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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "his Royal Highnesss Birth Day"/1) | (@(roleclean,performerclean) "his Royal Highnesss Birth Day")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3161 matches on Event Comments, 1224 matches on Performance Title, 637 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: The Overture, Chorusses and new Musick by Dr Arnold, The Dresses, Scenes and Decorations entirely new. The Scenes painted by Greenwood, Marinari, and their Assistants. Powell: Mountaineers rehearsed at 10; Wedding Day at 12. [Fialon and Aumer were from king's.] Receipts: #185 (131.17.6; 49.16.0; 3.6.6)

Performances

Mainpiece Title: The Mountaineers

Afterpiece Title: No Song No Supper

Dance: End II: a New Dance by J. D'Egville, in which-Fialon, Aumer will make their 1st appearance on this stage

Performance Comment: D'Egville=, in which-Fialon, Aumer will make their 1st appearance on this stage.
Event Comment: [Mrs Siddons's 1st appearance as Horatia was at York, 10 May 1777. Afterpiece in place of The Wedding Day, advertised on playbill of 14 Nov.] Receipts: #350 11s. (270.10.6; 72.3.0; 7.17.6)

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: The Devil to Pay

Song: In V: Triumphal Entry of Publius into Rome-; Chorus of Youths and Virgins [composed by Boyce]-Dignum, Master Welsh, Master Gregson, Cooke, Danby, Evans, Lyons, Welsh, Fisher, Annereau, Atkins, Aylmer, Boyce, Bardoleau, Brown, Cook, Denman, Dixon, Dorion, Dorion Jun., Mrs Bland, Miss Leak, Mrs Boimaison, Mrs Bramwell, Mrs Butler, Miss Chatterley, Miss Gawdry, Miss Granger, Miss Menage, Miss Redhead, Miss Stageldoir, Mrs Maddocks

Event Comment: [The playbill retains Baddeley as Moses , and Mrs Heard as the Maid , but "Mr Baddeley being suddenly taken ill at the Theatre this Evening Banks play'd the part of Moses, and Evans doubled Surface's Servant with his own, Mrs Heard Ill, Mrs Jones the Maid" (Powell). Baddeley was stricken with apoplexy while still in his dressing room before the play began; he died the following day.] Powell: New Ballet [Alexander the Great] rehearsed at 10; Chorus of 1st Act of Cherokee at 12. Receipts: #174 13s. (136.4.6; 36.5.0; 2.3.6)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: No Song No Supper

Song: As17941112

Event Comment: Mainpiece [1st time; C 5, by Hannah Cowley. Prologue by the author (Knapp, p. 134). Author of Epilogue unknown]: With new Dresses, Scenes, &c. Morning Chronicle, 18 Feb. 1795: This Day is published The Town before You (2s.). Genest VII, 205: In this play as printed in 1795 Fawcett's and Munden's names stand to the wrong characters. Receipts: #314 8s. (310.17; 3.11)

Performances

Mainpiece Title: The Town Before You

Afterpiece Title: Netley Abbey

Event Comment: [Afterpiece in place of The Wedding Day, advertised on playbill of 8 Jan, In it the playbill retains Mrs Goodall as Marcella, but "Marcella Miss Collins, Mrs Goodall Ill" (Powell, who also repeats same note as on 3 Jan.).] Powell: New Ballet rehearsed at 12. Receipts: #252 1s. (192.6.0; 55.17.6; 3.17.6)

Performances

Mainpiece Title: The Cherokee

Afterpiece Title: The Pannel

Event Comment: Mainpiece [1st time; MD 3, by Miles Peter Andrews and Frederick Reynolds. Prologue by Edward Topham; Epilogue by Miles Peter Andrews (Crouch, II, 229)]: With new Scenes, Dresses and Decorations. The new Music composed, and the rest selected by Shield. Morning Chronicle, 25 Feb. 1795: This Day is published The Mysteries of the Castle (2s.). [Mrs Cornelys was from the Crow Street Theatre Dublin.] Receipts: #243 12s. (241.19; 1.13)

Performances

Mainpiece Title: The Mysteries Of The Castle

Afterpiece Title: Two Strings to Your Bow

Performance Comment: As17941030, but Donna Clara-Mrs Cornelys (1st appearance on this stage).
Event Comment: Afterpiece [1st time; F 2, by Thomas Hurlstone. Prologue by Robert Houlton (see text)]. Morning Chronicle, 23 Mar. 1795: This Day is published Crotchet Lodge (1s.). Receipts: #179 16s. 6d. (172.14.6; 7.2.0)

Performances

Mainpiece Title: The Mysteries Of The Castle

Afterpiece Title: Crotchet Lodge

Performance Comment: [Principal Characters by Quick, Fawcett, Bernard, Macready, Powel, Farley, Rock, Thompson, Miss Chapman, Mrs Davenport, Miss Stuart, Mrs Henley, Mrs Martyr. Cast from text (T. N. Longman [1795]): Timothy Truncheon-Quick; Nimble-Fawcett; Squire Shinken ap Lloyd-Bernard; Dashley-Macready; Doctor Chronic-Powel; Waiter-Farley; Paddy-Rock; Bootcatcher-Thompson; Florella-Miss Chapman; Miss Crotchet-Mrs Davenport; Maid at the Inn-Miss Stuart; Landlady-Mrs Henley; Thisbe-Mrs Martyr; Prologue-Fawcett [in the character of Nimble, disguised as a Sailor with a Wooden-leg (text). It was spoken, as here assigned, at all subsequent performances]..
Cast
Role: Thisbe Actor: Mrs Martyr
Event Comment: Mainpiece [1st time; HIST. D 5, by George Watson. Prologue and Address by the author (European Magazine, Apr. 1795, pp. 267, 268)]: With new Dresses and Decorations. Morning Chronicle, 11 May 1795: This Day is published England Preserved (2s.). Receipts: #209 0s. 6d. (199.13.0; 9.7.6)

Performances

Mainpiece Title: England Preserv'd

Afterpiece Title: Crotchet Lodge

Cast
Role: Thisbe Actor: Mrs Martyr

Ballet: Dermot and Kathlane. As17950219

Event Comment: Mainpiece [1st time; C 5, by John O'Keeffe. Prologue by John Taylor (see text). Address by John Wolcot (Pocket Magazine, supra)]: With new Dresses and Decorations. [Mrs Lee was from the Salisbury theatre.] Morning Chronicle, 11 May 1795: This Day is published Life's Vagaries (2s.). Receipts: #268 3s. 6d. (259.19.6; 8.4.0)

Performances

Mainpiece Title: Life's Vagaries

Performance Comment: Characters by Lewis, Quick, Johnstone, Munden, Fawcett, Bernard, Townsend, Farley, Thompson, Rees, Davenport, Burton, Rock, Follett, Cross, Williamson, Ledger, Wilde, Blurton, Abbot, Miss Wallis, Mrs Lee (1st appearance on this stage), Miss Stuart, Mrs Platt, Mrs Watts, Miss Leserve, Mrs Pope. [Cast from text (T. N. Longman, 1795), and O'Keeffe's Dramatic Works, Vol. I (T. Woodfall, 1798), and playbill of 27 Nov. 1795: Arthur D'Aumerle-Lewis; Dickins-Quick; Timolin-Johnstone; Sir Hans Burgess-Munden; George Burgess-Fawcett; Lord Torrendel-Bernard; Robin Hoofs-Townsend; L'Oeillet-Farley; Coachman-Thompson; Tradesmen-Davenport, Follett, Cross, Williamson; John-Ledger; Constable-Blurton; Robinson-Abbot; Thomas-Simmons; Augusta-Miss Wallis; Fanny-Mrs Lee; Miss Clare-Miss Stuart; Landlady-Mrs Platt; Fruit Woman-Mrs Watts; Martha-Miss Leserve; Lady Torrendel-Mrs Pope; unassigned-Rees, Burton, Rock, Wilde; Prologue-Middleton [This was spoken, as here assigned, at all subsequent performances.; An Address by way of Epilogue [not listed on playbill,-Lewis [(Pocket Magazine, Mar. 1795, p. 195. It was probably intended to introduce Mrs Lee.].(Pocket Magazine, Mar. 1795, p. 195. It was probably intended to introduce Mrs Lee.].

Afterpiece Title: Rosina

Song: In: I can dance and sing-Mrs Lee. [Not listed on playbill, but see BUC, p. 619.

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music; Messiah

Afterpiece Title: Grand Selection 1

Performance Comment: Overture- (Samson); Ye men of Gaza-Mrs Hindmarsh; Awake the trumpets-Chorus (Samson); Tears such as tender fathers shed-Bartleman (Deborah); Thy right hand O Lord-Chorus (Israel in Egypt); In sweetest harmony-Miss Parke; O fatal day-Chorus (Saul); Lord remember David-Nield [Redemption]; He gave them hailstones-Chorus [Israel in Egypt].Israel in Egypt].
Cast
Role: O fatal day Actor: Chorus

Afterpiece Title: Grand Selection 2

Performance Comment: Overture and Dead March- (Saul); Happy Iphis-Master Elliot (Jephtha); The Mighty Power-Chorus (Athalia); O Liberty-Kelly; accompanied on the violoncello-C. Ashley [Judas Maccabaeus]; Tyrants would-Miss Parke; Why should Salem-Chorus (Athalia); Honour and Arms-Bartleman; Then round about-Chorus (Samson); Sweet Bird-Miss Parke, [accompanied on the violoncello by] G. Ashley [L'Allegro]; He rebuked the Red Sea-Chorus (Israel in Egypt).
Cast
Role: Happy Iphis Actor: Master Elliot

Afterpiece Title: Grand Selection 3

Performance Comment: O worse than death, Angels ever bright-Miss Parke (Theodora); When his loud voice-Chorus (Jephtha); Total eclipse-Kelly; O first created beam-Chorus (Samson); Lord to thee-Mrs Hindmarsh (Theodora); The Lord shall reign-Chorus; Sing ye to the Lord-Miss Parke; The horse and his rider-Double Chorus (Israel in Egypt).

Music: End Part II: violin concerto by Giardini-G. Ashley

Event Comment: king's "On 28th March 1795, I saw the Opera Aci & Galathea by Bianchi. The music is very rich in parts for the wind instruments, and I rather think one would hear the principal melody better if it were not so richly scored. The Opera is too long, especially since Banti has to keep everything going all by herself; for Brida is a good youngster with a beautiful voice but very little musical feeling; and Rovedino, and the good old Braghetti, and the wretched Seconda Donna-they all deserved, and received, not the least applause. The orchestra is larger this year, but just as mechanical and badly placed as it was before, and indiscreet in its accompaniments; in short, it was the 3rd time that this Opera was performed, and everyone was dissatisfied. It happened that, when the 2nd Ballet began, the whole public suddenly became dissatisfied and yelled 'off-off-off,' because they wanted to see the new Ballet which Madam Hilligsberg had given at her Benefice 2 days earlier. Everyone was embarrassed-there was an interval lasting half an hour-until at last a dancer came forward and said, very submissively: 'Ladies and Gentlemen: since the performer [sic, instead of proprietor] Mr Taylor cannot be found, the whole Ballet Company promises to perform the desired ballet next week, for which, however, the Impresario must pay Madam Hilligsberg #300.'That satisfied them, and they then yelled, 'go on-go on;' and thus the old Ballet was performed' (Haydn, 293)

Performances

Mainpiece Title: Aci E Galatea

Dance: king's As17950324

Event Comment: Afterpiece [1st time; MD 2, by William Pearce. The Masque was produced in honor of the marriage of the Prince of Wales and Princess Caroline of Brunswick, 8 April 1795]: The Overture composed expressly for the Occasion by Haydn, as is the rest of the Music by Salomon [and see 9 Apr.]. The Scenery, Machinery, Decorations and Dresses are entirely New, and Designed by Noverre, except St. George's Hall, painted by the late Signor Cipriani. The Scenery executed by Hodgins, Walmsley, Phillips, Lupino, Hollogan, and many Assistants. The Machinery and Decorations by Sloper. Goosetree and Martinelli. The Dresses by Lupino, Dick and Mrs Egan. Books of the Songs to be had at the Theatre. "On the 10th [of April] I was at the Covent Garden Theatre-to see the big Spectacul [sic]-Windsor Castle, the music by Salomon quite passable. The decorations-costumes-scenery, and the enormous amount of people on the stage are exaggerated. All the Gods of Heaven and Hell, and everything that lives on the earth are in the piece" (Haydn, 299). Morning Chronicle, 7 May 1795: This Day is published Windsor Castle (1s. 6d.). Receipts: #266 8s. 6d. (250.12.6; 15.16.0)

Performances

Mainpiece Title: The Rage

Afterpiece Title: Windsor Castle 1

Afterpiece Title: Windsor Castle 2

Performance Comment: A Grand Masque, invented and prepared undyr the Immediate Direction of Noverre, representing the Marriage of Peleus and Thetis-; [The Story from the Greek Writers. Peleus-Farley; Ganymede-Byrn; Proteus-Holland; Hymen-Mrs Martyr; Hebe-Mme Rossi; Minerva-Mrs Follett; Thetis-Mme Prevost (1st appearance); Cupid-Mrs Clendining; Terpsichore-Mlle St.Amand; Discord-Mlle Droma (1st appearance.); [The Masque commences with the View of A Grove-;[, sacred to Cupid and Hymen . Woods, Rocks, and Waterfalls form the Borders of the Sea, which terminates by the Horizon; the Genii of the Morn-; [are seen, preceded by Aurora-; [Fame sounding her Trumpet, proclaims to Mortals the Arrival of Thetis ; several splendid Barges appear, from the last of which Thetis disembarks, attended by Hymen, the Graces-; Groups of Cupids-; Zephyrs-; [Peleus enters, accompanied by Cupid and Minerva with her Suite; Thetis resigns herself to the Protection of Minerva, and perceiving Peleus, is struck with Admiration, but not knowing him, is informed by Cupid, he is her intended Husband-Peleus approaching, offers her his hand, which she respectfully accepts-the Characters retire, and the Clouds gradually dispersing, discover Mount Olympus-; [with the Gods and Goddesses assembled to behold the Nuptials; the Temple of Jupiter- [is seen on one side, that of Cupid on the other; Jupiter-[seated, accompanied by; Juno-; Mars-; Hercules-; Apollo-; Bacchus-; Mercury-; Saturn-; Diana-; Venus-; Ceres-; Victory-; Cybelle-; the Destinies-; Neptune-; [and Amphitrite-; [arise from the Sea in their Watry Car Pluto-; [and Proserpine-; [ascend, together with Rhadamanthus-; Minos-; [and Eacus-; [this is succeeded by A Magnificent Entree, in the following order: Sylvan Dancers-; Instrumental Performers-; Vocal Performers-; Rural Nymphs-; a Magnificent Column- [Richly Decorated, bearing the Emblematical Trophies ff War, Love, the Fine Arts; Rural Swains-; Virgins bearing Baskets of Flowers-; [The Goddess Hebe, attended by Cupids collected in a Picturesque Corbeille de Treillage ; Nymphs and Swains-[, attendants upon Thetis; Terpsichore; Ganymede; Proteus; Minerva borne by Warriors on a Military Trophy; Peleus and Thetis in a Splendid Chariot, drawn by Cupids, and attended by Hymen, Zephyrus : The High Priest; Priests bearing the Altar of Hymen; Tripods with Incense burning, followed by the Virtues, Truth, Justice, Benevolence, Clemency, Glory, Strength and Generosity. After the Procession, Thetis and Peleus being led to the Altar by the High Priest, just as they are receiving the Conjugal Cup, the Goddess Discord appears, enraged at not being invited to the sacred Festival-She attempts, in vain, to spread Confusion by throwing an Apple on the stage, inscribed "For the Fairest"-Cupid presents it to the Dieties, who adjudge it to Thetis-Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded; Peleus and Thetis are placed on a Magnificent Throne, attended by Hymen, Cupid, and the Grace3; variety of Dances are performed; and Peleus and Thetis are crowned with Wreaths. The Appearance of the Stage then changes to another Emblematical Spectacle. Festoons of Flowers descend-Cupids ascend supporting a Medallion and the Letters G. C. [i.e. George Caroline]-the Side Scenes draw off and discover Pyramids formed of Variegated Colours, bearing the Order of the Garter, and the Piece is concluded with a; Grand Chorus-; Dance-Ganymede, Proteus, Hebe, Terpsichore; accompanied on the Harp-Weippert.

Song: Part I: concludes with ancient British Airs-; Chorus of Bards-, accompanied on the Harp by Jones

Event Comment: Mainpiece [1st time; C 5, by Edward Jerningham. Prologue by John Taylor. Epilogue by Henry Seymour Conway (see text)]. Morning Chronicle, 22 May 1795: This Day is published The Welch Heiress (2s.). Receipts: #309 12s. 6d. (246.1.6; 51.15.6; 11.15.6)

Performances

Mainpiece Title: The Welch Heiress

Afterpiece Title: My Grandmother

Event Comment: [1st piece in place of The Miser, advertised on playbill of 22 Apr.] 2nd piece [1st time; MF 2, by John O'Keeffe]: With new Scenes and Dresses. The Music partly compiled and partly composed by Shield. 3rd piece: Compressed into One Act. Morning Chronicle, 13 June 1795: This Day is published The Irish Mimick (1s.). The Doors to be opened at 5:15. To begin at 6:15 [see 2 May]. Receipts: #173 2s. (140.2; 33.0)

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: As17941122, but Myrtle-Macready; Lucinda-Miss Cornelys; Indiana-Mrs Esten (1st and only appearance this season); added: Sir John Bevil-Hull; Mrs Sealand-Mrs Davenport.

Afterpiece Title: The British Recruit

Afterpiece Title: Barataria; or, Sancho Turned Governor

Song: As17950316

Entertainment: Monologues. End: Dryden's Ode on St. Cecilia's Day-Mrs Esten; After which: Belles Have at Ye All (written by the Author of the Prologue to Crotchet Lodge [Robert Houlton])-Mrs Mattocks

Performance Comment: End: Dryden's Ode on St. Cecilia's Day-Mrs Esten; After which: Belles Have at Ye All (written by the Author of the Prologue to Crotchet Lodge [Robert Houlton])-Mrs Mattocks.
Cast
Role: Cecilia's Day Actor: Mrs Esten
Event Comment: Benefit for Master Welsh. Afterpiece [1st time; MF 2, by Samuel Birch]: The Music principally new, composed by Attwood, with a few selections from Mozart. Books of the Songs to be had hn the Theatre. Morning Chronicle, 21 May 1795: This Day is published The Adopted Child (1s.). Ibid., 21 Apr.: Tickets to be had of Master Welsh, No. 9, Margaret-street, Westminster. Receipts: #226 10s. (87.13.6; 43.3.6; 17.7.0; tickets: 78.6.0) (charge: free)

Performances

Mainpiece Title: The Jew

Afterpiece Title: The Adopted Child

Song: End IV: a favourite song (unaccompanied)-Master Welsh

Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft, based partly on The Fashionable Lover, by Richard Cumberland. Authors of Prologue and Epilogue unknown]. The Doors to be opened at 5:30. To begin at 6:30, for the remainder of the Season. Morning Chronicle, 13 May 1795: This Day is published The Deserted Daughter (2s.). Receipts: #210 2s. (205.12.6; 4.9.6)
Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. Prologue and Epilogue by the author (Knapp, 269, 221)]: With new Dresses, &c. Morning Chronicle, 12 Oct. 1795: This Day is published First Love (2s.). Receipts: #266 7s. 6d. (205.4.0; 52.2.0; 9.1.6)

Performances

Mainpiece Title: First Love

Afterpiece Title: The Adopted Child

Event Comment: 1st piece [1st time; MD 5, by James Boaden, based on Herman von Unna, by Anders Fredrik, Count Skjoldebrand. Prologue by John Litchfield. Epilogue by the author (see text)]: In the course of the Play, the Customs of the Tribunal in the Citation of the Offender-the Leading away to Judgement-the Habits and mysterious Signs of the Ministers of Vengeance, will be given with Accuracy. In the last Act, the awful Assembly of the Free Judges at Midnight, with the Ceremonies of the Trial-elucidating an Institution, which, by Secrecy and Certainty of its Judgements, produced many alarming Events in the 15th Century, throughout the Germanic Empire. Morning Herald, 20 June 1795: This Day is published The Secret Tribunal (2s.). Receipts: #93 11s. (82.19; 10.12)
Event Comment: 2nd piece [1st time; MD 3, by Thomas Morton]: With new Scenery, Dresses and Decorations. The Overture, Chorusses, and new Musick by Dr Arnold. The new Scenery by Rooker, Marinari, &c. Books of the Songs to be had at the Theatre. Morning Chronicle, 1 July 1795: This Day is published Zorinski (2s.)

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: Zorinski

Event Comment: [Afterpiece in place of The Wedding Day, advertised on playbill of 17 Sept.] Receipts: #383 3s. 6d. (288.1.6; 91.8.6; 3.13.6)

Performances

Mainpiece Title: Isabella; Or, The Fatal Marriage

Afterpiece Title: The Prize; or, 2

Song: In III: an Epithalamium-. Vocal Parts Miss Leak, Master Welsh

Event Comment: "The represention announced for last night at this Theatre was Twelfth Night; but as Mrs Jordan found herself too ill to perform, new bills were issued, and the substitute was to be The Siege of Belgrade. About the middle of the day, however, Mrs Jordan found herself well enough to perform, and the other bills were circulated, importing that the play was to be Twelfth Night. But, in the afternoon, Mrs Jordan found herself too ill to perform, and a message was sent again to the theatre, signifying the melancholy disappointment. It was then too late to make any other change, and Twelfth Night was represented, Mrs Goodall reading the part of Viola. There was considerable difficulty in collecting the performers, after these repeated changes. Barrymore could not be found, and Caulfield dressed for Orsino; but when he was ready to appear Barrymore arrived, and took the part. It was then discovered that Phillimore was absent, and Caulfield was doomed to dress once more, for Phillimore's character; but soon after Phillimore came to the house. Mrs Kemble being indisposed, Miss Mellon undertook her part of Maria ...The Audience (a large one) indeed grumbled a little at this kind of dramatic hocus pocus, but on the whole, were not churlish in their testimonies of satisfaction" (True Briton, 13 Jan.). Receipts: #222 19s. (160.4.0; 58.11.6; 4.3.6)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: My Grandmother

Event Comment: Mainpiece [1st time; MD 3, by George Colman, ynger]: The Scenery and Dresses are entirely new. The Musick composed by Storace.The Scenes designed and executed by Greenwood and Capon [the Gothic library was painted by Capon (Oracle, 21 Mar. 1796)]. The Dresses by Johnston, Gay and Miss Rein. Books of the Songs to be had in the Theatre. [When Colman published his play he prefaced it with an acrimonious attack on Kemble, in which he accused him of deliberately trying to make the play a failure. But almost without exception the contemporary reviews excused Kemble's performance on the grounds of his obvious indisposition, and agreed that the play itself was unsatisfactory. "The play failed, and we are sorry to say did not merit to succeed...Kemble, who was tormented With an incessant cough, said he could not but be sensible that much of the displeasure of the house proceeded from his deficiency in a principal character...The whole audience with one voice cried out, 'No, no, Kemble-it is not your fault'" (Oracle, 14 Mar.). "The dialogue is extremely heavy, and there is little or no incident to relieve the tedium of more than four hours representation...Sir Edward Mortimer is a being distracted, with no adequate cause; a prey to remorse, which he of all men was the last to feel from the principles that make up his being. This therefore is the radical moral defect of the piece. But there is another which, though not equally strong, is equally fatal: there is no progression of interest, there is no involution of plot, there is no development of character" (Star, 14 Mar.). Other notices of the opening night were much in the same vein. Subsequently Colman revised the play, and it held the stage for many years. "The curtailments which have been made shorten the representation near an hour and a half, and the alterations are many and judicious" (Morning Herald, 21 Mar. 1796). Morning Herald, 23 July 1796: This Day is published The Iron Chest (2s.). Receipts: #471 9s. (468.13; 2.16)

Performances

Mainpiece Title: The Iron Chest

Afterpiece Title: Harlequin Captive

Song: Mainpiece: The General Chorus-Cooke, Danby, Evans, Welsh, Wentworth, J. Fisher, Master DeCamp, Master Gregson, Atkins, Brown, Denman, Fisher, Tett, Aylmer, Caulfield Jun., Dibble, Gallot, Willoughby, Annereau, Bardoleau, Cook, Miss Arne, Mrs Boimaison, Mrs Bramwell, Mrs Butler, Miss Mellon, Miss Wentworth, Mrs Maddocks, Miss Chatterley, Miss Menage, Miss Stuart, Miss Jackson

Event Comment: By Permission of the Lord Chamberlain. Benefit for Wilkinson. Mainpiece [T 3, by John Penn, 1st acted at Richmond, Feb. 1796. Prologue by the author (see text)]: A New Historical Play in 3 Acts (with songs [by John Wall Callcott]). Morning Herald, 11 Apr.: This Day is published The Battle of Eddington, as acted at the Haymarket and at Richmond (1s. 6d.). Tickets to be had of Wilkinson, No. 14, Mary-le-bone-street, Golden-square. The Doors to be opened at 5:30. To begin at 6:30

Performances

Mainpiece Title: The Battle Of Eddington; Or, British Liberty

Performance Comment: Partial cast from Morning Herald, 30 Mar.: Alfred-Clifford; Ceoluph-Wilkinson; Queen-Mrs Sidney; [Text (Elmsley [et al], 1796) lists the parts: Alfred King of England; Mervin, his dependent, Prince of South Wales; Ethelred, General of the English; Ceoluph, English Nobleman; Danish Captain of Auxiliaries; Ceoluph's Vassal; Edmund, Son and Heir of Alfred then very young; Elsitha, Queen of England; Editha, an Old Woman inhabiting the Cottage. Prologue-Wilkinson.

Afterpiece Title: Who's the Dupe

Entertainment: Monologue.End: Collins's Ode on the Passions-Wilkinson

Performances

Mainpiece Title: King Henry The Fourth, First Part

Afterpiece Title: St

Performance Comment: Patrick's Day; or, The Scheming Lieutenant. Justice Credulous-Quick; Lieut. O'Connor-Macready; Dr Rosy-Powel; Serjeant Trounce-Haymes; Corporal Flint-Wilde; Clown-Farley; Servant-Ledger; Lauretta-Mrs Mountain; song-Mrs Mountain; Bridget-Mrs Davenport.

Entertainment: Monologue. End: Dryden's Ode of Alexander's Feast-Holman

Song: After the monologue: My Mother had a Maid called Barbara, as17960314The Minstrel's Song, Where is that tow'ring spirit fled? as17960314Tho' Hurricanes rattle (composed by Shield)-Incledon, Bowden; Ye Gentlemen of England, as17960314