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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "his Royal Highnesss Birth Day"/1) | (@(roleclean,performerclean) "his Royal Highnesss Birth Day")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04
We found 3161 matches on Event Comments, 1224 matches on Performance Title, 637 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft, adapted from Le Complaisant, by Antoine de Feriol comte de Pont-de-Veyle, and from Clavigo, by Johann Wolfgang von Goethe. It has been attributed to John Fenwick (Genest, VII, 360-61; London Chronicle, 14 Feb. 1798). But for Holcroft's acknowledgment of authorship see his Life, ed. Elbridge Colby, 1925, II, 170. Author of Prologue unknown. Epilogue by the author (Knapp, p. 88)]. Times, 12 Apr. 1798: This Day will be published He's Much to Blame (2s.). "Mrs Mattocks has of late habituated herself to a constant titter, which destroys the effect of her best scenes" (Times, 14 Feb.). Receipts: #249 1s. (240.5; 8.16)

Performances

Mainpiece Title: He's Much To Blame

Performance Comment: Principal Characters by Lewis, Quick, Pope, Murray, Davenport, Clarke, Thompson, Rees, Blurton, Wilde, Abbot, Curties, Mrs Pope, Miss Betterton, Mrs Gibbs, Mrs Mattocks. [Cast from text (G. G. and J. Robinson. 1798): Sir George Versatile-Lewis; Lord Vibrate-Quick; Mr Delaval-Pope; Doctor Gosterman-Murray; Thompson-Davenport; Williams-Clarke; Master of the Hotel-Thompson; Jenkins-Rees; Waiter-Blurton; Harry-Abbot; Footman-Curties; Maria-Mrs Pope; Lady Jane-Miss Betterton; Lucy-Mrs Gibbs; Lady Jane's Woman-Mrs Norton; Lady Vibrate-Mrs Mattocks; unassigned-Wilde; Prologue-Whitfield; [This was spoken, as here assigned, at the 1st 9 performances only (see17980226).] Epilogue-Quick, Mrs Mattocks. [This was spoken, as here assigned (except on 5 and 7 June), at all subsequent performances.]This was spoken, as here assigned (except on 5 and 7 June), at all subsequent performances.]

Afterpiece Title: Joan of Arc

Cast
Role: Grand Historical Pageant Actor: .

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of Handel; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Overture and Dead March-; In sweetest harmony-Mme Mara; O fatal day-Chorus (Saul); Ye men of Gaza-Miss Poole (Samson); Softly rise-Incledon; accompanied on the bassoon-Parkinson (Boyce's Solomon); Mad Bess, Let them come if they dare, Genius of England from thy pleasant bower of bliss arise-Mme Mara, Chorus (Purcell); To arms Britons strike home-Incledon, Reinhold, Full Chorus.
Cast
Role: O fatal day Actor: Chorus

Music: End I: concerto on violin-Master Pinto; End II: concerto on the Piano Forte-Dussek

Event Comment: Benefit for Lewis. 1st piece: By Permission of the Author and positively for that Night only [see 27 Apr.]. 2nd piece [1st time; M. INT 1, by John Cartwright Cross]: The Music composed by Reeve. The Scenery and Machinery by Phillips, Lupino, &c. Books of the Songs to be had at the Theatre, & of Mr Barker, Vinegar-Yard. Morning Herald, 3 May 1798: This day is published The Raft (1s.). Times, 22 Mar.: Tickets to be had of Lewis, No. 6, Bow-street. Receipts: #412 6s. 6d. (273.16.0; 2.17.0; tickets: 135.13.6)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Raft; or, Both Sides of the Water

Afterpiece Title: Lovers' Quarrels

Song: In III 1st piece: a song-Incledon

Event Comment: [Mainpiece in place of England Preserv'd; afterpiece of A Day in Rome (recte At) and Raymond and Agnes, all advertised on playbill of 5 May.] Receipts: #100 17s. (98.0; 2.17)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Cymon

Song: As17971102

Event Comment: The new Piece of A Day in Rome [advertised on playbill of 10 May] is obliged to be withdrawn till next season [see 11 Oct. 1798], on account of Fawcett's illness. [3rd piece in place of Botheration, advertised as above.] Receipts: #59 0s. 6d. (36.15.0; 22.5.6)

Performances

Mainpiece Title: England Preserv'd

Afterpiece Title: The Maid of the Mill

Afterpiece Title: A Divertisement

Dance: In 3rd piece: Ballet, as17971013

Entertainment: Monologue. End 1st piece: An Address to the Audience, as17980209

Event Comment: Benefit for King. [This was Smith's last appearance on the stage, from which he had officially retired on 9 June 1788.] Broadside in Kemble playbills announcing this benefit: Mr King most respectfully informs the Public that his Night is fixed for Friday the 18th of May, when will be presented The School for Scandal. Mr King has the pleasure to add that Mr Smith, who was so long and so worthily applauded by the Public, and was the original performer of Charles Surface in the above, distinguished Comedy, at the particular request of Mr King, backed by a strong assurance from many admirers and encouragers of the Drama that it will not only add to Mr King's emolument but highly gratify the Town, has kindly consented to return to the Theatre for one night, and resume his favourite Character. "We had been told that Smith pourtrayed the Manners of a finished gentleman with more delicacy and characteristic propriety than any actor of his day; but this did not appear to us to be his particular excellence; he stands too wide to be graceful, and his deportment gains no advantage from a perpetual application of his hand to the lower part of the waist. These habits are far from elegant. His Charles, however, is a favourable specimen of that sort of acting which commonly falls under the denomination of the old school: light, airy, and natural; which excites applause without any anxious endeavour to produce it; which suffers the points to tell of themselves, and does not place them as so many traps to ensnare the injudicious part of the audience" (Monthly Mirror, May 1798, p. 299). "He was received with the most heart-felt gratulations by an audience who did not expect any apology for such acting, though he saw fit to deliver one at the conclusion of the play" (Monthly Visitor, May 1798, p. 72). Times, 4 May: Tickets to be had of King at his house, New Store-street, Bedford-square. Receipts: #674 6s. (388.0.6; 55.17.6; 2.0.0); tickets: 228.8.0) (charge: #212 5s. 6d.)

Performances

Mainpiece Title: The School For Scandal

Performance Comment: As17970919, but Charles Surface-Smith (who performed the Character originally [on 8 May 1777]; being positively his only appearance); Snake-Caulfield; Lady Sneerwell-Mrs Sparks; Trip-_.

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Son-in-Law

Song: In III 1st piece: song-Dignum

Event Comment: Mainpiece [1st time; D 5, by Thomas Holcroft, based on Diego und Leonore, by Johann Christoph Unzer. Prologue and Epilogue by Francis Godolphin Waldron (Thomas Holcroft, Life, ed. Elbridge Colby, 1925, II, 125)]: With new Scenes, Dresses, and Decorations. The Scenery by Marinari. [Johnston was from cg.] Times, 12 July 1798: This Day is published The Inquisitor (2s.)

Performances

Mainpiece Title: The Inquisitor

Performance Comment: Characters by Johnston (1st appearance on this stage), Barrymore, Aickin, C. Kemble, R. Palmer, Trueman, Caulfield, Abbot, Miss Heard, Mrs Harlowe, Miss DeCamp. Cast from text (G. G. and J. Robinson, 1798): Alberto-Johnston; Francisco-Barrymore; The Patriarch-Aickin; Fernando-C. Kemble; Lelio-R. Palmer; Don Manuel-Trueman; Alguazil-Caulfield; Servant-Abbot; Violante-Miss Heard; Licia-Mrs Harlowe; Leonora-Miss DeCamp; Prologue-C. Kemble; Epilogue-Mrs Harlowe.

Afterpiece Title: The Flitch of Bacon

Event Comment: 2nd piece [1st time; MD 3, by James Boaden; some of the songs written by George Colman, ynger]: With new Musick, Scenes, Dresses, and Decorations. The new Musick by Dr Arnold. With an appropriate Overture, accompanied by two Pedal Harps and the Union Pipes, by Weippert, C. Jones, and Murphy. The Scenery by Marinari. The Dresses and Decorations designed by A. Johnston, and executed by him and Mrs Egan. Books of the Songs to be had at the Theatre. "Any exertion of impartial criticism to check the prevalent taste for the marvellous and the horrific which so wantonly conjures up the spirit (it was once thought had been for ever laid) of gross superstition and Gothic barbarism must, we fear, prove at present unavailing" (Times, 23 July). Morning Chronicle, 30 July 1798: This Day is published Cambro-Britons (2s.)

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: Cambro-Britons

Event Comment: Mainpiece [1st time; MD 3, by George Moultrie]: The Overture and Musick by Dr Arnold. Books of the Songs, &c. to be had at the Theatre. Morning Herald, 25 Aug. 1798: This Day is published False and True (2s.)

Performances

Mainpiece Title: False And True

Afterpiece Title: Two Strings to Your Bow

Song: In: Chorusses-Linton, Aylmer, Brown, Dibble, Kenrick, Little, Caulfield Jun., Walker, Willoughby, Ms Edward, Ms Menage, Ms Hale, Ms Gawdry, Ms Butler, Ms Masters, Ms Norton, Ms Benson, Ms Leserve

Event Comment: [Mrs Johnson was from the Park Theatre NewYork.] Afterpiece: Compressed into Two Acts. "Munden's Sir Francis Wronghead was a very pleasing display of comicality; but he should have contented himself with what was set down by the author, without introducing his own common place allusions to the fashions of the present day" (Morning Herald, 29 Sept.). Receipts: #200 17s. 6d. (195.19.6; 4.18.0)

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Pope; Manley-Murray; Sir Francis Wronghead-Munden; Count Basset-Clarke; Squire Richard-Knight; John Moody-Thompson; James-Abbot; Constable-Whitmore; Poundage-Rees; Lady Grace-Miss Chapman; Lady Wronghead-Mrs Davenport; Miss Jenny-Mrs Gibbs; Mytrilla-Mrs Watts; Mrs Motherly-Mrs Platt; Trusty-Mrs Litchfield; Lady Townly-Mrs Johnson (from the Theatre in America; 1st appearance on this stage). 1st appearance on this stage).

Afterpiece Title: The Maid of the Mill

Event Comment: Afterpiece [1st time; M. INT 1, by Thomas John Dibdin. Prologue by Richard Cumberland (see text)]: The Overture and Music composed by Attwood, with some favorite Selections from the Works of Dibdin and Mazzinghi. Books of the Songs, including a descriptive Sketch of the Ballet, to be had at the Theatre. Morning Herald, 5 Nov. 1798: This Day is published The Mouth of the Nile (1s.). Receipts: #309 3s. 6d. (303.0.6; 6.3.0)

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: The Mouth of the Nile

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by Counsellor Moore (Monthly Mirror, Dec. 1798, p. 368). Epilogue by John Taylor (see text)]: With new Scenes and Dresses. "Lewis's Gossamer is one of those characters which no actor could play but himself, because no man has that happy freedom and facility, that fashionable playfulness and spirit, so joyous, free, and unrelaxing, which distinguish all his performances of this nature" (Monthly Mirror, ibid). Morning Chronicle, 8 Mar. 1799: This Day is published Laugh When You Can (2s.). Receipts: #268 10s. (263.17; 4.13)

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: The Spoil'd Child

Event Comment: Medonte announced, but Morning Chronicle, 17 Dec.: By the sudden indisposition of Madame Banti, there was no opera on Saturday night. Ibid, 18 Dec.: Bills were posted up all over London in the forenoon, and a respectful card sent to the house of each subscriber. Morning Herald, 18 Dec., carries a statement signed by Pere Elisee saying that "about two o'clock, Saturday morning last, I was called out of my bed by a message that Mrs Banti was taken dangerously ill," that she so continues, and that as her physician he is "of opinion it will not be safe for her to quit her sick bed for several days yet to come.

Performances

Mainpiece Title: None

Event Comment: Mainpiece [1st time: MD 5, by James Boaden]: With new Musick [by Michael Kelly], Dresses, and Decorations. [Scenery by Capon (Theatre Notebook, XIX, 14).] Morning Chronicle, 16 Jan. 1799: This Day is published Aurelio and Miranda (2s.). Receipts: #271 16s. (218.15.0; 51.19.6; 1.1.6)

Performances

Mainpiece Title: Aurelio And Miranda

Afterpiece Title: The Children in the Wood

Song: Mainpiece: Chorusses-Danby, Wentworth, Brown, Tett, Denman, Atkins, [J.] Fisher, Aylmer, Gallot, Peck, Walker, Willoughby, Phillimore, Evans, Fisher, Caulfield Jun., Ms Arne, Ms Roffey, Ms Wentworth, Ms Jackson, Ms Maddocks, Ms Menage, Ms Menage Jun., Ms Chippendale, Ms Gawdry, Ms Butler, Ms Benson, Ms Bowyer, Ms Jacobs, Ms Coates

Event Comment: Mainpiece [1st time; C 5, by Joseph George Holman. Prologue by William Thomas Fitzgerald; Epilogue by John Taylor (see text)]: With new Dresses, Scenery, &c. [Afterpiece in place of The Farmer, advertised on playbill of 11 Jan.] Morning Chronicle, 26 Mar. 1799: This Day is published The Votary of Wealth (2s.). Receipts: #326 10s. 6d. (321.2.6; 5.8.0)

Performances

Mainpiece Title: The Votary Of Wealth

Afterpiece Title: Rosina

Event Comment: Afterpiece [1st time; MD 2, by George Colman, ynger]: With new Musick, Scenery, Machinery, Dresses and Decorations. The Musick entirely new, composed by Kelly with an overture by Dussek]. The Scenes designed and executed by Greenwood? Jun, with the assistance of Chalmers and Banks. The Machinery, Decorations and Dresses designed and under the direction of Johnston, and executed by him, Underwood and Gay. The Female Dresses designed and executed by Miss Rein. Books of the Songs to be had at the Theatre. "We have to congratulate the town on the acquisition of three admirable dramatic writers, in the persons of Johnston, Greenwood, and Miss Rein, who have here exhibited a specimen of the Sublime and Beautiful which it will be difficult, indedd, to surpass" (Monthly Mirror, Jan. 1799, p. 47). [This piece is "an exhibition of music and dialogue, pantomime and dancing, painting and machinery, antique dresses and armour, thunder and lightning, fire and water, illumination, processions, banquets, battles, sieges, explosions, and everything that can surprize, enchant or terrify the spectators" (Morning Chronicle, 21 Jan.). Morning Chronicle, 16 Feb. 1799: This Day is published Feudal Times (1s. 6d.). Receipts: #483 15s. 6d. (381.10.6; 100.6.6; 1.18.6)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Feudal Times; or, The Banquet Gallery

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Occasional Oratorio)-; Shall I in Mamre's-Sale; For all these mercies-Chorus (Joshua); Wise men flattering-Miss Capper; Sound an alarm-Incledon; We hear-Chorus; Pious orgies-Mme Mara (Judas Maccabaeus); Fix'd in his everlasting seat-Chorus (Samson).

Afterpiece Title: Grand Selection 2

Performance Comment: Fifth Grand Concerto-; The morning lark-Mrs Atkins (Semele); In sweetest harmony-Mme Mara; O fatal day-Chorus (Saul); O liberty-Incledon; accompanied on the violoncello-C. Ashley (Judas Maccabaeus); It must be so, Pour forth no more-Bartleman; No more to Ammon's God-Chorus (Jephtha); Lord remember David-Mme Mara (Sosarme); He gave them hailstones-Chorus (Israel in Egypt).
Cast
Role: O fatal day Actor: Chorus

Afterpiece Title: Grand Selection 3

Music: End II: Bach's concertante for violin oboe viola and violoncello-Messrs [G., R. and C.] Ashley, W. Parke

Performances

Mainpiece Title: Acis And Galatea; Grand Selection 0

Music: End I: Ode on St. Cecilia's Day-[(never before performed text by the Rev. Samuel Wesley]), set to music by Samuel Wesley; Introductory to the Ode: [Handel's 3rd organ concerto-Samuel Wesley

Performance Comment: Cecilia's Day-[(never before performed text by the Rev. Samuel Wesley]), set to music by Samuel Wesley; Introductory to the Ode: [Handel's 3rd organ concerto-Samuel Wesley.
Cast
Role: ecilia's Day Actor:
Event Comment: Mainpiece [1st time; C 5, by Edward Morris. Prologue by Charles Morris; Epilogue by George Colman, ynger (see text)]: With new Dresses and Decorations. Morning Chronicle, 14 Mar. 1799: This Day is published The Secret (2s.). Receipts: #371 18s. 6d. (319.17.0; 49.14.6; 2.7.0)

Performances

Mainpiece Title: The Secret

Afterpiece Title: Feudal Times

Performances

Mainpiece Title: A Grand Selection 0 Of Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Fifth Fifth Concerto (Martini)-; In sweetest harmony-Mme Mara; O fatal day-Chorus (Saul); Softly sweet-Master Elliot; accompanied on the violoncello-C. Ashley (Alexander's Feast); He was despised-Sga Galli, who is in her 77th year and in the greatest distress, and most humbly hopes for the protection of the Public on the occasion (The Messiah); Disdainful of danger-Incledon, Page, Bartleman (Judas Maccabaeus); Oft on a plat-Incledon; Let me wander-Mme Mara; Or let the merry bells-Chorus (L'Allegro).
Cast
Role: O fatal day Actor: Chorus

Afterpiece Title: Grand Selection 3

Music: As17990215

Event Comment: Benefit for Lewis. 1st piece [1st time; C 3, by Thomas John Dibdin. Prologue and Epilogue by the author (London Chronicle, 18 Mar.)]. Morning Chronicle, 12 Apr. 1799: This Day is published Five Thousand a Year (price not listed). Ibid, 8 Mar.: Tickets to be had of Lewis, Bow-street. Receipts: #542 0s. 6d. (383.9.0; 2.19.0; tickets: 155.12.6)

Performances

Mainpiece Title: Five Thousand A Year

Performance Comment: [Principal Characters by Lewis, Pope, Munden, H. Johnston, Murray, Farley, Waddy, Simmons, Rees, Abbot, Miss Betterton, Mrs Pope, Miss Murray (1st appearance this season]), Mrs Mattocks. [Cast from text (G. G. and J. Robinson [1799]: George Fervid-Lewis; Frederick Fervid-Pope; Sir Matthew Maxim-Munden; Henry Hastings-H. Johnston; Mr Goulding-Murray; Paragraph-Farley; Truepenny-Waddy; Dick-Simmons; Officer-Rees; Servants to Sir Matthew-Abbot, Wilde; Servant to Frederick-Curties; Boy-Master Webb; Maria-Miss Betterton; Lady Julia-Mrs Pope; Aurelia-Miss Murray [in text: Mrs H. Johnston (see17990325; Lady Maxim-Mrs Mattocks; Prologue (partly Musical)-Munden; Epilogue-Mrs Mattocks.

Afterpiece Title: A Divertisement

Afterpiece Title: Catherine and Petruchio

Dance: In 2nd piece: Ballet-Blurton, Mrs Watts

Song: End 1st piece: Black Ey'd Susan-Incledon

Event Comment: Mainpiece [1st time; C 5, by Charlotte Smith. Prologue by the author (Knapp, 202). Author of Epilogue unknown]: With new Scenery, Dresses, &c. Morning Chronicle, 26 July 1799: This Day published What is She? (2s.). Receipts: #161 11s. (158.2.6; 3.8.6). pking's Ines de Castro. As 16 Feb

Performances

Mainpiece Title: What Is She

Afterpiece Title: The Flitch of Bacon

Dance: As17990418

Event Comment: Mainpiece [1st time; T 5, by Richard Brinsley Sheridan, adapted from Die Spanier in Peru, by August Friedrich Ferdinand von Kotzebue. Prologue by Richard Brinsley Sheridan (consisting of the 1st 30 lines and the concluding couplet of his Prologue to The Miniature Picture); Epilogue by the Hon. William Lamb (see text). For publication see 1 July]: The Scenery, Dresses, and Decorations entirely new. The Musick, Airs and Chorusses incidental to the Piece composed and selected [from Gluck, Sacchini, &c. (Morning Chronicle, 25 May)] by Kelly. The Symphony preceding the Play, and those between the Acts, composed for the occasion by Dussek. The Scenery designed and executed by Marinari, Greenwood? Jun, Demaria, Banks, Blackmore, &c. [See Theatre Notebook, XX, 30-32, for suggestion that one scene was designed by DeLoutherbourg.] The Machinery, Decorations, and Dresses under the direction of Johnston, and executed by him, Underwood, and Gay. The Female Dresses designed and executed by Miss Rein. Account-Book, 14 May: Paid Miss Anne? Plumtree [i.e. Plumptree] for Spaniards in Peru #25. [It was this translation of Kotzebue's play that Sheridan adapted for the stage as Pizarro. For an account of the relationship between the translation and its adaptation see Marcella Gosch, "'Translators' of Kotzebue in England," Monatshefte fur deutschen Unterricht, XXXI, 178-83.] Paid Johnston [on this and other days] for sundries for Pizarro #135 14s. "It requires certainly more than English patience and spirits to sustain any Play of five hours in length. It is not one of the worst features of Pizarro that it contains a great deal which may be spared, without injury to the piece [see 25, 27 May]" (Morning Chronicle, 25 May). Receipts: #540 3s. 6d. (406.0.6; 17.5.0; 0.4.0; tickets sold by Fosbrook's Office: 116.14.0)

Performances

Mainpiece Title: Pizarro

Afterpiece Title: My Grandmother

Song: Vocal Parts-Kelly, Sedgwick, Dignum, Trueman, Danby, Brown, Cook, Tett, Caulfield Jun., Sawyer, Danby Jun., Aylmer, Willoughby, Bardoleau, Clark, Mead, Elliot, Ms Crouch, Ms DeCamp, Ms Stephens, Ms Leak, Ms Dufour, Ms Arne, Ms Menage, Ms Roffey, Ms Menage Jun., Ms Jackson, Ms Wentworth, Ms Chippendale, Ms Jacobs, Ms Butler, Ms Bowyer, Ms Williams, Ms Saunders, Ms Gaudry, Ms Benson, Mrs Illingworth, Mrs Coates

Event Comment: Benefit for Whitfield. Afterpiece [1st time; F 2, by John Till Allingham]. Morning Chronicle, 14 May: Tickets to be had of Whitfield, No. 10, Clifford's-inn. Ibid, 26 July 1799: This Day is published Fortune's Frolic (price not listed). Receipts: #394 13s. 6d. (79.15.0; 5.0.0; tickets: 309.18.6)

Performances

Mainpiece Title: Secrets Worth Knowing

Afterpiece Title: Fortune's Frolic

Dance: The Highland Lovers [see17990423]-; with Un Pas de Trois-Bologna, Miss E. Cabanel, Miss H. Cabanel; Un Pas Seul Serieux-Miss H. Cabanel; Un Pas Seul de Demie Caractere-Miss E. Cabanel, Platt

Song: End II: The Death of Admiral Benbow-Incledon; End IV: Black Ey'd Susan-Incledon; The Tight Little Island-Townsend

Event Comment: 3rd piece [1st time; CO 2, by Henry Heartwell and George Colman, ynger, based on Le Prisonner; or, La Ressemblance, by Alexandre Vincent Pineu Duval]: With new Scenes, Dresses and Decorations. The Musick composed and selected by Attwood. Books of the Songs, &c. to be had at the Theatre. Morning Chronicle, 9 Aug. 1799: This day is published The Castle of Sorrento (1s.)

Performances

Mainpiece Title: Blue Devils

Afterpiece Title: Ways and Means

Afterpiece Title: The Castle of Sorrento