SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "his Royal Highness the Prince of Wales"/1) | (@(roleclean,performerclean) "his Royal Highness the Prince of Wales")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1695 matches on Event Comments, 1196 matches on Performance Title, 1009 matches on Performance Comments, 418 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Lewis having a severe Hoarseness, Fortune's Fool [advertised on playbill of 4 Nov.] is deferred till Monday. Afterpiece [1st time: BURL 2. by John O'Keeffe. MS: Larpent MS 1141; not published, except for Airs (T. N. Longman, 1796)]: Partly new, and partly taken from The Golden Pippin [by Kane O'Hara]. The Overture and new Music by Reeve. The Selections from Pergolesi, Rousseau, Mornington, Fisher, Carolan, Rizzio, &c. With new Scenery, Machinery, Dresses and Decorations. The Scenery by Phillips, Blackmore, Hollogan, and assistants. The Dragon, the Car and the Machinery designed and executed by Cresswell. The Dresses by Dick and Mrs Egan. "The beauty of the scenery is only to be equalled by the ingenuity of the machinery. The descents and ascents of the Deities were managed with astonishing regularity and adroitness; and the Flying Cupids hovered in the air in very pleasing attitudes...The Pas de Russe, danced by Delpini, a-la-Parisot [see dl. 1 Oct.], in the character of a fine Lady, with Munden, was irresistibly comic" (Morning Herald, 7 Nov.). Receipts: #191 2s. 6d. (185.10.6; 5.12.0)

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Holman; King Henry-Murray; Buckingham-Macready; Stanley-Hull; Tressel-Toms; Prince Edward-Master Curties; Duke of York-Miss Standen; Catesby-Claremont; Lieutenant-Haymes; Ratcliffe-Thompson; Lord Mayor-Powel; Richmond-Pope; Lady Anne-Miss Chapman; Duchess of York-Mrs Platt; Queen-Mrs Fawcett.
Cast
Role: Prince Edward Actor: Master Curties

Afterpiece Title: Olympus in an Uproar or The Descent of the Deities

Performance Comment: Jupiter-Munden; Mercury-Townsend; Momus-Simmons; Paris-Incledon; Juno-Mrs Addison; Pallas-Mrs Clendining; Erynnis-Mr Delpini (1st appearance these 7 years); Iris-Mrs Castelle; Venus-Mrs Mountain; A Description of Part of the Scenery, Machinery. ACT I. The Palace Garden, and Canal of Tyndarus. The introduction of Leda and the Swan. Leda-Mlle St.Amand. The Hesperean Dragon spouting Fire, pursuing Erynnis to recover the Golden Pippin. A Celestial Palace, with a Magnificent Temple, and the Peacock of Juno in Transparency. ACT II. A Plain in Phoenicia, in which Jupiter descends from the Heavens on an Eagle, and Momus on a Goose. A Procession to a Sacrifice. Jupiter in the form of a Bull, bearing Europa, attended by a train of Priests, Virgins, Nymphs, Shepherds. The Sea, with a distant View of the Isle of Crete. Jupiter bearing Europa across the Sea. A View of Mount Idav The Decree of Paris, and the Ascent and Descent of the Deities: Vulcan, Apollo, Mars, Hercules, Bacchus, Pan, Ceres, Diana, Cybele, Flora, Pomona, Proserpine, Hebe. Mercury descends on a Cloud, and Iris on a Rainbow. Pluto rises from the Infernal Regions in a Chariot drawn by Dragons; Neptune in a watery Car, borne by Sea Horses; and Jupiter descends in a Cloud, attended by Hebe and Ganymede. To conclude with the Re-ascent of Jupiter attended by Flying Cupids.
Event Comment: Mainpiece: Not acted these 12 years [not acted since 4 Nov. 1780]. "Mrs Siddons's manner of receiving the death ofMoneses, and the struggle that ended in her own, was one of the best efforts of the art we ever beheld. This effort, however, was too much for her powers; for after her fall, her groans were so audible that the curtain was properly dropped [in the middle of Act V], and it was some moments before she could be removed from the stage. [The curtain was raised again, and] on the conclusion of the tragedy the audience would not suffer the farce to begin until Whitfield came forward, and assured them that she was perfectly recovered" (True Briton, 4 Feb.). Receipts: #257 13s. 6d. (181.18.0; 73.5.6; 2.10.0)

Performances

Mainpiece Title: Tamerlane

Performance Comment: Bajazet-Kemble; Tamerlane-Palmer; Axalla-Campbell; Moneses-Barrymore; Stratocles-Trueman; Prince of Tanais-Holland; Omar-Caulfield; Mirvan-Wentworth; Zama-Cooke; Haly-Maddocks; Dervise-Denman; Arpasia-Mrs Siddons; Selima-Mrs Powell.
Cast
Role: Prince of Tanais Actor: Holland

Afterpiece Title: The Prize

Cast
Role: Amanthis Actor: Miss Mellon.
Related Works
Related Work: The Prize; or, 2.5.3.8 Author(s): Prince Hoare

Ballet: The Scotch Ghost. As17961221

Event Comment: [In mainpiece the playbill assigns Richard to Holman, but "Holman being indisposed, Murray assumed the arduous part of Richard this evening. (Monthly Mirror, Oct. 1797, p. 238).] Afterpiece: Not acted these 2 years. Account-Book: Paid Music #9 1s. 8d.; Properties #12 8s.; Kettle Drum 5s.; Chorus Singers #1 10s.; Wardrobe #6 10s. 3d.; Supernumeraries #3 11s.; Sloper [master carpenter] for Scenemen #40 13s. 4d.; Phillips and Creswell #4 4s.; Lupino #2 14s. 6d.; Hollogan #2. Receipts: #286 17s. (282.15; 4.2)

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Murray; King Henry-Hull; Buckingham-Clarke; Stanley-Thompson; Tressel-Wheatley (2nd appearance [see17970925]); Prince Edward-Miss Standen; Duke of York-Master Standen; Lieutenant-Waddy; Catesby-Claremont; Ratcliffe-Abbot; Lord Mayor-Powel; Oxford-Farley; Norfolk-Davenport; Richmond-Pope; Lady Anne-Mrs Litchfield; Duchess of York-Mrs Platt; Queen-Miss Chapman.
Cast
Role: Prince Edward Actor: Miss Standen

Afterpiece Title: A Divertisement

Performance Comment: Speaking Characters-Johnstone, Incledon, Townsend, Powel, Simmons, Gray, Mrs Martyr, Mrs Clendining, Mr Rees; [Cast adjusted from playbill of 7 Oct. 1795: Capt. Frederick-Johnstone; +Thicket-Incledon; +Clueline-Townsend; +Sir Fidget Fearful-Powel; +Gregory-Simmons; +Flambeau-Gray; +Peggy-Mrs Martyr; +Sophia-Mrs Clendining; +Whim-Mr Rees.] With Dialogue-; [to introduce the following favorite Songs, selected, written and composed (with new Accompaniments) by $Dibdin: The Lamplighter, I'm jolly Dick the Lamplighter-Gray; [Peggy Perkins, Let Bards elate-Simmons; [Irish Drinking Song, Of the Ancients its speaking-Johnstone; [The Greenwich Pensioner 'Twas in the good ship Rover-Townsend; [Taffy and Griddy, Abergavenny is fine-Mrs Martyr; [Hunting Song, To Batchelor's Hall, [and Poor Jack, Go Patter to Lubbers, [and The Portrait, Come Painter with thy happiest flight-Incledon; Rural Masquerade-; [Indian Song, Dear Yanco say and true he say-Mrs Mountain; [Sea Song, A Sailor's life's a life of woe-Mrs Clendining; [The Masquerade, Sure an't the world a Masquerade-Johnstone, Chorus.

Dance: In afterpiece: a Ballet-Blurton, Mrs Watts, Mlle St.Amand

Event Comment: [1st piece in place of The Merry Wives of Windsor; 2nd piece of Hartford Bridge, both advertised on playbill of 31 Oct.] Receipts: #162 16s. 6d. (158.6.0; 4.10.6)

Performances

Mainpiece Title: King Henry The Fourth First Part

Performance Comment: As17970918, but Poins-Whitfield; Douglas-_; Prince John of Lancaster-_; Messenger-_.

Afterpiece Title: The Highland Reel

Afterpiece Title: Englands Glory

Event Comment: Mainpiece: In Act I incidental to the Tragedy, a Grand Masquerade. [This was included in all subsequent performances.] Afterpiece: With the Fantoccini, as 30 Oct. ["In the late performance of this play at Covent Garden theatre, we perceive that this objection [i.e. Romeo and Juliet in III. v standing on the stage] is removed; the principal part of the scene is spoken from a balcony...The grand funeral dirge is introduced with magnificence and ostentation. A long procession of monks, friars, &c., accompanied with music, is made to passover the stage. But what end is all this farce and shew to answer?...We must rather laugh at so much pomp and expence bestowed on Juliet. If there is any distress stirring, the candle-snuffers and scene-shifters, who assist as chief mourners, have it all to themselves" (Monthly Mirror, Nov. 1797, p. 293). Receipts: #197 3s. 6d. (193.5.6; 3.18.0)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Johnston; Capulet-Powel; Benvolio-Whitfield; Friar Lawrence-Hull; Prince-Clarke; Tibalt-Claremont; Paris-Toms; Montague-Davenport; Balthazar-Abbot; Peter-Rees; Friar John-Thompson; Apothecary-Simmons; Mercutio-Lewis; Lady Capulet-Mrs Platt; Nurse-Mrs Davenport; Juliet-Mrs Spencer.
Cast
Role: Prince Actor: Clarke
Role: Apothecary Actor: Simmons

Afterpiece Title: Harlequin and Oberon

Song: End IV: the Funeral Procession of Juliet to the Monument of the Capulets, and a Solemn Dirge-; Vocal Parts-Johnston, Incledon, Townsend, Linton, Blurton, Gray, Street, Abbot, Lee, Little, Sawyer, Tett, Mrs Mountain, Mrs Clendining, Miss Wheatley, Miss Sims, Mrs Henley, Mrs Watts, Mrs Follett, Miss Leserve, Mrs Castelle, Mrs Norton, Mrs Gilbert, Mrs Masters, Mrs Lloyd, Mrs Blurton, Miss Walcup, Miss Gray, Miss Burnett, Mrs Martyr

Performances

Mainpiece Title: Tamerlane

Performance Comment: Bajazet-Kemble; Tamerlane-Palmer; Axalla-C. Kemble; Moneses-Wroughton; Stratocles-Trueman; Prince of Tanais-Holland; Omar-Caulfield; Mirvan-Wentworth; Haly-Maddocks; Dervise-Packer; Arpasia-Mrs Siddons; Selima-Mrs Powell.
Cast
Role: Prince of Tanais Actor: Holland

Afterpiece Title: The Apprentice

Song: IV: a song-Dignum

Event Comment: Benefit for the Voluntary Contribution now open at the Bank, for the Defence of our Country. Boxes 10s. 6d. Pit 5s. Gallery 2s. Upper Gallery 1s. Tickets to be had and Places to be taken of Brandon, at the Stage-Door in Hart-street. Tickets also to be had at the Bar of Lloyd's Coffee-House. [Prologue by William Boscawen (Monthly Mirror, Mar. 1798, p. 178. Author of Address unknown.] "A subscription was set on foot behind the scenes," to which most of the performers contributed #10 apiece (Monthly Mirror, ibid). Account-Book, 12 May: Paid into the Bank of England in aid of the Voluntary Contribution #394 15s. Receipts: #518 8s. (280.9; 12.2; tickets: 225.17) [the difference of #123 13s. appears to have been the house charge]

Performances

Mainpiece Title: England Preservd

Performance Comment: Earl of Surry-Holman; Earl of Pembroke-Pope; Earl William-Betterton; Robert Fitzwalter-Whitfield; Bishop of Winchester-Hull; Earl of Chester-Davenport; English Squire-Clarke; Earl of Lincoln-Waddy; French Prince-Toms; Viscount de Beaumont-Claremont; French Guard-Powel; Count de Nevers-Thompson; Herald-Farley; John de Warrenne-Miss Standen; Lady Surry-Miss Betterton.
Cast
Role: French Prince Actor: Toms

Afterpiece Title: The Poor Sailor or Little Bob and Little Ben

Performance Comment: Lieutenant Battledor (the Poor Sailor)-Incledon; Compass-Davenport; Bumbo-Farley; O'Daub-Waddy; Freakish-Townsend; Lieutenant-Gray; Capt. Battledor-Munden; Little Bob-Young Standen; Miss Ann Battledor-Mrs Davenport; Nancy-Miss Wheatley; Eliza (alias Little Ben)-Mrs Martyr.

Dance: In afterpiece: Triple Hornpipe-Blurton, Mrs Watts, Mlle St.Amand

Song: End: Interlude of Songs, Glees, and Chorusses: With a jolly full Bottle, Great Britain still her Charter boasts, The Wooden Walls, Queen Betty was a famous Queen, To arms to arms-Incledon, Johnstone, Townsend, Linton, Gray, Street, Lee, Curties, Blurton, Wilde

Entertainment: Monologues. Preceding: An Occasional Prologue-Holman; Preceding singing: An Address to the Audience (instead of Epilogue)-Pope

Performance Comment: Preceding: An Occasional Prologue-Holman; Preceding singing: An Address to the Audience (instead of Epilogue)-Pope.
Event Comment: [Mainpiece in place of The Merry Wives of Windsor, advertised on playbill of 10 Feb.] Afterpiece [1st time; BALL. P 1 (?), by John Cartwright Cross. Airs (T. Woodfall, 1798)]: The Scenery, Machinery, Dresses and Decorations entirely new. The Music by Reeve. The Scenery painted by Richards, Phillips, Lupino, Hollogan, and Blackmore. The Machinery by Cresswell, Sloper, Goostree, &c. The Dresses by Dick, Mrs Egan, &c. Receipts: #294 0s. 6d. (270.16.6; 23.4.0)

Performances

Mainpiece Title: The Busy Body

Cast
Role: Whisper Actor: Farley

Afterpiece Title: Joan of Arc or The Maid of Orleans

Performance Comment: Ballet Characters. English: Young Talbot-Bologna Jun.; General Talbot-Bologna; Herald-Helme; Officers-Blurton, Wilde, Abbot, L? Bologna; [French: Alenson-Farley; Charles (King of France)-Simpson [in Airs: Claremont (see17980214)]; Cardinal-Powel; Abbot-Thompson; Nobles and Officers-Dyke, Lee, Curties; Joan of Arc-Mrs Parker; [Infernals: Lucifer-Follett; Demons-Goostree, Parsloe, Letteney, Goodwin, Wilkins; [Vocal Characters. British Officer-Incledon; Edwin (the Page) [in Airs: Aerial Spirit, disguised as...(see17980226)]-Miss Sims; French and English Officers and Choristers-Linton, Street, Gray; Minstrel-Mrs Clendining; Female Choristers-Mrs Henley, Mrs Follett, Mrs Watts, Miss D'Evelyn, Mrs Gilbert, Mrs Norton, Mrs Masters, Mrs Castelle, Mrs Lloyd, Miss Walcup, Mrs Ward, Mrs Iliff, Mrs Bologna, Miss Leserve; Blanche-Mrs Mountain; Grand Historical Pageant-. [The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .
Cast
Role: Grand Historical Pageant Actor: .
Event Comment: 2nd piece [1st time; MD 3, by James Boaden; some of the songs written by George Colman, ynger]: With new Musick, Scenes, Dresses, and Decorations. The new Musick by Dr Arnold. With an appropriate Overture, accompanied by two Pedal Harps and the Union Pipes, by Weippert, C. Jones, and Murphy. The Scenery by Marinari. The Dresses and Decorations designed by A. Johnston, and executed by him and Mrs Egan. Books of the Songs to be had at the Theatre. "Any exertion of impartial criticism to check the prevalent taste for the marvellous and the horrific which so wantonly conjures up the spirit (it was once thought had been for ever laid) of gross superstition and Gothic barbarism must, we fear, prove at present unavailing" (Times, 23 July). Morning Chronicle, 30 July 1798: This Day is published Cambro-Britons (2s.)

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: Cambro Britons

Performance Comment: Characters by Barrymore, Munden, R. Palmer, Suett, Johnstone, Johnston, Davies, C. Kemble, Trueman, Palmer Jun., Caulfield, Davenport, Wathen, Abbot, Waldron Jun., Lyons, Miss DeCamp, Mrs Gibbs, Mrs Bland. Cast from text (G. G. and J. Robinson, 1798): Llewellyn-Barrymore; Shenkin-Munden; Cadwall-R. Palmer; Gwyn-Suett; O'Turloch-Johnstone; Bard-Johnston; King Edward-Davies; Prince David-C. Kemble; Dynevor-Trueman; Meredith-Palmer Jr; Mortimer-Caulfield; Hereford-Davenport; Door@Keeper-Wathen; Edwin-Abbot; Soldier-Waldron Jr; Latimer-Lyons; Elinor-Miss DeCamp; Lady Griffith's Shade-Mrs Gibbs; Winifred-Mrs Bland; Chorusses of Bards and Peasants-D'Arcy, Linton, Brown, Aylmer, Little, Walker, Willoughby, Dibble, Kenrick, Caulfield Jun., Ms Edward, Ms Menage, Ms Butler, Ms Benson, Ms Hale, Ms Gawdry, Ms Masters, Ms Norton, Ms Leserve.
Cast
Role: Prince David Actor: C. Kemble
Role: Door@Keeper Actor: Wathen

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Holman; Capulet-Powel; Benvolio-Whitfield; Friar Lawrence-Hull; Prince-Clarke; Paris-Klanert; Tibalt-Claremont; Montague-Davenport; Balthazar-Abbot; Peter-Farley; Apothecary-Simmons; Friar John-Thompson; Mercutio-Lewis; Lady Capulet-Mrs Platt; Nurse-Mrs Davenport; Juliet-Mrs Pope.
Cast
Role: Prince Actor: Clarke
Role: Apothecary Actor: Simmons

Afterpiece Title: Robin Hood

Performance Comment: Robin Hood-Townsend; Little John-Munden; Ruttekin-Fawcett; Allen o'Dale-Gray; Bowman-Street; Fitzherbert- Powel; Scarlet-Farley; Edwin-Hill (from the Theatre Royal, Bath; 1st appearacne on this stage); Clorinda-Mrs Martyr; Annette-Miss Sims; Angelina-Miss Mitchell.

Song: End IV: The Funeral Procession of Juliet and a Solemn Dirge-; Vocal Parts-Johnstone, Incledon, Townsend, Linton, Blurton, Street, Gray, Lee, Little, Sawyer, Tett, Dyke, Miss Mitchell, Miss Wheatley, Mrs Iliff, Miss Sims, Mrs Whitmore, Mrs Watts, Mrs Follett, Miss Leserve, Mrs Castelle, Mrs Norton, Mrs Gilbert, Mrs Masters, Mrs Lloyd, Mrs Blurton, Miss Walcup, Miss Gray, Miss Burnett, Mrs Martyr

Performances

Mainpiece Title: A Grand Selection 0 Of Music From The Works Of handel

Afterpiece Title: Grand Selection 1

Performance Comment: Overture and March (Scipio)-; Come ever smiling liberty-Miss Capper (Judas Maccabaeus); Lord of eternity-Chorus; Behold the nations-Sale; O Baal-Chorus (Deborah); Mirth admit me-Bartleman; Haste thee nymph-Incledon, Chorus (L'Allegro); My faith and truth-Miss Poole, Master Elliot (Samson); Lord, remember David-Mme Mara (Sosarme); For unto us a child is born-Chorus (The Messiah).

Afterpiece Title: Grand Selection 2

Performance Comment: Fifth Fifth Concerto (Martini)-; In sweetest harmony-Mme Mara; O fatal day-Chorus (Saul); Softly sweet-Master Elliot; accompanied on the violoncello-C. Ashley (Alexander's Feast); He was despised-Sga Galli, who is in her 77th year and in the greatest distress, and most humbly hopes for the protection of the Public on the occasion (The Messiah); Disdainful of danger-Incledon, Page, Bartleman (Judas Maccabaeus); Oft on a plat-Incledon; Let me wander-Mme Mara; Or let the merry bells-Chorus (L'Allegro).

Afterpiece Title: Grand Selection 3

Performance Comment: Overture (Ariadne)-; The prince unable-Miss Poole (Alexander's Feast); Return O God-Miss Waters; Justly these evils, Why does the God of Israel-Incledon (Samson); Dulce Domum-Mme Mara, Chorus (Reading); The soldier tired-Mme Mara (Arne's Artaxerxes); How willing-Bartleman (Samson); Hallelujah-Chorus (The Messiah).

Music: As17990215

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-A Young Gentleman (1st appearance [Lee]); King Henry-Murray; Buckingham-Clarke; Stanley-Hull; Tressel-Mansel; Prince Edward-Miss Sims; Duke of York-Miss Gilbert; Lieutenant-Waddy; Catesby-Claremont; Ratcliffe-Klanert; Lord Mayor-Thompson; Terrel-Abbot; Norfolk-Davenport; Richmond-Pope; Lady Anne-Mrs Litchfield; Duchess of York-Mrs Platt; Queen-Miss Chapman.
Cast
Role: Prince Edward Actor: Miss Sims
Event Comment: Mainpiece: The new Musick with an appropriate Overture by Dr Arnold. The Scenery by Marinari. Books of the Songs, &c., to he had at the Theatre

Performances

Mainpiece Title: Cambro britons

Performance Comment: Llewellyn-Barrymore; Shenkin-Aickin; Cadwall-Palmer; Gwyn-Suett; O'Turloch-Johnstone; Bard-Clarke; King Edward-Davies; Prince David-C. Kemble; Dynevor-Trueman; Mortimer-Caulfield; Herefore-Davenport; Edwin-Abbot; Elinor-Miss DeCamp; Lady Griffith's Shade-Mrs Gibbs; Winifred-Mrs Bland.
Cast
Role: Prince David Actor: C. Kemble

Afterpiece Title: The Castle of Sorrento

Cast
Role: Sir Matthew Medley Actor: Davenport
Role: James Actor: Wathen
Role: Quirk Actor: Wathen
Related Works
Related Work: The Castle of Sorrento Author(s): George Colman, the younger
Event Comment: Paid Music 20th Inst. #9 3s. 6d.; Properties 2s. 3d.; Chorus Singers #1 10s.; Wardrobe #6 13s. 3d.; Supernumeraries 16s. 6d.; Sloper[master carpenter] for Scene Men #62 11s. 4d.; 3 weeks salary to Phillips #15 15s., to Lupino #11 0s. 6d., to Hollogan #6 15s., to Hodgins #2 5s. [these were scene painters]. Receipts: # 336 14s. 6d. (330.18.0; 5.16.6)

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Holman; King Henry-Murray; Buckingham-Betterton; Stanley-Hull; Tressel-Mansel; Prince Edward-Miss Sims; Duke of York-Miss Gilbert; Lieutenant-Waddy; Catesby-Claremont; Ratcliffe-Klanert; Lord Mayor-Thompson; Oxford-Atkins; Terrel-Abbot; Norfolk-Davenport; Richmond-Pope; Lady Anne-Mrs Litchfield; Duchess of York-Mrs Platt; Queen-Miss Chapman.
Cast
Role: Prince Edward Actor: Miss Sims

Afterpiece Title: The Farmer

Event Comment: Mainpiece:In I A Grand Masqueradev. Afterpiece [1st time; M. INT 1, by Thomas John Dibdin]: To conclude with a new Scenic Representation of Britannia Triumphantv. Interspersed With a Variety of favorite old Airs, popular Songs, Parodies, &c. The Overture and new Songs composed and the Music in general arranged by Moorehead. The Machinery invented and executed by Cresswell. Books of the Songs to be had in the Theatre, price Six-pence. Morning Chronicle, 16 Oct. 1799: This day is published The Naval Pillar (price not listed). The afterpiece had reference to the contemplated erection of a "Naval Pillar" on Portsdown Hill, near Portsmouth, in commemoration of the recent victbries of the English navy. A plain pillar is at the last introduced, with the names of the most celebrated admirals on a scroll, round which the sailors and their sweethearts dance with peculiar festivity. The pillar now flies open, and displays a most magnificent and appropriate spectacle--consisting of Britannia, personated by Mrs Chapman, under a rich canopy, with the figures of a sailor and a soldier for supporters, pointing to the letters G. R. over a brilliant sun, which turns on the center; shrouded in clouds above, and surrounded by angels, is a medallion of Lord Howe, and on columns on each side of the canopy are medallions of your great living naval commanders" (Monthly Visitor, Oct. 1799, p. 180). Receipts: #284 10s. 6d. (277.18.6; 6.12.0)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Holman; Capulet-Waddy; Benvolio-Whitfield; Friar Lawrence-Hull; Prince-Mansel; Paris-Klanert; Tibalt-Claremont; Montague-Davenport; Balthazar-Abbot; Peter-Farley; Apothecary-Simmons; Mercutio-Lewis; Lady Capulet-Mrs Platt; Nurse-Mrs Davenport; Juliet-Mrs Pope.
Cast
Role: Prince Actor: Mansel
Role: Apothecary Actor: Simmons

Afterpiece Title: The Naval Pillar

Dance: In afterpiece: New Dance (composed by Bologna Jun.)-Bologna Jun., King, Mrs Watts, Mrs Parker (1st appearance these 2 years)

Performance Comment: )-Bologna Jun., King, Mrs Watts, Mrs Parker (1st appearance these 2 years).

Song: The Songs written or selected for the afterpiece: Black Ey'd Susan-Incledon; When Britain first her Flag uprear'd-Incledon, Johnstone, Linton; An hungry Fox one day did spy (Old Welsh tune)-Munden; When Peace smiles around-Mrs Martyr; Sir Sydney Smith-Fawcett; When a Tar returns home-Fawcett, Munden, Mrs Martyr; Mr Speaker tho' 'tis late--Incledon, Johnstone, Townsend, Linton; A Bundle of Proverbs-Munden; In praise of the Pars who have leathered the World-Johnstone; +The Navy and Army of Britain forever-Townsend; The Embarkation-Incledon; Glee and Chorus [We come, ye guardians of our isle]-Mrs Martyr, Miss Sims, Miss Wheatley, Mrs Sydney; Recitative and Finale [Britons, your country's gratitude behold]-Mrs Chapman, Incledon, Johnstone, Townsend, Linton

Opera: End IV: Solemn Dirge. The Funeral Procession of Juliet-; Vocal Parts-Incledon, Johnstone, Townsend, Hill, Linton, Gardner, Denman, Blurton, King, Street, Lee, Little, Thomas, Sawyer, Tett, Dyke, Whitmore, Ms Waters, Ms Chapman, Ms Atkins, Ms Litchfield, Ms Mills, Ms Dibdin, Ms Wheatley, Ms Iliff, Ms Sims, Ms Whitmore, Ms Follett, Ms Watts, Ms Castelle, Ms Norton, Ms Gilbert, Ms Leserve, Ms Lloyd, Ms Masters, Ms Blurton, Ms Sydney, Ms Burnett, Ms Martyr

Performance Comment: The Funeral Procession of Juliet-; Vocal Parts-Incledon, Johnstone, Townsend, Hill, Linton, Gardner, Denman, Blurton, King, Street, Lee, Little, Thomas, Sawyer, Tett, Dyke, Whitmore, Ms Waters, Ms Chapman, Ms Atkins, Ms Litchfield, Ms Mills, Ms Dibdin, Ms Wheatley, Ms Iliff, Ms Sims, Ms Whitmore, Ms Follett, Ms Watts, Ms Castelle, Ms Norton, Ms Gilbert, Ms Leserve, Ms Lloyd, Ms Masters, Ms Blurton, Ms Sydney, Ms Burnett, Ms Martyr.
Event Comment: [Mainpiece in place of The Secret, advertised on playbill of 31 Dec. 1799.] In IV a Masquerade Scenev. Afterpiece: Not acted these 3 years. The Scenery, Dresses and Decorations entirely New. The Music composed, and selected from Cherubini, Kreutzer, and Andreozzi, by the late Mr Storace. [In mainpiece the playbill retains Barrymore as Doricourt, but "On account of the illness of Barrymore, the part of Doricourt was sustained, at a short notice, by Archer." In afterpiece Barrymore is assigned to Kera Khan, but "C. Kemble, in consequence of Barrymore's indisposition, undertook the part of Kera Khan, at a few hours' notice. Suett displayed his wonted humour in his old character of Varbel, His drollery forms a pleasing contrast to the apathy of Kelly" (Dramatic Censor, I, 32).] Receipts: #205 11s. 6d. (105.12.6; 98.15.0; 1.4.0)

Performances

Mainpiece Title: The Belles Stratagem

Afterpiece Title: Lodoiska

Performance Comment: Polanders Prince Lupauski-Archer; Count Floreski-Kelly; Baron Lovinski-Raymond; Varbel-Suett; Adolphus-Maddocks; Gustavus-Surmont; Pages-Master Chatterley, Master Heather; Princess Lodoiska-Miss DeCamp; Captives-Ms Arne, Ms Menage, Ms B. Menage, Ms Wentworth, Ms Roffey, Ms Maddocks, Ms Coates, Ms Gawdry, Ms Butler, Ms Chippendale, Ms Saunders, Ms Jacobs; Tartars Kera Khan-C. Kemble; Ithorak-Clarke; Khor-Sedgwick; Japhis-Cory; Tamuri-Whitmell; Camazin-Grimaldi; The Horde-Danby, Danby Jun., Cook, Evans, Fisher, Maddocks, Wentworth, Bardoleau, Willoughby, Elliot, Aylmer, Clarke, Mead, Dibble, Gallot, Caulfield Jun., Tett, Sawyer.

Performances

Mainpiece Title: Cambro britons

Performance Comment: Llewellyn-Barrymore; Shenkin-Emery; Cadwall-Palmer; Gwyn-Suett; O'Turloch-Johnstone; Bard-J. Palmer; King Edward-Caulfield; Prince David-A Gentleman (1st appearance [Forster]); Dynevor-Trueman; Mortimer-Klanert; Herefore-Davenport; Edwin-Abbot; Elinor-Miss DeCamp; Lady Griffith's Shade-Mrs Gibbs; Winifred-Mrs Bland; Chorus of Bards and Peasants-Sawyer, Little, Kenrick, Caulfield Jun., Dibble, Aylmer, Willoughby, Thomas, Ms Hale, Ms Masters, Ms Gaudry, Ms Butler, Ms Leserve, Ms Norton.
Cast
Role: Prince David Actor: A Gentleman

Afterpiece Title: The Agreeable Surprise

Song: End: Paddy's Description of Pizarro; or, Mr Paddy O'Doody and his Cousin Shaun Shaugnessy's Treat to the One Shilling Gallery-Johnstone

Event Comment: In Thomas Jordan's Royal Arbour of Loyal Poesie (p. 12) is a piece entitled: A Prologue to the King, August 16, 1660

Performances

Event Comment: See Herbert, Dramatic Records, p. 117. The King's Company. The Prologue is in Thomas Jordan's A Royal Arbour of Loyal Poesie (1664). Andrew Newport to Sir Richard Leveson, 15 Dec.: Upon our stages we have women-actors, as beyond seas (HMC, 5th Report, Part I, 1876, p. 158). For a discussion of actresses who may have played Desdemona on this day, see Wilson, All the King's Ladies, pp. 6-8. Possibly Clun acted Iago. See An Elegy Upon the Most Execrable Murther of Mr Clun, 1664

Performances

Mainpiece Title: The Moore Of Venice

Performance Comment: See16601011 Othello-Burt?; Iago-Clun?; A Prologue to introduce the first Woman that came to act on the Stage, in the tragedy called The Moor of Venice-.
Event Comment: These pamphlets were printed in 1661. For further details of the affairs of the day, see Rugg's Diurnal, ed. Sachse, p. 175. See also Pepys

Performances

Mainpiece Title: The Cities Loyalty Displayd Or The Four Famous And Renowned Fabricks

Performance Comment: in the City of London Exactly described in their several Representations, what they are, with their private meanings and perfect Actions at the day of publick View, which is not yet discovered. Together with a true Relation of that high and stately Cedar erected in the Strand bearing five Crowns, a Royal Streamer, three Lanthorns, and a rich Garland.
Event Comment: The Prologue, with the date of performance given as 28 May 1661, is in Thomas Jordan's A Royal Arbour of Loyal Poesie, 1664. See also Wiley, Rare Prologues and Epilogues, p. 326. This is possibly George Jolly's company. See also 23 March 1660@1

Performances

Mainpiece Title: The Poor Mans Comfort

Event Comment: Pepys, Diary: To the New Theatre [Vere St], which, since the King's players are gone to the Royal one [Bridges St], is this day begun to be employed by the fencers to play prizes at

Performances

Event Comment: The King's Company. For praise of Lacy, see Downes, Roscius Anglicanus, p. 16, or 27 Nov. 1662. Pepys, Diary: To the Royal Theatre by water, and landing, met with Captain Ferrers his friend, the little man that used to be with him, and he with us, and sat by us while we saw Love in a Maze. The play is pretty good, but the life of the play is Lacy's part, the clown, which is most admirable; but for the rest, which are counted such old and excellent actors, in my life I never heard both men and women so ill pronounce their parts, even to my making myself sick therewith

Performances

Mainpiece Title: Love In A Maze

Performance Comment: [The Changes] Thump-Lacy. See also 17 May 1662.
Event Comment: Pepys' remarks suggest that Shadwell's The Royal Shepherdess may once have been intended to have its premiere on this day. Pepys, Diary: By a hackneycoach followed my wife and the girls, who are gone by eleven o'clock, thinking to have seen a new play at the Duke of York's house. But I do find them staying at my tailor's, the play not being to-day.... Thence to the Duke of York's playhouse, and there, finding the play begun, we homeward

Performances

Event Comment: The Duke's Company. If The Royal Shepherdess was acted six days consecutively, the interruption of its run for this day is due to the tradition of the company's not regularly acting on Wednesday and Fridays in Lent. Pepys, Diary: To the Duke of York's playhouse, and there saw an old play, the first time acted these forty years, called The Lady's Tryall, acted only by the young people of the house; but the house very full. But it is but a sorry play, and the worse by how much my head is out of humour by being a little sleepy and my legs weary since last night

Performances

Mainpiece Title: The Ladys Trial