Event Comment: No Money to be returned. Boxes 6s. 2nd Price 3s. Pit 3s. 6d. 2nd Price 2s. Gallery 2s. 2nd Price 1s. Places for the Boxes to be taken of Fosbrook, at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [see 14 Nov.]. The Avenues to the Boxes, Pit and Gallery are all at the Front of the Theatre in the Hay-Market, and the Door in Market-Lane is for Chairs only. "The short time since it had been determined to occupy this theatre had not been sufficient to enable the workmen to perfect what was intended so soon as was expected; nor could they be got out in time for opening the doors in the afternoon: this delay, and the difficulty of finding the way to different parts of the house [see 24 and 27 Sept.], caused some disgust" (Universal Magazine, Sept. 1791, p. 220). 1st piece [1st time; M. PREL 1, James Cobb; music by Storace (Kemble Mem.). Larpent MS 918; not published]. Receipts: #472 8s. 6d. (451.7.6; 20.6.0; 0.15.0)

Event Comment: [In 2nd piece the playbill assigns Orlando to Kemble, but "On account of indisposition, Barrymore last night performed Orlando for Kemble" (Oracle, 4 Oct.).] 3rd piece: To conclude with the Glorious Defeat of the Spanish Armada, and a Grand Procession. "Equal to any actor I ever saw, as far as his line extends, is Mr Parsons; his conception and expression of Sir Fretful Plagiary, in Mr Sheridan's Critic, are as strong and masterly as were Garrick's in Kitely [in Every Man in his Humour]; and his 'laughing without mirth' therein equally admirable" (Jonson, ed. Waldron, 171). Receipts: #251 4s. 6d. (213.6.6; 37.0.0; 0.18.0)

Event Comment: "The performance of last night boasted some additional impression, by the fine imagination of [Kemble's] starting at the trumpet from the prayer of penitence, and springing up the Hero and the King...[In Act V] the scene with Katharine was as sportive and as easy as possible...Comus followed, vice the Critic, obliged to be postponed from [the] indisposition of Parsons (MS annotation on Kemble playbill)]. Some disapprobation attended the drawing up the curtain. Palmer explained, and then, without 'wiping his lips since he spoke last' began "The Star that bids the Shepherd fold" (Oracle, 1 Nov.). Receipts: #223 5s. 6d. (180.8.6; 41.3.0; 1.14.0)

Event Comment: Afterpiece: To conclude with a Superb Prospect of the Infernal Regions. [This was included in all subsequent performances.] Receipts: #237 17s. (170.15; 65.17; 1.5)

Event Comment: Receipts: #439 11s. 6d. (391.15.6; 45.7.0; 2.9.0). A tally sheet in BM (Burney 937. c. 10) for this night itemizes the number of spectators and the receipts as follows: 1st Account Boxes 660, #198.0.0 Pit 745, #130.7.6 Gallery 634, #63.8.0 Total 2,039, #391.15.6 Half Price Boxes 215, #32.5.0 Pit 27, #2.14.0 Gallery 208, #10.8.0 Total 450, #45.7.0 Boxes 875, #230.5.0 Pit 772, #133.1.6 Gallery 842, #73.16.0 Total 2,489, #437.2.6 The total receipts here set forth do not include the After Money of 2.9.0