SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "his Majestys Company of Comedians"/1) | (@(roleclean,performerclean) "his Majestys Company of Comedians")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2133 matches on Event Comments, 146 matches on Performance Comments, 43 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit Bridges, Blakes and Cross, prompter. Afterpiece: By Desire. Mr Garrick's Indisposition continuing, we have, at the particular desire of several ladies, chang'd our play. Tickets deliver'd out for the Stratagem will be taken. [On this Day appeared the Daily Advertiser a full column presentment by the Court of Westminster to the Justices of the Peace against unlicensed players]: This court being inform'd that common Players of Interludes have for several years...assembled...in Mayfair to erect Booths and exhibit Drolls and Shews...whereby numbers of His Majesty's subjects have been encouraged to assemble and commit riots and other Misdemeanours in Breach of His Majesty's Peace, and to the disturbance of the Neighborhood, and that some of the players are and now contracting for ground in order to erect Sheds, Booths and other places...for shewing and acting plays...&c, &c, &c...for the more effectual suppressing of the evils aforesaid, it is hereby recommended unto his Majesty's Justices of the Peace to meet together at such time as they shall appoint in order to proceed according to the law against all such offenders as shall be brought before them by the peace officers, who are required to be aiding the Justice of the Peace. [The gist of the Presentment lies in the statement]: that they [the Justices] shall apprehend all and every other person and Persons who in any other place or places within the said City and Liberty shall act or represent for gain, any Tragedy, Comedy, Opera, Play, Interlude, Farce, or any other Entertainment for the stage

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Tragedy of Tragedies

Dance: I: Sga Bettini; III: Muilment

Song: II: Lowe; V: Nanny O (By Desire)-Lowe

Event Comment: At the Old Theatre. Advertisement for the Publick Good: Whereas a pack of Strolling Players, who by the Laws now in force are liable to be punished by His Majesty's Justices/of/the/Peace as vagrants and vagabonds, lately infested the villages of Clapham, Stackwell and Borough of Southwark and other places in the County of Surrey and have made several riots and have contracted several debts with His Majesty's liege subjects and have given out printed handbills and Tickets for several of their benefits, particularly that the play called the Recruiting Officer and the Entertainment called Flora, or Hob in the Well would be performed on Monday Night Last at Yeates Old Theatre in the Bowling Green in Southwark and Several Gentlemen and Ladies were prevailed on and paid for majy tickets and went in coaches expecting to see and hear the proposed entertainments but the said strollers neither performed nor returned the money advanced for such tickets though demanded, this Advertisement is therefore hembly recommended to the serious consideration of the justices of the peace for the said county of Surrey and also to give a friendly caution to unwary people not to be imposed upon by such persons in the future.--Daily Advertiser, 8 Nov. [See 27 Nov. at hay] On Tuesday last the Court Leets for the Town and Borough of Southwark...Likewise directed the Constables to use their utmost Endeavours toward suppressing the Acting of Plays...and avoiding all unlawful Games and Plays....By the Statue, no Plays to be acted but in Westminster, or Place of his Majesty's Residence, on forfeit of #50.--London Courant, 6 Nov

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Flora

Event Comment: The United Company. There is uncertainty concerning this date; it appears on Luttrell's copy (Huntington Library) of the separately printed Prologue and Epilogue, and the date may represent the time of his purchase rather than a date of performance. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 141-45. Downes (Roscius Anglicanus, pp. 39-40): All the preceding Plays, being the chief that were Acted in Dorset-Garden, from November 1671, to the Year 1682; at which time the Patentees of each Company United Patents; and by so Incorporating the Duke's Company were made the King's Company, and immediately remov'd to the Theatre Royal in Drury-Lane. Upon this Union, Mr Hart being the Heart of the Company under Mr Killigrew's Patent never Acted more, by reason of his Malady; being Afflicted with the Stone and Gravel, of which he Dy'd some time after: Having a Sallary of 40 Shillings a Week to the Day of his Death. But the Remnant of that Company; as, Major Mohun, Mr Cartwright, Mr Kynaston, Mr Griffin, Mr Goodman, Mr Duke Watson, Mr Powel, Sr, Mr Wiltshire, Mrs Corey, Mrs Bowtell, Mrs Cook, Mrs Montfort. [Joined the new company]. Note, now Mr Monfort and Mr Carlile, were grown to the Maturity of good Actors. The mixt Company then Reviv'd the several old and Modern Plays, that were the Propriety of Mr Killigrew, as Rule a Wife, and have a Wife: Mr Betterton Acting Michael Perez; Don Leon, Mr Smith, Cacofogo, Mr Cartwright: Margaretta, Mrs Barry: Estiphania, Mrs Cook. Next, @The Scornful Lady.@The Plain Dealer.@The Mock Astrologer.@The Jovial Crew.@The Beggars Bush.@Bartholomew-Fair.@The Moor of Venice.@Rollo.@The Humorous Lieutenant.@The Double Marriage.@ With divers others. George Powell, Preface to The Treacherous Brothers (1690): The Time was, upon the uniting of the Two Theatres, that the Reviveing of the old stock of Plays, so ingrost the study of the House, that the Poets lay dorment; and a new Play cou'd hardly get admittance, amongst the more precious pieces of Antiquity, that then waited to walk the Stage. Cibber, Apology, ed. Lowe, I, 95-96): I shall content myself with telling you that Mohun and Hart now growing old [for, above thirty Years before this Time, they had severally born the King's Commission of Major and Captain in the Civil Wars), and the younger Actors, as Goodman, Clark, and others, being impatient to get into their Parts, and growing intractable, the Audiences too of both Houses then falling off, the Patentees of each, by the King's Advice, which perhaps amounted to a Command, united their Interests and both Companies into one, exclusive of all others in the Year 1682. This Union was, however, so much in favour of the Duke's Company, that Hart left the Stage upon it, and Mohun survived not long after

Performances

Mainpiece Title: Title Unknown

Event Comment: A troupe of foreign comedians under Tiberio Fiorelli had arrived by this date, for on this day the Customs Commissioners were ordered to admit their clothes, scenes, and other equipment. See CSP, Treasury Books, 1672-1675, p. 119 (in Nicoll, Restoration Drama, p. 119; Boswell, Restoration Court Stage, p. 118). E. Cholmeley to Lady Harley, April 1673: Pray tell Sir Edward that I now want him to go to the new play 'for the Italian comedian Scarramouch is come, which are things I know hee delights in not a little' (HMC, 14th Report, Appendix, Part II [1894], p. 337)

Performances

Event Comment: In November 1678 the Duke of Modena sent his troupe of comedians to London. They remained there until mid-February 1678@9 but apparently played only six times in three months. For an account of this troupe, see A. L. Bader, The Modena Troupe in England, Modern Language Notes, L (1935), 367-69, and I. K. Fletcher, Italian Comedians in England in the 17th Century, Theatre Notebook, VIII (1954), 86-91. See also Calendar of Treasury Books, 1676-1679, pp. 1160, 1230, and Boswell, Restoration Court Stage, p. 124

Performances

Event Comment: The warrant for the export of the goods of the French comedians who acted in the late summer is dated this day. See Calendar of Treasury Books, 1685-1689, p. 2082, and Boswell, Restoration Court Stage, p. 128. During October #200 was paid to John deSureis for himself and eleven companions, the French comedians who had been at Windsor (Boswell, Restoration Court Stage, p. 128)

Performances

Performances

Mainpiece Title: The Unfortunate Couple

Afterpiece Title: The Comical Transformation

Afterpiece Title: The Wit of a Woman

Performance Comment: A new Prologue to the Town-Mrs Bradshaw; according to 1704 edition of The Wit of a Woman and an Epilogue-a Comedian from the Theatre in Dublin (his first here).

Dance: Italian Scaramouch-Layfield; a new Morris Dance-two men, two women

Performances

Mainpiece Title: Timon Of Athens; Or, The Man-hater

Performance Comment: Poet-a Comedian newly arriv'd, being his first Essay upon that Stage; Apemantus-Griffin.

Song: Leveridge, Laurence; particularly some chosen Songs of the Opera-

Event Comment: Benefit Penkethman. The Boxes and Pit 2s. 6d., the Boxes being laid open to the Pit. Note, No Subscribers' Tickets to pass this Day. To begin exactly at 5 of the Clock, by reason that the Gentlemen and Ladies that come from London may have time to return home before Night. Note, The Tide happens very luckily for Mr Penkethman's Friends in London: It Ebbs to Greenwich from 10 in the Morning till 6 at Night, flows from 6 in the Evening till 11, it being Moon-light

Performances

Mainpiece Title: The Rover

Entertainment: Young Gentlewoman, as17100817; Likewise a Vaulting the Managed Horse-famous Master who never appear'd on the Publick Stage

Dance: Ladder Dance-; French Peasant-; Wooden Shoe-; Harlequin Scaramouch Cooper and Wife-

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Loves of Mars and Venus

Performance Comment: As17170302 but 4 Cyclops-the Comedians.
Cast
Role: 4 Cyclops Actor: the Comedians.

Performances

Mainpiece Title: The Humorous Lieutenant

Afterpiece Title: The Shipwreck; or, Perseus and Andromeda

Performance Comment: Perseus (Harlequin)-Weaver; Monster Crocodile-Wade; Andromeda (Colombine)-Mrs Bicknell; Four Sailors and Wives-the Comedians.
Event Comment: Chetwood, A General History of the Stage, p. 198: Yet a blind Man might have borne with Norris in the Roman Patriot , for he spoke it with all the Solemnity of a suffering Hero; while Penkethman, and the rest of the motley Tribe, made it as ridiculous by Humour and Action: And yet some of the first Rank in the Kingdom seemed highly diverted whilst others invoked the...dead Roman and Briton to rise, and avenge their own Cause. Lady Bristol in. Letter Books of John Hervey, II, 74-75: I had no patience to see [Addison's] play burlesqued as it was last night for the entertainment of their Royal Highnesses...their Audience was much too good for them, for there was a great many people of quality

Performances

Mainpiece Title: Cato Burlesqued

Performance Comment: Cato-Norris; Juba-Penkethman; other characters including women's parts-low comedians (Chetwood); Marcia-Young Wilks; Lucia-Shepherd; Porcius-Fieldhouse (Lady Bristol).

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Mars and Venus; or, The Mouse Trap

Performance Comment: The Cyclops-the Comedians; Mars-Dupre; Venus-Mrs Rogier; Vulcan-Lun.
Cast
Role: The Cyclops Actor: the Comedians

Dance: Tollet's Ground-Newhouse, Mrs Rogier

Performances

Mainpiece Title: The Distressed Mother

Afterpiece Title: The Loves of Mars and Venus

Performance Comment: Mars-Shaw; Vulcan-Thurmond; Venus-Mrs Booth; Cupid-Young Rainton; Graces-Mrs Bullock, Miss Tenoe, Miss Lindar; Hour-Miss Johnson; Followers of Mars-Topham, Boval, Lally, Topham Jr; Cyclops-the Comedians.
Cast
Role: Cyclops Actor: the Comedians.

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: Apollo and Daphne; or, Harlequin Mercury

Performance Comment: Apollo-Thurmond; Daphne-Mrs Booth; Night-Mrs Heron; Aurora-Mrs Boman; Cupid-Young Leigh; Daphne's Followers-Miss Tenoe, Mrs Anderson, Mrs Hatton; Priest of Apollo-Ferrers; Countrymen-Boval, Topham; Countrywomen-Miss Lindar, Mrs Brett; Shepherds-Essex, Lally; Shepherdesses-Miss Tenoe, Mrs Hatton; Sylvan-Thurmond; Nymph-Mrs Booth; Harlequin Mercury-Cibber Jr; Doctor-Griffin; Pierrot-Miller; Punch-Norris; Marketwoman-Harper; Scaramouch-Ray; Seven Satyrs-Comedians.
Cast
Role: Seven Satyrs Actor: Comedians.

Performances

Mainpiece Title: A Bold Stroke For A Wife

Performance Comment: Parts-Comedians from both the Theatres.

Dance: AA Comic Dance between Scaramouch and a Countryman-; Countryman-Charles the Trumpeter

Performances

Mainpiece Title: The Jovial Crew

Performance Comment: See17310208*c1731 2 10 dl UUniversal Spectator, 20 Feb.: On Wednesday [10 Feb.] dy'd (at his House in Brownlow-street) that celebrated Comedian Mr Henry Norris, commonly call'd Jubilee Dicky, who has entertain'd the Town, near Forty Years, with general Applause, and always follow'd Nature (thro' every Character) in a Masterly Way.

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Lovers Opera

Dance: As17311104

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: The Coffee House

Dance: V: Ballet, as17380120

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Chapman; Johnson-Ryan; Smith-Cashell; First King of Brentford-Roberts; Prince Prettyman-Hale; Gentleman Usher-Hippisley; Second King of Brentford-Harrington; Prince Volscius-Gibson; Physician-Rosco; Drawcansir-Mullart; General-Stephens; Lieut General-Stevens; Lord Mayor-Marten; Tom Thimble-James; Thunder-Bridgwater; Lightening-Mrs Villeneuve; Sun-Bencraft; Moon-Leveridge; Earth-Salway; Amarillis-Miss Burgess; Chloris-Mrs Mullart; Pallas-Woodward; Two Sing@Song Dancing Spirits-Mrs Lampe, Miss Young; Players, Soldiers horse and foot, Cardinals, Judges, Sargeant at Arms-the rest of the comedians; With the Music-; Songs-; Dances-; Scenes, Machines, Habits, other Decoration proper to the play; With the Additional Reinforcements of Mr Bayes's New Rais'd Troops-.

Afterpiece Title: The Necromancer

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Cibber; Johnson-Ryan; Smith-Johnson; Kings of Brentford-Arthur, Dunstall; Prince Prettyman-Hale; Gentleman Usher-Hippisley; Prince Volscius-Gibson; Physician-Rosco; Drawcansir-Marten; Lt General-Ridout; Tom Thimble-James; Thunder-Bridgwater; Lightning-Mrs Vaughan; Sun-Bencraft; Moon-Leveridge; Earth-Roberts; Amarillis-Miss Hippisley; Chloris-Mrs Bland; Pallas-Woodward; Two Sing/song Dancing Spirits-Mrs Lampe, Mrs Dunstall; Players, Soldiers (Horse and Foot), Heralds, Cardinals, Judges, Serjeants at Arms-the rest of the Comedians; Vocal Parts-Leveridge, Roberts, Bencraft, Mrs Lampe, Mrs Dunstall.

Afterpiece Title: Orpheus and Eurydice

Event Comment: Paid Quin on account #100. Gilbert Walmesley to Garrick, 3 Nov,: I see by the prints you are engaged with Mr Rich. I hope you will take care not to hurt your health by playing more than you can well bear....But I must not forget to tell you what Lord Chesterfield says of you. He says you are not only the best tragedian now in the world, but the best, he believes, that ever was in the world; but he does not like your comedy, and particularly objects to your playing Bayes, which he says is a serious solemn character and that you mistake it. He spoke much in praise of Barry's handsome figure, but made a joke of his rivaling or hurting you.-Boaden, Private Correspondence of Garrick, I, 44. Receipts: #170 9s

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Garrick; Johnson-Ryan; Smith-Cashell; Kings of Brentford-Arthur, Morgan; Prince Prettyman-Havard; Gentleman Usher-Hippisley; Prince Volscius-Gibson; Physician-Rosco; Drawcansir-Dunstall; Lt. General-Ridout; Tom Thimble-James; Thunder-Bridgwater; Lightning-Miss Morrison; Sun-Bencraft; Moon-Leveridge; Earth-Roberts; Amarillis-Miss Hippisley; Chloris-Mrs Bland; Pallas-Woodward; Two Sing song Dancing Spirits-Mrs Lampe, Miss Young; Players, Soldiers (Horse and Foot), Heralds, Cardinals, Judges, Serjeants at Arms-the rest of the comedians; With all the Music-; Songs-; Dances-; Scenes-; Machines, Habits and Other Decorations proper to the play; The vocal parts-Leveridge, Bencraft, Roberts, Mrs Lampe, Miss Young; Also an Additional Reinforcement of Mr Bayes's new/rais'd troops-.

Afterpiece Title: The Virgin Unmasked

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Foote; Johnson-Ryan; Smith-Bridges; Kings of Brentfort-Stoppelaer, Paget; Prince Prettyman-Ridout; Gent. Usher-Collins; Volscius-Gibson; Physician-Rosco; Drawcansir-Dunstall; Thimble-James; Thunder-Bridgwater; Lightening-Miss Morrison; Sun-Bencraft; Moon-Leveridge; Earth-Roberts; Amarillis-Miss Hippisley; Chloris-Mrs Bland; Pallas-Storer; the Sing@Song Dancing Spirits-Mrs Lampe, Miss Younge; Players, Soldiers (horse and foot), Heralds, Cardinals, Judges, Serjeant's at Arms-the rest of the Comedians; Vocal Parts-Leveridge, Bencraft, Roberts, Mrs Lampe, Miss Younge; Also an Additional Reinforcement of Mr Bayes's New Rais'd Troops-.
Event Comment: Published at 1s. 6d. Romeo and Juliet, revised by Theo. Cibber, first rev[ived] in Sept. 1744 at the Theatre in the Haymarket. Now acted at the Theatre Royal in Drury Lane. Great objects only strike the Gen'rous Heart@Praise the Sublime, o'er look the Mortal Part@Be there your judgment, Here your Candor shown@Small is our Portion-and we wish 'Twere none.-Prologue to Comus alter'd, &c. To which is added a Serio-Comic Apology for part of the life of Theophilus Cibber, Comedian, written by himself. Interspers'd with Memoirs and Anecdotes relating to the Stage managements, Theatrical Resolutions, &c., also Cursory Observations on some Pribcipal players. Particularly, Mr Quin, Ryan, Delane, Mrs Woffington, Mrs Ward, Miss Bellamy, Mr Garrick, Barry, Mrs Cibber, Mrs Clive, Mrs Pritchard and others. Likewise Original Letters that passed between the late Sir Thomas deVeil and Mr Theophilus Cibber relating to the Stage Act. "Each Puny Critic can Objections raise@The Greatest still is Knowing when to praise,"-Buckingham. Concluding with a Copy of Verses called The Contrite Comedian's Confession. Printed for C. Corbett &c. (General Advertiser). [This pamphlet details Cibber's troubles with Fleetwood during the years 1743-46.] Receipts: #160 (Cross); #151 11s. (Powel)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Intriguing Chambermaid