SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "his R Highnesses"/1) | (@(roleclean,performerclean) "his R Highnesses")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 1743 matches on Performance Comments, 833 matches on Event Comments, 30 matches on Performance Title, 5 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Afterpiece: Written by the Author of The Son-in-Law [John O'Keeffe]. The Overture and New Musick composed by Dr Arnold. "The same person who, in the play, performed the school-fellow of the Nabob with a great deal of nature, and original humour, here acted the part of the school-master; his name is Edwin, and he is, without doubt, one of the best actors of all that I have seen ... [He], in all his comic characters, still preserves something so inexpressibly good tempered in his countenance, that notwithstanding all his burlesques, and even grotesque buffoonery, you cannot but be pleased with him . . . Nothing could equal the tone and countenance of self-satisfaction, with which he answered one who asked him whether he was a scholar? 'Why, I was a master of scholars.' A Mrs Webb represented a cheesmonger, and played the part of a woman of the lower class, so naturally, as I have no where else ever seen equalled. Her huge, fat, and lusty carcase, and the whole of her external appearance seemed quite to be cut out for it" (Carl Philipp Moritz, Travels in England in 1782, London, 1924, pp. 73-74)

Performances

Mainpiece Title: The Nabob

Afterpiece Title: The Agreeable Surprise

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Flitch of Bacon

Dance: In Act I of mainpiece a Masquerade, in which a Dance by Master and Miss Byrn; End of Act III, as17820606

Song: In Masquerade a Song by Miss Morris. imitations. End of mainpiece, by Bannister Jun

Event Comment: Benefit for Mrs Bulkley. 2nd piece: Never acted here. 4th piece: 1st time at this Theatre

Performances

Mainpiece Title: The Life And Death Of Common Sense

Cast
Role: Whispering Ghost Actor: Painter

Afterpiece Title: Twelfth Night

Afterpiece Title: The Tobacco Box

Afterpiece Title: The Maid of the Oaks

Dance: In Act II of 4th piece (for that night only) the Minuet de la Cour by Giorgi and Mrs Bulkley

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Spanish Barber

Afterpiece Title: The Son-in-Law

Monologue: 1782 08 27 End of Act I of 2nd piece Joe Haynes's Epilogue, on an Ass, by Dick Wilson, after the manner of Ned Shuter. imitations. End of 2nd piece, as 9 Aug

Event Comment: [In mainpiece the playbill assigns Young Bevil to Smith, but on the Kemble playbill his name is deleted and a MS annotation substitutes Brereton's.] Receipts: #141 9s. 6d. (106/19/0; 34/6/6; 0/4/0)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Lying Valet

Dance: As17820917

Song: In Act II of mainpiece song by Miss Field

Monologue: 1782 09 19 As 17 Sept

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Divorce

Monologue: 1782 09 24 As 17 Sept

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Englishman in Paris

Song: In Act v of mainpiece song by Miss Field

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: The Irish Widow

Dance: As17821005

Performances

Mainpiece Title: Isabella; Or, The Fatal Marriage

Afterpiece Title: A Trip to Scotland

Dance: Afterpiece: With a Postilion Dance incident to the Piece. [This was danced in all subsequent performances.]

Performance Comment: [This was danced in all subsequent performances.] hathi.

Song: In Act III of mainpiece an Epithalamium, with singing by Miss Collett and Miss Wright. [This was sung, as here assigned, at all subsequent performances, except on 6 Nov. 1782, 15 Mar., 6 May, 5 June 1783.]

Performance Comment: [This was sung, as here assigned, at all subsequent performances, except on 6 Nov. 1782, 15 Mar., 6 May, 5 June 1783.] hathi.

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Who's the Dupe

Dance: As17821005

Performances

Mainpiece Title: Isabella

Afterpiece Title: Catherine and Petruchio

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Lyar

Dance: As17821017

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Apprentice

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Alchymist

Event Comment: Mainpiece: Not acted these 2 years. "There was, in my early days, such a permanent property as a stage-door in our theatres, and the proscenium beyond it; so that when [Jane] Shore was pushed from the door, she was turned round and staggered till supported by the firm projection behind her. Here was a terrific picture full in the eye of the pit, and this most picturesque of women knew the amazing value of it" (Boaden, Siddons, I, 326). Receipts: #232 (209/8; 21/18; 0/14)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Who's the Dupe

Dance: As17820917

Performances

Mainpiece Title: The Double Gallant; Or, The Sick Lady's Cure

Afterpiece Title: Too Civil by Half

Dance: End of Act IV of mainpiece The Devonshire Minuet, as17821003

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Too Civil by Half

Dance: End of mainpiece The Devonshire Minuet, as17821003

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Gentle Shepherd

Dance: End of Act IV of mainpiece, as17820917

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Irish Widow

Dance: End of Act IV of mainpiece The Devonshire Minuet, as17821003; End of Act I of afterpiece, as17821005

Event Comment: Benefit for Mrs Siddons. Part of the Pit will be laid into Boxes. To prevent Confusion Ladies are desired to send their Servants by Half past Four o'clock. Public Advertiser, 10 Dec: Tickets to be had of Mrs Siddons, No. 149 in the Strand. [The most famous "point" in this play was the parting of Belvidera and Jaffier in Act III, and her words, "Remember twelve!" Boaden, Siddons, 1, 354, refers to Mrs Siddons's "querulous melancholy of tone, partaking of doubt, though still hoping for the best," in uttering these words.] Receipts: #335 5s. (157/15/0; 4/0/6; 0/12/6; tickets: 172/17/0) (charge: free). [Thus, officially, the Account-Book, but Mrs Siddons's total profit, from presents and from additional sums being added by her admirers to the usual price of her tickets, was, according to Public Advertiser, 25 Dec, over #800. This figure is almost certainly an accurate reckoning.]

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Bon Ton

Dance: End of mainpiece, as17820917

Performances

Mainpiece Title: The Gamesters

Afterpiece Title: The Triumph of Mirth

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: All the World's a Stage

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Bon Ton

Dance: In Act II of mainpiece a Masquerade Scene, with Dancing by Williamson and Miss M. Stageldoir; End of Act III, as17820917

Song: In Masquerade, by Miss Romanzini

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Camp

Dance: In Act I of mainpiece, as17821003; End of Act II, as17821016

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Triumph of Mirth