SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "his Mae Author The Spartan Dame"/1) | (@(roleclean,performerclean) "his Mae Author The Spartan Dame")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1929 matches on Event Comments, 356 matches on Performance Title, 264 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: For the author of mainpiece. Receipts: #132 1s. 6d. Charges: #73 10s.; Profits to author: #57 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Choleric Man

Event Comment: Mainpiece: A New Comedy [by R. B. Sheridan] never perform'd. New Scenes and Dresses. [Gentleman's Magazine for Jan. states: "Tuesday 17, Was performed for the first time at Covent Garden a comedy call'd The Rivals, said to be written by Mr Sheridan. Some objections being made both to language and character, the author has thought proper to withdraw his piece for correction, and it has since been played with applause." See 18 and 28 Jan. The Westminster Magazine, Jan., remarked: "This comedy was acted so imperfectly, either from the timidity of the actors on a first night's performance, or from an improper distribution of parts, that it was generally disapproved....The author promised some alterations, which implied that he would be glad the Town would suspend judgment till a farther hearing" See 28 Jan. John Hampden quotes from Lloyd's Evening Post, 18 Jan., the Morning Chronicle and Morning Post of the same date, and the London Chronicle of 19 Jan. articles damning the casting and the imperfectness of the actors, the impudence of Shuter in particular, and the fatigue of the audience.

Performances

Mainpiece Title: The Rivals

Related Works
Related Work: The Rival Modes Author(s): James Moore Smythe

Afterpiece Title: The Chaplet

Event Comment: Afterpiece. By Desire. For the Author (2nd night). Paid Mr Luppino for dancing dresses #18 12s. 6d. (Treasurer's Book). Receipts: #162 15s. 6d. Charges: #73 10s. Profit for author [Dr Franklin): #89 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Matilda

Afterpiece Title: The Mayor of Garratt

Dance: V: The Irish Fair, as17740917

Event Comment: For the Author (3rd Night) (Treasurer's Book). "NB Pante Extras this Nt #4 18s. 6d. retd to Authr. Vide 10th inst.; Paid Mr J. Johnston's Music Bill #8 2s. 6d. (Treasurer's Book). Receipts: #182 14s. Charges: #78 8s. 6d. Profit to Author [Franklin] #104 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Matilda

Afterpiece Title: Harlequin's Jacket

Cast
Role: other characters Actor:
Event Comment: An extra benefit for author of The Choleric Man (Treasurer's Book). Receipts: #190 5s. 6d.; Charges: #84; Profits to author The Choleric Man: #106 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Choleric Man

Afterpiece Title: The Rival Candidates

Dance: End: The Grand Provencalle Dance, as17750202

Event Comment: Mainpiece: A New Tragedy by Robert Jephson. New Scenes and Dresses. This Tragedy having been read by the Author's Friends in most of the great Family's in Town & puff'd up in Such a Manner that the Expectations of the Audience were so much rais'd that it fell far short of what they imagin'd-the four first Acts are heavy & want incident & Plot, the Writing is Clear & Nervous-the 5 Act has more incident & Plot but Writing not so Nervous: No Play had ever more Justice in the getting of it up Mr G. was not Sparing of his Labour & Attendance nor was any Expence deny'd for the Cloaths & Scenery both of which were Superb and it receiv'd with very great applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Paid Mr Wright per order #6 5s.; Mr Wallis on note #2 2s. (Treasurer's Book). [The Westminster Magazine for Feb. outlines the plot of Braganza, and comments favorably: "Upon the whole, Braganza, met with general and deserved applause; and we cannot help congratulating the Public on the acquisition of a truly dramatic Genius." The author, Colonel Jephson, was Aid-de-Camp to the Lord Lieutenant of Ireland. Walpole wrote to Mason: "Braganza was acted with prodigious success. The audience, the most impartial I ever saw, sat mute for two acts, and seemed determined to judge for themselves, and not to be the dupes of the encomiums that had been so lavishly trumpeted. At the third act they grew pleased and interested; at the fourth they were cooled and deadened by two unneccessary scenes, but at the catastrophe in the fifth they were transported. They clapped, shouted, hussaed, cried bravo, and thundered out applause." Commends Mrs Yates, and hopes this will spark a new era in dramatic writing. Sweepingly condemns that of last fifty years.] Receipts: #250 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Braganza

Afterpiece Title: The Anatomist

Cast
Role: Newphew Actor: Cautherly
Event Comment: For the Author 1st Night. Afterpiece: By Particular Desire. Receipts: #239 15s. 6d. Charges: #73 10s.; Profit to Author; #166 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Braganza

Event Comment: For the Author 2nd Night. Paid Mr Malthus one year's rent to Xmas last (#1 11s. 6d. Land tax deducted) #31 8s. 6d. (Treasurer's Book). A Peep Behind the Curtain is oblig'd to be deferr'd. Receipts: #219 6s. 6d.; Charges: #73 10s.; Profits to Author: #145 16s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Braganza

Afterpiece Title: A Trip to Scotland

Event Comment: Paid Hopkins' Prompter's Bill #9 9s.; Licence for Braganza #22s. Benefit for the Author of Mainpiece, 9th night (Treasurer's Book). Receipts: #237 1s. 6d. Charges: #73 10s. Profit to Author: #163 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Braganza

Afterpiece Title: A Peep behind the Curtain

Performance Comment: Glib-King; Sir Macaroni Virtue-Dodd; Sir Toby Fuz-Usher; Carpenter-Moody; Orpheus-Vernon; Miss Fuz-Mrs Davies; Rhodope-Mrs Smith, first time; Lady Fuz-Mrs Hopkins; Other characters-Packer, Brereton, Lamash, Wright, Johnston, Legg, Fawcett, Griffiths, Carpenter, Blanchard, Mrs Love, Mrs Bradshaw.
Event Comment: This Musical Farce of one Act was wrote by Mr G on purpose to introduce Miss Abrams (a Jew) about 17 Years old. She is very small, a Swarthy Complexion, has a very sweet Voice and a fine Shake, but not quite power enough yet-both the Piece and Young Lady were receiv'd with Great Applause (Hopkins Diary). Books of the Songs, Choruses etc. of Afterpiece to be had at the Theatre. The Conscious Lovers oblig'd to be deferred till Monday, with which will be performed the last new Grand Ballet, The Savage Hunters. [Advertisement to the published edition: "The author of this musical Farce, begs leave to inform the readers, if there should be any, that it was merely intended to introduce The Little Gipsy to the public, whose youth and total inexperience of the stage made it necessary to give as little dialogue to her character as possible, her success depending wholly upon her singing-This reason added to another, which is that the piece was produced at an early part of the season, when better writters are not willing to come forth, is the best apology the Author can make for its defects."] Paid 6 days salary list at #104 7s.-per diem, #626 2s.; Mr Lamash on note #5 5s. (Treasurer's Book). [The note on sale of books of the songs and choruses for the afterpiece occurs on all subsequent bills this season in which May Day is mentioned. The songs and chorusses and overture by Dr Arne. The afterpiece reviewed in Westminster Magazine for Nov.: The preparation is palatable, and the hand of the preparer is discoverable from the affinity between the scene of Roger and the Old Man, and that of whittle and Thomas in the Irish Widow....The Music of the overture and Finale were remarkably light and pretty: some of the airs also did Dr Arne credit. As to Miss Abrams, she has a sweet pipe, and a natural shake that charmed us;-If maturity does but strengthen her voice, at the same time that it gives her ease in deportment, she will prove an ornament to the stage."] Receipts: #205 3s. (Treasurer's Book)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: May Day; or, The Little Gipsy

Event Comment: Benefit for the Author of the Alterations (Hopkins Diary). [On this day Garrick wrote to Mrs Abington, relative to his practice in casting new plays: "That I may hear no more of this or that part in Mr Murphy's play, I now again tell you that every author since my management distributed his parts as he thinks will be of most service to his interest, nor have I ever interfered, or will interfere, unless I perceive that they would propose something contrary to common sense" (Harvard Theatre Collection, Autograph Letter Signed). Charges: #84 (Treasurer's Book)

Performances

Mainpiece Title: Old City Manners

Afterpiece Title: The Deserter

Dance: II: The Merry Peasants, as17751018

Event Comment: Mainpiece: Never performed before. New Scenes and Dresses. This Comedy is a first production of Mrs Cowley--It was receiv'd with very great Applause-Indeed the performers play'd very well and deserv'd it--the Prologue was written by the Author of the Play dull and Mr Gar. wrote a most Excellent Epilogue quite Local--which was received with uncommon Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly. Mainpiece reviewed in the Westminster Magazine for Feb.: "As we have lately been much afflicted with the melancholy fate of theatrical authors, we have a pleasure more than common in the great sucess of this piece."] Receipts: #256 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Runaway

Afterpiece Title: May Day

Event Comment: Sixth Night, for the Author. Receipts: #250 16s. 6d.; Charges: #73 10s.; Profits to author: #177 6s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Runaway

Performance Comment: As17760220 , but without the Savage Hunters.

Afterpiece Title: The Deuce Is in Him

Related Works
Related Work: The Deuce is in Him Author(s): George Colman, the elder
Event Comment: Afterpiece: By Desire. Paid 2 extra Flutes 15th Inst. 10s.; Paid author of the Sultan's benefit balance 21 Dec. last #60 7s. 6d.; Mr Hopkins bill for Licensing to the 26th inst. #8 8s. (Treasurer's Book). [N.B. Bickerstaff the author was living in exile presumably in St Malo, France. Garrick knew his address from a letter 24 June 1772. Whether the funds were forwarded to him, no record seems to exist. Presumably they were.] Receipts: #218 15s. (Treasurer's Book)

Performances

Mainpiece Title: The Runaway

Dance: The Dance of The Savage Hunters, as17760210(playbill); the Public Advertiser lists The Grand Garland Dance-Slingsby, Como, Sga Crespi, Sga Paccini

Afterpiece Title: The Sultan

Event Comment: The Ninth Night, For the Author of the mainpiece. Rec'd from Mr Condell second payment [for Fruit Office] #20. Receipts: #240 3s. 6d.; Charges: #73 10s.; Profit to author: #166 3s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Runaway

Dance: the Dance call'd The Jealous Harlequin, as17760117

Afterpiece Title: The Rival Candidates

Event Comment: Mainpiece [1st time in London; DR. POEM 5, by William Mason, 1st acted at Crow Street Theatre, Dublin, 30 Mar. 1764]: Written on the Model of the ancient Greek Tragedy. The Overture and all the Music composed New by Dr Arne. With a New Scene designed and executed by Dahl [recte Dall]. The Dresses, Decorations, &c. all entirely New. Books of the Lyrical Part of the Drama to be had at the Theatre. 'But I had rather talk of Caractacus; I agree that he will not suffer by not being sputtered by Barry, who has lost all his teeth. Covent Garden is rather above Drury Lane in actors, but both sets are exceedingly bad, so bad-that I almost wish Caractacus was not to appear. Very seldom do I go to the play, for there is no bearing such strollers" (Walpole [to the author, 8 Oct. 1776], IX, 419-20). "I attended Caractacus last winter, and was greatly interested, both from my friendship for Mr Mason and from the excellence of the poetry. I was out of all patience; for though a young Lewis played a subordinate part very well, and Mrs Hartley looked her part charmingly, the Druids were so massacred, and Caractacus so much worse, that I never saw a more barbarous exhibition" (Walpole [13 July 1777], X, 81-82). Public Advertiser, 7 Dec. 1776: This Day is published the Lyrical Part of Caractacus (6d.). [The publisher, J. Wilkie, states that he also has the "whole Drama, as altered by the Author, 18d." Ibid., 9 Dec., contains an advertisement from Mason stating that this version is unauthorized.] Ibid., 12 Dec.: This Day is published [by A. Ward of York] a new Edition of Caractacus, now altered for Representation at the Theatre-Royal in Covent Garden (1s. 6d.). Receipts: #163 10s. (163.6; 0.4)

Performances

Mainpiece Title: Caractacus

Performance Comment: Characters by Clarke, Lewis, Wroughton, Ward, Whitefield, Mrs Hartley. Druids and Bards-Aickin, Hull, L'Estrange, Fearon, others; Principal Vocal Parts-Leoni, Reinhold, Mrs Farrell; [Cast from text (York: A. Ward, 1777 [i.e. 1776]): Caractacus-Clarke; Arviragus-Lewis; Elidurus-Wroughton; Vellinus-Ward; Aulus Didius-Whitefield; Evelina-Mrs Hartley; Modred-Aickin; Mador-Hull.

Afterpiece Title: Polly Honeycombe

Related Works
Related Work: Polly Honeycomb Author(s): George Colman, the elder
Event Comment: [Extra night] Benefit for the Widow and Children of the late Hugh? Kelly. Tickets delivered for a Comedy, May 28th, will be admitted. Morning Chronicle, 10 May: Tickets to be had of Mrs Kelly, No. 3, Racquet Court, Fleet-street. Receipts: #108 -16s. (52.1; tickets: 56.15) (charge: #52 1s.)

Performances

Mainpiece Title: A Word To The Wise

Performance Comment: As17770513, but Capt. Dormer-Powell (from the Theatre Royal, Edinburgh; 1st appearance in London); Miss Dormer-Mrs Mattocks (1st appearance in that character).

Afterpiece Title: The Deuce is in Him

Performance Comment: Colonel Tamper-Wroughton; Major Belford-Whitefield; Prattle-Lee Lewes; Bell-Mrs Bulkley; Mademoiselle Florival-Mrs Lessingham; Emily-Mrs Mattocks; A New occasional Prologue (written by Dr Johnson)-Hull; [A New occasional Epilogue [author unknown]-Mrs Bulkley.
Cast
Role: author unknown] Actor: Mrs Bulkley.
Related Works
Related Work: The Deuce is in Him Author(s): George Colman, the elder

Song: End I: a new cantata, Diana-Mrs Farrell

Music: End Epilogue: concerto on the violin-Fisher

Event Comment: Benefit for the Author [of mainpiece]. Receipts Pd to Allen Fielding of the Temple [the author's son]. Receipts: #141 4s. 6d. (119.0.0; 22.2.0; 0.2.6; tickets: none listed) [charge: #105)

Performances

Mainpiece Title: The Fathers

Afterpiece Title: Queen Mab

Event Comment: Mainpiece: Written by the Author of Braganza [1st time; T 5, by Robert Jephson. Prologue and Epilogue by the author (see text)]. With new Scenes and Dresses. Public Advertiser, 15 Feb. 1779: This Day is published The Law of Lombardy (1s. 6d.). Receipts: #221 (196.19.0; 23.13.6; 0.7.6)

Performances

Mainpiece Title: The Law Of Lombardy

Performance Comment: Principal Characters by Smith, Bensley, Farren, Packer, Hurst, Wright, Chambers, Wrighten, Fawcett, Philimore, Burghall, Henderson, Mrs Robinson, Miss Younge. [Cast from text (T. Evans, 1779, and London Magazine, Feb. 1779, 73): Paladore-Smith; King-Bensley; Lucio-Farren; Rinaldo-Packer; Ascanio-Hurst; Shepherd-Wright; Senator-Chambers; Foresters-Wrighten, Fawcett; Squire to Paladore-Philimore; Officer-Burghall; Bireno-Henderson; Alinda-Mrs Robinson; Princess-Miss Younge; Prologue-Farren; Epilogue-Miss Younge. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: High Life below Stairs

Event Comment: Mainpiece: With alterations by the author [William Mason]. The Overture and all the new Music composed by Giardini.[On playbill of 27 Feb.: With a New Scene painted by Richards.] Public Advertiser, 23 Feb. 1779: This Day at Noon is published Elfrida (price not listed). [Afterpiece: Prologue by the author (New Spouter's Companion, c. 1798, p. 59).

Performances

Mainpiece Title: Elfrida

Performance Comment: Athelwold-Lewis; Edgar-Aickin; Orgar-Clarke; Edwin-Hull; Ardulph-Whitfield; Albina-Mrs Mattocks; 2nd Speaking Virgin-Mrs Jackson; Elfrida-Mrs Hartley; Chorus of British Virgins-Miss Brown, Mrs Wrighten, Mrs Morton, Mrs Kennedy.
Cast
Role: Athelwold Actor: Lewis
Related Works
Related Work: Elfrida Author(s): George Colman, the elder

Afterpiece Title: The Liverpool Prize

Performance Comment: As17790222, but Prologue-Lee Lewes. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]
Event Comment: Mainpiece [1st time; T 5]: Written by the Author of Percy [Hannah More. Prologue by the author; Epilogue by Richard Brinsley Sheridan (see text)]. Public Advertiser, 1 Dec. 1779: This Day is published The Fatal Falsehood [sic] (1s. 6d.). Afterpiece [1st time; CO 2, by Charles Dibdin]: The Overture and all the Music composed by Dibdin. With new Scenes, Dresses, and Decorations to both Pieces. Books of the Entertainment to be had at the Theatre. Public Advertiser, 6 May 1779: This Afternoon at three is published The Chelsea Pensioner (1s.). The Doors to be opened at 5:30. To begin at 6:30 [same for rest of season]

Performances

Mainpiece Title: Fatal Falshood

Performance Comment: Principal Characters by Wroughton, Aickin, Clarke, Lewis, Mrs Hartley, Miss Younge. Cast from text (T. Cadell, 1779): Orlando-Wroughton; Bertrand-Aickin; Earl Guildford-Clarke; Rivers-Lewis; Julia-Mrs Hartley; Emmelina-Miss Younge; Prologue-Hull; Epilogue-Lee Lewes (see text). These were spoken, as here assigned, at all subsequent performances.

Afterpiece Title: The Chelsea-Pensioner

Event Comment: Mainpiece: Written by the author of Percy [Hannah More]. 5th time [i.e. in continuation of the reckoning for the previous season.Prologue by the author. Epilogue by Richard Brinsley Sheridan (see text).] Receipts: #121 (118.1; 2.19)

Performances

Mainpiece Title: Fatal Falshood

Afterpiece Title: The Mirror

Event Comment: By Permission of the Lord Chamberlain. Mainpiece: A new Comedy, in 5 Acts [1st time; author unknown; not in Larpent MS; not published. Authors of Prologue and Epilogue unknown]. Afterpiece: Never acted here. A Comedy in 2 Acts, taken from Moliere and D'Ancourt. The Doors to be opened at 5:00. To begin at 6:15. Tickets delivered for Vietch, Burton and Miss Brown will be taken

Performances

Mainpiece Title: A School For Ladies; Or, The Levee Of Lovers

Afterpiece Title: No Wit Like A Woman's

Event Comment: Benefit for Wilson. 1st piece [1st time; PREL I, probably by Richard Wilson, altered from Illumination, by Frederick Pilin. Author of Epilogue unknown]. 2nd piece: Not acted these 28 years [acted 9 May 1763]. 3rd piece [1st time; F 2, by Henry Man. Text 1st published in his Miscellaneous Works, 1802, Vol. II, which does not assign the parts, and also lists Mr Carlton, Ralph, Butler. Prologue by the author (London Chronicle, 3 May)]. Public Advertiser, 15 Apr.: Tickets to be had of Wilson, at Stars Acres, upper end of Bow Street. Receipts: #277 19s. 6d. (13.4.6; tickets: 140.15.0) (charge: #105)

Performances

Mainpiece Title: A Gazette Extraordinary; Or, The Illumination

Performance Comment: Characters by Lee Lewes, Wilson, Brunsdon, Miss Green, Mrs Pitt. [Cast from text of Illumination (G. Kearsley, 1779): Skylight-Lee Lewes; Dip-Wilson; Quillet-Brunsdon; Miss Skylight-Miss Green; Mrs Skylight-Mrs Pitt; Epilogue-Wilson, Lee Lewes. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: The Pilgrim

Performance Comment: Pedro the Pilgrim-Lewis; Rodorigo-Aickin; Siberto-Wordsworth; Curio-Robson; Mad Scholar-Lee Lewes; Mad Englishman-Booth; Mad Parson-Egan; Mad Taylor-Wewitzer; Master of Mad@house-L'Estrange; Mad Welshman-Edwin; Lopez-J. Wilson; Sancho-Thompson; Alphonso-Wilson; Juletta-Mrs Wilson; Alinda-Mrs Bulkley.
Cast
Role: Pedro the Pilgrim Actor: Lewis

Afterpiece Title: The Elders

Performance Comment: Principal Characters-Wilson, Whitfield, Thompson, Fearon, Wewitzer, Quick, Mrs Morton, Mrs Wilson; [Cast suggested by Genest (VI, 149): Sir Valentine Sedgmore-Wilson; Charles Manley-Whitfield; Humphrey Sedgmore-Wewitzer; Miss Louisa Balmer-Mrs Morton; Kitty-Mrs Wilson; unassigned-Thompson, Fearon, Quick; Prologue-Wilson. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]
Related Works
Related Work: A Midsummer Night's Dream Author(s): George Colman, the elder
Related Work: The Musical Lady Author(s): George Colman, the elder
Related Work: Philaster Author(s): George Colman, the elder
Related Work: Occasional Prelude Author(s): George Colman, the elder
Related Work: Comus Author(s): George Colman, the elder
Related Work: Epicœne; or, The Silent Woman Author(s): George Colman, the elder
Related Work: A Preludio Author(s): George Colman, the elder
Related Work: Polly Honeycomb Author(s): George Colman, the elder
Related Work: The Jealous Wife Author(s): George Colman, the elder
Related Work: The Deuce is in Him Author(s): George Colman, the elder
Related Work: The Fairy Tale Author(s): George Colman, the elder
Related Work: The Portrait Author(s): George Colman, the elder
Related Work: Mother Shipton Author(s): George Colman, the elder
Related Work: The Fairy Prince, with the Installation of the Knights of the Garter Author(s): George Colman, the elder
Related Work: Elfrida Author(s): George Colman, the elder
Related Work: Achilles in Petticoats Author(s): George Colman, the elder
Related Work: The Man of Business Author(s): George Colman, the elder
Related Work: The Spleen; or, Islington Spa Author(s): George Colman, the elder

Dance: IV: The Bedlamites-

Event Comment: Mainpiece [1st time; CO 3, by Charles Dibdin, based on L'Isle Sauvage and on La Colonie, both by Germain Francois Poulain de Saint-Foix. In 1781 abridged by the author as The Marriage Act. Larpent MS 537; not published]: With new Music [by the author], Scenes, Dresses, and Decorations. And a new Overture. Books of the Songs to be had at the Theatre. Account-Book, 1 Feb. 1780: Paid Dibdin in full for withholding publication of The Islanders #120. Receipts: #208 4s. 6d. (205.9.0; 2.15.6)

Performances

Mainpiece Title: The Islanders

Afterpiece Title: The Apprentice