Event Comment: Never acted. [See
Genest's comment (IV, 618) derived from
Cumberland and
the London Magazine-its appeal to
the fashionable circles, its damnation at first performance because of
the hanging of
Harlequin in full view, and its modification
thereafter. See 18 June and
Horace Walpole to
George Montagu [
Arlington Street] July 28, 1761: I came to town yesterday through clouds of dust to see
The Wishes, and went ac- [I, 381] tually feeling for
Mr Bentley, and full of
the emotions he must be suffering. What do [you] think in a house crowded was
the first thing I saw!
Mr and Madam Bentley perked up in
the front boxes and acting audience at
his own play--no, all
the impudence of false patriotism never came up to it! Did one ever hear of an
author that had couraee to see
his own first night in public? I don't believe
Fielding or
Foote himself ever did--and t
his was
the modest bashful Mr Bentley, that died at
the thought of being known for an
author, even by
his own acquaintance! In
the stage-box was
Lady Bute,
Lord Halifax and
Lord Melcomb-I must say
the two last entertained
the house as much as
the play-your
King was prompter, and called out to
the actors every minute to speak louder-
the o
ther went backwards and forwards behind
the scenes, fetched
the actors into
the box, and was busier than Harlequin.
The curious prologue was not spoken,
the whole very ill-acted. It turned out just what I remembered it,
the good parts extremely good,
the rest very flat and vulgar-
the genteel dialogue I believe might be written by
Mrs Hannah.
The audience was extremely fair.
The first act
they bore with patience, though it promised very ill-
the second is admirable and was much applauded-so was
the third-
the fourth woeful-
the beginning of
the fifth it seemed expiring, but was revived by a delightful burlesque of
the ancient chorus-which was followed by two dismal scenes, at which people yawned-but were awakened on a sudden by Harlequin's being drawn up to a gibbet nobody knew why or wherefore-t
his raised a prodigious and continued
hiss, Harlequin all
the while suspended in
the air-at last
they were suffered to finish
the play, but nobody attended to
the conclusion-modesty and
his lady all
the while sat with
the utmost indifference-I suppose Lord Melcombe had fallen asleep [p. 382] before he came to t
his scene and had never read it.
The epilogue was about
the King and new
Queen, and ended with a personal satire on
Garrick-not very kind on
his own stage-to add to
the judge of t
his conduct, Cumberland two days ago published a pamphlet to abuse him. It was given out for tonight with more claps than
hisses, but I think it will not do unless
they reduce it to three acts." [p. 383].
Correspondence with George Montagu. Ed.
W. S. Lewis &
Ralph Brown. (
New Haven:
Yale University Press, 1941), I, 381-83] Note: (I, 381n): Bentley's play of
The Wishes or Harlequin's Mouth Opened, was offered to Garrick and
Rich the beginning of 1761, but wasrefused by both.
His nephew Cumberland showed it to Lord Melcomb, who carried it to Lord Bute, with a compliment in verse to that Lord by Mr Cumberland. Lord Bute showed it to
the King, who sent Bentley #200 and ordered
the new summer company to play [it].
There was a prologue, flattering
the King and Lord Bute which
Foote refused to act. Two days before it was played, Cumberland wrote an anonymous pamphlet, addressed to Mr Bentley, and abusing Garrick, who had refused to act Cumberland's tragedy of
Cicero's banishment, which he printed t
his year [1761], unacted.
The Wishes were played for
the first time July 27th, 1761;
the 2d 3d and part of
the 4th, acts were much applauded, but
the conclusion extremely
hissed.
The Epilogue concluded with a satire on Garrick. It was acted five nights. About
the same time he wrote a tragedy called
Philodamus, which he was to read to Garrick, but
the latter was so angry at
their treatment of him, that he declared against seeing Mr Bentley" (MS account by HW of Bentley's writings, in
the collection of
Lord Waldegrave at
Chewton Priory)