SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "his Royal Highness the Prince of Wales"/1) | (@(roleclean,performerclean) "his Royal Highness the Prince of Wales")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1695 matches on Event Comments, 1196 matches on Performance Title, 1009 matches on Performance Comments, 418 matches on Author, and 0 matches on Roles/Actors.
Event Comment: By Command of their Royal Highnesses the Duke and the Princesses Amelia, Caroline, and Louisa

Performances

Mainpiece Title: The Rehearsal

Related Works
Related Work: The Rehearsal; or, Bayes in Petticoats Author(s): Katherine Clive

Dance: I: Les Moisoneurs de la Styrie, as17421201; III: La Recrue des Houssars, as17421211

Event Comment: BY Command of their Royal Highnesses the Duke, and the Princesses Amelia, Caroline, and Louisa. New Habits and decorations for the dances

Performances

Mainpiece Title: The Stratagem

Dance: II: a New Comic Dance call'd Neopolitan Punch-Checo Torinese, Sga Chiaretta Aquilanti, Boromeo, Mlle Bonneval; IV: A New Comic Dance call'd Italian Gardeners-Checo, Chiaretta

Event Comment: By Command of Their Royal Highnesses the Duke and the Princesses Amelia, Carolina, and Louisa

Performances

Mainpiece Title: Hamlet

Song: As17430103

Music: III: Concerto on Violincello-Cervetti

Event Comment: By Command of their Royal Highnesses the Duke, and the Princesses Amelia, Caroline, and Louisa

Performances

Mainpiece Title: Richard Iii

Song: II, IV: Lowe

Music: III: Concerto on German Flute-Burk Thumoth

Event Comment: Benefit for a Gentleman in Distress, and by Command of their Royal Highnesses the Duke, and the Princesses Amelia, Caroline, and Louisa

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Mock Doctor

Dance: As17430120

Event Comment: By Command of their Royal Highnesses the Duke, and the Princesses Amelia, Caroline, and Louisa

Performances

Mainpiece Title: Venice Preserved

Dance: II: Sicilian Peasant, as17430310 IV: Neopolitan Punch, as17430324

Song: III: Stella and Flaviaa Ballad-Beard

Event Comment: By Command of their Royal Highnesses the Duke, and the Princesses Amelia, Caroline, and Louisa

Performances

Mainpiece Title: Jane Shore

Song: As17430120

Music: II: Concerto on German Flute-Burk Thumoth

Dance: IV: Sicilian Peasant, as17430310

Event Comment: By Command of their Royal Highnesses the Princesses Amelia, Caroline, and Louisa

Performances

Mainpiece Title: Richard Iii

Song: As17430413

Dance: III: La Florana, as17430408

Event Comment: By Command of their Royal Highnesses the Princesses Amelia, Caroline, and Louisa

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: The Dragon of Wantley

Song: As17430413

Dance: III: Tyrolean Dance, as17421129

Event Comment: Benefit Mrs Saunders, many years a Comedian, by Command of his Royal Highness the Duke. Tickets to be had of Mrs Saunders at her house, No 7, in Duke's Court, in the Great Almonry, Westminster, of Mr Morrison, at the Two Golden Balls in Long Acre; and of Mr Page at the stage door of the theatre. N.B.: Mrs Saunders humbly hopes those Gentlemen and Ladies who intend to favour her of their company, will excuse her not waiting on them, she not having been able to go out of her House these eighteen months

Performances

Mainpiece Title: Julius Caesar

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Song: By Desire, Bumper Squire Jones-Beard; Mary Scot-Mrs Clive

Event Comment: Benefit Hippisley. Both pieces By Command of his Royal Highness the Duke

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Lying Valet

Song: Song-Beard; To Arms, Britons Strike Home-Leveridge, Reinhold, Bencraft

Dance: SScotch Dance, as17431124; Dance-Cooke

Event Comment: A Musical Drama, in Two Parts...with Dances and other Decorations Entirely new. Pit and Boxes to be put together, and no Persons to be admitted without Tickets, which will be delivered this Day, at the Opera Office in the Haymarket, at Half a Guinea each. Gallery 5s. By His Majesty's Command, No Persons whatsoever to be admitted behind the Scenes. The Gallery to be open'd at Four o'Clock. Pit and Boxes at Five. To begin at Six o'clock. A New Opera [composed by Gluck; text by F. Vanneschi]. The Subscribers to the Opera are desired to make the last Payment of their Subscription Money to the Treasurer, at the Opera Office in the Haymarket, where Attendance will be given this and every Day, from Ten till Two, to receive the same, and deliver out the Silver Tickets. [Repeated until 28 Jan.] The new Musical Italian Drama; entitled La Caduta de Giganti, or the Fall of the Giants, writ on Occasion of the expulsion of the Rebels, was perform'd last Night at King's Theatre in the Haymarket. The performance was received and carried on with great Attention, Tranquility, and Applause: and not a little enliven'd by the Presence of his Royal Highness the Duke of Cumberland.--Daily Advertiser, 8 Jan

Performances

Mainpiece Title: La Caduta De Giganti Or The Fall Of The Giants

Performance Comment: Singers-Monticelli, Jozzi, Ciacchi, Signora Imer, Signora Pompeati (or Mrs Cornelie), Signora Frasi (Burney, History of Music, IV, 452). [See program of 25 March where Jozzi, Ciacchi, Imer and Pompeati are listed as singing in this opera.]See program of 25 March where Jozzi, Ciacchi, Imer and Pompeati are listed as singing in this opera.]
Event Comment: Tickets deliver'd out by Mr Davis will be taken. [Bransby doubled in Oxford and Tyrrel. The General Advertiser quoted a long Epilogue on the Birthday of his Royal Highness the Duke of Cumberland Written by the Farmer (who had taken over the role of Swift's Drapier) and spoken by Garrick in Dublin. It also quoted the following long puff for Ray's Benefit to come]: Sir, As long acquaintance best entitles us to friendly good natured offices, and as no more proper time can be found to confer them than when the person is in the Decline of life, give me leave to recommend (thro' your means) Mr Ray of Drury Lane Theatre, the oldest actor now belonging to that House, to the Favour of the Town, at his ensuing Benefit next Saturday. A person who once agreeably entertained the Public, should always feel the warmth of their Indulgence, tho' the Infirmities of Old age may have render'd him less pleasing than formerly. This Application is therefore meant to those friends of his, whom Distance of time, and change of Situation may have made it impossible any other way to acquaint them, that The Merchant of Venice is to be acted for his Benefit on Saturday next; therefore 'tis hoped they will be so kind as to send for his Tickets to Mr Hobson, in the Playhouse Passage, or to Mr Ray's lodgings, the second Door in Queen's Court, Great Queen St., Lincoln's Inn Fields, and the Favour will ever be greatly acknowledged by him

Performances

Mainpiece Title: Richard Iii

Cast
Role: Prince Edward Actor: Miss Budgell

Afterpiece Title: The Anatomist

Event Comment: By Command of His Royal Highness. King etc. (Cross). Receipts: #190 (Cross); #171 8s. (Powel)

Performances

Mainpiece Title: The Provoked Wife

Dance: Cooke, the Aurettis, Mathews, Mrs Addison

Event Comment: 'TTis reported that her Royal Highness the Princess Carolina is dangerously indisposed (Public Advertiser). Receipts: #140 (Cross)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Harlequin Ranger

Cast
Role: others Actor: Beard.
Event Comment: Last Night the Princess Carolina dy'd & this Morning about 8 we receiv'd an order from the Chamberlain not to play 'till farther orders,--we obey'd & order ye Bills posted for this Night, to be pull'd down (Cross). [The Fatal Marriage and The Male Coquette had been scheduled.] Yesterday about 11 o'clock died at her Apartments in St James's Palace, Princess Caroline Elizabeth, 3rd daughter of our most Gracious Sovereign. Her Royal Highness was in her 45th year of her age, being born on the 10th of June 1713, and has been in a bad state of health for several years past. Her burial, it is said, is by her own Desire to be very private (Public Advertiser)

Performances

Event Comment: N.B. Next Monday being Her Royal Highness The Princess Dowager of Wales's birthday, the Comic Opera Il Mercato will be deferred until Tuesday

Performances

Mainpiece Title: Alessandro Nell Indie

Event Comment: [Afterpiece: With alterations and additions. News arrived of the death in Monaco of His Royal Highness Edward Augustus, Duke of York, next brother to His Majesty. Hopkins MS Notes: About eleven o'clock orders came from the Lord Chamberlain that the House must be stopt performing on account of the death of the Duke of York. --Fresh bills were printed and posted about the House that there would be no play that night. Neville MS Diary: Procured No. 5289 of the General Evening Post which contains my letter concerning the St. James' Company of Comedians. Glad to hear that the Lothario of that Company, the Infamous York, is called to that Tribunal where there is no respect of persons. Canceled

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: NNone

Event Comment: The Corpse of His Royal Highness the Duke of York arrived at Greenwich, and was buried the next day

Performances

Mainpiece Title: None

Event Comment: Under the Patronage of Their Royal Highnesses the Duke and Duchess of York. Benefit for Roselli. Tickets, 10s. 6d. each, to be had of Roselli, No. 6, King-street, St. James's-square

Performances

Mainpiece Title: La Bella Arsene

Dance: End I: Divertissement- [see17960308 End Opera: Les Trois Sultanes-Didelot, Onorati, Gentili, Mme Rose, Mlle Parisot, Mme Bossi, Mlle Berry, Mme Hilligsberg

Song: In Opera: a new trio by Mazzinghi-Mme Banti, Rovedino, Roselli; In I: an Air-Mme Banti which was erased on account of the length of the Opera; a new additional Air-Roselli

Music: End II: a concerto on the violin composed by Jarnowick,-Master Juliano (a child of only 8 years old, patronised by the Duchess of York.

Event Comment: By Permission of the Lord Chamberlain. Benefit for the Choral Fund, instituted for the Relief of their decayed Members, Widows and Orphans, under the Patronage of his Royal Highness the Duke of Clarence. The Band and Chorus will be select, and the Young Gentlemen of the Westminster Choir will assist. A New Organ, built by Lincoln, will be opened on this occasion. Boxes #S. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 5:30. To begin at 6:30. Tickets and Places for the Boxes to be had of Rice, at the Theatre

Performances

Mainpiece Title: The Messiah

Performance Comment: Principal Performers-Leete, Page, Friend, Walker, Sale, Master Elliot, Miss Leak, Miss Poole; Conductor-Dr Arnold; Leader of the Band-Barthelemon; Organ-Jacob.

Music: Previous to The Messiah: An Ode, written by W. T. Fitzgerald, Esq., the Music entirely new by Dr Arnold-; Concerto on the violin-Barthelemon

Performance Comment: T. Fitzgerald, Esq=., the Music entirely new by Dr Arnold-; Concerto on the violin-Barthelemon.
Event Comment: Benefit J. and Ch. Rich. A Farce of Three acts. All in the Characters of the Italian Theatre. Admission 5s., 3s., 2s. [The Prince present. Receipts: #157 12s. 6d.

Performances

Mainpiece Title: La Foire De St

Performance Comment: Germain. Parts-the French Company of Comedians , lately arriv'd from the Theatre Royal in Paris.
Event Comment: At Cushing's Booth, facing the King's Head, Smithfield. The tragedy contains the barbarous contrivances of King John against his nephew Prince Arthur; his method of persuading Hubert to undertake the cruel murder of that youth; the sufferings of Arthur in his confinement, where Hubert attempts to put out eyes with a red-hot iron, til moved to compassion by the tender entreating of the young prince, he quits his horrid purpose. The manner of Arthur's leaping from the battlements of the tower where he was imprisoned, when by attempting to escape his severe treatment he loses his life. The terrors that attended the villainous Uncle King John, and at length his dreadful death, who is poisoned in the midst of all his glory, and in terrible anguish and distraction, pays his nephew's blood with the price of his own. The comic contains the exquisite drolleries of Sir Lubberly and his man, their whimsical journey from Cumberland, and no less whimsical exploits in London; the odd reception they met with from their three faithful friends, Tom Rash the Porter, Jeffrey Holdfast the Constable, and Moll Tatter the Beggar Woman, the one getting a wife, the other a bastard

Performances

Mainpiece Title: The Life And Death Of King John

Performance Comment: King John-Redman; Hubert-Simpson; Bastard-Pinner; Chatillion-Walker; Pembroke-Johnson; Pandulph-White; Prince Arthur-Miss Yates; Constance-Mrs Cushing.
Cast
Role: Prince Arthur Actor: Miss Yates

Afterpiece Title: The Adventures of Sir Lubberly Lackbrains and His Man Blunderbuss

Performance Comment: Sir Thomas Rash-Malone; Ramble-Singleton; Merry-Jenkins; Tom Rash-Beckham; Jeffery Holdfast-Middleton; Moll-Mrs Beckham; Blunderbuss-Costollo; Sir Luberrly-Cushing (from the Theatre Royal in Covent Garden); Christina-Mrs Peters; Pert-Mrs Simon.
Event Comment: [Holman is identified on playbill of 5 Nov. Address by John Barwis (European Magazine, Oct. 1784, p. 336, which also lists name of speaker).] Mainpiece: With new Dresses, Scenery and Decorations. In Act I a Masquerade Scene. [This notice is included in all subsequent playbills.] "This easy and natural performance of Holman . . . will prove a fatal blow to the cause of the Attitudinarians and Face-makers; to those who think dramatic excellence consists in . . . finding out meanings that were never meant ... in stretching out their fingers like monkies dying in convulsions ... in uttering their words like minute-guns at royal funerals" (Public Advertiser, 1 Nov.). "Why does Romeo wear black in the last Act? Is it on account of his banishment? He has not heard of Juliet's death" (Gazetteer, 28 Oct.)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-A Young Gentleman (1st appearance on any stage [Holman]); Capulet-Clarke; Friar Lawrence-Hull; Benvolio-Davies; Prince-Fearon; Paris-Bonnor; Tibalt-Cubitt; Montague-Thompson; Peter-Stevens; Apothecary-Jones; Mercutio-Lewis; Lady Capulet-Mrs Poussin; Nurse-Mrs Pitt; Juliet-Miss Younge (1st time at this theatre). Before the play an Occasional Address [spoken by Hull] .spoken by Hull] .
Cast
Role: Prince Actor: Fearon
Role: Apothecary Actor: Jones

Afterpiece Title: The Musical Lady

Related Works
Related Work: The Musical Lady Author(s): George Colman, the elder

Song: End of Act IV of mainpiece Juliet's Funeral Procession, with the Solemn Dirge. Vocal Parts by Johnstone, Brett, Baker, Cubitt, Gaudry, Pemberton, Whitaker, Darley, Doyle; Mrs Bannister, Miss Wheeler, Mrs Martyr, Mrs Morton, Miss Stuart, Mrs Davenett, Miss Cranfield, Mrs Kennedy

Event Comment: Double Drums by Ashbridge. Trombones by Flack, Dressler, Zwingham, Schubert. The Chorusses, which will be far more numerous than on any former occasion, will be supported by the Young Gentlemen of His Majesty's Chapel Royal, and the Choristers of St. Paul's. A Subscription of Two Guineas and a Half will receive Eleven Tickets for the Boxes, transferable either to a Lady or a Gentleman; any number of Tickets may be used nightly at the pleasure of the Subscriber. Books of the performance to be had at the Theatre, price #6d. Boxes 6s. Pit 3s. 6d. Gallery 2s. No Money to be returned. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]

Performances

Mainpiece Title: A Grand Selection 0

Performance Comment: Principal Vocal Parts-Harrison, Master Welsh, Master Hummell, Dignum, Sedgwick, Morelli, Miss Poole, Miss Leak (1st public performance), Mrs Harrison; Conductor-Linley? Sen., Arnold; Leader of the Band-Shaw.
Cast
Role: Leader of the Band Actor: Shaw.

Afterpiece Title: Grand Selection 1

Performance Comment: Overture-(Samson); Arm ye brave-Sedgwick; We come in bright array-Chorus; O Lovely peace-Master Welsh, Master Hummell (Judas Maccabaeus); Guarda nel mio taddio-Morelli (Paisiello); What passion cannot musick raise-Miss Poole; accompanied on the violoncello-Mason [Dryden's Ode]; Total Eclipse-Harrison; O first created beam-Chorus (Samson); Pious orgies-Mrs Harrison (Judas Maccabaeus); God save Great George our King-Chorus; [with new accompaniments [by Dr Arnold-.

Afterpiece Title: Grand Selection 2

Performance Comment: Concerto on the Piano Forte-Dussek; Primroses deck the bank's green side-Dignum (Linley); Come unto these yellow sands-Miss Leak; Hark! the watch dogs bark-Chorus; Full fathom five-Miss Leak; Sea Nymphs hourly ring his knell-Chorus (The Tempest, by Purcell); Fair Rosale-Master Welsh (Linley); Vo sol cando-Miss Poole [Artaserse, by Vinci]; O come let us worship-Harrison [Coronation Anthems]; Thou didst blow-Mrs Harrison (Israel in Egypt); To arms your ensigns-Dignum, Sedgwick; Britons Strike Home-Chorus (Bonduca, by Purcell).

Afterpiece Title: Grand Selection 3

Performance Comment: Ye sons of Israel-Chorus (Joshua); The Mansion of Peace-Harrison [Webbe]; My faith and truth-Miss Leak, Master Hummell [Samson]; Non piu andrai-Morelli [Le Nozze di Figaro, by Mozart]; Concerto on the violin-Janiewicz (1st public performance in this Kingdom); Let the bright seraphim-Mrs Harrison [Samson]; Angels ever bright and fair-Master Welsh [Theodora]; The prince unable-Miss Poole [Alexander's Feast]; When Britons first at Heaven's command-(Alternate Solos); Rule Britannia Rule the Waves-Full Chorus (Dr Arne).