SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "his Royal Highness the Prince of Wales"/1) | (@(roleclean,performerclean) "his Royal Highness the Prince of Wales")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1695 matches on Event Comments, 1196 matches on Performance Title, 1009 matches on Performance Comments, 418 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: King Henry Iv Part I With The Humours Of Sir John Falstaff

Performance Comment: Falstaff-Quin; King-Sparks 1st appearance that stage; Wales-Ryan; Prince John-Miss Hippisley; Westmoreland-Holtham; Northumberland-Paget; Sir Walter Blunt-Ridout; Douglas-Anderson; Vernon-Gibson; Worcester-Dance; Carriers-Arthur, Dunstall; Francis-Collins; Gadshill-Bencraft; Bardolph-Marten; Peto-Stoppelaer; Sheriff-Oates; Traveller-Smith; Hostess-Mrs Bambridge; Lady Piercy-Mrs Woffington; Hotspur-Delane who has not appeared that stage these 7 years.

Performances

Mainpiece Title: King Henry Iv Part Ii With The Humours Of Sir John Falstaff

Performance Comment: Falstaff-Quin; King Henry-Delane; Wales-Ryan; Achbp. York-Bridgwater; Mowbray-Paget; Hastings-Anderson; Clarence-Miss Hippisley; Westmorland-Gibson; Coleville-Oates; Prince John-Ridout; Shallow-Arthur; Silence-Stoppelaer; Bardolph-Marten; Poins-Cushing; Bullcalf-Dunstall; Feeble-Collins; Mouldy-Bencraft; Hostess-Mrs Bambridge; Doll Tearsheet-Mrs Dunstall; Pistol-Cibber.
Cast
Role: Wales Actor: Ryan
Role: Prince John Actor: Ridout

Afterpiece Title: Apollo and Daphne

Related Works
Related Work: Apollo and Daphne Author(s): Theophilus Cibber
Related Work: Apollo and Daphne; or, The Burgomaster Trick'd Author(s): Lewis Theobald

Performances

Mainpiece Title: King Henry Iv Part I With The Humours Of Sir John Falstaff

Performance Comment: Falstaff-Quin; Henry-Sparks; Wales-Ryan; Prince John-Miss Hippisley; Northumberland-Redman; Blunt-Ridout; Douglas-Anderson; Vernon-Gibson; Worcester-Bransby; Carriers-Arthur, Dunstall; Francis-Collins; Gadshill-Bencraft; Bardolph-Marten; Sheriff-Oates; Hotspur-Delane; Hostess-Mrs Bambridge; Lady Percy-Mrs Vincent (Hogan).
Cast
Role: Wales Actor: Ryan
Role: Prince John Actor: Miss Hippisley

Performances

Mainpiece Title: King Henry Iv Part Ii With The Humours Of Falstaff

Performance Comment: King Henry-Delane; Wales-Ryan; Achbp York-Bridgwater; Mowbray-Redman; Hastings-Anderson; Westmoreland-Gibson; Prince John-Ridout; Gloucester-Baker; Clarence-Miss Hippisley; Poins-Bransby; Coleville-Oates; Chief Justice-Sparkes; Silence-Stoppelaer; Bardolph-Marten; Doll Tearsheet-Mrs Dunstall; Hostess-Mrs Bambridge; Shallow-Arthur; Bullcalf-Dunstall; Feeble-Collins; Mouldy-Bencraft; Shadow-Hacket; Pistol-Cushing; Falstaff-Quin.
Cast
Role: Wales Actor: Ryan
Role: Prince John Actor: Ridout

Afterpiece Title: Damon and Phillida

Performances

Mainpiece Title: King Henry Iv Part I With The Humours Of Falstaff

Performance Comment: Falstaff-Quin; King-Sparks; Wales-Ryan; Worcester-Bransby; Northumberland-Redman; Mortimer-Dyer; Blunt-Elrington; Douglas-Anderson; Prince John-Miss Hippisley; Vernon-Gibson; Glendower-Ridout; Westmorland-Usher; Carriers-Arthur, Dunstall; Francis-Collins; Gadshill-Bencraft; Bardolph-Marten; Hostess-Mrs Macklin; Lady Piercy-Mrs Vincent; Hotspur-Barry.
Cast
Role: Wales Actor: Ryan
Role: Prince John Actor: Miss Hippisley

Afterpiece Title: The Beggars Wedding

Event Comment: London Gazette, No 2943, 22-25 Jan. 1693@4: At the consort-room in York-buildings, on this present Thursday, at the usual hour will be perform'd Mr Purcell's Song composed for St Cecilia's Day in the year 1694 [?], together with some other compositions of his, both vocal and instrumental, for the entertainment of his Highness Prince Lewis of Baden. [In the Gentleman's Journal, January@February 1693@4, is: A Song set by Mr Henry Purcell. The Words by the Authour of this Journal, Sung at an Entertainment for Prince Lewis of Barden, Sawney is a bonny, bonny lad."

Performances

Mainpiece Title: Concert

Event Comment: By Command of their Highnesses Prince George, Prince Edward, and the Lady Augusta, By A Company of Dutch children, join'd with the English, German and Italians. A Pantomime Entertainment. Boxes and Pit 5s. Gallery 2s. 6 p.m. We hear the Company of Dutch/Children join'd with the English, Germans and Italians, will perform this day, tomorrow, Thursday and Friday next, and will exhibit something new every night, and some people of Quality have engag'd Boxes for each night.--Daily Advertiser

Performances

Mainpiece Title: Arlequino Triumphante

Event Comment: Both pieces By Command. Ladies and Gentlemen who have taken places are desired to send their servants before 3 o'clock. No persons can possibly be admitted behind the scenes or into the Orchestra. Present their Majesties the Duke of York, Prince William Henry, Prince Henry Frederick, and Lady Augusta. [The Winston Theatrical Record lists the customary night's expenses as follows]: @Renters #12 1s.@Barber 5s. 4d.@Music #4 19s. 5d.@Tallow Candles #2 10s.@Wax Candles #1 6s.@Coals 10s.@Lamps #1 12s. 3d.@1 days Billstickers 11s. 6d.@1 days Bills #1 7s.@1 days Advertising 5s.@Wardrobe Bill (a day) #1 7s.@Property Bill (a day) #1 6d.@Extras (for Opera and Rape) #1 6s. 6d.@J. Rich #5 5s.@C. Rich #1@Guards (18) and a Serjeant #1@#36 6s. 5d.@ Extras that night: @Yeomen of His Majesties' guard #1 1s.@Yeomen of Her Majesties' guard #1 1s.@His Majesties' Footmen #1 1s.@Her Majesties' Footmen #1 1s.@Princess of Wales' Attendant #1 1s.@Their Majesties' Coachman 6s.@Total #5 11s.

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Rape of Proserpine

Related Works
Related Work: The Rape of Proserpine: With The Birth and Adventures of Harlequin Author(s): Lewis Theobald

Dance: As17610907

Event Comment: By His Royal Highness's Command. With Magnificent New Scenes, Particularly one in Perspective of a Royal Palacev, which exceeds any that has been seen in England, containing about One Thousand Yards of Painting by Sig Roberto Clerici, and to be seen again this Year. Admission as 1 Feb. [The Prince and Princess present.

Performances

Mainpiece Title: Pyrrhus And Demetrius

Music: As17160502

Event Comment: By His Majesty's Command. The King, Queen, Prince, Princess Royal, Princess Amelia, and Princess Carolina present. Universal Spectator, 14 Dec.: On Wednesday in the Afternoon there was a Riot at Drury-Lane Playhouse. The Mob hearing that their Majesties and the rest of the Royal Family were to be at the Play in the Evening, several disorderly People forced into the House pretending to keep Places, broke and did a good deal of Damage before they could be dislodg'd

Performances

Mainpiece Title: King Henry The Viiith

Performance Comment: See17280928, but with the Coronation Scene-.
Cast
Role: with the Coronation Scene Actor: .

Afterpiece Title: Harlequin Doctor Faustus

Performances

Mainpiece Title: King Richard The Third

Performance Comment: The Parts of King Richard, D. of Buckingham, Earl of Richmond, Tressel, Prince Edward, Duke of York, Lieutenant of the Tower, Lord Mayor, Duke of Norfolk, Queen-Performers from the Theatres Royal London; Lord Stanley-Rivers; Catesby-Jones; Ratcliffe-Farrel; Oxford-Thompson; Sir William Brandon-Clifford; King Henry-Burnet; Dutchess of York-Mrs Fowler; Lady Ann-Mrs Palmer.

Afterpiece Title: The Quaker

Performance Comment: The Parts of Lubin, Steady, Solomon, Gillian-The Performers from the Theatres who exhibit in the Play.

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0

Afterpiece Title: Grand Selection 1

Performance Comment: From the censer-Chorus as17900224; Come thou Goddess-Saville; +Hush ye pretty warbling choir-Miss Mahon; Kings shall be thy nursing fathers-Grand Chorus; Softly rise-Harrison; Ye southern breezes-Chorus; What though I trace-Miss Poole all as17900317 Venus laughing from the skies-Chorus (Theodora); Let the bright Seraphim-Miss Cantelo; Let their celestial Concerts all unite-Chorus.

Afterpiece Title: Grand Selection 2

Performance Comment: First Grand Concerto-; 'Twas at the Royal Feast-Harrison; Happy Pair-Harrison, Chorus; With ravish'd ears-Miss Mahon; Bacchus ever young and fair-Griffiths; Baccahus' blessings are a treasure-Chorus (Alexander's Feast); Consider fond shepherd-Miss Dall (Acis and Galatea); Disdainful of danger-Saville, Harrison, Sale; Pious Orgies-Miss Cantelo (Judas Maccabaeus); No more to Ammon's God-Chorus as17900317 The Prince unable-Miss Poole as17900319 The Horse and his Rider-Double Chorus as17900224.

Afterpiece Title: Grand Selection 3 Entirely selected from The Messiah

Performance Comment: Overture-; Comfort ye my people, Every valley-Harrison; And the glory of the Lord-Chorus; Behold a virgin shall conceive-Saville; O thou that tellest good tidings-Saville, Chorus; For behold! darkness shall cover the earth, The people that walked-Sale; He was cut off, But thou didst not leave his soul-Miss Dall; Life up your heads O ye gates-Chorus; I know that my Redeemer liveth-Miss Cantelo; Hallelujah! for the Lord God omnipotent reigneth-Grand Chorus.

Music: As17900219

Performances

Mainpiece Title: Alexanders Feast Grand Selection 0

Cast
Role: Leader of the Band Actor: G. Ashley
Role: The Organ Actor: Knyvett.

Afterpiece Title: Alexanders Feast 1

Performance Comment: PART I. Overture-; 'Twas at the Royal Feast-Harrison; Happy Pair-Harrison, Chorus; The song began from Jove-Miss Poole; The Listening croud-Chorus; With ravished ears-Miss Poole; The praise of Bacchus-Harrison; Bacchus ever fair and young-Sale, Chorus; Sooth'd with the sound-Harrison; He chose a mournful muse-Mrs Billington; He sung Darius-Chorus; Softly sweet in Lydian measures-Mrs Billington; War he sung is toil and trouble-Incledon; The many rend the skies-Chorus; The Prince unable to conceal his pain-Mrs Billington; The many rend the skies repeated-Chorus.

Afterpiece Title: Alexanders Feast 2

Performance Comment: PART II. Now strike the golden lyre again-Harrison; Revenge! Timotheus cries, Behold a ghastly band-Griffith; Give the vengeance due-Incledon; The Princes applaud-Incledon, Chorus; Thais led the way-Mrs Billington, Chorus; Thus long ago-Harrison; At last divine Cecilia came-Chorus; Let's imitate their notes above-Mrs Billington, Harrison; Let old Timotheus yield the prize-Chorus.

Afterpiece Title: PART III

Performance Comment: A Grand Miscellaneous Act. ; Overture and Dead March (Saul)-; Balmy sweetness-Harrison (Boyce); Thou shalt bring them in-Mrs Piele (Israel in Egypt); Disdainful of danger-Harrison, Incledon, Sale (Judas Maccabaeus); The Soldier tir'd of war's alarms-Mrs Billington (Dr Arne); Bless the true Church and save the King-Incledon, Chorus (Athalia); There in myrtle shades-Miss Poole (Hercules); But bright Cecilia, As from the power of sacred lays-Mrs Billington; The dead shall live-Chorus (Dryden's Ode).

Performances

Mainpiece Title: Alexanders Feast 0 Redemption 0 Lallegro Ed Il Pensieroso 0

Cast
Role: Leader of the Band Actor: G. Ashley

Afterpiece Title: Alexanders Feast 1

Performance Comment: 'Twas at the royal feast-Harrison; Happy happy pair-Harrison, Chorus; Timotheus placed on high-Harrison; The song began from Jove-Mrs Second; The list'ning croud-Chorus; With ravish'd ears-Mrs Second; The praise of Bacchus-Harrison; Bacchus ever fair and young-Bartleman; Bacchus' blessings-Chorus; Sooth'd with the sound-Harrison; He chose a mournful muse, He sung Darius-Mrs Billington; With downcast looks the joyless victor sat, Behold Darius great and good-Chorus; The mighty master, Softly sweet in Lydian measure-Mrs Billington; War he sung-Mrs Second; The many rend the skies-Chorus; The prince unable-Mrs Billington; The many rend the skies [repeated]-Chorus.

Afterpiece Title: Alexanders Feast 2

Performance Comment: Now strike the golden lyre-Harrison; Break his bands of sleep asunder-Chorus; Hark hark the horrid sound-Harrison; Revenge revenge Timotheus cries, Behold a ghastly band-Bartleman; Give the vengeance due, The princes applaud-; Thais led the way-Mrs Billington; The princes applaud [repeated]-Chorus; Thus long ago-Harrison; At last divine Cecilia came-Chorus; Your voices tune-Mrs Billington; Let's imitate her notes above-Harrison, Bartleman; Let old Timotheus-Chorus.

Afterpiece Title: Grand Miscellaneous Act

Performance Comment: Overture-(Berenice, Handel); The Mansion of Peace-Harrison (Webbe); Mad Bess-Mrs Billington (Purcell); The mighty power-Chorus (Athalia, Handel); Se constanta per timore-Mrs Second (Caruso); Together let us range-Mrs Billington, Harrison (Boyce); Shall I in Mamre's-Bartleman (Joshua, Handel); Bravura song-Mrs Billington (Sacchini); Gloria Patri-Chorus.
Event Comment: [P$Prince of Wales and Princess Royal present.

Performances

Mainpiece Title: Porus

Event Comment: [T$Their Majesties, Prince, Prince William, Princess Royal, the young Princesses, and Duke of Lorrain present. See also Lord Hervey and his Friends, p. 115.

Performances

Mainpiece Title: Porus

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-West; Mercutio-Russell; Tibalt-Cooke; Capulet-Newton; Benvolio-Glassington; Prince-Massey; Peter-Bailey; Paris-Everard; Friar Laurence-Burnett (from the Theatre Royal, Edinburgh); Lady Capulet-Mrs Newby; Nurse-Mrs Russell; Juliet-Miss Glassington.
Cast
Role: Prince Actor: Massey

Afterpiece Title: The Lying Valet

Dance: As17780601

Song: Between Acts: Master Nelson; End IV: Solemn Dirge and the Funeral Procession of Juliet to the Monument of the Capulets. Vocal Parts-Master Nelson, Mrs Russell, Mrs Fowler

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Brunton (from the Theatre Royal, Norwich; 1st appearance on this stage); King Henry-Bensley; Catesby-Davis; Ratcliff-Egan; Lieutenant-R. Palmer; Lord Mayor-Massey; Buckingham-Aickin; Tressel-Bannister Jun.; Stanley-Gardner; Norfolk-Wood; Prince Edward-Miss Francis; Duke of York-Master Edwin; Richmond-Palmer; Lady Anne-Mrs Cuyler; Duchess of York-Mrs Poussin; Queen Elizabeth-Mrs Massey.
Cast
Role: Prince Edward Actor: Miss Francis

Afterpiece Title: Comus

Cast
Role: Brothers Actor: Lamash, Wood
Related Works
Related Work: Comus Author(s): George Colman, the elder
Event Comment: By Permission of the Lord Chamberlain. [Both Prologues by David Garrick.] To begin at 7:00

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Calvert (from the Theatre Royal, Dublin); King Henry-Gardner; Buckingham-Usher; Tressel-Riley; Lord Stanley-Jackson; RatclifF-Frost; Norfolk-Neale; Prince Edward-Miss Painter; Duke of York-Master Symmonds [i.e. Simmons]; Richmond-Stratford; Queen-Mrs Lefevre; Duchess of York-Mrs Fowler; Lady Anne-Mrs Cuyler .
Cast
Role: Prince Edward Actor: Miss Painter

Afterpiece Title: The Apprentice

Performance Comment: Dick (with the original Prologue)-A Gentleman (1st appearance on any stage [unidentified]); Wingate-Barrett; Simon-Kippling; Charlotte-Mrs Swords .

Song: End of Act I of afterpiece Four-and-Twenty Fiddlers all on a Row by a Gentleman [unidentified]; End of afterpiece a Mad Song in character by Lyons. imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes

Performance Comment: imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes .probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes .
Event Comment: Mainpiece: In I a Masquerade Scene incident to the Play. [This was included in all subsequent performances.] No Money to be returned. Places for the Boxes to be taken of Brandon at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [see 2 Nov.]. [No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s.] Receipts: #255 6s. (253.11.6; 1.14.6)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Holman (1st appearance at this theatre these 2 years); Capulet-Powel; Benvolio-Davies; Friar Lawrence-Hull; Paris-Macready; Tibalt-Cubitt; Prince-Gardner; Peter-C. Powell; Mercutio-Lewis; Lady Capulet-Mrs Platt; Nurse-Mrs Pitt; Juliet-Mrs Achmet (from the Theatre Royal Crow Street, Dublin]; 1st appearance on this stage).; 1st appearance on this stage).
Cast
Role: Prince Actor: Gardner

Afterpiece Title: The Farmer

Song: End IV: Juliet's Funeral Procession-; With Dirge-; Vocal Parts-Bannister, Johnstone, Cubitt, Darley, Rock, Letteney, Reeve, W. Thompson, Mrs Mountain, Miss Stuart, Mrs Davenett, Mrs Watts, Mrs Gray, Miss Rowson, Miss Francis, Mrs Masters, Mrs Powell, Mrs Byrne, Mrs Martyr

Event Comment: By Permission of the Lord Chamberlain. Under the Patronage of several Persons of Distinction. Beneath the immediate Direction of a Venerable Veteran of the Stage. Afterpiece [1st time; C 2, author unknown. Not in Larpent MS; not published]: Reduced into Two Acts, from The Provok'd Wife

Performances

Mainpiece Title: King Henry Ii Or The Death Of Fair Rosamond

Performance Comment: King Henry-A Gentleman [unidentified]; The Abbot-Wilkinson; Prince Henry-Rundell; Leicester-Frodsham; Salisbury-Fielding; Verulam-Savigny; Clifford-Baker; Rosamond-Miss Dalton; Ethelinda-Mrs Taylor; Queen Eleanor-Mrs Jackson (from the Theatre Royal, York).
Cast
Role: The Abbot Actor: Wilkinson
Role: Prince Henry Actor: Rundell
Role: Ethelinda Actor: Mrs Taylor

Afterpiece Title: The Humours of Sir John Brute

Performance Comment: Sir John Brute (for that night only)-Wilkinson; Constant-Frodsham; Heartfree-Rundell; Taylor-Nicholls; Col. Bully (with songs)-Upton; Dermot O'Whiskey-Hopton; Lord Rake (with Hippisley's Drunken Man)-Doggett; Lady Brute-Mrs Hunter; Lovewell-Miss Barnes;Belinda-A Young Lady (1st appearance [unidentified]).unidentified]).
Cast
Role: Dermot O'Whiskey Actor: Hopton

Entertainment: Monologue End: The Monody on the Death of Mr Henderson (3rd time at this theatre)-Baker

Performances

Mainpiece Title: Alexanders Feast

Performance Comment: Principal Vocal Performers, Leader, Organ as17940307ART I. Overture. 'Twas at the royal. Happy pair. Timotheus plac'd. The song began. The list'ning croud. With ravish'd ears. The praise of Bacchus. Bacchus ever fair. Bacchus' blessings. Sooth'd with the sound. He chose a mournful. He sung Darius. With downcast looks. Behold Darius. The mighty master. Softly sweet, accompanied on the violoncello by C. Ashley. War, be sung. The many rend. The prince unable. PART II. Now strikes the golden. Break his bands. Hark, hark! Revenge, revenge. Behold a ghastly band. Give the vengeance. Thais led the way. The Princes applaud. Thus long ago. At last divine Cecilia. Your voices tune. Let's imitate her notes. Let old Timotheus. PART III. A GRAND MISCELLANEOUS ACT. Overture and March (SCIPIO). He measureth the waters and He layeth the beams by Bartleman (REDEMPTION). O let eternal Honors and From mighty Kings by Miss Parke (JUDAS MACCABAEUS). Softly rise O southern breeze by Incledon; Ye Southern breezes by Chorus (SOLOMON, by Boyce). Bravura Song by Mme Mara. The Lord shall reign by Chorus; And Miriam and Sing ye to the Lord by Mme Mara; The horse and his Rider by Double Chorus (ISRAEL IN EGYPT). To conclude with God save Great George our King and Rule Britannia .

Music: End of Part I Giardini's Sixth Concerto on the Violin by G. Ashley

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Toms (from the Theatre Royal, Weymouth; 1st [recte 2nd] appearance on this stage); Capulet-Powel; Benvolio-Macready; Friar Lawrence-Hull; Prince-Richardson; Tibalt-Haymes; Paris-Claremont; Balthazar-Williamson; Montague-Davenport; Peter-Farley; Friar John-Thompson; Apothecary-Rees; Mercutio-Lewis; Lady Capulet-Miss Morris; Nurse-Mrs Davenport; Juliet-Miss Wallis.
Cast
Role: Prince Actor: Richardson
Role: Apothecary Actor: Rees

Afterpiece Title: Cymon

Dance: In I: a Grand Masquerade-; the Minuet de la Cour and Allemande-Byrn, Mlle St.Amand; afterpiece to conclude with: Dance-

Song: End IV: the Funeral Procession of Juliet to the Monument of the Capulets, in which a favorite Elegy-; (composed by Dr Arne) Solemn Dirge-; Vocal Parts-Johnstone, Incledon, Bowden, Townsend, Haymes, Linton, Williamson, Blurton, Street, Abbot, Holland, Rees, Lee, Little, Sawyer, Tett, Mrs Mountain, Mrs Clendining, Miss Stuart, Mrs Lloyd, Mrs Follett, Mrs Castelle, Miss Kirton, Mrs Masters, Miss Ives, Mrs Blurton, Mrs Norton, Mrs Watts, Miss Leserve, Miss Walcup, Mrs Martyr

Event Comment: The United Company. This performance is indicated in the Newdigate newsletters, 11 Jan. 1693@4: On Tuesday the Prince of Baden dyned with ye D of Linster and yesterday his Highness saw the new Opera called Diaclessia acted at the Ks play house (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59). There is, however, some uncertainty about this performance. In the first place, Dioclesian was not a new play, although new songs frequently appeared in it. In the second place, Dryden's new play, Love Triumphant, was ready for its premiere about this time, and the compiler of the Newdigate newsletters might have been mistaken in identifying the play. Yet the certain performance of The Double Dealer on 13 Jan. 1693@4 would be an awkward interruption of the initial run of Love Triumphant if it were the new play the Newdigate newsletters refer to. It seems likely, then, that Love Triumphant did not make its first appearance until mid-January. In Thesaurus Musicus, 1694, is a new song in The Prophetess, Act III, When first I saw the bright Aurelia's eyes, set by Henry Purcell and sung by Mrs Ayliff. It is also in Joyful Cuckoldom 1695. In the latter compilation are three other songs for this play: Since from my dear, sung by Mrs Hudson "in the Prophetess, as it is newly reviv'd," set by Henry Purcell; Let monarchs fight, the words by Thomas Betterton, the music by Henry Purcell, and sung by Freeman; Let ye soldiers, the words by Thomas Betterton, set by Henry Purcell, and sung by Freeman

Performances

Mainpiece Title: The Prophetess Or The History Of Dioclesian

Event Comment: The Pit and Boxes to be put together, and no Persons to be admitted without Tickets...at half a Guinea each. The Number not to exceed 400. Boxes upon the Stage 15s. Gallery 2s. 6d. And whereas by the frequent calling for the Songs again, the Operas have been too tedious; therefore the Singers are forbid to sing any Song but once; and 'tis hoped no body will call for 'em, or take it ill when not obeyed. The Book of the Opera at 1s. By Command, to begin exactly at 5. [Prince and Princess of Wales present.

Performances

Mainpiece Title: Arminius