SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "his R Highnesses"/1) | (@(roleclean,performerclean) "his R Highnesses")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1743 matches on Performance Comments, 833 matches on Event Comments, 30 matches on Performance Title, 5 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Waterman

Song: End IV: Ted Blarney-Master Edwin

Entertainment: Monologue End: Bucks have at ye all-Master Edwin

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Son-in-Law

Dance: End: new Dance, The Spanish Lovers-Master and Miss Byrn

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: The Flitch of Bacon

Dance: As17790610

Performances

Mainpiece Title: The Separate Maintenance

Afterpiece Title: The Irish Widow

Dance: End I afterpiece: As17790818

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Comus

Event Comment: Afterpiece: To conclude with the Scene of the Water-fall, as it was originally performed. [This scene was included in all subsequent performances.] Receipts: #214 16s. (181.7; 33.6; 0.3)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Elopement

Song: III: song-Vernon. [This was sung, as here assigned, in all subsequent performances, except on 22 Oct., and 29 Feb. 1780.

Performance Comment: [This was sung, as here assigned, in all subsequent performances, except on 22 Oct., and 29 Feb. 1780.]

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Harlequin's Invasion

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Elopement

Dance: End IV: New Dance-Sg and Sga Zuchelli, Henry, Sga Crespi

Event Comment: Afterpiece: All the scenery, machinery, designed by DeLoutherbourg, and executed under his direction. Receipts: #170 17s. (126.19.0; 43.8.6; 0.9.6)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Wonders Of Derbyshire; or, Harlequin in the Peak

Event Comment: Mainpiece: With accompaniments to the Airs composed by Thomas? Linley? Sen. [Miss Wright's 1st appearance, as an actress, was at this theatre on 7 May 1779.] Afterpiece: With Alterations and Additions; To conclude with a Grand View of Greenwich Hospital, designed by DeLoutherbourg. Paid Land Tax 3rd & 4th Qtrs. to Lady Day #41 16s. Receipts: #187 3s. 6d. (151.3.0; 35.15.6; 0.5.0)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Queen Mab

Dance: III: Hornpipe-Walker. [This was danced, as here assigned, in all subsequent performances.

Performance Comment: [This was danced, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: Queen Mab

Event Comment: Afterpiece [1st time; B 3, by Richard Brinsley Sheridan. Prologue by the Hon. Richard Fitzpatrick (Public Advertiser, 3 Aug. 1781)]: With a Procession. [This was included in all subsequent performances. For the Sea Fight see 20 Nov.] With New Scenes, Dresses and Decorations. The Scenery designed by DeLoutherbourg, and executed under his direction. The Doors to be opened at 5:15. To begin at 6:15 [same for rest of season, except on 1 May 1780]. "The House was so crowded that there were many disturbances, one so great that Smith when he had nearly finished 'To be or not to be' was obliged to leave the Stage, and when the noise subsided, to return and begin the soliloquy again... As The Critic took up two hours and a half in performance, it must of necessity be considerably shortened" (Morning Chronicle, 1 Nov.). "The scene of the battle with the Armadav [was] executed in the most masterly manner. The Motion of the sea, the engaging of the ships, and the destruction occasioned by the fire-ships were happily contrived and accurately represented" (London Chronicle, 1 Nov.). Account-Book, 9 Nov.: Paid R. B. Sheridan on Acct. of Critic #320. Receipts: #241 19s. 6d. (222.11.0; 19.3.6; 0.5.0)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Critic; or, A Tragedy Rehears'd

Performance Comment: Principal Characters by King, Dodd, Palmer, Parsons, Baddeley; Mrs Hopkins. Principal Tragedians by Moody, Farren, Aickin, Waldron, Lamash, Burton, Chaplin, Holcroft, Hurst, Wright, Wrighten, Grimaldi, Bannister Jun, Mrs Bradshaw, Mrs Davenett, Miss Pope; [Cast from text (T. Becket, 1781): Puff-King; Dangle-Dodd; Sneer-Palmer; Sir Fretful Plagiary-Parsons; Interpreter-Baddeley; Signor Pasticcio Ritornello-Delpini; Under Prompter-Philimore; Mrs Dangle-Mrs Hopkins; Italian Girls-Miss Field, Miss Abrams; [Tragedians: Lord Burleigh-Moody; Earl of Leicester-Farren; Sir Christopher Hatton-Waldron; Son-Lamash; Sir Walter Raleigh-Burton; Beefeater-Wright; Governor of Tilbury Fort-Wrighten; Don Ferolo Whiskerandos-Bannister Jun.; Master of the Horse-Kenny; Justice-Packer; Constable-Fawcett; Thames-Gaudry; Confidante-Mrs Bradshaw; Justice's Lady-Mrs Davenett [in text: Mrs Johnston]; Tilburina-Miss Pope; Nieces-Miss Collett, Miss Kirby; unassigned-Aickin, Chaplin, Holcroft, Hurst, Grimaldi; Prologue-King. [This was spoken, as here assigned, at the 1st 14 performances only (see17791124), and again on 3 and 10 Dec.]This was spoken, as here assigned, at the 1st 14 performances only (see17791124), and again on 3 and 10 Dec.]

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Critic

Performances

Mainpiece Title: The First Part Of King Henry Iv

Afterpiece Title: Comus

Dance: End II: The Sportsman Deceiv'd, as17791210

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Camp

Dance: I: Masquerade, Dance-

Song: With the Funeral Procession. Vocal Parts-Gaudry, Edwards, Fawcett, Holcroft, Chaplin, Shaw, Miss Abrams, Miss Collett, Miss Kirby, Miss Coats, Mrs Granger, Mrs Booth, Mrs Smith, the Miss Stageldoirs, Miss Simson

Performances

Mainpiece Title: The Siege Of Damascus

Afterpiece Title: Harlequin Every-where

Performances

Mainpiece Title: Julius Caesar

Afterpiece Title: Fortunatus

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Quaker

Dance: As17800316

Song: End I: He's aye kissing me-Mrs Wrighten

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: The Critic

Dance: As17791126

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Padlock

Dance: II: Masquerade scene with Dancing-Henry, Menage, Miss Armstrong; End III: Minuet-Henry, Miss Armstrong

Song: II: song-Miss Abrams; End afterpiece: song, Ellen a Roon, with the original Irish words-the Young Lady who performs Leonora

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Artifice

Event Comment: Benefit for Bannister Jun. Mainpiece: As originally written by Shakespeare. [Genest's remark (VI, 133), "Garrick's alteration [which had been performed uninterruptedly at this theatre since Dec. 1772] seems never to have been acted after this night", is correct.] Public Advertiser, 15 Apr.: Tickets to be had of Bannister Jun., No. 8, Air-street, Piccadilly. Receipts: #280 8s. 6d. (124.18.0; 20.0.0; 0.5.6; tickets: 135.5.0) (charge: #105)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Critic

Entertainment: Imitations. End II: contrasted vocal Imitations in the Italian and English stile-Bannister; End V: a variety of Imitations-Bannister Jun

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Fortunatus

Dance: End I: a new Comic Pantomime Dance, The Savoyards-Delpini, Sga Crespi, Henry, Miss Armstrong; End IV: Minuet, Allemande-Delpini, Sga Crespi

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Stratagem

Afterpiece Title: The Apprentice

Dance: End IV 2nd piece: As17800530

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Grecian Daughter

Afterpiece Title: Polly Honeycombe