SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "little Theatre in the Hay Market"/1) | (@(roleclean,performerclean) "little Theatre in the Hay Market")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3006 matches on Event Comments, 637 matches on Performance Comments, 455 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: At the New Wells, Shepherd's Market. Yeates's Company

Performances

Mainpiece Title: The Unnatural Parents

Event Comment: YYeates's Company of Comedians. At the New Wells, Shepherd's Market, May Fair. An Historical Play

Performances

Mainpiece Title: Dorastus And Fawnia; Or, The Royal Shepherd And Shepherdess

Song: I: Mrs Dodson; End Droll: Green

Dance: II: Adams

Event Comment: By Yeates's Company of Comedians, an Historical Play at the New Wells, Shepherd's Market, Mayfair. To begin at 2, 5, and 7, and end at nine. The Fair ends this day. [See 10 May.

Performances

Mainpiece Title: Dorastus And Fawnia

Dance: Adams

Song: Mrs Dodson, Green

Related Works
Related Work: Primrose Green; or, Love in the Country Author(s): Matthew Peter King
Event Comment: A Concert, etc. At the New Wells, Shepherd's Market, May Fair. 6 p.m. (Daily Advertiser)

Performances

Mainpiece Title: The Unhappy Favourite

Afterpiece Title: The Mock Doctor

Song: Between the Acts: Singing-

Event Comment: At the New Wells, Shepherd's Market. A Dramatic Farce. To begin at twelve noon (Daily Advertiser)

Performances

Mainpiece Title: Love And Empire; Or, Virtue Triumphant

Afterpiece Title: School for a Wife

Event Comment: Benefit Mause, Madge. On Tuesday Evening several Performers by an order from the Lord Chamberlain were taken up for acting Plays, or Drolls, at Shepherd's Market, May Fair, and carried before a Magistrate who committed them to Prison on the Vagrant Act (General Advertiser)

Performances

Mainpiece Title: The Gentle Shepherd

Event Comment: This night the Riot was very Great, the Gentlemen came with Sticks, & tho' the play went on quiet 'till the last Act, we had there a great Stop, notwithstanding we ended it, & then the rout went on, ye Boxes drove many out of the Pit, & broken heads were plenty on both Sides; the dance began,--was Stop'd--& so again & again--while this was doing numbers were assembl'd in the Passages of the pit, broke down & were getting into the Cellar, but were repuls'd by our Scene men &c.--heavy blows on both sides--Justice Fielding--& Welch came with Constables & a Guard; but without effect, tho' the Justices stood upon ye Stage--I thought ye proclamation must have been read--after ye battle in the Passages numbers went & broke Garrick's Windows in Southhampton Street, --part of ye Guard went to protect it-Garrick was oblig'd to give up the Dancers-& ye Audience disperc'd (Cross). This day publish'd at 1s. The Country Coquet; or, Miss in her Breeches, a Ballad Opera, as it may be acted at Drury Lane. @Men, some to business, some to pleasure take@But every woman is at heart a Rake.@ Pope By a Young Lady. Printed for and sold for J. Major, in Three-Tun Court, leading from the Ship in Ivy Lane into Newgate Market. Receipts: #200 (Cross)

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: The Chinese Festival

Event Comment: MMr Barbaut's Second Subscription Oratorio, taken from the First Book of Milton's Paradise Regained and set to music by Mr Charles Barbant in two parts with a solo upon the Violin by Signor Marella; a solo upon the German Flute by Mr Tacet; a Concerto on the Lute by Mr Servi?; a Hautboy concert by Mr Barbant; and an organ concerto ditto; and a Great Concerto with Clarinets, French Horns and Kettle-Drums, composed by Mr Barbant. Boxes and Pit put together at Half a Guinea each, Gallery 3s. Tickets to be had at Mr Barbant's, at Mr White's in Marshall St., Carnaby-Market; and at Mr Browne's Stationer [sic], facing the Opera House, Haymarket. To begin at half an Hour after six. N.B. the Books of the Oratorios stitched in Blue Paper at 1s. each are sold at Mrs Browne's [sic] in the Haymarket, and at the House on the night of the performance

Performances

Mainpiece Title: Oratorio From First Book Of Paradise Regained

Event Comment: Benefit for Foly (Box lobby doorkeekper) and Veal (First Gallery doorkeeper). British Chronicle, 16 May: Yesterday Foulkes, a Beadle of Vere St Clare Market fell from the upper gallery of Drury Lane play house into the pit & expired immediately. The seat on which he fell was broke in half. British Chronicle, 16 May: It is said Mrs Pritchard is appointed Dresser to her intended Majesty for the Royal Wedding

Performances

Mainpiece Title: The Fair Quaker Of Deal; Or, The Humours Of The Navy

Afterpiece Title: The Miller of Mansfield

Dance: HHornpipe-a sailor on board the Royal Sovereign

Event Comment: long letter published in the Public Advertiser by Delectante specifying a six point program for eliminating the confusion and the "riots that regularly follow the breaking up of a full house at the Opera": I) exclude servants from the lobby; 2) all chairs to come down Market Lane from Charles Street to take up and go off by Pall Mall; 3) no chairs to be allowed at other doors and passages; 4) a pent house to be built to protect those waiting from the rain; 5) all carriages to come to the door in the Haymarket, with horses heads towards Cockspur street; 6) constables to attend and assert themselves in regulating the traffic.

Performances

Mainpiece Title: None

Event Comment: A New Serious Opera. The Music by several eminent composers under the direction of Giordani. Dances under the direction of Lany. New Scenes by Colomba, with magnificent Dresses and Decorations for the Opera and Dances. Tickets Pit and Boxes put together at Half a Guinea. Gallery 5s. Second Gallery 3s. By Command of their Majesties no person whatsoever to be admitted behind the scenes or into the Orchestra. Doors to be opened at 6, to begin at 7:00 p.m. Vivant Rex et Regina. In order to prevent inconveniencies to the ladies in getting to and from their carriages, they are requested to order their coachmen to set down with their horses heads towards Pall Mall, and to take up with their heads towards Picadilly. The door in Market Lane and the King's door for Chairs only

Performances

Mainpiece Title: Armida

Dance: I: Grand Ballet Pirhame et Thisbe-Simonin Vallouis, Mad. Niel Vallouis, Lany, Mlle Bacelli; in which will be introduced a Grand Chaconne-Simonin Vallouis; III: A Grand Dance of Furies-incident to the Opera

Performance Comment: Niel Vallouis, Lany, Mlle Bacelli; in which will be introduced a Grand Chaconne-Simonin Vallouis; III: A Grand Dance of Furies-incident to the Opera.

Ballet: II: A Grand Ballet Le Baillet de Fleur. La Rose-Mlle Bacelli; Le Zephir-Lany; Boree-Fay; with an Entree-Simonin Vallouis, Mad. Vallouis

Event Comment: The Door in Market Lane for Chairs only

Performances

Mainpiece Title: L'isola D'amore

Dance: End Overture: Le Retour des Matelotes, as17760319 End I: La Fete du Village, as17760224; End Opera: Diane et Endymion, as17760312

Event Comment: A new Comic Opera; the Music by Paisiello [and "other eminent Composers" (libretto)]; under the Direction of Giordani. With magnificent new Scenes, Dresses and Decorations, both for the Opera and Dances. Tickets will be delivered at the Office, Union Court, Haymarket, at Half a Guinea each. 1st Gallery 5s. 2nd Gallery 3s. By Their Majesties' Command no Person can be admitted behind the Scenes. The Doors to be opened at 6:00. To begin exactly at 7:00 [same throughout season]. The Coffee Room will be open with Tea, Coffee, Lemonade, Orgeat, Ice, Creams, &c. which will be furished by Weltje, of St. James's Street. To prevent Inconvenience to the Nobility and Gentry in getting to their Carriages, they are respectfully intreated to give positive Orders to their Servants to set down and take up with their Horses Heads towards Pall-mall. The Door in Market Lane for Chairs only. [Public Advertiser, 13 Feb. 1778, prints a letter outlining a scheme-never realized-of having occasional plays at king's on non-opera nights acted by performers from both dl and cg, and by "the young Nobility of both Sexes."

Performances

Mainpiece Title: Le Due Contesse

Dance: WithNew Dances composed by Simonet-; End I: new ballet, demi-caractere Le Devin du Village-Mons and Mlle Banti, Sg and Sga Zuchelli Colin-Banti; +Colette-Mlle Banti; End II: +New BalletSerious and Demi-caractere-; in which a Pas de Quatre-Mons and Mme Simonet, Mons and Mlle Banti; to conclude with the Chaconne of Froquett-; End Opera: new serious ballet La Polonaise Favourite-Mons Simonet, Mme Simonet, Mlle Baccelli, Sg Zuchelli, Sga Zuchelli, Vallouy@le@cadet

Event Comment: By Authority [of the Lord Chamberlain]. Benefit for Silvester and Rae. Mainpiece: Not acted these 6 years.Afterpiece: Never performed here. Tickets delivered for The Earl of Essex will be admitted. Tickets to be had of Silvester at Mrs Hobbe's, Stanhope-street, Clare Market; at Iver's Wine Vaults, No. 384, Oxford-street; of Rae, No. 35, Great Pultney-street, Golden-square

Performances

Mainpiece Title: The Country Lasses; Or, The Custom Of The Manor

Performance Comment: Modely-Cooke; Sir John English-Bailey; Lurcher (1st time)-Manstead; Freehold-Bowles; Carbuncle-Kenny; Sneak-Benson; Vulture-Massey; Doublejugg-Thompson; Shacklefigure-Roche; Heartwell-Swendall; Flora-Mrs Lefevre; Aura (with the Original Epilogue)-Mrs Dawes.

Afterpiece Title: All the World's a Stage

Song: I: the original Sheep@shearing Song-the Characters

Dance: In I: Country Dance-the Characters; End: Hornpipe-a Gentleman

Event Comment: Public Advertiser, 25 Feb.: For the better Accommodation of the Subscribers to the Opera, the painted Room and Staire-case will be lighted, and the door from thence to Market-lane open after the Opera for Ladies Chairs only. The Regulation relative to the servants, by desire of many of the Subscribers, is laid aside [see 27 Nov. 1779]

Performances

Mainpiece Title: Quinto Fabio

Dance: As17800122

Song: As17800122

Event Comment: A new Comic Opera; the Music by several celebrated Composers [chiefly Scolari], and conducted Ii.e. arranged] by Bianchi. With new Scenes, new Dresses and Decorations. Public Advertiser, 27 Nov.: L'Arcifanfano was performed for the first time on Saturday, and universally disapproved of. It will not be repeated Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. By Their Majesties' Command, no Person can be admitted behind the Scenes. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season, except for L'Omaggio (see 5 June 1781)]. To prevent Inconvenience to the Nobility and Gentry in getting to their Carriages, they are most respectfully intreated to give positive orders to their servants to set down and take up with their Horses' Heads towards Pall-mall. The Door in Market Lane for Chairs only

Performances

Mainpiece Title: L'arcifanfano

Performance Comment: Principal Characters by Trebbi, Manzoletto, Gherardi, Micheli, Mrs Barthelemon, Sga Prudom, Sga Sestini. Cast from Larpent MS 538: Arcifanfano-Trebbi; Tagliacantoni-Manzoletto; Dottore Matteo-Gherardi; Malgoverno-Micheli; Gloriosa-Mrs Barthelemon; Garbata-Sga Prudom; Semplicina-Sga Sestini.
Cast
Role: Gloriosa Actor: Mrs Barthelemon

Dance: End I: New Ballet-Sg and Sga Zuchelli, Sga Crespi; End II: new ballet, composed by Simonet, The Fortunate Escape-Slingsby, Sga Tantini, Sga Crespi, Mme Simonet; End Opera: new ballet, composed by Simonet, The Country Gallant-, in which Mme Simonet, will dance in Men's Cloaths with Sga Tantini, Sga Crespi, Sg and Sga Zuchelli

Event Comment: Benefit for Burton, Williames & Harwood, prompter. Public Advertiser, 7 May: Tickets to be had of Harwood, Blackmoor Street, Clare-market [others not listed]. Tickets sold at the Doors will not be admitted. [The playbill assigns the song in Act II to Williames, but a MS annotation on the Kemble playbill substitutes Du-Bellamy.] Receipts: #252 19s. (66/15; 34/7; 0/11; tickets: 151/6) (charge: #106 9s. 4d.)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Linco's Travels

Afterpiece Title: The Gentle Shepherd

Dance: End of Act IV of mainpicce a Minuet and Gavot by Zuchelli and Miss M. Stageldoir

Song: In Act II of mainpiece a song by Du-Bellamy; End of Act III The Soldier tir'd of War's Alarms, as17820420

Event Comment: A new Comic Opera [1st time; com 2, by Filippo Livigni, with alterations by Antonio Andrei]: The Music entirely new by Bertoni. [Bartolini was from the Opera, Milan.] The Music and Orchestra under the direction of Giardini. New Scenes and Decorations by Novosielski. Entirely new dresses by Lupino. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. By Command of Their Majesties no Persons to be admitted behind the Scenes. The Doors to be opened at 6:00. To begin exactly at 7:00 [same throughout season]. To prevent inconvenience to the Nobility and Gentry in getting to their carriages, they are most respectfully intreated to give positive orders to their servants to set down and take up with their horses' heads towards Pall-mall. The Door in Market-lane for Chairs only. Subscription tickets will be admitted every Opera Night (Benefits excepted) during the Season

Performances

Mainpiece Title: Il Convito

Dance: End of Act I a New Divertisement, composed by Simonet [for title, see17821105], by Slingsby, Zuchelli, Henry, Sga Sala, Mlle Theodore; End of Open Apelles and Campaspe by Lepicq, Simonet, Mlle Theodore, Mme Simonet

Event Comment: A Serious Opera [1st time; ser 3, by Giovanni de Gamerra; a pasticcio, with music by Anfossi, Gluck, Alessandri, Martini, Sarti, Giordani]; the Music under the Direction of Anfossi. With new Scenes, painted by Novosielski, new Dresses and Decorations, both for the Opera and Dances. By their Majesties Command, no Person can be admitted behind the Scenes. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. The Doors to be opened at 6:00. To begin exactly at 7:00 [same throughout season]. The Subscribers' Tickets are ready to be delivered at the Office in Unionstreet. To prevent Inconvenience to the Nobility and Gentry in getting to their Carriages, they are most respectfully intreated to give positive orders to their servants to set down and take up with their Horses Heads towards Pall-Mall. The Door in Market-lane for Chairs only

Performances

Mainpiece Title: Silla

Dance: End of Act II Divertisement, with a Passe-a-caille by Lepicq, a Pas Seul by Henry, a Pas Seul by Mme Simonet; End of Opera Hew Divertisement, in which a Pas Seul by Henry, and to conclude with a Caledonian Reel, being part of the ballet of Auld Robin Gray, which for want of time could not be completed, by Lepicq, Slingsby, Mme Rossi

Event Comment: The Subscription being now at an end for the present season, those of the Subscribers who may wish to retain their Boxes on any particular night are respectfully intreated to signify their intentions in the morning, by sending their commands to No. 3, Market-lane, Pall-mall, that such boxes may not be disposed of to others

Performances

Mainpiece Title: I Rivali Delusi

Dance: As17840522 throughout

Event Comment: To prevent inconvenience to the Nobility and Gentry in getting to their carriages they are most respectfully intreated to give positive orders to their servants to set down and take up with their horses heads towards Pall-mall. The Doors in Market-lane for chairs only

Performances

Mainpiece Title: Il Curioso Indiscreto

Dance: As17841218 throughout

Event Comment: By Permission of the Right Hon. the Lord Chamberlain. Benefit for Mrs Pinto, formerly Miss Brett [recte Brent]. Afterpiece: With an additional scene, written by the author of the farce [Isaac Jackman], never performed in London. The Doors to be opened at 5:00. To begin precisely at 6:30. Tickets to be had of Mrs Pinto at Mrs Golden's, milliner, Blackmoor-street, Clare-market

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Captain Macheath-Dighton; Peachum-L'Estrange; Lockit-Connell; Filch-Dutton; Ben Budge-Owen; Waiter and Gaoler-Besford; Mat o' th' Mint-Gaudry (of CG); Lucy-Mrs Greville; Mrs Peachum-Mrs Henley; Diana Trapes-Mrs Connell; Mrs Vixen-Mrs Elcock; Jenny Diver-Mrs Waldron; Molly Brazen-Miss Barrymore; Mrs Coaxer-Mrs Robinson; Polly-Mrs Pinto (last appearance on the stage [but see CG 22 Apr.]). hathi.but see CG 22 Apr.]). hathi.

Afterpiece Title: All the World's a Stage

Performance Comment: Sir Gilbert Pumpkin-Connell; Harry Stukely-Cross; Charles Stanley-Benson; Waiter-Johnstone; Hostler-Stevens; William-Jones; Cymon-Owen; Diggory-Dutton; Jenny (the new character)-Mrs Waldron; Miss Sprightly-Mrs Benson; Miss Bridget Pumpkin-Mrs Henley .

Dance: In Act III of mainpiece Hornpipe by Miss Besford (of CG)

Monologue: 1785 03 15 End of mainpiece Shuter's Post-haste Observations in a journey to Paris by Dutton

Event Comment: A Serious Opera in 2 acts [1st time; altered by Carlo Francesco Badini from Demetrio, by Metastasio]; the music by Gresnick. By their Majesties' Command no person can be admitted behind the scenes. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. The Doors to be opened at 6:30. To begin exactly at 7:30 [see 2 June 1787]. Subscriptions are received at Messrs Ransom, Morland and Hammersley's, Bankers, No. 57, Pall-mall, who will deliver the subscription tickets. The Nobility and Gentry, subscribers to the Opera-house, are respectfully intreated to send for them, in order to prevent future mistakes, as nobody can be admitted without producing a ticket. To prevent inconvenience to the Nobility and Gentry in getting to their carriages, they are most respectfully intreated to give positive orders to their servants to set down and take up with their horses' heads towards Pall-mall. The doors in Market-lane for chairs only. [Synopsis of opera in Morning Post, 25 Dec. Mme Perignon and Goyon were from the Opera, Paris.] Receipts: #86 11s. 6d. [These receipts, and those on all other nights throughout the opera season, represent the sale of non-subscription tickets. On this night 400 tickets were delivered to Prendergrass, office-keeper at the Haymarket pit entrance; of these he sold 84 at 10s. 6d. (i.e. #44 2s.). 100 were delivered to Reynolds, office-keeper at the King's Door pit entrance; he sold 6 at 10s. 6d. (i.e. #3 3s.). 300 were delivered to Butler, office-keeper of the 1st Gallery; he sold 112 at 5s. (i.e. #28). 200 were delivered to Snelson, office-keeper of the 2nd Gallery; he sold 70 at 3s. (i.e. #10 10s.). "Difference from Gallery to Pit" (i.e. money received from persons who changed their seats from gallery to pit, 16s. 6d.). The delivery of 1,000 non-subscription tickets to be disposed of was almost invariably the case on every night of the season. If a subscriber's box was released for sale it could be had for 2 guineas (see 6 Feb. 1787).

Performances

Mainpiece Title: Alceste

Dance: End I: Divertissement-Mlle Mozon, Laborie, Henry, Gricourt, Mme Bithmer, Mme Delfevre, Mme Gervais Perignon (1st appearance in England); End Opera: La Chercheuse d'Esprit-Goyon (1st appearance in England), Laborie, Mlle Mozon, Henry, Gricourt, Sala, Mme Delfevre, Mme Bithmer, Giorgi, Mme Gervais Perignon. Scenario (Paris, 1778) lists the parts: Mme Madre, Subtil, Narquois, Nicette, Alain, L'Eveille, Finette

Performance Comment: Scenario (Paris, 1778) lists the parts: Mme Madre, Subtil, Narquois, Nicette, Alain, L'Eveille, Finette.
Event Comment: Opera: The Music by Paisiello. L'Amour et Psiche [advertised in True Briton, 6 Jan.] is unavoidably postponed on account of the indisposition of Mme Hilligsberg. The Frequenters of the Gallery are respectfully informed that the Coffee-Room underneath, having since last year been very considerably enlarged, and entirely new ornamented by Mr Liparotti, will be opened for the present Season on this Evening, and the Company will please to observe that at the end of it, next to Market-lane, an additional Staircase has been erected for their greater accomodation in going to and coming from that side of the Gallery

Performances

Mainpiece Title: La Modista Raggiratrice

Dance: End I: Divertissement-, as17970103; End Opera: Flore et Zephire, as17961126

Event Comment: To be seen a Person who performs the most surprizing Things...he presents you with a common Wine bottle, which any of the Spectators may first examine; this Bottle is plac'd on a Table in the Middle of the Stage, and he (without any Equivocation) goes into it in Sight of all the Spectators, and sings in it; during his Stay in the Bottle, any Person may handle it, and see plainly that it does not exceed a common Tavern Bottle. The Performance continues about Two Hours and a Half. These Performances have been seen by most of the Crowned Heads of Asia, Africa, and Europe, and never appear'd anywhere Public but once. Stage 7s. 6d. where Masks may be worn. Boxes 5s. Pit 3s. Gallery 2s. [The famous Bottle Conjurer hoax.] Theatre was crowded...by five o'clock; at seven the house was lighted up [but not music]...a Person came before the Curtain, and, bowing, promis'd if Mr Conjurer did not arrive in half an Hour, their Money should be return'd...after near an Hour...a Gentleman in the Box snatch'd a Candle lighted, and in Violence threw it on the Stage; this was the Signal for the Onset of Battle...the Boxes, Seats, Glasses, Scenes, Chairs, Machinery, and all the Furniture of the Play House, were in less than ten Minutes carried into the Street...an excellent Bonfire was made of Mr Foote's Auction Room...it may put a [pe]riod to the Auction, till the Theatre can be refitted.--Charles Adams to John Gilbert-Cooper, Theatre Notebook, XI (1957) p. 139. [Potter was still owner of this theatre.] Those opposed to a recent late book would have been gratified had the Conjurer jumped into the bottle and proved that miracles had not yet ceased."--Daily Advertiser, 17 Jan. Last Night a numerous Audience, among whom were several Persons of Quality, was at the New Theatre in the Haymarket, in wonderful Expectation of seeing the Miraculous Man creep into a Bottle, and do several other Miracles; but the only one he perform'd was, that he render'd himself invisible (without any Equivocation) to the no small Disappointment of the gaping Multitude; who, being told from behind the Curtain that the Performer had not yet appear'd, but that if they would stay until the next Night, instead of a Quart Bottle he should creep into a Pint, immediately grew outrageous, and in a Quarter of an Hour's Time broke to Pieces all the Boxes, Benches, Scenes, and everything that was in their power to destroy, leaving only the Shell of the House remaining. Surely this will deter anyone from venturing to impose on the public in the like manner for the future.--General Advertiser, 17 Jan. [See also dl Comment 18, 19, 20, 27 Jan.

Performances

Mainpiece Title: None