SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "little theatre in the Haymarket"/1) | (@(roleclean,performerclean) "little theatre in the Haymarket")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2898 matches on Event Comments, 582 matches on Performance Comments, 295 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit Giuseppe Salomon and Salomon's son. Tickets at Mr Anderson's, Watchmaker, Little Wild St. At the particular Desire of several Ladies of Quality

Performances

Mainpiece Title: The Constant Couple

Dance: Three Grand Entertainments (two of them entirely new)-Salomon, Mlle Violette, Cook

Event Comment: On Friday next, for the Benefit of Sga Padouana, The Merchant of Venice. Tickets at her lodgings at Mr Anderson's, a Watchmaker in Little Wild St., and of Hobson at the stage door. Sga Padouana being utterly unacquainted with the English Language, and without any personal Friendships here to recommend and encourage her, as she has always endeavor'd to please the Town to the utmost of her Power, intirely depends on the known Candour, and Benevolence of this Nation, and humbly hopes for the Indulgence of the Publick on her Benefit night

Performances

Mainpiece Title: The Confederacy

Dance: As17470220

Event Comment: Tickets deliver'd out by Miss Copin for the Merchant of Venice will be taken to the Conscious Lovers (General Advertiser). This day is publish'd, Price 1s., A Letter of Complaint to the Ingenious author of a Treatise on the Passions, so far as they regard the stage; with a critical Enquiry into the theatrical merit of Mr G-k, Mr Q-n, and Mr B-y, &c. With some further remarks on Mr M-n. And a few hints on our modern Actresses, particularly Mrs C-r and Mrs P-d. Magna est Veritas, & pravalebit. Printed for C. Corbett, over against St. Dunstan's Church, Fleet St. (General Advertiser). [Illuminating discussion of actors' abilities]: The Stage is much indebted to Mr M- for his incessant successful endeavours; he not only grac'd it with his own personal merits, but rais'd up several Branches who tho' they have not yet quite eclips'd Mr Giffard's Nursery from Goodman's Fields, will certainly in time prove stars of the first magnitude.--(p. 28). Touch Messrs. Giffard and Ryan and give them better voices; there is nothing else wanting. Help Mr Delane to a new manner and judgment to display the best pipe that ever was heard. Polish a little the rough Beauties of Mr L. Sparkes, give the sensible Mr Havard a few more spirits; and mend the Humour of Hippisley, Chapman, Barrington, and Blakes if you can. Poor Yates wants nothing but a front of brass, a necessary self-sufficient Manner of pushing himself upon a Publick.--(p. 31). If Mrs Giffard's Manner was equal to her understanding, she wou'd compell everybody to acknowledge her a surprising Performer. In Lady Macbeth she is excellent; and Hermione was very near eclipsing a much more popular actress; in short in every Part she performs, the severest of her enemies cannot but own she is more than decent.--(pp. 32-33). [Gives two pages each to discussion of Mrs Clive, Mrs Woffington, Mrs Cibber, and Mrs Pritchard.

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Dragon of Wantley

Dance: New entertainments-Salomon, Sga Padouana, Salomon's son

Event Comment: CCross: The Foundling--a little Hissing but nothing to signifie. Receipts: #180 (Cross); #182 2s. (Powel)

Performances

Mainpiece Title: The Foundling

Related Works
Related Work: Patie and Peggy; or, The Fair Foundling Author(s): Theophilus Cibber

Dance: Cooke, Anne Auretti

Event Comment: [The following letter appeared in the General Advertiser]: To Mr Ryan, Sir: As the Author whom you have judiciously, I think, call'd in to your Assistance on your Benefit Night is little known; his Name not having appeared upon the Stage in our Days; and from whence some may be apt to think it scarce worth while to produce him now;--it was thought advisable by many of your Friends, of which Number I profess myself, to draw up the following Account of him and his Dramatic Works, that such as are Strangers to him may have some further Inducement to favour you with their Company. Mr Thomas Randolph lived in the Reign of King Charles I, was Fellow of Trinity College, Cambridge; but died young. He was a Man of pregnant Wit, gay Humour and of excellent Learning; which gain'd him the Esteem of the Polite Part of the Town, and particularly recommended him to the Favour of Ben Johnson, who adopted him one of his Sons, and held him in equal Esteem with the ingenious Mr Cartwright, another of the Laureat's adopted Sons:--The Plays he wrote were: [he lists 5 plays, commenting from Cokayne and Rich of Christ's Church College, Oxon, and West on the ethical quality of the last one, The Muses' Looking Glass]. In short, Sir, I doubt not but his old nervous Wit will still please, and join'd with the New Masque you have added, excite Curiousity enough to answer your Design; since by your Steadiness it was absoluteley necessary you should hava Novelty, as well as Interest, to procure half so good a House, as we all wish you, and especially, Your Humble Servant, I. M. [See 14 March afterpiece.

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Apollo and Daphne

Related Works
Related Work: Apollo and Daphne; or, The Burgomaster Trick'd Author(s): Lewis Theobald
Related Work: Apollo and Daphne Author(s): Theophilus Cibber
Event Comment: [Benefit for Berry and Mrs Green. Stage form'd into Front and Side Boxes. Tickets of Hobson at stage door; or Berry at his lodgings in Little Bridges St., Covent Garden; and Mrs Green at her Lodgings at the Green Canister in Great Shier Lane, Carey St., Lincolns Inn. [This day one B. B. (presumably Macklin) inserted a letter to the author of the General Advertiser in that paper framing the historical background for the Lover's Melancholy, to be performed as benefit for his wife on 22 April. It gave a short account of the author (John Ford), his works in general, and of that dramatic piece in particular, and sought to align Ford as an intimate and profess'd admirer of Shakespeare. See comment for 23 April]. Receipts: #207 (Cross); house charges, #63 N.B.: Mr Berry paid, but at the rate o 60 pounds for his benefit, therefore I must make a draw back of #1 10s. for his half (Powel); cash, #88 9s. tickets, #118 12s. (Clay MS)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: [The Virgin Unmask'd

Dance: [II: Savoyards, as17471215; V: Gondoliers-Cooke

Event Comment: The Thirty-second Day. To begin at 6:30 p.m. [Published this month, A Catalogue of Curiosities, Chiefly Theatrical which are to be sold by Auction. Dedicated to Foote by Peter Skewball. A twenty-two-page pamphlet containing suggestive comments about certain actresses. "Lot 13 Two young Actresses of different complections, who having been two years under the care of a certain physician are warranted sound, very little the worse for use...Lot 33 a Coquet Crying by Mrs C-; Lot 34 A Venus half naked at See Saw by Mrs W-; Lot 35 A Very Stanch actress, somewhat overfed, and of great Virtue (Mrs Pritchard?)." N.B.: This is the greatest curiosity in the Catalogue.

Performances

Mainpiece Title: Auction Of Pictures

Event Comment: Great Applause to ye Farce, some little Hiss (Cross). This month was publish'd A Letter to Mr Garrick; with some remarks upon Lethe. Printed for Reeve (Gentlemans Magazine, Register of Books). Receipts: #160 (Cross); #146 14s. (Powel)

Performances

Mainpiece Title: The Busie Body

Afterpiece Title: Lethe

Event Comment: Letter to Mr W-d-d in the General Advertiser signed F. [Woodward and Foote]: Oh! ho! is it come?-What at your Irish tricks again?-No my Dear, they won't do; I am too well establish'd here; Do you think we have so soon forgot your H-n Puffs: you defeat me in Ireland! Very likely; as if we did not know you!-but what you (or the whole Town) could mean by propagating such a report, the Devil take me if I know; unless you have taken an antipathy to the Irish, and found out this method to damn their judgment at once. Which by the Bye, Hal, would be a little ungrateful, considering how you profited by their ignorance. But let what will be the motive, if it produces a piece of Dullness equal to your last, I shan't quarrel at the means, or be uneasy now than then, Yours F. (From my Auction Room). [See 18 March.

Performances

Mainpiece Title: None

Event Comment: By a Set of English Performers translated into French from The Beggar's Opera. Nothing under the full Price will be taken during the Time of the whole Performance, or any money returned after the Curtain is drawn up. To begin at six o'clock. Prices: 5s., 3s., 2s. As this is the first attempt of the kind that was ever made by the English, 'tis hoped the Town will not be offended, that we endeavour to equal the Foreigners in everything, that may conduce to divert or to please them; yet this apology we beg leave to make, that if in our Performance a little of our Native Accent should be discover'd, we humbly hope an English audience will excuse it

Performances

Mainpiece Title: L'opera Du Gueux

Performance Comment: Capt Dubutin-Coustos [Custo, General Advertiser]; Delateur-Fern; Mannon Delateur-Miss Davis; Tourneclef-Smith; Laronneau-Morgan; Comedien-Johnson; Gueux-Fern; Mme Delateur-Mrs Knight; Lucie-Mrs Cushing; Matthieu de la Prison-Daniel; Jaques-Craven; Henry de Chemin-Johnson; Mme Cajoleuse-Mrs Jackson; Dorothee Cour de Nuit-Mrs Anderson; Madam Grandant-Mrs Butler; Bebeau Catin-Miss Stevens; Janneton du Plongeon-Mrs Knight; Mme Sans@Corps-Mrs Williams; Manon L'Effrontee-Mrs Adams; Diane-Mrs Jackson; Susanne Pimpante-Mrs Daniel.
Event Comment: On Saturday last the Farce of The Little French Lawyer from Beaumont and Fletcher, was acted at Drury Lane to a crowded House; every scene except the last, was receiv'd with Universal Applause; but that meeting with Disapprobation, it is now alter'd, and will be perform'd again tomorrow night (General Advertiser)

Performances

Mainpiece Title: None

Event Comment: With proper scenes, Machines, &c. [This is the Dryden-Davenant version.] Paid G. Garrick balance of his bill #6 13s.; Christmas Box to ye Beadle 3s. 6d.; Mr Norton 5 chorus #1 5s.; Xmas Jury #1 1s.; Mr Madden for an Embroidered Coat and a velvet suit of Cloaths #12 (Treasurer's Book). [This month was published A Dissertation on Comedy (by John Hippisley, Jr) in which the Rise and Progress of that Species of the Drama is particularly considered and deduced from the earliest to the present age. By a Student of Oxford. Printed for T. Lowndes (Gentleman's Magazine, Register of Books). The "Student of Oxford" seems to have been a Garrick apologist in the extreme: "But whatever reason there may have been formerly for this complaint [the immorality of the stage] since Mr Garrick's management the Stage is become the school of manners and morality: Ribaldry and Profaneness are no longer tolerated, Sense and Nature exert their influence; Pantomime daily declines, Dancers are but little encouraged; the Burletta performs to empty benches, and the British can now vie with the Athenian Drama when in its severest state of purity" (p. 15). Also, from the same source, Reflections on that Species of Dramatic Writing which it improperly call'd Serious Comedy: from the French of M Maillet du Boulley.] Receipts: #120 (Cross); #126 3s. (Treasurer's Book)

Performances

Mainpiece Title: The Tempest; Or, The Inchanted Island

Performance Comment: Prospero-Bridges; Ferdinand-King; Trincalo-Yates; Hippolito-Mrs Willoughby; Caliban-Blakes; Stephano-Shuter; Mustachio-James; Ventoso-Ray; Sycorax-Taswell; Miranda-Miss Cole; Dorinda-Mrs Green; Ariel-Mrs Clive (with Proper Songs); With Decorations-; particularly: A Dance of Aerial Spirits-Mlle Mariet, Miss Baker, Mrs Shawford, Mrs L'Font; A Dance of Winds-Macneale, Shawford, Pelling, Master Shawford; A Grand Dance of Fantastic Spirits- in the shapes of four Demons, four Monsters, and four Pigmies; Infernals-Reinhold, Bennet; The whole to conclude with the Masque of Neptune and Amphitrite-; Neptune-Beard; Amphitrite-Miss Norris.

Afterpiece Title: The Anatomist

Event Comment: This play was wrote by Mr Shirly & was at Lisbon when Acted--it was receiv'd with great Applause--only a little groaning at some of the Love Scenes; the prologue greatly lik'd--he says the play attempted after ye Manner of Shakespear (Cross). Paid salary list at #51 7s. 7d. per diem, #308 5s. 6d.; Blakes per order #1 1s.; Maltair added to salary list at 10s. per day. Paid Lacy as per draft #105; Xmas box to Prince and Princess's footmen #2 2s.; Mr Maltair for 11 days #5 10s. (Treasurer's Book). [Maltair is presumably the dancer Maltare who had appeared at dl in 1740.] Receipts: #180 (Cross); #185 13s. (Treasurer's Book)

Performances

Mainpiece Title: Edward The Black Prince; Or, The Battle Of Poictiers

Performance Comment: Edward-Garrick; Lord Ribemont-Barry; Cardinal Perigort-Berry; King John-Sowdon; Arnold-Havard; Duke of Athens-King; Charney-Winstone; Audley-Palmer; Chandos-Blakes; Warwick-Usher; Salisbury-Bridges; Dauphin-Simpson; Tourain-Marr; Louisa-Miss Murgatroyd; Mariana-Mrs Ward [from 1st edition but listed in the order in which the actors' names appear in General Advertiser]; Archbisop of Sens-Burton; Prologue-Havard; Epilogue-Mrs Clive [1st edition].1st edition].
Cast
Role: Duke of Athens Actor: King
Event Comment: Benefit for Mrs Ward. Tickets to be had of Mrs Ward, next door to the chapel in Little Wild St., and of Hobson at the stage door. Paid Norton 3 chorus 15s.; Cash rec'd #73 1s. 6d.; Tickets #85 18s.; Charges #63. Profit to Mrs Ward #95 19s. 6d. (Treasurer's Book). Receipts: #150 (Cross); #158 19s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Orphan

Event Comment: Benefit for Mrs Mills. By particular desire. Paid salary list #3000 6d.; Rec'd cash #54 19s., plus #102 7s. from tickets. Total #157 6s. [Treasurer's Book). Gentlemen and Ladies: Having the Misfortune to lose my husband, I am incapable at present, of making my Personal application; but hope those Friends who intend to honour me with their company, will be so kind as to send for tickets, Places, &c. to Gardyner's Printing office in Little Russel St., Covent Garden, or to Mr Hobson at the stage door, I beg your favour, and am, Your humble serv't, Eliz. Mills (General Advertiser). Receipts: #160 (Cross); charges, #60 (Treasurer's Book)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Intriguing Chambermaid

Dance: IV: Venetian Gardeners-Grandchamps, Mlle Auretti

Event Comment: At Hickford's Room, Brewer St. Benefit for Mme Cuzzoni. Burney, II, 848-49: [Giardini's] first performance in public was at a benefit concert for Cuzzoni, May the 18th...where, as this was her third arrival in this country, and she was grown old, poor, and almost deprived of voice, by age and infirmities, there was but little company; yet, when Giardini played a solo of Martini of Milan's composition, the applause was so long and loud, that I never remember to have heard such hearty and unequivocal marks of approbation at any other musical performance

Performances

Mainpiece Title: A Concert

Event Comment: Mainpiece: Not acted these 8 years [see 10 Dec. 1745]. This play much Dislik'd & hiss'd a little (Cross). Receipts: #120 (Cross)

Performances

Mainpiece Title: The Tender Husband; Or, The Accomplished Fools

Performance Comment: Capt. Clerimont-Woodward for the first time; Numps-Yates; Sir Harry Gubbin-Berry; Clerimont Sr-Palmer; Tipkin-Shuter; Pounce-Blakes; Biddy-Mrs Clive; Fainlove-Mrs Bennett; Mrs Clerimont-Mrs Mills; Mrs Bersheba Tipkin-Mrs Cross; Jenny-Miss Minors; To conclude with a Country Dance-the characters of the Play.

Afterpiece Title: Lethe

Dance: Between the acts: Country Amusements, as17501102; Pigmalion, as17501102; Comic Dance, as17501117

Event Comment: This day is publish'd a Guide to the Stage; or Select Instructions and Precedents from the best Authorities towards forming a polite Audience; with some account of the Players, &c. Printed and sold by D. Job, at the Spread Eagle in King St. [An ironical post-Addisonian quip at theatrical behavior]: I boldly enter the lists as the first champion for theatric decorum. The next thing to be consider'd is disapprobation, which I think may be sufficiently shewn, by an attention to something else, by loud discourse, profuse laughter, and the like. I cannot help thinking it a little out of character, for a polite audience to distort their features by a hiss: however for the sake of some ambitious youths, who thus love to signalize themselves, I shall leave a new play to their mercy. They then are at liberty to exercise their several talents whether they hiss or groan most successfully, or have a greater genius for the cat-call. If you desire to know when you are to shew your dislike, my answer is, when anything displeases you, or in fine when you will provided you have a strong party to second you; for the best hiss or groan in the universe may be drown'd in a general applause. [Never laugh at what passes on stage save it be an error, blunder, or accident. In tragic scenes avoid being visibly moved by humming a tune, regarding the audience, engaging in conservation, or turning your back to the stage. When a female social rival calls attention to herself and away from the stage, let fall your handkerchief into the pit, or call out to an acquaintance in the opposite box, or burst into loud and unexpected laughter. You'll know when to applaud, for the actors will tell you.] On these occasions Cato looks more than unusually big, Hamlet stares with great emphasis, Othello has a most languishing aspect, Monimia is all sighs and softness, Beatrice will bridle, and pretty Peggy Wildair leers you into a clap. Receipts: #170 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Anatomist

Event Comment: MMrs Pritchard, belonging to Drury Lane is recovering from her late indisposition, and it is hoped will be able to act in a few days. Mrs Ward, last Sunday Morning, belonging to Drury Lane, was aafely deliver'd of a son, at her lodgings in little Wild St., and is in a fair way of recovery (General Advertiser). Receipts: #100 (Cross)

Performances

Mainpiece Title: The Miser

Afterpiece Title: Queen Mab

Cast
Role: others Actor: Mrs _Pit, Mrs Toogood.

Dance: Devisse, Mad Auretti

Event Comment: A little Hissing when given out (Cross). Receipts: #80 (Cross)

Performances

Mainpiece Title: Gil Blas

Event Comment: Benefit for Devisse. Tickets to be had of Devisse at the Distiller's, the corner of the little Piazza, Covent Garden, and at the Stage Door. Tickets deliver'd for the 28th of March will be taken. Being positively the last time of performing the mainpiece this season. Receipts: #80 (Cross)

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Anatomist

Dance: I: New Dance-; III: Provencal Dance-; IV: Hornpipe-Mathews; V: Louvre, Minuet, as17510411

Music: II: Concerto on German Flute-Mr L'Cler

Event Comment: Benefit for the Widow Reinhold and her four small children in great distress. Tickets at Mrs Reinhold's at his house, the Green Door in Little Chapel St., and of Hobson at the stage ooor. Being posivitively the last time of performing this season. A Gift Day for ye Wid: Reinhold & 4 Small Children (Cross). Receipts: #101 (Cross)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Queen Mab

Cast
Role: others Actor: Vernon, _Mathews, Mad _Camargo.

Dance: Devisse, Mad Auretti

Event Comment: A little hissing at ye farce (Cross). Mainpiece: Acted but once this season. Publish'd, Miscellaneous Observations on Hamlet, &c. 1s. [Contains a thoroughly Neo-Classical Preface and twenty-seven notes on passages in the play. Concerning the Gravedigger's Scene: This incoherent absurdity will forever remain an indelible blot in the character of our poet; and warn us no more to expect perfection in the work of a mortal, than sincerity in the breast of a female.] Receipts: #110 (Cross)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: Taste

Dance: Madam Auretti

Event Comment: Both pieces By Command of his Majesty. [The Assembly at the Temple of Taste in the Five Bell's tavern (see 20 Feb.) received a puff this day: 'On Thursday Night there was a brilliant appearance of Ladies and Gentlemen, at the opening of the Temple of Taste, who express'd much Satisfaction at the entertainment they met with, which was not only instructive, but extremely polite and pleasing; if any Complaint was made, it was that (nothwithstanding is lasted full three hours) instead of being tir'd with the Performance, as at many Publick exhibitions, they seem'd to think they had too little of it; As we are always glad to embrace any Opportunity of shewing our zeal for the Service of the Publick, we can but applaud an Undertaking than which nothing appears more rational and better calculated for the general good" (General Advertiser).

Performances

Mainpiece Title: The Country Lasses

Performance Comment: As17511214, but the Original Sheep Shearing Song-_.

Afterpiece Title: Harlequin Sorcerer

Event Comment: Benefit for Mr Lee. Afterpiece: Never acted there, altered from Fielding. Full prices. No building on Stage.Tickets at Mr Reynolds Crane Co., Little Russell St. Receipts: #180 (Cross)

Performances

Mainpiece Title: King Lear

Afterpiece Title: Don Quixote in England

Performance Comment: Don Quixote-Lee; Squire Badger-Shuter; Sancho-Costollo; Jezebel-Miss Minors; Guzzle-Taswell; Fairlove-Ackman; Loveland-Simpson; Dorothea-Mrs Bennet.
Cast
Role: Dorothea Actor: Mrs Bennet.