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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "his Grace the Duke of Buckingham"/1) | (@(roleclean,performerclean) "his Grace the Duke of Buckingham")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3338 results for: Keyword - his Grace the Duke of Buckingham
We found 1703 matches on Performance Comments, 1086 matches on Event Comments, 403 matches on Author, 353 matches on Performance Title, and 0 matches on Roles/Actors.

1776
10 April 1780 @ Covent Garden

Event Comment: Benefit for Aickin. Mainpiece: With the triumphal entry of Alexander into Babylonv. 2nd piece [1st time; M.INT I; compiler unknown]. Public Advertiser, 8 Apr.: Tickets to be had of Aickin, Bow Street, Covent Garden. Receipts: #300 12s. 6d. (235.10.6; tickets: 65.2.0) (charge: #73 14s.)

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: A Fete The Fete Anticipated

Performance Comment: Consisting of the following compiled Entertainments: Scene I. A Forest. The Death of the Stag-; Overture by Dr Arne-; Hunting song, Give round the word dismount-Doyle; Foresters' Dance-; Scene II. The Cave of Echo. Echo rebuked in a duett, Idle Nymph-; the music by Dr Arne. Scene III; Mount Ida. Venus and the Graces, to whom she complains of the loss of her son She that will but now discover-; Venus-Miss Brown; Scene IV. A Landscape. Dance of Warriors-; Scene V. A. Moonlight. Witches. When shall we three meet again?-; Scene VI. The Cavern of Despair. Mad Tom-Reinhold; the music by Purcell. Scene VII. A Palace and Banquet. Come honest Friends and jovial Fellows-; Attendant Genius-Miss Morris.
Cast
Role: The Death of the Stag Actor:
Role: Give round the word dismount Actor: Doyle
Role: whom she complains of the loss of her son She Actor:

Afterpiece Title: The Flitch Of Bacon

1777
03 April 1781 @ Covent Garden

Event Comment: Benefit for Wroughton. 2nd piece: With Alterations. Books of the Fete to be had at the Theatre. Public Advertiser, 23 Mar.: Tickets to be had of Wroughton, No. 18, Broad-court, Bow-street. Receipts: #227 1s. 6d. (213.19.6; tickets: 63.2.0) (charge: #105)

Performances

Mainpiece Title: The Belles Stratagem

Afterpiece Title: A Fete

Performance Comment: SCENE I. A Forest. The Death of the Stag-; Overture by Dr Arne-; Hunting song, Give round the word-Doyle; Foresters' Dance-; SCENE II. The Cave of Echo; The Vauxhall Echo Catch, They say there is an echo here-Davies, Robson, J. Wilson, Doyle; SCENE III. Mount Ida; Venus and the Graces, to whom she complains of the loss of her son She that will but now discover-; Venus-Mrs Morton; The music by Dr Fisher-; SCENE IV. A Camp Scene, and Dance of Warriors-; SCENE V. A Cottage. Auld Robin Grey-Mrs Kennedy; SCENE VI. The Cavern of Despair. Mad Tom-Reinhold; The music by Purcell-; SCENE VII. A Palace and Banquet. Come honest Friends and jovial Souls-; To conclude Chorus-; Dance-; Attendant Genius-Miss Langrish.
Cast
Role: The Death of the Stag Actor:
Role: Give round the word Actor: Doyle
Role: They say there is an echo here Actor: Davies, Robson, J. Wilson, Doyle
Role: whom she complains of the loss of her son She t Actor:

Afterpiece Title: Tom Thumb

Performance Comment: As17810226, but The soldier tired of war's alarms-_; Push about the Jorum-_.
Cast
Role: The soldier tired of war's alarms Actor: Miss Catley.

1778
23 February 1782 @ King's Theatre

Event Comment: An Historical Account of the Ballet to be sold at the Theatre. [Lynham, 166: Armida danced by Mlle Theodore. Scenario (Milan, 1775) lists the parts: Renaud, Le Chevalier Danois, Ubalde, Armide, Lucinde; Esprits: Plaisir, Nymphc, Nayades, L'Amour, Les Graces, La Haine, La Vengeance, La Fureur. Public Advertiser, 25 Feb.: The music by Le Brun. Ibid., 27 Feb.: The duration of [the ballet] is about 55 minutes; and during that whole period the performance appeared perfect in all its parts; nothing was too much, nothing was wanting.]

Performances

Mainpiece Title: I Vlaggiatori Felici

Dance: End of Act I Pastoral Dance, as17811128; End of Act II a new Pantomime Ballet (composed by Noverre), Rinaldo and Armida, by Gardel, Mme Simonet, Nivelon, Mlle Theodore, Mlle Baccelli, Simonet, Leger, Sga Crespi, &c

Cast
Role: Chief of the Island Actor: Slingsby.

1779
06 May 1782 @ Covent Garden

Event Comment: Benefit for Wild. Morning Herald, 20 Apr.: Tickets to be had of Wild, No. 145, Drury-Lane. 2nd piece: With Alterations. 3rd piece: Written by Gay, Author of The Beggar's Opera. [Prologue by the author.] Receipts: #275 3s. 6d. (174/15/6; tickets: 100/8/0) (charge: #105)

Performances

Mainpiece Title: The Count Of Narbonne

Cast
Role: Theodore Actor: Lewis
Role: Officers of the Count Actor: Fearon, J. Bates, Painter, &c.

Afterpiece Title: A Fete scene I

Performance Comment: A Forest. The Death of the Stag (singers not listed). Overture by Dr Arne. Hunting song, Give round the word, by Doyle. Foresters' Dance, scene II. The Cave of Echo. The Vauxhall Echo Catch, They say there is an echo here, by Davits, Robson, J. Wilson, Doyle, scene m. Mount Ida. Venus and the Grace, to whom she complains for the loss of her son [She that will but now discover}. Venus-Mrs Morton, scene IV. A Hall. Four and twenty fidlers all on a row, as17820423 scene V. A Camp. For Freedom and his Native Land, by Mrs Kennedy; the music by Hook; the words by Hull. SCENE VI. The Cavern of Despair. Mad Tom, by Reinhold; the music by Purcell. SCENE VII. A Palace and a Banquet. Honest Friends and jovial Souls (singers not listed). To conclude with a Chorus and Dance. Attendant Genius-Miss Langrish .
Cast
Role: . Venus Actor: Mrs Morton, scene IV. A Hall. Four and twenty fidlers all on a row, as17820423 scene V. A Camp. For Freedom and his Native Land, by Mrs Kennedy

Afterpiece Title: The What dye Call It

Performance Comment: JonasDock (alias Timothy Peascod)-Lee Lewes; Sir Roger-Booth; Sir Humphrey-Fearon; Justice Statute-Jones; Steward-Thompson; Ghost of Jeffry Cackle-Baker; Mother's Ghost-Gushing; Ghost of a Child unborn-Master Langrish; Ghost of the Mother-Besford; Smut, the Farrier's Ghost (with a song)-Darley; Squire Thomas(alias ThomasFilbert)-Quick; Dorcas-Mrs Morton; Joyce-Miss Langrish; Kitty (alias Kitty Carrots)-Mrs Wilson; Susan (with 'Twas when the seas were roaring)-Mrs Kennedy. Prologue to the Tragedy spoken by Lee Lewes .
Cast
Role: Mother's Ghost Actor: Gushing
Role: Ghost of the Mother Actor: Besford
Role: the Farrier's Ghost Actor: Darley
Role: Susan Actor: Mrs Kennedy. Prologue to the Tragedy spoken by Lee Lewes

1780
05 November 1782 @ King's Theatre

Event Comment: "Allegranti displayed unusual powers--a most brilliant shake, which she does not always favour us with, a sostenuto of prodigious extent, and above all, what she never fails to favour us with: exquisite grace, taste and feeling" {Public Advertiser, 4 Nov.)

Performances

Mainpiece Title: Il Convito

Dance: As17821102 throughout, but the New Divertisement is here entitled (but on no other occasion) La Bergire Constante

1781
04 May 1784 @ Drury Lane Theatre

Event Comment: "[Mrs Siddons's] Impatience, her impassioned Gestures, during the Narrative of Old Norval--the Towering of her Transports after it--the Transports of Tenderness maternal... were given with an enthusiastic Grace of Truth" (Public Advertiser, 7 May). Receipts: #242 17s. (225/5; 16/13; 0/9; tickets not come in: 0/10)

Performances

Mainpiece Title: Douglas

Afterpiece Title: Too Civil by Half

Dance: As17840311athi

1782
01 May 1793 @ Covent Garden

Event Comment: Benefit for Mrs Martyr. 1st piece: Not acted these 20 years [never previously acted at this theatre]. Morning Herald, 4 Apr.: Tickets to be had of Mrs Martyr, No. 16, Martlet-court, Bow-street, Covent Garden. Receipts: #349 16s. 6d

Performances

Mainpiece Title: May Day Or The Little Gipsey

Performance Comment: William-Incledon; Clod-Blanchard; Furrow-Powel; Cryer-Rees; Dozey-Munden; Dolly-Mrs Martyr; The Little Gipsey (with a new Gipsey Ballad [The Wandering Gipsey], the Words written and the melody composed by Peter Pindar, Esq. [pseud. for John Wolcot], the Accompaniments by Shield)-Mrs Clendining.
Cast
Role: The Little Gipsey Actor: Mrs Clendining.

Afterpiece Title: Fashionable Levities

Performance Comment: As17930408, but Lady Flippant Savage-Mrs Mattocks; Mr Ordeal-_; Cheaterly-_; Col. Staff-_; Constance-_; Grace-_.
Cast
Role: Lady Catherine Rouge Actor: Mrs Webb
Role: Men Bathers Actor: Rowson, Wheatland, Coombs
Role: Women Bathers Actor: Mrs Powell, Mrs Ratchford, Mrs Lloyd.

Afterpiece Title: The Soldiers Festival

Cast
Role: Of the ancients it's speaking] Actor: Johnstone

Afterpiece Title: Hartford Bridge

Cast
Role: How stands the glass around Actor: Incledon

Dance: As17921116

1783
06 May 1795 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; CO 3, by James Hook Jun. Larpent MS 1065; not published; synopsis of plot in Pocket Magazine, May 1795, p. 334]: The Musick composed by Hook? Sen. The Scenes, Dresses, Decorations and Machinery are entirely new. The Scenery of the Opera designed and painted by Greenwood and Capon. The Masque and Decorations by Marinari. The Machinery by Cabanel and Jacobs.The Dresses by Johnston and Miss Rein. Books of the Songs to be had in the Theatre. [Afterpiece in place of The Adopted Child, advertised on playbill of 5 May.] Receipts: #269 8s. (213.0.6; 53.16.0; 2.11.6)

Performances

Mainpiece Title: Jack Of Newbury

Performance Comment: Characters by Palmer, Kelly, Dignum, Suett, R. Palmer, Bannister Jun., Master Welsh, Phillimore, Mrs Crouch, Sga Storace, Miss Leak, Mrs Bland. [Cast from Songs (C. Lowndes, 1795), and Larpent MS: Jack of Newbury-Palmer; Sir Murdock O'Connel-Kelly; Edgar-Dignum; Flaw-Suett; Crafts-R. Palmer; Knap-Bannister Jun.; Page-Master Welsh; Rowland-Phillimore; Dame Eleanor-Mrs Crouch; Emma-Sga Storace; Blanche-Miss Leak; Kathlane-Mrs Bland. [To conclude with an Emblematical Masque in Honour of the Royal Nuptials [see cg, 6 Apr.], called .To conclude with an Emblematical Masque in Honour of the Royal Nuptials [see cg, 6 Apr.], called .

Afterpiece Title: The Triumph of Hymen

Performance Comment: Hymen-Master DeCamp; Cupid-Master Welsh; Mercury-Fialon; Apollo-Aumer; Hercules-G. D'Egville; Castor-Fairbrother; Pollux-Boimaison; Psyche-Miss Granger; Diana-Miss Collins; Zephyrus-Mrs Fialon; Flora-Miss F. D'Egville; Britannia-Mrs Cuyler; Plenty-Mrs Butler; Commerce-Mrs Hedges; Loves, Graces, Chorus-Miss Menage, Miss Wheatley, Miss S. D'Egville, Mrs Beaufort, Mrs Brooker, Mrs Brigg, Miss Bourk, Mrs Bramwell, Miss Redhead, Miss Gawdry, Miss Stageldoir, Miss Chatterley, Cooke, Danby, Evans, Lyons, Maddocks, Welsh, Trueman.
Cast
Role: Castor Actor: Fairbrother

Afterpiece Title: Tit for Tat

Related Works
Related Work: Tit for Tat Author(s): George Colman, the elder

1784
26 January 1797 @ Covent Garden

Event Comment: [This was Mrs Pope's last appearance on the stage. She dies on 15 Mar. 1797. "Her talents...were of the first order. She studied no model; she played from her own understanding and feeling. Perhaps her chief forte was comedy. Her elegance, her playfulness, her understanding had here fuller scope" (Monthly Mirror, Mar. 1797, p.200). "There is a certain peculiarity in her action which I never could reconcile to my notions of grace and propriety, viz. a constant outstretching of the arms at the close of a sentimental or a declamatory speech, accompanied with a lowly inclination of the head, like that of the oriental sage when he pays reverence to his prophet" (ibid, p. 170).] Receipts: #431 5s. 6d. (423.0.6; 8.5.0)

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: Harlequin and Oberon

Cast
Role: Father Actor: Hawtin
Role: Colombine Actor: Mlle St.Amand. No other parts assigned.

1785
29 November 1797 @ Covent Garden

Event Comment: Mainpiece: Not acted these 11 years. III the Procession and Ceremony at the Tomb of Cresphontes. "Since Mrs Crawford's meridian another species of acting has arisen, that adds the graces of demeanour to the ebullitions of passion" (True Briton, 30 Nov.). Receipts: #175 5s. (164.19; 10.6)

Performances

Mainpiece Title: Merope

Afterpiece Title: The Round Tower

1786
23 August 1798 @ Haymarket Theatre

Event Comment: Benefit for Mrs Bland. Afterpiece: By permission of the Proprietors of the Theatre-Royal, Drury-Lane. Times, 18 Aug.: Tickets to be had of Mrs Bland, No. 25, King-street, Covent-garden

Performances

Mainpiece Title: Cambro britons

Afterpiece Title: The Shipwreck

Performance Comment: Selwyn-D'Arcy; Harry Hawser-Wathen; Michael Goto-R. Palmer; Stave-Suett; Dick-Mrs Edward; Angelica Goto-Miss Griffiths; Fanny-Miss DeCamp; Sally Shamrock-Mrs Bland; There stood Jonas- [from The Isle of St. Marguerite sic]-Mrs Bland.
Cast
Role: Harry Hawser Actor: Wathen
Role: There stood Jonas Actor:
Related Works
Related Work: Perseus and Andromeda; or, The Spaniard Outwitted Author(s): Lewis Theobald
Related Work: Fatal Curiosity Author(s): George Colman, the elder

Song: End II: (by permission of the Proprietors of the Theatre-Royal Drury-Lane) the favourite song in The Stranger I have a silent sorrow here (The Words by R. B. Sheridan, Esq., the Air by her Grace the Duchess of Devonshire)-Mrs Bland; End: A Musical Elegy on the late Mr Palmer- (composed by The Earl of Abingdon; the words from The Stranger); The United Englishmen-Munden; A favourite song-Mrs Hindmarsh; Little Taffline ; or, The silken sash-Mrs Bland

Performance Comment: B. Sheridan, Esq.=, the Air by her Grace the Duchess of Devonshire)-Mrs Bland; End: A Musical Elegy on the late Mr Palmer- (composed by The Earl of Abingdon; the words from The Stranger); The United Englishmen-Munden; A favourite song-Mrs Hindmarsh; Little Taffline ; or, The silken sash-Mrs Bland.
Cast
Role: A Musical Elegy on the late Mr Palmer Actor:
Role: The United Englishmen Actor: Munden
Role: The silken sash Actor: Mrs Bland.

1787
13 September 1660 @ no theater listed

Event Comment: The death of the Duke of Gloucester on this day apparently closed the theatres for a short time. Andrew Newport, writing on 15 Sept. 1660 to Sir Richard Leveson, stated: The court is in deep mourning and will continue so for 6 weeks (Sutherland MSS., HMC, 5th Report, Appendix, 1876, p. 156), but it is not until 27 Sept. 1660 that Rugg reported: playes are for present forbiden because of the death of the Duke of Gloucester (BM Add. Mss. 10116, folio 90v). The theatres may have opened on Monday 8 Oct. 1660; certainly they were acting by 11 Oct. 1660

Performances

1788
05 November 1660 @ The Red Bull Theatre

Event Comment: See Herbert, Dramatic Records, p. 116. This was the King's Company (under Killigrew), split off from the United Company. According to Downes (Roscius Anglicanus, p. 2) the roster included: Theophilus Bird, Hart, Mohun, Lacy, Burt, Cartwright, Clun, Baxter, Robert Shatterel, William Shatterrel, Duke [Marmaduke Watson], Hancock, Kynaston, Wintersel, Bateman, Blagden. (But see also Nicoll, Restoration Drama, p. 295.) According to the articles of agreement, 5 Nov. 1660 (Herbert, Dramatic Records, pp. 96-100), the Duke's Company (under Davenant) included Thomas Batterton, Thomas Sheppey, Robert Noakes, James Noakes, Thomas Lovell, John Moseley, Cave Underhill, Robert Turner, Thomas Lilleston

Performances

Mainpiece Title: Wit Without Money

1789
28 June 1661 @ Lincoln's Inn Fields

Event Comment: The date of the first performance is not certainly known, but Pepys, on 2 July, saw Part II, stating that 2 July was the premiere of Part I and the opening of the Duke's Company's new theatre in Lincoln's Inn Fields. Downes (Roscius Anglicanus, pp. 20-21): His [Davenant's] Company Rehears'd the First and Second Part of the Siege of Rhodes...at Pothecaries-Hall: And in Spring 1662 [1661], Open'd his House with the said Plays, having new Scenes and Decorations, being the first that e're were Introduc'd in England....All Parts being Justly and Excellently Perform'd; it continu'd Acting 12 Days without Interruption with great Applause. Downes, p. 34: I must not forget my self, being Listed for an Acotr in Sir William Davenant's Company in Lincolns-Inn-Fields: The very first Day of opening the House there, with the Siege of Rhodes, being to Act Haly; (The King, Duke of York, and all the Nobility in the House, and the first time the King was in a Publick Theatre). The sight of that August presence, spoil'd me for an Actor too. HMC, 10th Report, Appendix, Part IV, p. 21: @For the Siege of Rhodes all say@It is an everlasting play@Though they wonder now Roxalana is gon@What shift it makes to hold out so long@For when the second part took, butt for Bully@The first did not satisfie so fully.@ [Presumably this verse was written after Mrs Davenport left the stage, in 1662(?).

Performances

Mainpiece Title: The Siege Of Rhodes Part I

Performance Comment: . Downes (Roscius Anglicanus, pp. 20-21, 34): Solyman-Betterton; Alphonso-Harris; Villerius-Lilliston; Admiral-Blagden; Roxolana-Mrs Davenport; Ianthe-Mrs Sanderson; Haly-Downes.
Cast
Role: Ianthe Actor: Mrs Sanderson

1790
15 August 1661 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. Pepys, Diary: To the Opera, which begins again to-day with The Witts, never acted yet with scenes; and the King and Duke and Duchess were there...and indeed it is a most excellent play, and admirable scenes. Downes (p. 21): All the other Parts being exactly Perform'd; it continu'd 8 Days Acting Successively

Performances

Mainpiece Title: The Wits

1791
29 January 1662 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. This performance was attended by Jacques Thierry and Will Schellinks at the Duke's Theatre (Seaton, Literary Relationships, pp. 333, 335)

Performances

Mainpiece Title: The Maid In The Mill

1792
18 October 1662 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. Pepys, Diary, 20 Oct.: Young Killigrew did so commend The Villaine, a new play made by Tom Porter, and acted only on Saturday at the Duke's house, as if there never had been any such play come upon the stage. The same yesterday was told me by Captain Ferrers; and this morning afterwards by Dr Clerke, who saw it. Downes, p. 23: Written by Major Thomas Porter; this Play by its being well perform'd, had Success extremly beyond the Company's Expectation....It Succeeded 10 Days with a full House, to the last. [Downes especially praises Price. The edition of 1663 has a Prologue but no actors' names and no epilogue.

Performances

Mainpiece Title: The Villain

Related Works
Related Work: The Persian Princess: or, The Royal Villain Author(s): Lewis Theobald

1793
20 October 1662 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. Pepys, Diary: To the Duke's house, and there was the house full of company. but whether it was in over-expecting or what, I know not, but I was never less pleased with a play in my life. Though there was good singing and dancing, yet no fancy in the play, but something that made it less contenting was my conscience that I ought not to have gone by my vow, and, besides, my business commanded me elsewhere

Performances

Mainpiece Title: The Villain

Related Works
Related Work: The Persian Princess: or, The Royal Villain Author(s): Lewis Theobald

1794
26 December 1662 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. Pepys, Diary: After dinner with my wife to the Duke's Theatre, and saw the second part of Rhodes, done with the new Roxalana; which do it rather better in all respects for person, voice, and judgment, than the first Roxalana [Mrs Davenport]. Home with great content with my wife, not so well pleased with the company at the house to-day, which was full of citizens, there hardly being a gentleman or woman in the house; a couple of pretty ladies by us that made sport in it, being jostled and crowded by prentices

Performances

Mainpiece Title: The Villain

Related Works
Related Work: The Persian Princess: or, The Royal Villain Author(s): Lewis Theobald

1795
01 January 1663 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. Pepys, Diary: To the Duke's House, where we saw The Villane again; and the more I see it, the more I am offended at my first undervaluing the play, it being very good and pleasant, and yet a true and allowable tragedy. The house was full of citizens, and so the less pleasant, but that I was willing to make an end of my gaddings, and to set to my business for all the year again to-morrow. Here we saw the old Roxalana [Mrs Davenport] in the chief box, in a velvet gown, as the fashion is, and very handsome, at which I was glad

Performances

Mainpiece Title: The Villain

Related Works
Related Work: The Persian Princess: or, The Royal Villain Author(s): Lewis Theobald

1796
05 January 1663 @ Whitehall or St. James's

Event Comment: The King's Company. Pepys, Diary: Creed and I to my wife again, and...to the Cockpitt, where we saw Claracilla, a poor play, done by the King's house (but neither the King nor Queen were there, but only the Duke and Duchess, who did show some impertinent and, methought, unnaturall dalliances there, before the whole world, such as kissing, and leaning upon one another); but to my very little content, they not acting in any degree like the Duke's people

Performances

Mainpiece Title: Claracilla

1797
06 January 1663 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. Pepys, Diary: To the Duke's house, and there saw Twelfth Night acted well, though it be but a silly play, and not related at all to the name or day. Downes, p. 23: Twelfth Night, Or what you will; Wrote by Mr Shakespear, had mighty Success by its well Performance:...All the Parts being justly Acted Crown'd the Play. Note, It aas got up on purpose to be Acted on Twelfth Night

Performances

Mainpiece Title: Twelfth Night Or What You Will

1798
23 February 1663 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. Pepys, Diary: So resolved to take my wife to a play at court to-night, and the rather because it is my birthday....While my wife dressed herself, Creed and I walked out to see what play was acted to-day, and we find it The Slighted Mayde. But, Lord! to see that though I did know myself to be out of danger, yet I durst not go through the street, but round by the garden into Tower Street. By and by took coach, and to the Duke's house, where we saw it well acted, thought the play hath little good in it, being most pleased to see the little girl [Moll Davis] dance in boy's apparel, she having very fine legs, only bends in the hams, as I perceive all women do

Performances

Mainpiece Title: The Slighted Maid

Performance Comment: Edition of 1663: Salerno-Harris; Iberio-Betterton; Filomarini-Metborn; Lugo-Smith; Arviedo-Cadiman; Corbulo-Young; Peralta-Underhill; Gioseppe-the Elder Noke; Vindex-Sandford; Decio-Mrs Gibbs; Pyramena-Mrs Betterton; Diacelia-Mrs Long; Leandra-Mrs Williams; Menanthe-the Younger Noke; Joan-Turner; Instrumental Vocal and Recitative Musick by Mr John? Banister-; the Prologue to the King-; the Prologue to the House-; the Epilogue-The Slighted Maid; Epilogue to the King-.
Cast
Role: Gioseppe Actor: the Elder Noke
Role: Menanthe Actor: the Younger Noke
Role: the Prologue to the King Actor:
Role: the Prologue to the House Actor:
Role: the Epilogue Actor: The Slighted Maid
Role: Epilogue to the King Actor: .

1799
28 May 1663 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. Pepys, Diary: After dinner by water to the Royall Theatre [Bridges St]; but that was so full they told us we could have no room. And so to the Duke's House; and there saw Hamlett done, giving us fresh reason never to think enough of Betterton. Who should come upon the stage but Gosnell, my wife's maid? but neither spoke, danced, nor sung; which I was sorry for. But she becomes the stage very well

Performances

Mainpiece Title: Hamlet

1800
29 May 1663 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. Pepys, Diary: To the Royall Theatre [Bridges St], but they not acting today, then to the Duke's house, and there saw The Slighted Mayde, wherein Gosnell acted Pyramena, a great part, and did it very well, and I believe will do it better and better, and prove a good actor. The play is not very excellent, but is well acted, and in general the actors, in all particulars, are better than at the other house

Performances

Mainpiece Title: The Slighted Maid