SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "little theatre in the Haymarket"/1) | (@(roleclean,performerclean) "little theatre in the Haymarket")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2898 matches on Event Comments, 582 matches on Performance Comments, 295 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: Flora

Dance: I: Comic Ballet, as17360417 III: A new Serious Dance by Scholar of Nivelon. IV: A new Comic Dance by a Little Miss, Scholar of Nivelon. V: A new Comic Dance in Character of a Polonese by Mlle De L'Isle. End Afterpiece: A new Comic Dance by Nivelon and another of his scholars

Performance Comment: IV: A new Comic Dance by a Little Miss, Scholar of Nivelon. V: A new Comic Dance in Character of a Polonese by Mlle De L'Isle. End Afterpiece: A new Comic Dance by Nivelon and another of his scholars .

Song: II: By Leveridge

Event Comment: Benefit Little [Gallery Boxkeeper, DL], who hopes to have the Honour of his Brethren the Free Masons

Performances

Mainpiece Title: The Stratagem

Music: A Preamble on the Kettle Drums by Job Baker

Event Comment: Mainpiece: Written by the late Mr Congreve, London Daily Post and General Advertiser, 2 Oct.: Last Night in the Entertainment of Dr Faustus...when the Machine wherein were Harlequin, the Miller's Wife, the Miller and his the Miller's Man, was got up to the full Extent of its flying, one of the Wires which held up the hind part of the Car broke first, and then the other broke, and the Machine, and all the People in it fell down Upon the Stage; by which unhappy Accident the young Woman who personated the Miller's Wife had her Thigh broke, and her Kneepan shatter'd, and was otherways very much bruised, the Harlequin had his Head bruised, and his Wrist strained; the Miller broke his Arm; and the Miller's Man had his Scull so fractured that his Life in despaired of. Thomas Gray to Horace Walpole, 6 Oct.: Covent Garden has given me a sort of surfeit of Mr Rich and his cleverness, for I was at [cg] when the machine broke t'other night; the house was in amaze for above a minute, and I dare say a great many in the galleries thought it very desterously performed, and that they screamed as naturally as heart could wish, till they found it was no jest, by their calling for surgeons, of whom several luckily happened to be in the pit. I stayed to see the poor creatures brought out of the house, and pity poor Mrs Buchanan not a little, whom I saw put into a chair in such a fright that as she is big with child, I question whether it may not kill her.-Horace Walpole's Correspondence with Thomas Gray, I, 113-14

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Necromancer

Event Comment: Benefit Haughton. Tickets at Haughton's, at the Wheatsheaf in Little Russel Street, cg. Daily Advertiser, 24 March: An Order having been sent to Mr Giffard, forbidding all Performances on Wednesdays and Fridays in Lent, Mr Haughton was oblig'd to defer his Benefit to this Day

Performances

Mainpiece Title: The Rover

Afterpiece Title: The Lover His Own Rival

Dance:

Event Comment: Benefit the Author of the Farce. Afterpiece: a Farce. [Author not known.] Preface to edition of 1737: The Misrepresentation of this little Piece upon the Stage, and the proper Indifference with which it was received by the Audience, made it necessary, for my Reputation sake, to publish it with all convenient Expedition. My Friends, who had read the Thing, did not know it again, it was in so disastrous a Plight; and they that had not read it (from a Prepossession in my Favour) imputed its Aukwardness to the Mismanagement, or Incapacity of the Players

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Author's Triumph; or, The Manager Manag'd

Performance Comment: The Characters of which are, An Author-; his Patron-; a Manager-; 1st Player-; 2d Player-; 3d Player-; 4th Player-; a Humourous Fellow-; one Tatter-; the Author's Servant-; Amanuebsis-; a Mistress for the Poet-; a Mistress for his Man-; Also a New Epilogue- to the Farce.

Dance: End Afterpiece: Pierrots-Vallois, Delagarde

Song: II: Dialogue by Purcell-the Masters Hamilton; III: Miss Jones; IV: Singing in Italian-Mrs Chambers

Event Comment: As 17 May. The Usefulness of the Stage (1738) stated (p. 18) that The Dragon of Wantley was acted at hay with little success and that the audience was dismissed on the third night [this night, presumably]

Performances

Mainpiece Title: The Historical Register

Afterpiece Title: The Dragon of Wantley

Event Comment: Benefit Allen, Gallery Officekeeper. Tickets for Walker, Rumbal, Hewett, Little, Fuller taken

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Intriguing Chambermaid

Music: Second Music: the First Concerto-of Corelli; I: Song for the Bassoon-; II: Concerto for German Flutes-composed by Festin; III: Concerto by Geminiani for Hautbois-; IV: March in Zara-

Dance: I: Russian Sailor-Denoyer's@Prentice; II: English Maggot-Villeneuve, Mrs Walter; III: Harlequin-Denoyer's@Prentice; IV: Wooden Shoe Dance-Livier, Villeneuve

Event Comment: DDaily Advertiser, 4 Oct.: The French Company of Comedians newly arriv'd from Paris, it's said, consists of seventy Persons. It seems to be a little unnatural that French Strollers should have a Superior Privilege to those of our own Country

Performances

Event Comment: LLondon Daily Post and General Advertiser, 13 April. Letter: Upon my Arrival in Town three Days ago, I was not a little surpriz'd, to find that Mr Handel's last Oratorio, (Israel in Egypt) which had been performed but once, was advertis'd to be for the last time on Wednesday....I was indeed concern'd, that so excellent a Work of so great a Genius was neglected, for tho' it was a Polite and attentive Audience, it was not large enough I doubt to encourage him in any future Attempt

Performances

Event Comment: Benefit Short. Mainpiece: Written by Colley Cibber, Esq; Poet Laureat. Afterpiece: Alter'd from Hob; or, The Country Wake. [Tickets at Short's House, Little Ormond Street, near Bedford-Row, Holborn.

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Flora

Song: I: Genius of England-Salway; III: Roberts

Dance: II: Comic Ballet-Villeneuve, Miss Oates; IV: La Badinage de Provence-Poitier, Mlle Roland; V: Grand Ballet-Glover, Mlle Anne Roland

Music: End Afterpiece: A preamble on the Kettle Drums-Woodbridge; followed by Handel's Water Musick-

Event Comment: At Hippisley's and Chapman's Great Theatrical Booth in the George-Inn Yard. Afterpiece: A new Comic Interlude. While the Booth is filling the Company will be entertained by the surprising little Posture-Boy, a Scholar of Mr Ferguson's, lately arrived from Paris. Books of the Droll will be sold in the Booth

Performances

Mainpiece Title: The Devil Of A Duke; Or, The Conjuror's Bastard; With The Comical Humours Of Captain Tipple

Afterpiece Title: The Matrimonial Squabble; or, A Cure for Jealousy

Ballet: TThe Infernals (Grand Ballet). 1st Fury-Bencraft; Attendants-Clough, Richards, Gray, Wright, Bembridge, Spackman

Event Comment: DDavid Garrick to Peter Garrick: We have greater Business than Either Drury Lane or Convent Garden; Mr. Giffard himself Gave Me yesterday twenty Guinease for a Ticket & next Week I design buyin #200 of my Stock out of my Profits of Playing.-Little, Pineapples, p. 27

Performances

Mainpiece Title: Richard Iii

Afterpiece Title: The Mock Doctor

Event Comment: GGarrick, 16 Nov.: I receive...6 Guineas a Week.-Little , Pineapples, pp. 25-26

Performances

Mainpiece Title: Pamela

Event Comment: Written by Shakespear. Garrick to Peter Garrick (Dec. 1741): You perhaps would be glad to know what parts I have play'd, King Richd-+Jack Smatter in Pamela-Clody fop's fortune-Lothario fair Penitent-Chamont Orphan-Ghost Hamlet-& Shall soon be ready in Bays in ye Rehearsal-and in ye part of Othello-Both of which I believe will do Me and ther I play Trajedy or Comedy best-$Old Cibber">Giffard great Service-I have had great Success in all, & 'tis not yet determin'd whether I play Trajedy or Comedy best-$Old Cibber has spoke with ye Greatest Commendation of my Acting, as to playing a Harlequin 'tis quite false-Yates last Season was taken very ill & was not able to begin ye Entertainment so I put on ye Dress & did 2 or three Scenes for him, but Nobody knew it but him & Giffard; I know it has been Said I play'd Harlequin at Covent Garden but it is quite false.-Little, Pineapples, pp. 28-29

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Performance Comment: Ghost-Garrick, Being the first Time of his Appearing in that Character; Hamlet-Giffard; King-Paget; Polonius-Julian; Laertes-Marshall; Horatio-W. Giffard; Osrick-Peterson; Rosencrans-Vaughan; Guildenstern-Naylor; Marcellus-Blakes; Queen-Mrs Steel; Ophelia-Miss Hippisley; Gravediggers-Yates, Dunstall.

Afterpiece Title: The Lying Valet

Event Comment: RRev. T. Newton to David Garrick, 18 Jan.: I was almost angry with you, to see your name last week in the bills for Costar Pearmain. I am not fond of your acting such parts as Fondlewife, or even Clodio, nor should be of the Lying Valet, if it was not of your own writing. You who are equal to the greatest parts, strangely demean yourself in acting any thing that is low and little; and not only I, but really all who admire you and Wish you well, that is all who know you, are grieved and wonder at it. If I was an actor surely I would rather wish to be a Raphael than a Hogarth; or if I was a poet, I would choose infinitely rather to be a Milton than Hudibras.--Boaden, Private Correspondence of Garrick, I, 5-6. [Morning Herald 28 June 1787 suggests that Yates was Winifred apShenkin.

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: As17420101, but Costar Pearmain-Garrick, being the first Time of has appearing in that Character.

Afterpiece Title: The Lying Valet

Dance: new comic Dance call'd The Welchman's Triumph or the Death of the Wild Goat-David and Winifred apShenkin, M Granier, Osbeldiston, Mrs Bullock, Mrs Vallois The Character new dressed

Event Comment: Benefit Mrs Yates and Miss Medina. Tickets at Yates's, No. 6, near the Playhouse in Ayliff St., Goodman's Fields. Garrick to Peter Garrick: Mr Littleton...said I was only born to act what Shakespear writ--Little, Pineapples, pp. 30-31

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Lying Valet

Song: Miss Medina

Dance: David and Winifred apShenkin

Event Comment: Mainpiece: By Particular Desire. Benefit Lowe. Amphitheatre on stage. Tickets and places to be had of Lowe, next the Seven Stars in Bedford St., Covent Garden; at the Globe and Sceptre in Old Jewry; at Ben Johnson's Head in Little Britain; and at Mr Benskin's, Stationer, next the Ship-Tavern, Gracechurch St. Receipts: #180

Performances

Mainpiece Title: Love For Love

Performance Comment: As17411106, but Trapland-Ray; Valentine-Lowe; (with a Prologue on the Occasion, humbly address'd to the Town) Tattle-Cross.

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Song: I: Let me Wander not unseen-Beard; III: Sweet Bird from Milton-Beard; IV: Bumper Squire Jones-Beard

Dance: II: The Italian Peasants, as17411205; V: Le Boufon, as17420325

Event Comment: Benefit for Phillips and Mrs Walter. Tickets to be had at Phillips, Lodgings in Little Wild St., near Lincoln's Inn Fields; at the Bedford Coffee House, Covent Garden; of Mrs Walter, at the Three Queens, a Hosier, in New St., Covent Garden; and at Bradshaws. Afterpiece: a New Pantomimic Entertainment. Receipts: #170

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Cooper Outwitted; or, Harlequin Happy

Song: I: Bumper Squire Jones-Beard; III: The Early Horn-Lowe

Dance: II: Le Boufon, as17420325 IV: The Drunken Peasant-Phillips

Event Comment: By Particular desire of persons of Quality. Afterpiece: By Desire. Lady Hertford wrote to her son Lord Beauchamp: Mrs Clive either was really suddenly taken ill, or was not in the humor to act Nell, so that the part was done by a frightful Mrs Philips, who could neither, sing, laugh, or do any other thing that was fit for a cobbler's wife; in short she spoiled the whole thing.-Hughes, Hertford, p. 233. Enlightenment as to Mrs Clive's health appears in the gossip sent by Lady Hertford to her son in a letter 23 Jan. 43: About ten days ago Mrs Woffington and Mrs Clive met in the Green room. Mrs Woffington came up to Mrs Clive and told her she had long looked for the favor of a visit from her and begged she would let her know when she designed her that pleasure, for she was often engag'd in an afternoon. Mrs Clive paused a little and then answered, Madam, I have a reputation to lose. Madam, said Mrs Woffington, so should I have too if I had your face. Whether this repartee has affected Mrs Clive's health I cannot tell, but she is extremely ill and in danger.-Hughes, Hertford, pp. 236-37

Performances

Mainpiece Title: The Rehearsal

Related Works
Related Work: The Rehearsal; or, Bayes in Petticoats Author(s): Katherine Clive

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Music: I: Concerto on German Flute-Burk Thumoth; IV: Concerto-Piantanida

Song: II: Baard

Event Comment: Benefit Cashell. Mainpiece At the Desire of Several Persons of Quality. Tickets and places to be had of Cashell at his lodgings, at the Dial in Little Wild St; or of Page at the stage Door. No Tickets will be admitted that are sold about the playhouse Passage. Mr Cashell begs the favour of those Ladies who have taken Boxes of Places to send for tickets, and likewise to send their servants by four o'clock to keep their places

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: The Toyshop

Dance: I: Dutch Skipper, as17421025; III: Peasants, as17421230; V: Le Rendezvous Gallant, as17421217

Event Comment: YYeates, Warner, and Rosoman's Great Theatrical Booth, Upper End of Little Brookfield. At the Desire of Several Persons of Quality will be presented the Droll. Begin at Noon and end at 10 p.m. The Booth founded after the Manner of an Amphitheatre, with Boxes on the Stage

Performances

Mainpiece Title: Love His Own Rival

Afterpiece Title: Trick Upon Trick

Dance: The Humours of Mayfair-

Event Comment: Benefit Cashell. [Address]: At the Dial in little Wild St., near lif. Mainpiece: At the Desire of several persons of Quality

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Lying Valet

Event Comment: A historical note about the patent for May Fair by Edward Shepherd. Daily Advertiser, 1 May: Whereas a Patent was granted by King Charles the First, and confirm'd by King James II, to the Proprietor of Great and Little Brookfield, then in the Parish of St. Martin in the Fields, now in the Parish of St. George, Hanover Square, to hold a Fair during the Space of fifteen Days, to begin the 1st Day of May next, and every May Day forever: the present Proprietor thinks it proper to apprize the Publick thereof, that it may not be thought that he attempts to do any thing but by Virtue of the said Patent, and no Ways to disturb the Publick Peace, or act in Contradiction to the Laws of the Realm. [Alluded to in 2 May news of the Daily Advertiser, as being proclaimed by Edward Shepherd.

Performances

Event Comment: Benefit James, Lodgings opposite Three Canisters in Little Wild St.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Royal Chace

Dance: TThe Drunken Tyrolese-Sodi

Event Comment: To the Author of the General Advertiser, Sir: I have frequently observ'd particular Notice has been taken in your paper of particular Merit, I hope therefore you'll allow room for this short Epistle--I am a great Lover of Public Diversions, especially such as can agreeably amuse, or afford the highest Mirth, without offense to Sense of Decency; Of this kind are the two new dances compos'd by Salomon, and perform'd by him, Mr Cook, Mr Muilment, Madem Violette, Sga Padouana, and the young little Salomon, and others. To say they are excellent in their way is barely doing 'em justice; but in these Dances they may be said to have excell'd themselves. The first, tho' a kind of Serious Pastoral Ballet afforded the Audience great Pleasure; and I believe never did three dancers in a Pas Trois, altogether equal the Execution of Sg Salomon, Madem Violette, and Mr Cook; there was an Elegance peculiar to herself that shone thro' her whole performance. The other Entertainment is the representation of a Fair, to which People of all degrees and nations are suppos'd to resort, it may not improperly be stil'd a very High Piece of Low Humour; and caused as much laughter and applause as the strongest Farce ever produc'd, without offending the Modesty of the Ladies. We have had many performers from abroad, but Sg Salamon and Violette so inimitably express their characters in this entertainment, that I think they excel what we have hitherto seen; and very much deserve the Encouragement of the Town, I am, &c

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Anatomist

Song: III: Lowe