, particularly Black Ey'd Susanthe new Hunting Song-T. Smith

Entertainment: Monologue.End: The Farmer's Blunder-Follet

Performance Comment: End: The Farmer's Blunder-Follet.
Cast
Role: The Farmer's Blunder Actor: Follet.
Event Comment: Benefit for Miss Pope. Part of the Pit will be laid into the Boxes. Mainpiece: Not acted these 8 years. Public Advertiser, 21 Mar.: Tickets to be had of Miss Pope, at Pope's, Little Russel-street, Covent Garden. Receipts: #265 5s. (94.8; 17.7; 0.8; tickets: 153.2) (charge: #69 1s. 6d.)

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: Selima and Azor

Dance: End II: Slingsby's grand ballet The Savage Hunters, as17780324but Fitzgerald

Event Comment: Benefit for Hopkins, prompter, and Mrs Hopkins. Mainpiece: Not acted these 2 years. Afterpiece: A Dramatic Entertainment (in two parts) of Singing, Dancing and Dialogue in Honour of Shakespeare. In which a Pageant. The Music by Dibdin. Public Advertiser, 10 Apr.: Tickets to be had of Hopkins, No. 7, Little Russel-street, Covent Garden. Receipts: #280 7s. (169.5; 21.0; 1.2; tickets: 89.0) (charge: #64 4s.)

Performances

Mainpiece Title: The Provok'd Wife

Performance Comment: Sir John Brute (for that night only)-King; Constant-Brereton; Col. Bully (with a song)-Vernon; Lord Rake-Davies; Razor-Baddeley; Justice-Chaplin; Watchmen-Wright, Burton; Constable-Wrighten; Heartfree-Bensley; Lady Fanciful-Miss Pope; Belinda-Miss Hopkins; Mademoiselle-Miss P. Hopkins (their 1st appearance in those characters); Lady Brute-Miss Younge.

Afterpiece Title: The Jubilee

Related Works
Related Work: London's Great Jubilee Author(s): Matthew Taubman
Event Comment: Benefit for Dunstall. Morning Chronicle, 4 Apr.: Tickets to be had of Dunstall, Little Queen-street, Lincoln's-Inn-Fields. Receipts: #237 3s. 6d. (79.15.6; tickets: 157.8.0) [charge: #64 5s.)

Performances

Mainpiece Title: Lionel And Clarissa

Afterpiece Title: The Englishman in Paris

Dance: End: The Poney Races, as17780421; In afterpiece: Minuet, as17771121

Event Comment: Tickets delivered by Messink and Miss Reynolds for The Orphan will be admitted this Evening. [Afterpiece in place of The Little French Lawyer, announced on playbill of 29 Apr.] Receipts: #139 2s. (121.0; 3.0; tickets: 15.2)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Norwood Gypsies

Dance: As17771229

Event Comment: Benefit for the Miss Hopkins'. Afterpiece [1st time; CO 2 (?), by Thomas Holcroft. Not in Larpent MS; not published]: The Music [by William Shield (European Magazine, Jan. 1782, p.59)] entirely new. Public Advertiser, 15 Apr. Tickets to be had of the Miss Hopkins', No. 7, Little Russel-street, Covent Garden. Receipts: #129 8s. 6d. (61.15.0; 24.5.6; 0.1.0; tickets: 43.7.0) (charge: #66 11s. 6d.)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Crisis; or, Love and Fear

Dance: As17780109

Event Comment: Benefit for Waldron and Miss Abrams. Public Advertiser, 8 May: Tickets to be had of Waldron, No. 16, Glanville-street, Rathbone Place; of Miss Abrams, Little Bridges-street, Drury-lane. Receipts: #182 0s. 6d. [63.6.0; 23.15.0; 0.2.6; tickets: 94.17.0) (charge: #74 3s. 6d.)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Irish Widow

Dance: End I afterpiece: The Irish Fair, as17780508

Event Comment: Benefit for Mrs Bradshaw, Mrs Love & Mrs Johnston. Tickets delivered for The Plain Dealer will be taken. Public Advertiser, 13 May: Tickets to be had of Mrs Bradshaw at Mrs Norolk's, Glazier, Little Russel-street, Covent Garden; of Mrs Love, Gerrard-street, Soho; of Mrs Johnston, No. 97, Drury-lane. Receipts: #132 16s. (32.3; 20.13; 1.4; tickets: 78.16) (charge: #65 15s.)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Irish Widow

Dance: As17780512

Song: End I: He's Aye Kissing Me, as17780428; End II: the much-admir'd song in The Milesian being a description of a Naval Engagement Stand to your guns my hearts of oak-Bannister; In V: song, as17771203