SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "his Mae Author The Spartan Dame"/1) | (@(roleclean,performerclean) "his Mae Author The Spartan Dame")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1929 matches on Event Comments, 356 matches on Performance Title, 264 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: For ye Author of ye farce tho' not advertis'd (Cross). Afterpiece: At the Particular Desire of several Persons of Quality. Being the last time but one of performing it this season. Receipts: #180 (Cross)

Performances

Mainpiece Title: The Fatal Marriage

Related Works
Related Work: The Fatal Marriage Author(s): Thomas Southerne
Related Work: The Fatal Marriage; or, The Innocent Adultery Author(s): Thomas Southerne

Afterpiece Title: The Upholsterer

Dance: IV: The Italian Peasants, as17571004

Event Comment: Benefit for Mr Jones ye author of the play. A Gift Night. Mrs Pritchard ill, Mrs? Bennet read ye Queen . So ended the Season. Receipts: #130 (Cross)

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: Lethe

Cast
Role: others Actor:

Dance: II: A New Dance Call'd The Prussian Sailors-Master Settree, Miss Twist, being their first time of appearing on that stage; IV: The Faggot Binders-Master Settree, Miss Twist

Event Comment: [T$Theophilus Cibber opened the theatre this one night. Mainpiece, a Mock Tragedy by Joseph Reed. Afterpiece, anonymous.] Tickets to be had at the Swan, Westminster Bridge; Forest's Coffee House and Cannon Tavern, Charing Cross; the Tuns in the Borough, Southwark; the Rainbow Coffee House, near the Royal Exchange; and the Bedford Coffee House, Covent Garden. N.B. Tickets for the Author</i> to be had at Mr Briscall's at Parliament-Street Coffee House; the Bedford Head, Southampton St.; Mr Wells at the Crown and W in Russel Court, Covent Garden; Mr Long's in Little Britain; the Union Coffee House in Cornhill; the White Lion in Talbot Court; and the Sun Tavern, Shadwell

Performances

Mainpiece Title: Madrigal And Truletta

Afterpiece Title: Sir ThomasCallico; or, The Mock Nabob

Performance Comment: Taken from the Comedy of Sir Courtly Nice.
Event Comment: MMr Woodward has enter'd into partnership with Mr Barry in a new Theater in Ireland & has taken from us Mr Walker and Wife (Miss Minors that was) Mr Vernon, Mr Jefferson and Wife-from Mr Rich, Mr Arthur, Mr White, Mr Chambers, Mr Finny (his Scene-man) & others (Cross). Receipts: #120 (Cross); #128 15s. (Winston MS 8). Places for Boxes to be had of Mr Varney at the stage door. No admittance behind scenes, nor any money returned after the Curtain is drawn up. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. [This notice regularly occurs at foot of bill and will not be noted further this season. The box receipts recorded from Winston MS 8 seem to have been taken by him from the Huntington Library playbills (second set) annotated by J. P. Kemble from a Treasurer's Book.] Letter to Mr G@k on Opening of the Theatre, With Observations on Managers, Actors, Authors, and their Audiences and Particularly New Performers. 6d. Published by Cooke opposite Drury Lane Theatre. [It is a plea for more frequent appearances of Garrick, especially in lighter parts, now that Woodward has left; for especially good plays on Saturday nights; for striking from the repertoire all immoral, immodest and cruel plays; for being a sport about competition with Rich; for better regulation of the boxes, on a first-come, first-pay basis; for training up the most promising young actors gradually and not casting them in parts beyond their reaches; for more new plays; and for an advisory council in selecting them; for omission of personal satirical attacks in comedy.

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Anatomist

Dance: I: A comic Dance call'd The German Hunters-Master Settree, Miss Twist

Event Comment: TThe London Chronicle for 1758 (p. 455): On Friday the 3rd instant was presented Coriolanus. The two first acts of this play, as it is performed at the above theatre, were written by Shakespear; the three last for the most part by Mr. Thomson. But how a man of Mr Sheridan's knowledge (who first introduc'd it there about four years ago) could think of pounding into one substance two things so heterogeneous in their natures as the productions of those authors, is to me amazing. Mr Smith enters in the first act, after having (as we are to suppose) just overcome the Volsci, to the tune of violins and hautboys; but I am a little afraid the grandeur of his triumph is a little misapplied, considering the early times in which Coriolanus lived, before the Roman empire had arrived to any degree of splendor and magnificence, and was great in virtue only. However it makes a fine show; and Mr Smith, who has an excellent person, by the help of a little burnt cork and a real coat of mail cuts a very martial appearance. I think it was one of the Gracchi, who, when he was speaking to the people, always had a servant behind him in the Rostrum with a pitch-pipe which he touched whenever he found his master's voice rising beyond a certain height; such an instrument as this would, in my opinion, be of service to Mr Smith, for his fault seems to be that of keeping too much at the top of his vioce. Mrs Hamilton in the part of Veturai, especially in the last act, excells herself; and in particular, she repeats that line: "He never can be lost who saves his country," with the genuine spirit of a free-born Englishman. By the unnatural conjunction which is attempted to be made in this tragedy, most of the other characters are robbed of their significance. Those two excellent actors, therefore, Ryan and Sparks, only give us just cause to regret that the parts of Tullus and Volscius are not longer....After the play was presented a Ballad Opera called The Contrivances; in which some good comedians are oblig'd to submit to the drudgery of supporting as contemptible a trifle as ever was acted on the stage

Performances

Afterpiece Title: The Contrivances

Dance: As17581016

Event Comment: TThe London Chronicle 1758 (p. 461): Having already read the play [The London Cuckolds] it was no wonder if my inclinations to attend the exhibition of it were very small; however, being in some measure oblig'd to perform that penance, I paid my money and sat down in the pit, where I underwent three hours entertainment, if I may call it so, only to be rooted in a former opinion, that the author of this comedy deserved to be hanged; and that the only excuse which could be made for suffering it to be acted would be invincible stupidity. This monstruous production of nonsense and obscenity, is the spawn of one Ravenscroft, a writer whose wit was as contemptible as his morals were vitious. He does not seem to have had one sentiment either of a man of Genious of a gentleman, at least if we may judge by the characters he has daubed, which are a pack of reprobates of the lowest kind. Nor are the things which look like incidents in this play the produce of his own invention, but the squeezings from an extravagant novel of Scarron, and two or three ill-chosen fables of LaFontaine; of which ingredients he has contrived to mix up a sort of hog-wash, sweetened with a few luscious expressions and a large portion of the grossest lewdness, to the palates of swine, or what is the same thing, men like them; but which must be odious to, and nauseated by all people of delicate taste, or common modesty. The three gallants in this comedy, Townly, Ramble and Loveit, never make their appearance upon the stage but to talk bawdy, and that in terms very little different from the most vagabond inhabitants of Covent Garden, nor do they make their exit but with a professed intention to commit adultery with one woman or another, who walks off with him very contentedly for that purpose. I must here observe that adultery is committed no less than seven times during the five acts. [The play an insult to the London aldermen and their wives.] There were several men of distinction in the boxes at this play, and I think about eight ladies. What their inward feelings might be I know not; but if one might judge of their thoughts by the gravity of their looks, they were rather mortified than diverted. But of the women of the town, who as we suppose were unwilling to let slip so fair an opportunity of getting a supper and a bed-fellow, there were crowds both in the pit and green boxes...

Performances

Mainpiece Title: The London Cuckolds

Afterpiece Title: The Double Disappointment

Dance: As17581016

Event Comment: Benefit of the Author. By command of Prince of Wales

Performances

Mainpiece Title: Cleone

Dance: As17581016

Event Comment: The Farce dislik'd (Cross). Receipts: #160 (Cross); #169 18s. 6d. (Winston MS 8). [See review of the reception and circumstances of publication in Gentleman's Magazine (p. 37), which presents Hill in no good light. See also review of A Letter to the Honourable Author of the Rout (idem.) with its charges against Garrick.

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Rout

Event Comment: MMr Oram buried at St. Martins (Cross). [This year was translated and published Rousseau's Letter to M D'Alembert (Preface and 190 pp.) on the effect of dramatic entertainments on mankind. Thesis: Aim of the stage is to amuse; authors succeed when they follow the whims of the public. "Let us not then attribute to the stage a power of changing opinions or manners, when it is only that of following or heightening them."] Receipts: #130 (Cross); #129 16s. 6d. (Winston MS 8)

Performances

Mainpiece Title: Aesop

Afterpiece Title: Mercury Harlequin

Event Comment: Dull (Cross). [For alleged reason, see Biographia Dramatica, wherein Mallet blamed actors' negligence regarding pathos.] Not acted in 24 years. Revised by the author. No admittance behind scenes. Full Prices. Receipts: #190 (Cross); #189 15s. 6d. (Winston MS 8)

Performances

Mainpiece Title: Eurydice

Ballet: TThe Prussian Camp. As17581214

Event Comment: Benefit for Author of the Farce [Dr Hiffernan]. Farce never perform'd in this version before [see Maiden Whim at dl, 24 April 1756]. Farce publish'd at 1s

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: The Lady's Choice

Ballet: The Feast of Bacchus. As17581116

Event Comment: Benefit for the Author. Full Prices. Receipts: #160 (Cross); charges #63 (Winston MS 8)

Performances

Mainpiece Title: The Orphan Of China

Event Comment: [This month published Observations on the Use of Theatres, their present regulations and possible improvements. Price 1s. Printed for Cooper. See review in Gentleman's Magazine (p. 232). Proposal is that the "conduct of theatrical entertainments be for the future taken under the care of the goverment, and a person of judgment and integrity appointed by the name of comptroller, or conductor of the stage, who alone shall determine what old plays shall be acted, and what new ones received; and who shall take charge of the money received, and defray the necessary expenses, accounting for the remainder to the public. The author seemingly Dr John Hill, lately (see 21 Dec. 1758) upset by the failure of his farce, The Rout. (Winston MS 8). Receipts: #108 (Cross); #122 6d. (Winston MS 8)

Performances

Mainpiece Title: The Orphan Of China

Event Comment: Benefit for the Author. Receipts: #150 (Cross); charges #63. (Winston MS 8)

Performances

Mainpiece Title: The Orphan Of China

Event Comment: Benefit for ye Author (Cross). Receipts: #110 (Cross); charges #63 (Winston MS 8)

Performances

Mainpiece Title: The Orphan Of China

Event Comment: For one night only. Never acted before. By particular desire. An Historical Play, taken from Holinshead's Chronicles, and written by the late Mr Lillo, Author of George Barnwell. Tickets for Boxes and Pit to be had of Mr Cross, at his House in Crown Court, Russel St., Covent Garden; and of Mr Varney at the Stage Door. 7 P.M

Performances

Mainpiece Title: Arden Of Feversham

Dance: II: A New Dutch Dance, as17590515; End: The Threshers-Master Settree, Master Blagdon, Miss Twist; with a Prologue-; Epilogue-

Event Comment: By Authority [repeated in each bill]. A new English Burletta. Taken from the Memoirs of Jeffrey Ap Arthur of Monmouth, interspersed with Critical Remarks by Mess Snarler and Hum for Mr Bombast the Author. The Music, Scenes, Cloaths, and other Decorations entirely new. Prices: 4s., 2s. 6d., 1s. 6d. 6:30 p.m. [First announced on 7 Sept. for 10 Sept., and deferred on account of death of Princess Elizabeth. It was adapted from Henry Brooke's Jack the Giant Queller, 1748. Published 1778.

Performances

Mainpiece Title: Galligantus

Event Comment: Mainpiece: By Particular Desire. For ye Author of ye farce (not put up so). Receipts: #160 (Cross)

Performances

Mainpiece Title: The Alchemist

Cast
Role: Dame Pliant Actor: Mrs Bennet

Afterpiece Title: High Life Below Stairs

Event Comment: Mainpiece: By Henry Jones. Afterpiece: [See note under cg play this night. During this year appeared An Essay Upon the Present State of the Theatre, in France, England, and Italy, a "work absolutely necessary to be read by every lover of Theatrical Exhibitions," printed for J. Pottinger. It contains twenty-two chapters on tragedy, thirteen on comedy, opera, authors, and the art of acting. Pages 147-51 discuss the obligation of English farces to French ones.] Receipts: #180 (Cross)

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: Harlequin's Invasion

Performance Comment: As17591231, but The Statue-Rooker.
Event Comment: Receipts: #115 3s. [The Weekly Magazine; or, Gentleman and Lady's Polite Companion (1760), pp. 61-63, deplores the lack of new plays and lack of competition for the Patent houses. "Our theatres seem now to aim at glorious opposition: Harlequin is set against Harlequin, one dancing master opposes another; the scene shifters, the singers, and even the drummers figure at each house by turns, and it is to be hoped soon that the mere actor will become useless....The Fair has scarce even pantomime probability...for instance Harlequin should never exercise his magical power without reason, and should never make escapes without being pursued, but here he conjures, leaps, runs and waggles without any apparent design; and the whole seems destitute of plot, a if contrived by a dancing master. Harlequin's Invasion at the other House is still rather more absurd." The author expected a speaking Harlequin, Pantaloon, Pierot, Mezzetin, &c. but found the customary figures banished for the substitution of a "stupid Taylor and his more stupid wife." Regrets the sinking of stage performance to such absurdity.

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: The Fair

Related Works
Related Work: Patie and Peggy; or, The Fair Foundling Author(s): Theophilus Cibber
Event Comment: This was Mr Macklin's Night, as Author of the Farce (Cross). Amphitheatre on stage (Winston MS 8). A full house to Mr Macklin's Benefit & his new Farce of Love a la Mode (Hailey, Brietzcke Diary, Vol. 197, p. 69). Receipts: #304 15s. (Cross)

Performances

Mainpiece Title: The Refusal

Afterpiece Title: Love a-la-Mode

Event Comment: Benefit for the Author. (Cross Diary)

Performances

Mainpiece Title: The Siege Of Aquileia

Event Comment: Benefit for the Author

Performances

Mainpiece Title: The Siege Of Aquileia

Event Comment: For the Author. By Command of the Prince of Wales. The Prince of Wales was at Drury Lane to see the new tragedy of Aquileia. I went there at 9, but it was all over and done & met Miss Smith coming from thence with Capt. Johnston. I think it very unnatural for her to be going to plays when her sister is but just laid in the Grave (Hailey, Brietzcke Diary, Vol. 197, p. 142)

Performances

Mainpiece Title: The Siege Of Aquileia

Event Comment: Benefit for Wilkinson. At the Request of several Persons of Quality. Tickets delivered by Fox, Royall, and for The Distress'd Mother will be taken

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Double Disappointment

Performance Comment: As17600429 *uņdl SSpecialty. Foote's Prologue to The Author</i>, spoken in the manner of the Original-Wilkinson; and, By Particular Desire, the Scene between Lady Pentweazel and Mr Carmine , from the Comedy of Taste-; Lady Pentweazle-Wilkinson; Carmine-Packer.