SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "his R Highnesses"/1) | (@(roleclean,performerclean) "his R Highnesses")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1743 matches on Performance Comments, 833 matches on Event Comments, 30 matches on Performance Title, 5 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Register Office

Dance: End: Grand Dance, as17770425

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Deserter

Performances

Mainpiece Title: The Tailors

Afterpiece Title: Lilliput

Performances

Mainpiece Title: The Nabob

Afterpiece Title: Lilliput

Performances

Mainpiece Title: The Fair Quaker

Afterpiece Title: The Devil to Pay

Dance: As17761109; End II: Comic Dance, as17761217

Song: Rule Britannia-as17761109, but _Fawcett, Gaudry

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: As17770611 but Antonio-Hull (of cg; 1st appearance [at this theatre]). 1st appearance [at this theatre]).

Afterpiece Title: Polly Honeycombe

Dance: As17770611

Event Comment: [Henderson's 1st appearance on the stage was as Hamlet, at Bath, 6 Oct. 1772. In I.iv "after the short ejaculation of 'Angels and ministers of grace, defend us!' he endeavoured to conquer that fear and terror into which he was naturally thrown by the first sight of the vision, and uttered the remainder of the address calmly, but respectfully, and with a firm tone of voice, as from one who had subdued his timidity and apprehension" (Davies, III, 30). "Palmer's Ghost would have been more in character had he given less into the rant of declamation and the bustle of stage action, which accord not with our ideas of a supernatural being; his crying, likewise, at the recital of his murder, was childish, and destroyed the solemnity of the scene' (Morning Post, 27 June).

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Polly Honeycombe

Performances

Mainpiece Title: Polly

Afterpiece Title: The Citizen

Performances

Mainpiece Title: The Minor

Afterpiece Title: The Author

Dance: End: The Merry Lasses, as17770611

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Waterman

Dance: As17770707

Event Comment: [Henderson's 1st recorded appearance as Falstaff was at Bath, 6 Mar. 1777. "In the frolicksome, gay, and humourous situations of Falstaff Henderson is superior to every man...His soliloquy in describing his ragamuffin regiment, and his enjoying the misuse of the king's press-money are so truly excellent that they are not inferior to any comic representation of the stage" (Davies, I, 252-53).] Afterpiece: Never performed here. The Musick composed by Dr Arnold

Performances

Mainpiece Title: The First Part Of King Henry Iv; With The Humours Of Sir John Falstaff

Afterpiece Title: The Portrait

Performances

Mainpiece Title: K

Performance Comment: Richard III. Richard-Henderson (1st appearance in that character [in London]); King Henry-Younger; Catesby-T. Davis; Ratcliff-Egan; Lieutenant-R. Palmer; Lord Mayor-Massey; Buckingham-Aickin; Tressel-Davies; Stanley-Fearon; Norfolk-Griffiths; Tyrrell-Kenny; Oxford-Stevens; Prince Edward-Miss Francis; Duke of York-Master Edwin; Richmond-Palmer; Lady Anne-Mrs Hunter; Duchess of York-Mrs Poussin; Queen Elizabeth-Mrs Massey (1st appearance on this stage).

Afterpiece Title: Miss in Her Teens

Performances

Mainpiece Title: Cato

Afterpiece Title: Bon Ton; or, High Life above Stairs

Dance: As17770814

Event Comment: Benefit for Palmer. Mainpiece: Never performed here [so stated on playbill of 18 Aug.]. Public Advertiser, 13 Aug.: Tickets to be had of Palmer at his house in Bow-street, Bloomsbury. [Henderson's 1st appearance as Don John was at Bath, 23 Oct. 1773.

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Lyar

Dance: End Monologue: a Dance-

Entertainment: MonologueEnd: The Picture of a Playhouse or Bucks have at Ye All-Palmer

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Fairy Tale

Event Comment: [Digges refused to make use of "the too familiar modern manner of speaking blank verse" (London Chronicle, 30 Aug., which also identifies Fotteral, although misspelling his name as "Fotheril").

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: The Portrait

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performance Comment: Falstaff-Henderson (1st appearance in this play [in London]); Justice Shallow-Blissett; Sir Hugh Evans-Parsons; Dr Caius-Jackson; Mr Page-Fearon; Master Slender-Bates; Fenton-R. Palmer; Host-Massey; Bardolph-Kenny; Pistol-Stevens; Robin-Master Hitchcock; Simple-Master Pulley; Ford-Palmer; Mrs Page-Mrs Davies; Ann Page-Mrs Colles; Hostess-Mrs Love; Mrs Ford-Mrs Lisley (late Miss Barsanti).

Afterpiece Title: The Padlock

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Portrait

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: Midas

Dance: End: Dance-

Performances

Mainpiece Title: The Provoked Husband

Afterpiece Title: The Occasional Prelude

Afterpiece Title: The Mayor of Garratt

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Henderson (1st time [at this theatre]); Richmond-Palmer; Buckingham (1st time)-Farren; Tressel-Davies; Lord Stanley-Chaplin; Norfolk-Hurst; Catesby-Packer; Prince Edward-Miss Field; Duke of York-Master Pulley; Lord Mayor-Griffiths; Ratcliffe-Wright; Lieutenant-R. Palmer; King Henry-Aickin; Lady Anne-Mrs Robinson (1st appearance in that character); Dutchess of York-Mrs Johnston; Queen-Mrs Hopkins.

Afterpiece Title: The Quaker

Event Comment: By Permission [of the Lord Chamberlain]. Mainpiece [1st time in London; C 5, by Robert Hitchcock, 1st acted at Hull, 14 Nov. 1775]. Afterpiece: Written by George Alexander Stevens. [This was not Charles Macklin's play, The True-Born Irishman, 1st published in Jones' British Theatre, 1795, but Stevens's The French Flogged; or, The British Sailors in America.] Tickets delivered for the 23rd of September and for the Evening will be admitted

Performances

Mainpiece Title: The Coquette; Or The Mistakes Of The Heart

Afterpiece Title: The True-Born Irishman; or, The English Sailors and Soldiers in America

Dance: End IV: a Hornpipe-Miller

Entertainment: ImitationsEnd: Imitations, Vocal and Rhetorical,-Decastro ; several new ones, and those which Foote introduced him in before their Majesties

Event Comment: Mainpiece: Not acted these 7 years. No joke ever raised such loud and repeated mirth, in the galleries, as Sir John 's labour in getting the body of Hotspur on his back...At length this upper-gallery merriment was done away [with] by the difficulties which Henderson encountered in getting Smith on his shoulders. So much time was consumed in this pick-a-pack business that the spectators grew tired, or rather, disgusted. It was thought best, for the future, that some of Falstaff 's ragamuffins should bear off the dead body" (Davies, I, 273-75). [For Henderson as Falstaff see hay, 24 July 1777.] Receipts: #207 10s. 6d. (185.6.0; 20.7.0; 1.17.6)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Performance Comment: Hotspur-Smith; King Henry-Bensley (1st appearance in that character); Worchester-Aickin; Sir Richard Vernon-Farren; Northumberland-Packer; Sir Walter Blunt-Hurst; Prince John-Lamash; Westmorland-Wrighten; Douglas-Chaplin; Poins-R. Palmer; Carriers-Moody, Parsons; Francis-Waldron; Bardolph-Wright; Sheriff-Griffiths; Gadshill-Holcroft; Peto-Nash; Prince of Wales-Palmer; Falstaff (1st time [at this theatre])-Henderson; Hostess-Mrs Bradshaw; Lady Piercy (1st time)-Mrs Cuyler.

Afterpiece Title: The Quaker

Dance: End II: Comic Dance-the Miss Stageldoirs

Performances

Mainpiece Title: Braganza

Afterpiece Title: Harlequin's Invasion

Performances

Mainpiece Title: The Second Part Of King Henry The Fourth

Afterpiece Title: Daphne and Amintor