SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "his R Highnesses"/1) | (@(roleclean,performerclean) "his R Highnesses")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1743 matches on Performance Comments, 833 matches on Event Comments, 30 matches on Performance Title, 5 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Rover; Or, The Banish'd Cavaliers

Afterpiece Title: Harlequin Sorcerer

Dance: As17561217

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The School Boy

Dance: As17570103

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Devil to Pay

Dance: Poitier, Mlle Capdeville, unspecified

Event Comment: Benefit for Costollo and Ballard (Treasurer). Last time of performing the Mainpiece this season. Tickets sold at the doors will not be taken. [See T. Wilkinson Memoirs, I, 117-19 on Mrs Woffington's illness and inability to play Gertrude.

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Knights

Dance: IV: A Hornpipe-Poitier; V: The Lamplighters, as17570429

Event Comment: Benefit for Morgan, the Oldest Actor in England. Last time of the company's performing this season. Tickets to be had at the Bedford Coffee House and of Mr Crudge at the Stage Door. [This charitable performance included a composite group from Drury Lane and Covent Garden.

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The School Boy

Performance Comment: As17561117, but Young Rakish-Cross; Friendly-Walker; Tom-R. Smith; Benedict-Stoppelaer; Lettice-Miss Helme; Major Rackish-Morgan,his 1st appearance here these 10 years.

Dance: I: Country Lass, as17570512; II: Dutch Sailor, as17570525; III: Dutch Peasant, as17570512

Event Comment: Receipts: #81 10s. 6d. Advanced to Guerin on his salary #50 (Account Book)

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Afterpiece Title: The Cheats of Scapin

Performances

Mainpiece Title: The Funeral; Or, Grief A-la-mode

Afterpiece Title: A Lover His Own Rival

Performances

Mainpiece Title: King Henry Iv, Part I; With The Humours Of Falstaff

Afterpiece Title: Harlequin Sorcerer

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Harlequin Sorcerer

Event Comment: As any obstruction in the Movements of the Machinery will greatly prejudice the Performance of the Entertainment, it is hop'd no persons will be displeased at their being refused admittance behind the scenes. [This notice occurs regularly this season with this afterpiece.] Receipts: #81 10s. 6d. Expended for 12 months' subscription to St George's Hospital #5 5s. (Account Book)

Performances

Mainpiece Title: The Rover; Or, The Banished Cavaliers

Afterpiece Title: Orpheus and Eurydice

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Lethe

Dance: FFingalian Dance, as17571013

Performances

Mainpiece Title: She Wou'd And She Wou'd Not; Or, The Kind Impostor

Afterpiece Title: Orpheus and Eurydice

Event Comment: Receipts: #115 4s. 6d. Special charge: Candles, including the additional Lamps put up this season on the stage, officers, etc., #4 4s., and Lamps charged last season 36 nights at 13s. 6d. per night, #24 6s. (Account Book)

Performances

Mainpiece Title: The London Cuckolds

Afterpiece Title: Harlequin Sorcerer

Event Comment: Mainpiece: Containing the Distresses and Death of King Henry VIv ; the Artful Acquisition of the Crown by Richardv ; the Cruel Murder of the young King Edward Vv and his brother in the Tower; the Landing of the Earl of Richmondv ; and the Death of Richard in the memorable Battle of Bosworth Fieldv ; being the last that was fought between the Houses of York and Lancasterv ; with many other historical passages [a regular notice appearing with performances of this play]. Receipts: #118 18s. 6d. [Paid to] Lee one third of the surplus of this night's receipts over the charge of #100, #3 19s. 6d. (Account Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Contrivances

Dance: Lucas, Miss Hilliard

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Contrivances

Performances

Mainpiece Title: Alzira

Afterpiece Title: Harlequin Sorcerer

Event Comment: This day is Publish'd: The Author, a Comedy of two Acts, by Foote. Price 1s. Printed for R. Francklin, Russell St., Drury Lane. Creusa Queen of Athens, a Tragedy, by Wm. Whitehead, Price 1s. 6d. Printed for R. and J. Dodsley in Pall Mall. Receipts: #180 (Cross)

Performances

Mainpiece Title: Creusa

Afterpiece Title: The Author

Dance: II: The Italian Peasants, as17571004

Event Comment: Mainpiece: Not acted these 16 Years. [See 27 Dec. 1746.] Benefit for Shuter. Receipts: #173 16s. 6d. Tickets #150 13s. (boxes 272; pit 551). Charges: #63 (Account Book), [#325 9s. 6d. marks the largest house in money value this season. Shuter advertised his benefit early, then on 28 March inserted this puff in the Public Advertiser: [Mrs Centlivre's Comedies have a vein of pleasantry in them that will always be relish'd. She knew the Genius of this nation, and she wrote up to the spirit of it; her Bold Stroke for a Wife, was a masterpiece that much increased her reputation: it establish'd that of Kit Bullock, a smart sprightly actor. His performance of Col. Feignwell was greatly applauded. Shuter has judiciously chosen to play to at his own benefit, and everyone that knows his powers, knows he will play it at least with drollery and justice equal to him."

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Country House

Dance: SSicilian Peasants, as17571217; Fingalian Dance, as17571013

Entertainment: (BBy Desire,) End of Play: Hippisley's Drunken Man-Shuter; (By Desire,) End of Farce: Cries of London-Shuter

Performances

Mainpiece Title: Julius Caesar: With The Deaths Of Brutus And Cassius

Afterpiece Title: The Knights

Ballet: Judgment of Paris. As17580413 Paris-Gallini; Mercury-Leppie; Juno-Miss Viviez; Pallas-Mrs Granier; Venus-Mlle Capdeville; Sicilian Peasants-Gallini, Hilliard; Shepherdess-Miss Valois

Performances

Mainpiece Title: King John

Afterpiece Title: Catherine and Petruchio

Ballet: Judgment of Paris. As17580413

Dance: likewise a newClikewise a newComic Dance-Lucas, Mlle Capdeville

Performances

Mainpiece Title: King Henry Iv, Part I; With The Humours Of Sir John Falstaff

Afterpiece Title: The Double Disappointment

Dance: Lucas, Miss Hilliard

Performances

Mainpiece Title: The Funeral; Or, Grief A-la-mode

Afterpiece Title: Harlequin Skeleton

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Lethe

Event Comment: TThe London Chronicle 1758 (p. 461): Having already read the play [The London Cuckolds] it was no wonder if my inclinations to attend the exhibition of it were very small; however, being in some measure oblig'd to perform that penance, I paid my money and sat down in the pit, where I underwent three hours entertainment, if I may call it so, only to be rooted in a former opinion, that the author of this comedy deserved to be hanged; and that the only excuse which could be made for suffering it to be acted would be invincible stupidity. This monstruous production of nonsense and obscenity, is the spawn of one Ravenscroft, a writer whose wit was as contemptible as his morals were vitious. He does not seem to have had one sentiment either of a man of Genious of a gentleman, at least if we may judge by the characters he has daubed, which are a pack of reprobates of the lowest kind. Nor are the things which look like incidents in this play the produce of his own invention, but the squeezings from an extravagant novel of Scarron, and two or three ill-chosen fables of LaFontaine; of which ingredients he has contrived to mix up a sort of hog-wash, sweetened with a few luscious expressions and a large portion of the grossest lewdness, to the palates of swine, or what is the same thing, men like them; but which must be odious to, and nauseated by all people of delicate taste, or common modesty. The three gallants in this comedy, Townly, Ramble and Loveit, never make their appearance upon the stage but to talk bawdy, and that in terms very little different from the most vagabond inhabitants of Covent Garden, nor do they make their exit but with a professed intention to commit adultery with one woman or another, who walks off with him very contentedly for that purpose. I must here observe that adultery is committed no less than seven times during the five acts. [The play an insult to the London aldermen and their wives.] There were several men of distinction in the boxes at this play, and I think about eight ladies. What their inward feelings might be I know not; but if one might judge of their thoughts by the gravity of their looks, they were rather mortified than diverted. But of the women of the town, who as we suppose were unwilling to let slip so fair an opportunity of getting a supper and a bed-fellow, there were crowds both in the pit and green boxes...

Performances

Mainpiece Title: The London Cuckolds

Afterpiece Title: The Double Disappointment

Dance: As17581016

Performances

Mainpiece Title: The Rover; Or, The Banish'd Cavaliers

Afterpiece Title: The Contrivances

Ballet: New Pantomime Ballet call'd% The Feast of Bacchus. Bacchus-Lucas; Satyrs-Granier, Leppie, Gosly, Dumai, Desse, Rochford; Cupid-Miss Valois; Bacchants-Mrs Granier, Mrs Jansolin, Mrs Viviez, Mrs Leppie, Mrs Dawson, Mrs Dulies; Tartars-Delaistre (1st time there), Mlle Capdeville