SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "little Theatre in the Hay Market"/1) | (@(roleclean,performerclean) "little Theatre in the Hay Market")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3006 matches on Event Comments, 637 matches on Performance Comments, 455 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: This day publish'd Semele set to Music by Mr Handel. Price 1s. As it is performed this evening at the Theatre Royal in Covent Garden. Printed for J & R. Tonson in the Strand

Performances

Mainpiece Title: Semele

Performance Comment: Jupiter-; Cadmus- (King of Thebes); Athamas- (Prince of Boeotia, in love with Semele); Somnus-; Apollo-; Cupid-; Juno-; Iris-; Semele- (Daughter of Cadmus); Ino-; Chorus of Priests and Augurs-; Chorus of Loves and Zephyrs-; Chorus of Nymphs and Swains-; Attendants- (Larpent MS 43).

Music: As17620226

Event Comment: Benefit for Smith. Mainpiece: By Particular Desire. Tickets and Places to be had of Smith, at his house, opposite the concert room in Dean Street, Soho, and of Mr Sarjant at the Stage Door of the Theatre. Part of the Pit will be laid into the Boxes, where servants will be allowed to keep places. N.B. No building on the Stage

Performances

Mainpiece Title: Comus

Performance Comment: As17611008, but The Dances-Sga Manesiere, Mlle _Capdeville-a short list of dancers.

Afterpiece Title: Catherine and Petruchio

Performance Comment: Petruchio-Shuter; Grumio-Costollo; Biondello-Bennet; Bianca-Mrs Stephens; Catherine-Mrs Green.
Cast
Role: Catherine Actor: Mrs Green.

Entertainment: fter the Masque will be presented the Humours of the Age-in imitation of Shakespeare's STAGES by Smith

Event Comment: Benefit for Sparks. Tickets to be had of Mrs Sparks, at her house in Crown Court. Tickets deliver'd out for the Distress'd Mother will be taken. N.B. Mr Sparks having been very long indisposed and rendered incapable of attending the theatre, with the greatest deference persuades himself that Circumstance will readily plead his Apology, and induce his friends to dispense with his personal appearance, and favor him with their commands; and that they will excuse the changing of his play, to which he is oblig'd by the illness of a principal performer; of which and his former obligations, he shall always retain the most gratful sense. [Sparks had been ill since 14 Jan. when Hull took over his part of Buckingham in King Richard III.

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Merry Counterfeit

Performance Comment: As17620329 but The Cries of London-_.

Song: Between Acts: some Favorite Songs from the English Opera Artaxerxes-; viz: I: In Infancy our hopes and fears-Tenducci; II: If e'er the Cruel Tyrant Love-Miss Brent; III: Water parted from the sea-Tenducci; IV: Let no rage thy bosom fire-Miss Brent

Dance: TThe Pleasures of Spring, as17620212

Event Comment: A Burletta, Benefit for Sg & Sga Paganini, [Who] being desirous of returning to Italy...take this Opportunity to express their most grateful Sense of the many Favours with which they have been honoured in this Kingdom; and being willing that the Necessitous should share in that Bounty which they owe more to the Generosity of the English Nation than to their own Merits, they have allotted a fourth part of the Profits which may arise from the above Burletta (free from all Expense whatever) towards the carrying on and extending the Utility of the Asylum or House of Refuge for Female Orphans...and another Part of the aforesaid Profits will be given towards relieving old Signor Cataneo, who, during forty Years was useful to the Operas, but is now in extreme Distress; and the Manager, who is at the Expence of this Benefit, has chearfully consented to the Disposition here mentioned. As it is intended to apply the whole Profits which may arise from letting out the Servants Gallery [at 2s. 6d. each person] for the Benefit of the Asylum, over and above what was before alloted to it, 'tis humbly hoped that the Nobility, Gentry, etc. will not take it amiss if their Servants are not admitted that Night, as has been the Practice at this Theatre on Occasions of Charity. Tickets will delivered out for this Benefit, this day at the Opera Office, and signed by Mr Crawford, and all Monies given for Tickets above their usual Price, is to be shared in the Charity abovementioned. Tickets delivered for 23 March will be taken

Performances

Mainpiece Title: Il Mercato Del Malmantile

Performance Comment: As17611214, but the Songs of the Paganinis will be all new.
Event Comment: Benefit for Mrs Elmy. Mainpiece: By Particular Desire. Afterpiece: Taken from Mrs Centlivre's Sequel to the Busy Body. [Afterpiece is Woodward's adaptation (Crow St. Theatre, Dublin 1760) pruned to three acts (Biographia Dramatica).

Performances

Mainpiece Title: Comus

Performance Comment: As17620327 but Elder Brother-Hull; Lady-Mrs Elmy; with the Usual Decorations and Machinery. with the Usual Decorations and Machinery.
Related Works
Related Work: Comus Author(s): George Colman, the elder

Afterpiece Title: Marplot in Lisbon

Event Comment: MMr Foote's Oratorical Lectures will be continued in the New Theatre in the Haymarket this day, between Twelve and One noon. [In six parts]: 1. Oratory in general, 2. Its utility demonstrated from its universality, 3. Distinct species of oratory, 4. The present practice peculiar to the English, 5. Necessity of an Academy, 6. The propriety of appointing the author perpetual professor. The whole to be illustrated in apt instances by a set of pupils long trained to the art, one of which is amazing proof of the force of Genius when properly cultivated (Public Advertiser). [These lectures were given 36 times and referred thereafter this season as The Orators.

Performances

Mainpiece Title: The Orators

Event Comment: To begin at one o'clock. Places for the boxes to be taken at the Theatre. The Fourth Day

Performances

Mainpiece Title: The Orators

Event Comment: Tickets at half a guinea. Gallery 5s. N.B. As part of the Serenata must be performed in the upper Gallery, it is humbly hoped the Nobility and Gentry will not take it amiss that servants cannot be admitted this night. The last night of performing this season. Sga Mattei humbly desires Subscribers for the ensuing season to pay their subscription money to Mess. Andrew Drummond and Co., Bankers, at Charing Cross; or to Mr Crawford, Agent and Treasurer of said Theatre

Performances

Mainpiece Title: Arianna E Teseo

Performance Comment: Two acts performed with the dances, and to conclude with a grand Serenata of one act, in honour of His Majesty's birthday. Exhibited with two orchestras, a great number of vocal and instrumental performers, with the same grandeur as it was performed last year on the same occasion.
Event Comment: Benefit for Tenducci. Tickets 5s. Coffee and Tea included. [Pasqualino had a similar musical evening there, 18 June, with fireworks.

Performances

Mainpiece Title: Music In Four Acts

Performance Comment: Favourite songs. A good Choir disposed over the orchestra, and some extraordinary hands. End Act II, Handel's Grand Chorus from the Messiah-; [End Act IV, Handel's Coronation Anthem-. [After the music is over, in the Portico opposite the Octagone in the Garden, will be exhibited the Theatre of Shados [sic] representing several beautiful views of Italy, and moving figures...Between the acts the French Horns-; [and Clarinets- [will play favourite pieces- [in the Garden. The whole to conclude with a Ball..in the Garden. The whole to conclude with a Ball..
Event Comment: By Particular Desire. As the Haymarket Theatre will soon be closed, Mr Foote is encouraged by the Indulgence of the Public, to perform every Night

Performances

Mainpiece Title: The Lyar

Afterpiece Title: The Citizen

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant at the Stage-Door of the Theatre. No Persons to be admitted behind the Scenes. Nor any Money to be return'd after the Curtain is drawn up. To begin exactly at six o'clock. [Usual note unless otherwise stated.

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Old Maid

Event Comment: Afterpiece: A pastoral never performed on any Stage, Words set to the music of eminent masters. Books of the Pastoral to be sold at the Theatre. [See Theatrical Review; or, Annals of the Drama, 1763, pp. 20-22.

Performances

Mainpiece Title: Lady Jane Gray

Afterpiece Title: The Spring

Performance Comment: Principals: Vernon, Norris, Mrs Vincent, Miss Young. Daphnis-Norris; Damon-Vernon; Amaryllis-Mrs Vincent; Phillis-Miss Young (Public Advertiser, 25 Oct.); The Dances-Vincent, Leppie, Lochery, Miss Baker, Sga Giorgi.

Dance: IV: (By Desire) Hearts of Oak, as17620925

Event Comment: Book of the Pastoral sold in the theatre. [A recurring notice for each subsequent performance.

Performances

Mainpiece Title: All's Well That Ends Well

Afterpiece Title: The Spring

Dance: II: A New Dance call'd The Irish Lilt-Aldridge, 1st appearance on this stage, Miss Baker

Event Comment: Mainpiece: Not acted this season. Tomorrow will be Reviv'd the second part of King Henry the 4th, New Dress'd in the Habits of the Times (playbill). [In a letter 14 Nov. 1762, T. H. suggested to Garrick a scenic device for the last scene of Act II, of the Wonder, a device he had noted in the Portuguese theatres in Lisbon, to give a view of a number of gallants passing before the window of a lady": two large windows to be made in the scene, cover'd with gauze to give a transparancy and the effect of glass, the windows to be barrel likewise in imitation of a casement (Harvard, D. Garrick, Original MSS (1930) No. 6. TS 1116.256.3).

Performances

Mainpiece Title: The Wonder; Or, A Woman Keeps A Secret

Dance: I: The Bavarian Shoemakers, as17621009

Event Comment: Characters in Mainpiece New Dress'd in the Habits of the Times. [Theatrical Intelligence for 4 Nov. (Theatrical Miscellaneous Cuttings, G 60.23, Boston Public Library) notes: Last night the reformation in dress took place at the theatre in the revival of the second part of King Henry IV. The beauty as well as the propriety of the dresses give great satisfaction. The Old English Habits are indeed admirably suited to the style and manners of the plays of that time, in which a peculiarity prevails very remote from modern dialogue and the present fashion. The effect of this observation of the Costume, as the French call it, is very visible in the representation of Every Man in His Humour, and will, we hope, for the future be strictly observed in dressing every character of the plays of that age." The author then comments on Love's succes as Falstaff, and Garrick's effectiveness as the sick king especially in delivering the long speeches.

Performances

Mainpiece Title: King Henry Iv, Part Ii

Performance Comment: King Henry-Garrick; Prince John-Lee; Gloster-Master Cautherly; Clarence-Master Burton; Prince of Wales-Holland; Achpb of York-Havard; Chief Justice-Bransby; Westmorland-Burton; Hastings-Ackman; Lord Bardolph-Mozeen; Mowbray-Stevens; Gower-Castle; Justice Shallow-Yates; Justice Silence-Blakes; Colville-Fox; Poins-Packer; Bardolph-Clough; Feeble-Vaughan; Mouldy-Moody; Pistol-King; Shadow-Parsons; Bullcalf-Philips; Davy-Marr; Fang-Watkins; Falstaff's page-Miss Rogers; Hostess-Mrs Bradshaw; Doll Tearsheet-Mrs Lee; Falstaff-Love.
Cast
Role: Gloster Actor: Master Cautherly

Afterpiece Title: The Apprentice

Event Comment: Both pieces by Desire. Afterpiece with alterations. Songs &c. given in the Theatre (Winston MS 9)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Spring

Event Comment: With New Habits, Scenes, Decorations and Music. Full Prices. Songs in the Entertainment will be given out at the Theatre. Afterpiece compos'd by Love, perform'd with success (Victor, I, 40). [N.B. In June 1762 the King of the Cherokee Indians arrived with two of his chiefs to pay respects to King George III. On 28 August they appeared at Marylebone Gardens. A dmission Price to see them 6d. (London Chronicle, No 857 & 860).

Performances

Mainpiece Title: Lady Jane Gray

Afterpiece Title: The Witches; or, Harlequin Cherokee

Performance Comment: The Principal Witches-Vernon, Lowe, Champnes, Mrs Vincent, Miss Young, Mrs Dorman; Harlequin-Rooker; Misers-Blakes, Castle; Misers' Servants-Clough, Ackman; Colombine-Miss Baker; Lilliputians-Miss Rogers, Miss Froment; Bride Men-Mathews, Curtat, Reynolds; Bride Man, Sea Officer-Aldridge; Bride Maids-Mrs Leppie, Miss Smith, Miss Tatley, Miss Wilkinson; Waiters-Fox, Marr, Watkins, Pain; The whole to conclude with the Return, Landing and Reception of the Cherokees in America. Cherokees-Grimaldi, Vincent, Lochery, Sga Fiorentini, Sga Giorgi, Miss Baker.

Song: IV: Miss Young

Event Comment: Mainpiece: Never acted before, a New Dramatic Opera [Bickerstaffe] the Music by Handel, Boyce, Arne, Howard, Baildon, Festing, Geminiani, Galluppi, Giardini, Paradies, Agus, Abos; with a New Overture composed by Mr Abel. Full Prices. Books of the Opera sold at theatre. [See Theatrical Review; or, Annals of the Drama, 1763, pp. 22-36: Compares Bickerstaff's opera at length with Charles Johnson's Village Opera.

Performances

Mainpiece Title: Love In A Village

Performance Comment: Principal parts: Beard, Mattocks, Collins, Shuter, Dyer, Dunstall, Baker, Barrington, Holtom, Bennet, Davis, Mrs Younger, Mrs Stephens, Miss Miller, Mrs White, Mrs Walker, Miss Davies, Miss Brent, Miss Hallam. Hawthorn-Beard; Justice Woodcock-Shuter; Young Meadows-Mattocks; Eustace-Dyer; Sir William Meadows-Collins; Hodge-Dunstall; Rosetta-Miss Brent; Lucinda-Miss Hallam; Deborah Woodcock-Mrs Walker; Margery-Miss Davies; Others-Baker, Barrington, Holtom, Bennet, Davis, Mrs Younger, Mrs Stephens, Miss Miller, Mrs White (Edition of 1763); Dances Incident to the Opera-Maranesi, Miss Twist. (playbill).

Dance: II: The Jealous Woodcutter, as17621023

Event Comment: Books of the Opera will be sold at the Theatre

Performances

Mainpiece Title: Love In A Village

Dance: II: The Sicilian Peasants, as17621125

Event Comment: The good sense of the audience condemned this piece to oblivion, after, we think, two representations (Biographia Dramatica). [Contrived by Guerini (Nicoll, Eighteenth Century Drama, p. 355). Victor says Guerini played Pantaloon (History of Theatre, III, 48.] Sunday 2 January, Mr Pritchard Died (Cross Diary)

Performances

Mainpiece Title: Barbarossa

Afterpiece Title: The Magician of the Mountain

Performance Comment: A New Pantomimic Entertainment of Italian Grotesque Characters. Magician-Settree; Pantaloon-Grimaldi; Pierrot-Guerini, his first appearance on the English Stage; Harlequin-Lochery; Colombine-Miss Baker; Mathews, Mortimer, West, Walker, Watkins, Leppie; The Dances-Del'Agata, Aldrige, Vincent, Sga Fiorentini, Sga Giorgi. With New Music, Scenes, Decorations, and Dresses.
Event Comment: Mainpiece: Never acted before. Characters new dressed &c. [See Theatrical Review; or, Annals of the Drama, 1763, pp. 67-74: Bless us what a sweet consistent piece of business is a modern Tragedy." See Boswell's account of his attendance that night with two friends, With oaken cudgels in our hands and shrill sounding catcalls in our pockets," ready prepared to damn the play (London Journal), p. 154 ff.).] Critical Strictures on the New Tragedy of Elvira, published this month (Gentleman's Magazine). I then undressed for the Play. My father and I went to the Rose, in the Passage of the Playhouse, where we found Mallet, with about thirty friends. We dined together, and went from thence into the Pitt, where we took our places in a body, ready to silence all opposition. However, we had no occasion to exert ourselves. Not withstanding the malice of a party, Mallet's nation, connections and indeed imprudence, we heard nothing but applause. I think it was deserved. The play was borrowed from de la Motte, but the details and language have great merit. A fine Vein of dramatick poetry runs thro' the piece. The Scenes between the father and son awaken almost every sensation of the human breast; and the Council would have equally moved, but for the inconvenience unavoidable upon all Theatres, that of entrusting fine Speeches to indifferent Actors. The perplexity of the Catastrophe is much, and I believe justly, critisized. But another defect made a strong impression upon me. When a Poet ventures upon the dreadful situation of a father who condemns his son to death; there is no medium; the father must either be monster or a Hero. His obligations of justice, of the publick good, must be as binding, as apparent as perhaps those of the first Brutus. The cruel necessity consecrates his actions, and leaves no room for repentance. The thought is shocking, if not carried into action. In the execution of Brutus's sons I am sensible of that fatal necessity. Without such an example, the unsettled liberty of Romev would have perished the instant after its birth. But Alonzo might have pardoned his son for a rash attempt, the cause of which was a private injury, and whose consequences could never have disturbed an established government. He might have pardoned such a crime in any other subject; and the laws could exact only a equal rigor for a son; a Vain appetite for glory, and a mad affectation of Heroism, could only influence him to exert an unequal & superior severity (Gibbon's Journal, ed. D. M. Low [New York, n.d.], pp. 202-4)

Performances

Mainpiece Title: Elvira

Afterpiece Title: The Male Coquette

Event Comment: Nothing under Full Price will be taken. Benefit for the author of the Alterations [in mainpiece]. A Riot to demand admittance at 1!2 price after 3rd act, all times except at the run of New Pantomime, wch. not agreed to, the Mob broke Chandeliers, &c. No Play (Cross Diary). [Fuller account in Victor, History of the Theatres, III, 46 ff., he being the beneficiary that night. Elvira publish'd at 1s. 6d. (Winston MS 9). See account of riot in Gentlemen's Magazine (p. 31). See Comment 5 Feb.

Performances

Mainpiece Title: Two Gentlemen Of Verona

Cast
Role: Protheus Actor: Holland

Entertainment: s 15 Dec. 1762.

Event Comment: The Characters New Dressed. Play never acted before. [See Three Original Letters to a Friend in the Country on the Cause and Manner of the late Riot at the Theatre Royal in Drury Lane. See also two letters in The Theatrical Review; or, Annals of the Drama, 1 March 1763. This number includes (pp. 117-25) a critique on the Discovery. Critic found it a piece of much merit particularly in the perusal," but on stage frequently tedious and heavy owing to a scarcity of incident and an uncommon lengthening of the acts."

Performances

Mainpiece Title: The Discovery

Performance Comment: Principal parts by: Garrick, Holland, O'Brien, Fox, Watkins, Sheridan, Mrs Yates, Miss Pope, Mrs Palmer, Miss Bride, Mrs Pritchard. New overture and new music between the acts. Prologue and Epilogue Lord Medway-Sheridan; Sir Anthony Branville-Garrick; Sir Harry Flutter-Obrien; Col Medway-Holland; Lady Medway-Mrs Pritchard; Lady Flutter-Miss Pope; Mrs Knightly-Mrs Yates; Miss Richly-Mrs Palmer; Louisa Medway-Miss Bride; Servants-Fox, Watkins; Prologue-Garrick; Epilogue-Mrs Pritchard (Edition of 1763).
Event Comment: Benefit for the Author. [At the half-price riots (25 Jan.) Moody had stopped a man from setting fire to the house. When called upon to apologize for interfering with a gentleman and for taking the manager's part he thought to restore good humor by assuming the tone of a low-bred Irishman, saying he was sorry he had displeased them by saving their lives and putting out the fire. The reply inflamed the rioters more (Genest, V, p. 15). On 5 Feb. Moody inserted the following apology in the Public Advertiser: Mr Moody begs leave to inform the Public that the impropriety of his behavoir at the theatre was intirely owing to the confusion of mind he was then under; which unhappily for him was misconstrued into disrespect; tho' nothing could at that, or that, or at any other time, be farther from his thoughts. He therefore earnestly hopes and entreats that he may be permitted to appear before them again; as he hereby most humbly asks their pardon for whatever he inadvertently said or did to incur their displeasure."

Performances

Mainpiece Title: The Discovery

Event Comment: [The following notice appeared in the Public Advertiser]: Whereas a very unjustifiable disturbance happened last night at this theatre; the managers think it incumbent upon them to acquaint the Publick that when the Opera of Artaxerxes was in rehearsal it was determined that no expence should be spared to render the performance as elegant as the nature of so peculiar an Entertainment would admit. This desire occasioned so considerable an increase of the nightly charge 'twas thought by many disinterested persons would justify additional prices; but to avoid giving the least umbrage, and in gratitude for the Public indulgence on other occasions, no such advance was attempted. When it is known that the extraordinary nightly expence attending this performance amounts to upwards of Fifty Pounds it is humbly apprehended no persons of justice and candour will think the Full Price an exorbitant gratification for such unusual disbursements. The Management therefore flatter themselves that a resolution to oppose the arbitrary and illegal demands of a particular set of persons, contrary to the general sense of audience, will not be deemed arrogant or unreasonable, especially when those demands are enforced by means subversive to Private Property, and in violation of that decorum which is due to all public assemblies

Performances

Mainpiece Title: Occasional Oratorio