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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "his Grace the Duke of Buckingham"/1) | (@(roleclean,performerclean) "his Grace the Duke of Buckingham")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3337 results for: Keyword - his Grace the Duke of Buckingham
We found 1703 matches on Performance Comments, 1086 matches on Event Comments, 402 matches on Author, 353 matches on Performance Title, and 0 matches on Roles/Actors.

1526
31 March 1792 @ Covent Garden

Event Comment: Benefit for Lewis. 1st piece: In 3 Acts [i.e. abridged from the original 5]. Morning Herald, 19 Mar.: Tickets to be had of Lewis, Bow-street. Receipts: #347 5s. 6d. (234.1.0; 4.14.6; tickets: 108.10.0) (charge: #105). Pencilled in the Account-Book. 234.1.0-money [taken at the doors] 4.14.6-after money [taken at the doors] 238.15.6 105-charge 133.15.6-owing Lewis [on 18 Apr. he was paid 133.14.0] [The amount of his tickets, 108.10.0, he retained; hence his profit on this night was #242 4s.

Performances

Mainpiece Title: Fashionable Levities

Performance Comment: Welford-Lewis; Mr Ordeal-Aickin; Captain Douglas-Farren; Nicholas-Munden; Cheaterly-Macready; Colonel Staff-Evatt; Sir Buzzard Savage-Quick; Clara (with a song in character)-Mrs Esten; Constance-Miss Chapman; Widow Volatile-Miss Stuart; Grace-Mrs Harlowe; Mrs Muslin-Mrs Platt; Lady Flippant Savage-Mrs Pope.
Cast
Role: Grace Actor: Mrs Harlowe

Afterpiece Title: A Peep behind the Curtain; or, The New Rehearsal

Performance Comment: Glib (the Author)-Lewis; Sir Toby Fuz-Wilson; Sir Macaroni Virtu-Fawcett; Wilson-Macready; Patent-Powel; Mervin-Evatt; Prompter-Farley; Carpenter-Rock; Lady Fuz-Mrs Webb; Sweepers-Mrs Powell, Mrs Davenett; Miss Fuz-Mrs Davis; Characters in the Burletta: Orpheus-Davies; Shepherds-Powel, Follett, Linton, Cross, Rees, Noble, Letteney, Rowson, Blurton, Milburne, Simmons, Coombes; Old Shepherd-Munden; Rhodope-Mrs Martyr.

Afterpiece Title: Robin Hood

1527
16 May 1792 @ Covent Garden

Event Comment: Benefit for Fawcett [who had 1st acted Jemmy Jumps at York, 28 Apr. 1788]. Tickets delivered for The Female Pursuit will be admitted. Morning Herald, 5 May: Tickets to be had of Fawcett, No. 153, Drury-lane, facing Long-Acre. Receipts: #282 4s. 6d. (155.1.6; 6.17.0; tickets: 120.6.0) (charge: #105)

Performances

Mainpiece Title: Fashionable Levities

Performance Comment: As17920331but Grace-Mrs Fawcett.
Cast
Role: 920331but Grace Actor: Mrs Fawcett.
Role: Grace Actor: Mrs Harlowe

Afterpiece Title: The Farmer

Afterpiece Title: The Irishman in London

Song: In 3rd piece: As17920421

Entertainment: MonologueEnd II: [a Jeu D'Esprit[; or, Jerry Sneak's intended Law Suit with the Major-Fawcett; [My] Little Pig lays without any Straw-Fawcett

1528
23 May 1792 @ Drury Lane at King's Theatre

Event Comment: Mainpiece [1st time; DO 3, by Prince Hoare, based on Didone Abbandonata, by Pietro Metastasio]: The Musick is chiefly new, and composed by Storace. The Selections are made from the most celebrated works of Salieri, Paer, Rampini, Sacchini, Sarti, Giordani, Cimarosa, Schuster, Andreozzi. The Scenery and Machinery designed by Greenwood and executed by himself and his Pupils. The Dresses of the Tyrians, Trojans and Africans entirely new, and taken from the most accurate descriptions of the Habits of their respective Nations. [Both Miss Barclay and Master Welsh had 1st appeared at the king's oratorios, 24 Feb.]. "A procession was introduced in which an Ostrich, a Dromedary and an Elephant marched to slow music. The Masque, which concluded the opera, was some insipid stuff about Neptune and Nereids, with a representation of the Temple of Neptune. Young Welsh sang prettily in this said Masque" (Morning Herald, 24 May). "[Mara] retained only one song of her Didone [see king's, 14 Feb. 1786]; the brilliant bravura, Son Regina, of Sacchini" (Mount-Edgcumbe, 80). Morning Herald, 28 May 1792: This Day is published Dido (price not listed). Receipts: #244 8s. 6d(213.14.5; 28.15.0; 1.19.0)

Performances

Mainpiece Title: Dido Queen Of Carthage

Performance Comment: AEneas-Mrs Crouch; Iarbas-Kelly; Almidah-Sedgwick; Abdallah-Dignum; Dido-Mme Mara; Anna-Miss Barclay (1st appearance on any stage [see17920224]); Chorus-Alfred, Aylmer, Boyce, Brown, Cooke, Danby, Denman, Dorion, Dorion Jun., Fawcett, Hobler, Horsfall, Lyons, Maddocks, Phillimore, Reynoldson, Shaw, Tett, Wilkin, Willoughby, Mrs Bramwell, Mrs Butler, Mrs Gawdry, Miss Gawdry, Mrs Shaw, Mrs Davis, Miss Edwin, Miss Kirton, with the Assistance of additional Voices.
Cast
Role: Chorus Actor: Alfred, Aylmer, Boyce, Brown, Cooke, Danby, Denman, Dorion, Dorion Jun., Fawcett, Hobler, Horsfall, Lyons, Maddocks, Phillimore, Reynoldson, Shaw, Tett, Wilkin, Willoughby, Mrs Bramwell, Mrs Butler, Mrs Gawdry, Miss Gawdry, Mrs Shaw, Mrs Davis, Miss Edwin, Miss Kirton, with the Assistance of additional Voices.

Monologue: To Conclude Masque, Neptune's Prophecy. Tritons, Neriads-the full Chorus of the Theatre; Neptune-Bannister; Ascanius-Master Welsh (1st appearance on any stage [see 24 Feb.]); Venus-Miss Collins; The Graces-Miss DeCamp, Miss Jacobs, Miss Heard

Performance Comment: Tritons, Neriads-the full Chorus of the Theatre; Neptune-Bannister; Ascanius-Master Welsh (1st appearance on any stage [see 24 Feb.]); Venus-Miss Collins; The Graces-Miss DeCamp, Miss Jacobs, Miss Heard.
Cast
Role: Neriads Actor: the full Chorus of the Theatre
Role: The Graces Actor: Miss DeCamp, Miss Jacobs, Miss Heard.

Afterpiece Title: The Miller of Mansfield

1529
21 September 1792 @ Covent Garden

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Pope (1st appearance these 3 years); Manley-Farren; Sir Francis Wronghead-Wilson; Squire Richard-Blanchard; Count Basset-Marshall; John Moody-Quick; Lady Grace-Mrs Mattocks; Lady Wronghead-Mrs Webb; Miss Jenny-Mrs Fawcett; Myrtilla-Mrs Rock; Mrs Motherly-Mrs Platt; Trusty-Miss Stuart; Lady Townly-Mrs Esten.
Cast
Role: Lady Grace Actor: Mrs Mattocks
Role: Mrs Motherly Actor: Mrs Platt

Afterpiece Title: The Farmer

1530
26 February 1793 @ King's Theatre

Event Comment: A new Comic Opera; the Music by Sarti, Storace, Martini. Under the direction of Storace. [on 6 Jan. 1784 this was performed as I Rivali Deluse.] 2nd ballet: [Music by Storace] With Scenery, Machinery and Decorations entirely new, designed and executed by Marinari; the Dresses by Sestini

Performances

Mainpiece Title: Le Nozze Di Dorina

Dance: End I: Les Epoux du Tempe, as17930126

Ballet: End Opera: an entire new Heroic Pantomime Ballet Venus and Adonis (composed by Noverre). Cupid-Nivelon; Adonis-Favre Gardel; Mercury-Gentili; Jupiter-D'Egville; Hebe-Mlle Hilligsberg; The Graces-Mlle Bourgeois, Mlle Vedie, Mlle Droma; Venus-Mlle Millerd; Nymphs, Chasseurs-the Corps de Ballet

Performance Comment: Cupid-Nivelon; Adonis-Favre Gardel; Mercury-Gentili; Jupiter-D'Egville; Hebe-Mlle Hilligsberg; The Graces-Mlle Bourgeois, Mlle Vedie, Mlle Droma; Venus-Mlle Millerd; Nymphs, Chasseurs-the Corps de Ballet.
Cast
Role: The Graces Actor: Mlle Bourgeois, Mlle Vedie, Mlle Droma
Role: Chasseurs Actor: the Corps de Ballet.

1531
08 April 1793 @ Covent Garden

Event Comment: Benefit for Quick. 1st piece: In 3 Acts [i.e. abridged from the original 5]. 3rd piece: Written by Pilon. Morning Herald, 21 Mar.: Tickets to be had of Quick, No. 98, High Holborn. Receipts: #404 4s

Performances

Mainpiece Title: Fashionable Levities

Performance Comment: Welford-Lewis; Capt. Douglas-Farren; Nicholas-Munden; Mr Ordeal (1st time)-Harley; Cheaterly-Macready; Col. Staff-Evatt; Sir Buzzard Savage-Quick; Clara (with a song in character)-Mrs Esten; Constance-Miss Chapman; Grace-Mrs Harlowe; Lady Flippant Savage-Mrs Pope.
Cast
Role: Grace Actor: Mrs Harlowe

Afterpiece Title: Rosina

Afterpiece Title: The Invasion; or, All Alarm'd at Brighthelmstone

Performance Comment: Sir John Evergreen-Quick; Beaufort-Davies; Charles Evergreen-Macready; Drill-Farley; Tattoo-Rees; Roger-Rock; Cameleon-Fawcett; Emily (with a song)-Miss Broadhurst; Lady Catherine Rouge-Mrs Webb; In II will be exhibited Sir John Evergreen's Fortification Military Manoeuvres and Review of his Household Troops, Male and Female-; Bandy Will-Follett; Coachman-Rowson; Gardner-Hawtin; Butler-Cranfield; Men Bathers-Rowson, Wheatland, Coombs; Dairy Maids-Miss Leserve, Mrs Gray; Housmaids-Mrs Masters, Mrs Lloyd; Cook-Mrs Rock; Women Bathers-Mrs Powell, Mrs Ratchford, Mrs Lloyd.
Cast
Role: Lady Catherine Rouge Actor: Mrs Webb
Role: Men Bathers Actor: Rowson, Wheatland, Coombs
Role: Women Bathers Actor: Mrs Powell, Mrs Ratchford, Mrs Lloyd.

Entertainment: Monologue. Preceding 1st piece: An Eulogium on Money-Quick

1532
22 October 1793 @ Covent Garden

Event Comment: The Castle of Andalusia [advertised on playbill of 21 Oct.] is obliged to be deferred on Account of the Indisposition of a Principal Performer. [Afterpiece in place of The Midnight Hour, also advertised as above.] Receipts: #181 16s. 6d. (175.12.6; 6.4.0)

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Pope; Manley-Farren; Sir Francis Wronghead-Munden; Squire Richard-Blanchard; Count Basset-Bernard; John Moody-Quick; Lady Grace-Miss Hopkins; Lady Wronghead-Mrs Webb; Miss Jenny-Miss Grist; Myrtilla-Miss Stuart; Mrs Motherly-Mrs Platt; Trusty-Mrs Fawcett; Lady Townly-Mrs Esten.
Cast
Role: Lady Grace Actor: Miss Hopkins
Role: Mrs Motherly Actor: Mrs Platt

Afterpiece Title: Hartford Bridge

Ballet: End: Dermot and Kathlane. As17931018, but added: Old Kathlane-Miss Smith

Cast
Role: Father Luke Actor: Platt

1533
17 December 1793 @ Covent Garden

Event Comment: Mainpiece: Not acted these 4 years [acted 11 Jan. 1788]. Afterpiece: By Desire of the Cherokee Chiefs [see 12 Nov.]. Receipts: #187 10s. 6d. (181.15.0; 5.15.6)

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Holman (1st appearance in that character); Manly-Farren; Sir Francis Wronghead-Wilson; Squire Richard (1st time)-Blanchard; John Moody (1st time)-Quick; Count Basset-Bernard; Lady Grace-Mrs Mattocks; Lady Wronghead-Mrs Webb; Miss Jenny (1st time)-Mrs Harlowe; Myrtilla-Mrs Lewis; Mrs Motherly-Mrs Powell; Trusty-Miss Stuart; Lady Townly-Mrs Esten (1st appearance in that character).
Cast
Role: Lady Grace Actor: Mrs Mattocks
Role: Mrs Motherly Actor: Mrs Powell

Afterpiece Title: The Poor Soldier

1534
27 September 1794 @ Drury Lane Theatre

Event Comment: [Mrs Gibbs was from the hay.] Afterpiece: 21st time [i.e. in continuation of the reckoning for the previous season]. The Music composed, and selected from Cherubini, Kreutzer and Andreozzi, by Storace. An Accurate Edition of Lodoiska to be had at the Theatre. Powell, 26 Sept.: Provoked Husband rehearsed at 10; Lodoiska at 12 (for Palmer); 27 Sept.: Lodoiska rehearsed at 10 (for Bannister). Receipts: #433 19s. 6d. (296.14.0; 134.13.0; 2.12.6)

Performances

Mainpiece Title: The Provok'd Husband; Or, The Journey To London

Performance Comment: Lord Townly-Kemble; Mr Manly-Bensley; Sir F. Wrongheard-Hollingsworth; Squire Richard-Suett; John Moody-Moody; Count Basset-Dodd; James-Evans; Poundage-Waldron; Constable-Maddocks; Lady Townly-Mrs Goodall; Lady Grace-Miss Collins; Lady Wronghead-Mrs Hopkins; Miss Jenny-Mrs Gibbs (1st appearance on this stage); Mrs Motherly-Mrs Booth; Myrtilla-Miss Heard.
Cast
Role: Lady Grace Actor: Miss Collins
Role: Mrs Motherly Actor: Mrs Booth

Afterpiece Title: Lodoiska

Performance Comment: Polanders Prince Lupauski-Aickin; Count Floreski-Kelly; Baron Lovinski-Palmer; Varbel-Suett; Adolphus-Caulfield; Gustavus-Trueman; Sebastian-Fairbrother; Michael-Bland; Casimir-Benson; Stanislaus-Webb; Pages-Master Welsh, Master Gregson; Princess Lodoiska-Mrs Crouch; Captives-Miss DeCamp, Miss Leak, Miss Redhead, Mrs Bramwell, Miss Granger, Miss Menage, Miss Stageldoir, Miss Chatterley, Miss Gawdry, Mrs Butler, Mrs Boimaison, Miss Davies; Tartars; Kera Khan-Barrymore; Ithorak-Dignum; Khor-Sedgwick; Japhis-Bannister; Kajah-C. Kemble; Tamuri-Banks; Camazin-Boimaison; The Horde-Cooke, Danby, Lyons, Maddocks, Phillimore, Welsh, Dorion, Dorion Jun., Evans, Bourk, G. D'Egville, Butler, Whitmell, Nicolini, Keys.
Cast
Role: Sebastian Actor: Fairbrother
Role: Japhis Actor: Bannister
Role: The Horde Actor: Cooke, Danby, Lyons, Maddocks, Phillimore, Welsh, Dorion, Dorion Jun., Evans, Bourk, G. D'Egville, Butler, Whitmell, Nicolini, Keys.

1535
14 October 1794 @ Covent Garden

Event Comment: Afterpiece: Taken from Ossian. Ballet composed by Byrn. The Music composed, and the Ancient Scots Music selected and adapted by Shield. The Overture by Reeve. Receipts: #267 3s. (259.17; 7.6)

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Pope; Manley-Farren; Sir Francis Wronghead-Munden; Count Basset-Bernard; Squire Richard-Burton; John Moody-Quick; Lady Grace-Miss Hopkins; Lady Wronghead-Mrs Davenport; Miss Jenny-Miss Cornelys; Myrtilla-Miss Stuart; Mrs Motherly-Mrs Platt; Trusty-Mrs Fawcett; Lady Townly-Miss Wallis.
Cast
Role: Lady Grace Actor: Miss Hopkins
Role: Mrs Motherly Actor: Mrs Platt

Afterpiece Title: Oscar and Malvina; or, The Hall of Fingal

1536
17 November 1794 @ Covent Garden

Event Comment: Afterpiece [1st time; BALL. P 2, by James Byrn. Synopsis of action, somewhat enlarged from that on playbill (H. Macleish, 1794)]: The Music partly new by Shield, and partly selected from Haydn, Mazzinghi, Gluck, Baumgarten, Gretry, Martin? y Soler, Dezede, Eley. With a new Overture for a Double Orchestra composed by Reeve. The Scenery, Machinery, Dresses and Decorations are entirely New. The Scenery painted by Hodgins, Walmsley, Phillips and Lupino Jun., assisted by Hollogan, Byrn, &c. The Dresses chiefly designed by Lupino Sen., and executed under the direction of Dick. "This ballet [is] the most magnificent exhibited on the English stage for many years" (Universal Magazine, Nov. 1794, p. 378). Receipts: #136 13s. 6d. (123.12.6; 13.1.0)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Hercules and Omphale

Performance Comment: Morning Chronicle, 19 Nov., notes that the Principal parts-Incledon, Quick, Munden, Fawcett, Mrs Martyr, Mrs Mountain; Part I. The Piece commences with a View of Omphale's Palace; Omphale, Queen of Lydia, seated on her Throne, surrounded by Virgins--The Princes of Dacia and Mycoene send Ambassadors, each demanding her hand in marriage--then follows the Magnificent Entry of the Two Princes; Dacians: Dacian Soldiers bearing Spears, Trophies of Armour, Egyptians bearing Presents, Musician, Dacian Officers with Trophies, The Prince of Dacia borne in a Triumphal Car drawn by War-Horses in compleat Armour. Mycoeneans: Mycoenean Officers with Swords and Shields, Armour Bearer, Women bearing Presents, Numidians with Presents, Martial Music, The Prince of Mycoene drawn in a Triumphal Car by Horses richly caparisoned. The Procession over, a Pyrrhic Dance takes place, when Thunder is heard--Jove's Eagle descends, bearing a Festoon with this inscription, "Hercules is doomed the Slave of Omphale"--Hercules enters cloathed in the hide of Nemean Lion, attended by Iolaus--he offers Presents to Omphale--she receives them with tenderness-The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber (a monster with three heads) who had desolated the adjacent country, hearing the sound of horns, lays in wait for his prey--the rival Princes are seen passing thro' the trees--Omphale and her train appear returning from the Chace--The Princes retire and plan to seize her-Cacus enters and forces her into the cave--the Princes with their Attendants attempt to seize Hercules, who for some time defends himself against their united force; nearly va quished he prays to Jupiter, when a Storm arises, thunder, lightning, hail, fire, and massey stones are seen to descend--Hercules gains the Mouth of the Cavern, and thus defends himself from the Storm and his Assailants--Screams are heard within the Cavern--the Prince of Dacia bearing off Omphale, the Prince of Mycoene forces her from him, and after slaying the Prince of Dacia, escapes with his conquest--the Tempest ceases--Hercules and Cacus come from the Cave, a Combat ensues, in which Hercules vanquishes the Robber--He then pursues the Prince of Mycoene, and is informed by Iolaus, that Omphale is shut up in the city of Mycoene--Catapultas, Battering Rams, are prepared, and the Scene changes to The Town and Fortifications of Mycoene. Hercules at the head of his Army summons it to surrender--the Prince brings Omphale on the Battlements bound in Chains-The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Cast
Role: notes that the Principal parts Actor: Incledon, Quick, Munden, Fawcett, Mrs Martyr, Mrs Mountain
Role: The Prince of Dacia borne in a Triumphal Car drawn Actor: Horses in compleat Armour. Mycoeneans: Mycoenean Officers with Swords and Shields, Armour Bearer, Women bearing Presents, Numidians with Presents, Martial Music, The Prince of Mycoene drawn in a Triumphal Car by Horses richly caparisoned. The Procession over, a Pyrrhic Dance takes place, when Thunder is heard--Jove's Eagle descends, bearing a Festoon with this inscription, "Hercules is doomed the Slave of Omphale"--Hercules enters cloathed in the hide of Nemean Lion, attended by Iolaus--he offers Presents to Omphale--she receives them with tenderness-The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber
Role: she receives them with tenderness Actor: The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber
Role: The Princes retire and plan to seize her Actor: Cacus enters and forces her into the cave--the Princes with their Attendants attempt to seize Hercules, who for some time defends himself against their united force
Role: the Prince brings Omphale on the Battlements bound Actor: The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Role: She implores him to inspire the breast of Hercules Actor: Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.

1537
06 April 1795 @ Covent Garden

Event Comment: Afterpiece [1st time; MD 2, by William Pearce. The Masque was produced in honor of the marriage of the Prince of Wales and Princess Caroline of Brunswick, 8 April 1795]: The Overture composed expressly for the Occasion by Haydn, as is the rest of the Music by Salomon [and see 9 Apr.]. The Scenery, Machinery, Decorations and Dresses are entirely New, and Designed by Noverre, except St. George's Hall, painted by the late Signor Cipriani. The Scenery executed by Hodgins, Walmsley, Phillips, Lupino, Hollogan, and many Assistants. The Machinery and Decorations by Sloper. Goosetree and Martinelli. The Dresses by Lupino, Dick and Mrs Egan. Books of the Songs to be had at the Theatre. "On the 10th [of April] I was at the Covent Garden Theatre-to see the big Spectacul [sic]-Windsor Castle, the music by Salomon quite passable. The decorations-costumes-scenery, and the enormous amount of people on the stage are exaggerated. All the Gods of Heaven and Hell, and everything that lives on the earth are in the piece" (Haydn, 299). Morning Chronicle, 7 May 1795: This Day is published Windsor Castle (1s. 6d.). Receipts: #266 8s. 6d. (250.12.6; 15.16.0)

Performances

Mainpiece Title: The Rage

Afterpiece Title: Windsor Castle 1

Afterpiece Title: Windsor Castle 2

Performance Comment: A Grand Masque, invented and prepared undyr the Immediate Direction of Noverre, representing the Marriage of Peleus and Thetis-; [The Story from the Greek Writers. Peleus-Farley; Ganymede-Byrn; Proteus-Holland; Hymen-Mrs Martyr; Hebe-Mme Rossi; Minerva-Mrs Follett; Thetis-Mme Prevost (1st appearance); Cupid-Mrs Clendining; Terpsichore-Mlle St.Amand; Discord-Mlle Droma (1st appearance.); [The Masque commences with the View of A Grove-;[, sacred to Cupid and Hymen . Woods, Rocks, and Waterfalls form the Borders of the Sea, which terminates by the Horizon; the Genii of the Morn-; [are seen, preceded by Aurora-; [Fame sounding her Trumpet, proclaims to Mortals the Arrival of Thetis ; several splendid Barges appear, from the last of which Thetis disembarks, attended by Hymen, the Graces-; Groups of Cupids-; Zephyrs-; [Peleus enters, accompanied by Cupid and Minerva with her Suite; Thetis resigns herself to the Protection of Minerva, and perceiving Peleus, is struck with Admiration, but not knowing him, is informed by Cupid, he is her intended Husband-Peleus approaching, offers her his hand, which she respectfully accepts-the Characters retire, and the Clouds gradually dispersing, discover Mount Olympus-; [with the Gods and Goddesses assembled to behold the Nuptials; the Temple of Jupiter- [is seen on one side, that of Cupid on the other; Jupiter-[seated, accompanied by; Juno-; Mars-; Hercules-; Apollo-; Bacchus-; Mercury-; Saturn-; Diana-; Venus-; Ceres-; Victory-; Cybelle-; the Destinies-; Neptune-; [and Amphitrite-; [arise from the Sea in their Watry Car Pluto-; [and Proserpine-; [ascend, together with Rhadamanthus-; Minos-; [and Eacus-; [this is succeeded by A Magnificent Entree, in the following order: Sylvan Dancers-; Instrumental Performers-; Vocal Performers-; Rural Nymphs-; a Magnificent Column- [Richly Decorated, bearing the Emblematical Trophies ff War, Love, the Fine Arts; Rural Swains-; Virgins bearing Baskets of Flowers-; [The Goddess Hebe, attended by Cupids collected in a Picturesque Corbeille de Treillage ; Nymphs and Swains-[, attendants upon Thetis; Terpsichore; Ganymede; Proteus; Minerva borne by Warriors on a Military Trophy; Peleus and Thetis in a Splendid Chariot, drawn by Cupids, and attended by Hymen, Zephyrus : The High Priest; Priests bearing the Altar of Hymen; Tripods with Incense burning, followed by the Virtues, Truth, Justice, Benevolence, Clemency, Glory, Strength and Generosity. After the Procession, Thetis and Peleus being led to the Altar by the High Priest, just as they are receiving the Conjugal Cup, the Goddess Discord appears, enraged at not being invited to the sacred Festival-She attempts, in vain, to spread Confusion by throwing an Apple on the stage, inscribed "For the Fairest"-Cupid presents it to the Dieties, who adjudge it to Thetis-Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded; Peleus and Thetis are placed on a Magnificent Throne, attended by Hymen, Cupid, and the Grace3; variety of Dances are performed; and Peleus and Thetis are crowned with Wreaths. The Appearance of the Stage then changes to another Emblematical Spectacle. Festoons of Flowers descend-Cupids ascend supporting a Medallion and the Letters G. C. [i.e. George Caroline]-the Side Scenes draw off and discover Pyramids formed of Variegated Colours, bearing the Order of the Garter, and the Piece is concluded with a; Grand Chorus-; Dance-Ganymede, Proteus, Hebe, Terpsichore; accompanied on the Harp-Weippert.
Cast
Role: representing the Marriage of Peleus and Thetis Actor:
Role: Thetis Actor: Mme Prevost
Role: The Masque commences with the View of A Grove Actor:
Role: the Genii of the Morn Actor:
Role: the Graces Actor:
Role: he is her intended Husband Actor: Peleus approaching, offers her his hand, which she respectfully accepts-the Characters retire, and the Clouds gradually dispersing, discover Mount Olympus-
Role: which she respectfully accepts Actor: the Characters retire, and the Clouds gradually dispersing, discover Mount Olympus-
Role: the Temple of Jupiter Actor:
Role: the Destinies Actor:
Role: arise from the Sea in their Watry Car Pluto Actor:
Role: together with Rhadamanthus Actor:
Role: enraged at not being invited to the sacred Festiva Actor: She attempts, in vain, to spread Confusion by throwing an Apple on the stage, inscribed "For the Fairest"-Cupid presents it to the Dieties, who adjudge it to Thetis-Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded
Role: For the Fairest" Actor: Cupid presents it to the Dieties, who adjudge it to Thetis-Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded
Role: who adjudge it to Thetis Actor: Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded
Role: Festoons of Flowers descend Actor: Cupids ascend supporting a Medallion and the Letters G. C.
Role: ] Actor: the Side Scenes draw off and discover Pyramids formed of Variegated Colours, bearing the Order of the Garter, and the Piece is concluded with a
Role: accompanied on the Harp Actor: Weippert.

Song: Part I: concludes with ancient British Airs-; Chorus of Bards-, accompanied on the Harp by Jones

1538
15 October 1795 @ Covent Garden

Event Comment: Afterpiece: Not acted these 2 years. Receipts: #110 2s. (107.14; 2.8)

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Pope; Manly-Macready; Sir Francis Wronghead-Munden; Count Basset-Bernard; Squire Richard-Knight; John Moody-Quick; Constable-Thompson; Lord Townly's Servant-Abbot; Manly's Servant-Simmons; Poundage-Rees; Lady Grace-Mrs Townsend; Lady Wronghead-Mrs Davenport; Miss Jenny-Mrs Knight; Myrtilla-Miss Logan; Mrs Motherly-Mrs Platt; Trusty-Miss Stuart; Lady Townly-Miss Wallis.
Cast
Role: Lady Grace Actor: Mrs Townsend
Role: Mrs Motherly Actor: Mrs Platt

Afterpiece Title: The Midnight Wanderers

1539
02 December 1795 @ Drury Lane Theatre

Event Comment: Afterpiece: By Permission of the Proprietor of the Theatre Royal, Hay Market. Receipts: #191 5s. (113.4.6; 74.1.6; 3.19.0)

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Kemble; Mr Manly-Bensley; Sir Francis Wronghead-Hollingsworth; Squire Richard-Suett; John Moody-Moody; Count Basset-Dodd; James-Evans; Poundage-Burton; Constable-Maddocks; Servant-Trueman; Lady Townly-Miss Farren; Lady Grace-Mrs Goodall; Lady Wronghead-Mrs Hopkins; Miss Jenny-Mrs Gibbs; Mrs Motherly-Mrs Booth; Myrtilla-Miss Tidswell; Mrs Trusty-Mrs Heard.
Cast
Role: Lady Grace Actor: Mrs Goodall
Role: Mrs Motherly Actor: Mrs Booth

Afterpiece Title: The Son-in-Law

Performance Comment: Cranky-Suett; Vinegar-Aickin; Bouquet-Dignum; Bowkit-Bannister Jun.; Man of the House-Maddocks; Signor Arionelli (1st time)-Miss DeCamp; Idle-R. Palmer; Mum-Wewitzer; John-Trueman; Lilly-Master Gregson; Cecilia-Miss Leak; Dolce-Mrs Jones.
Cast
Role: Man of the House Actor: Maddocks

1540
22 November 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Kemble; Mr Manly-Whitfield; Sir Francis Wronghead-Dowton (1st appearance in that character); Squire Richard-Suett; John Moody-Hollingsworth; Count Basset-R. Palmer; James-Evans; Poundage-Maddocks; Constable-Phillimore; Servant-Webb; Lady Townly-Miss Farren; Lady Grace-Mrs Goodall; Lady Wronghead-Miss Tidswell; Miss Jenny-Mrs Gibbs; Mrs Motherly-Mrs Booth; Myrtilla-Miss Heard; Mrs Trusty-Mrs Heard.
Cast
Role: Lady Grace Actor: Mrs Goodall
Role: Mrs Motherly Actor: Mrs Booth

Afterpiece Title: Richard Coeur de Lion

Cast
Role: The Seneschal Actor: Phillimore
Role: Guillot Actor: Wathen
Role: Matthew Actor: Maddocks

Dance: As17961019

1541
20 February 1797 @ Covent Garden

Event Comment: By Command of Their Majesties. [1st piece in place of A Cure for the Heart Ache, advertised on playbill of 18 Feb.] Receipts: #484 19s. (478.13; 6.6)

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Pope; Manley-Murray; Sir Francis Wronghead-Munden; Count Basset-Macready; Squire Richard-Knight; John Moody-Quick; Lady Grace-Miss Mansel; Lady Wronghead-Mrs Davenport; Miss Jenny-Mrs Knight; Myrtilla-Miss Logan; Mrs Motherly-Mrs Platt; Trusty-Mrs Fawcett; Lady Townly-Miss Wallis.
Cast
Role: Lady Grace Actor: Miss Mansel
Role: Mrs Motherly Actor: Mrs Platt

Afterpiece Title: Bantry Bay

Cast
Role: The text adds Shaneen O'Shee Actor: Waddy

Afterpiece Title: The Irish Mimick

1542
06 May 1797 @ Covent Garden

Event Comment: Benefit for Mrs Mattocks. 1st piece: In 3 Acts. [In 1st piece the playbill assigns Welford to Holman, and in 3rd piece Don Carlos to the same. But "An uncle of Holman expired suddenly on Saturday morning. An apology was made for Holman in the evening, and Macready took the Parts he was to have performed in the Play and Farce" (True Briton, 8 May). In 1st piece Cheaterly is assigned to Macready; who took his place is not stated.] True Briton, 22 Apr.: Tickets to be had of Mrs Mattocks, No. 8, Great Russell-street, Covent-Garden. Receipts: #223 12s. 6d. (118.10.0; 4.2.0; tickets: 101.0.6)

Performances

Mainpiece Title: Fashionable Levities

Performance Comment: Welford-Macready; Capt. Douglas (1st time)-Toms; Nicholas-Munden; Mr Ordeal (1st time)-Murray; Cheaterly-?; Col. Staff-Haymes; Sir Buzzard Savage-Quick; Clara (with For tenderness form'd)-Mrs Mountain; Constance-Miss Chapman; Grace-Mrs Gilbert; Lady Flippant Savage-Mrs Mattocks.
Cast
Role: Grace Actor: Mrs Gilbert

Afterpiece Title: Lock and Key

Afterpiece Title: Lovers' Quarrels

Afterpiece Title: Bantry Bay

Cast
Role: The text adds Shaneen O'Shee Actor: Waddy

1543
19 May 1798 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by John O'Keeffe. Prologue by John Taylor; Epilogue by Matthew Gregory Lewis (London Chronicle, 21 May). Larpent MS 1212 (which lists the following unassigned parts: Old Man, Clerk, Countryman, Boy, Postilion, Waiter, Man); not published]. Receipts: #197 13s. (140.18; 55.11; 1.4)

Performances

Mainpiece Title: She's Eloped

Performance Comment: Characters by Aickin, Palmer, Suett, Wroughton, Dowton, Russell, R. Palmer, Bannister Jun., Maddocks, Webb, Palmer Jun., Chippendale, Fisher, Wentworth, Mrs Powell, Mrs Jordan, Miss Pope, Miss Mellon. Cast from London Chronicle, 21 May: Lord Villeure-Aickin; Sir Charles Hyacinth-Palmer; Major Blenner-Suett; Aylmer-Wroughton; Appesley-Dowton; Jerkin-Russell; Joe Clinckum-R. Palmer; Plodden-Bannister Jun.; Mrs Egerton-Mrs Powell; Miss Villeure-Mrs Jordan; Miss Highbury-Miss Pope; Grace-Miss Mellon; unassigned-Maddocks, Webb, Palmer Jun., Chippendale, Fisher, Wentworth; Prologue-Palmer; Epilogue-Mrs Jordan.
Cast
Role: Grace Actor: Miss Mellon

Afterpiece Title: The Virgin Unmask'd

1544
28 September 1798 @ Covent Garden

Event Comment: [Mrs Johnson was from the Park Theatre NewYork.] Afterpiece: Compressed into Two Acts. "Munden's Sir Francis Wronghead was a very pleasing display of comicality; but he should have contented himself with what was set down by the author, without introducing his own common place allusions to the fashions of the present day" (Morning Herald, 29 Sept.). Receipts: #200 17s. 6d. (195.19.6; 4.18.0)

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Pope; Manley-Murray; Sir Francis Wronghead-Munden; Count Basset-Clarke; Squire Richard-Knight; John Moody-Thompson; James-Abbot; Constable-Whitmore; Poundage-Rees; Lady Grace-Miss Chapman; Lady Wronghead-Mrs Davenport; Miss Jenny-Mrs Gibbs; Mytrilla-Mrs Watts; Mrs Motherly-Mrs Platt; Trusty-Mrs Litchfield; Lady Townly-Mrs Johnson (from the Theatre in America; 1st appearance on this stage). 1st appearance on this stage).
Cast
Role: Lady Grace Actor: Miss Chapman
Role: Mrs Motherly Actor: Mrs Platt

Afterpiece Title: The Maid of the Mill

Performance Comment: Sir Harry Sycamore-Munden; Lord Aimworth-Clarke; Ralph-Knight; Farmer Giles-Townsend; Fairfield-Davenport; Mervin-Claremont; Fanny-Miss Sims; Lady Sycamore-Mrs Davenport; Theodosia-Mrs Follett; Patty-Miss Mitchell.
Cast
Role: Theodosia Actor: Mrs Follett

1545
28 January 1799 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for the large Infant Orphan Family of a Man of Fashion [Sir Richard Perrott]. The mother of these helpless, unprotected infants, in contemplating the benevolence of a humane Public, throws herself with implicit confidence on the commiserating patronage of those who are ever ready to afford it for the relief of suffering innocence. Tickets to be had of Lady Perrott, No. 28, Spring-street, Portman-square [and see 18 Sept. 1797]

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lady Townly-Lady Perrott; Lady Grace-A Young Lady (1st appearance on the stage [unidentified]). The rest of the principal characters by persons of respectable situations in life who have undertaken their several parts from motives of humanity. [No afterpiece] .unidentified]). The rest of the principal characters by persons of respectable situations in life who have undertaken their several parts from motives of humanity. [No afterpiece] .
Cast
Role: Lady Grace Actor: A Young Lady

1546
07 May 1799 @ Covent Garden

Event Comment: Benefit for Knight. 2nd piece [1st time; F 1, by Thomas John Dibdin. Larpent MS 1252; not published]. 3rd piec : Not acted these 9 years. [Miss A. DeCamp had appeared as a dancer with the dl Company at king's in the season of 1792-93.] Morning Chronicle, 22 Apr.: Tickets to be had of Knight, No. 38, King-street, Covent Garden. Receipts: #392 3s. (185.12.6; 3.18.0; tickets: 202.12.6)

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: Tagg in Tribulation

Performance Comment: Tagg (with The Little Farthing Rushlight)-Knight; Touch (the Bailiff)-Simmons; Tak'em-Abbot; Truncheon-Wilde; Whistle-Rees; Justice-Thompson; Mrs Muggins-Mrs Gilbert; Little Pickle (with a new song)-Mrs Mills.
Cast
Role: Whistle Actor: Rees

Afterpiece Title: Poor Vulcan

Performance Comment: Poor Vulcan (1st time)-Munden; Serjeant Pike-Townsend; Joe-Hill; Bacchus-Simmons; Squire (1st time)-Incledon; Grace-Mrs Chapman; Maudlin-Mrs Atkins.
Cast
Role: Grace Actor: Mrs Chapman

Song: End II: song-Incledon; End: Old Towler-Incledon; The Beggar's Song-Townsend

Entertainment: A Variety of Imitations-Rees

1547
02 June 1800 @ Covent Garden

Event Comment: Benefit for Wild, prompter. 1st piece: In 3 Acts; Not acted these 7 years [acted 6 May 1797]. 2nd piece [1st time; M. INT 1]. 4th piece: To conclude with a View of the Infernal Regionsv, and a Shower of Firev. Revived under the Direction of Delpini. The Songs, Duets & Chorusses by Reeve. The rest of the Music composed by Gluck. Receipts: #287 (149.4.6; 2.0.0; tickets: 135.15.6)

Performances

Mainpiece Title: Fashionable Levities

Performance Comment: Welford-Holman; Sir Buzzard Savage-Munden; Captain Douglas-H. Johnston; Cheaterly-Claremont; Colonel Staff-Thompson; Nicholas-Fawcett; Ordeal-Murray; Clara-Miss Murray; Grace-Mrs Mills; Widow Volatile-Mrs Dibdin; Constance-Miss Mills; Lady Flippant Savage-Mrs Glover (Their 1st appearance in those characters).
Cast
Role: Grace Actor: Mrs Mills

Afterpiece Title: A Whitsun Festival

Performance Comment: The Chapter of Fashions-Munden; The Red Cross Knight-Incledon, Linton; The Beggar's Song-Townsend; The Soldier tir'd of War's alarms-Mrs Atkins; The Mid Watch (composed by Linley)-Incledon; God preserve His Majesty for Ever and Ever-.
Cast
Role: The Chapter of Fashions Actor: Munden
Role: The Red Cross Knight Actor: Incledon, Linton
Role: The Beggar's Song Actor: Townsend
Role: The Soldier tir'd of War's alarms Actor: Mrs Atkins
Role: The Mid Watch Actor: Incledon
Role: God preserve His Majesty for Ever and Ever Actor: .

Afterpiece Title: Five Thousand a Year

Performance Comment: George Fervid-Lewis; Frederick Fervid-Pope; Sir Mathew Maxim-Munden; Henry Hastings-H. Johnston; Mr Goulding-Murray; Paragraph-Farley; Truepenny-Waddy; Dick-Simmons; Officer-Wilde; Maria-Mrs Glover; Lady Julia-Mrs Pope; Aurelia-Mrs H. Johnston; Lady Maxim-Mrs Mattocks.
Cast
Role: Sir Mathew Maxim Actor: Munden

Afterpiece Title: Don Juan; or, The Libertine Destroyed

Performance Comment: Don Juan (1st and only time)-H. Johnston; Governor-Bologna Sen.; Don Fernando-King; Fisherman-Hawtin; Spanish Gents.-Lee, Curties, Atkins; Alguazile-Thompson; Waiters-Abbot, Wilkins; Musicians, Sailors-Wilde, Blurton, Platt, Lewiss, L. Bologna, Klanert; Scaramouch-Delpini; Donna Anna (1st time)-Miss Mills; Fishermen's Wives-Mrs Atkins, Miss Wheatley; (with the duet, Thus for Man the Woman fair)-Mrs Atkins, Miss Wheatley; Dancers-Mrs Watts, Mrs Follett, Mrs Bologna, Miss Cox, Miss Bologna, Mrs Lloyd; Ladies-Ms Leserve, Ms Gilbert, Ms Burnett, Ms Iliff, Ms Norton, Ms Whitmore, Ms Blurton.

Song: End I: the Battle Song-Incledon as18000522

1548
01 September 1800 @ Haymarket Theatre

Event Comment: Afterpiece [1st time; MF 2, by the younger George Colman]: To conclude with a View of the Camp near Windsorv. A Military Overture, and the New Musick composed by Dr Arnold. The Scenery painted by S. Whitmore. Books of the Songs to be had at the Theatre. [For Colman's borrowing of the character of Caleb Quotem, see 6 July 1798.

Performances

Mainpiece Title: The Point Of Honour

Cast
Role: James Actor: Wathen

Afterpiece Title: The Review; or, The Wags of Windsor

Performance Comment: Characters-Suett, Farley, Johnstone, Emery, Fawcett, Trueman, Chippendale, Atkins, Mrs Gibbs, Mrs Mountain, Miss DeCamp, Miss Leserve; Cast from text (J. Cawthorn, 1808): Mr Deputy Bull-Suett; +Capt. Beaugard-Farley; +Looney Mactwolter-Johnstone; +John Lump-Emery; +Caleb Quotem-Fawcett; +Charles Williams-Trueman; +Dubbs-Chippendale; +Serjeant-Atkins; +Grace Gaylove-Mrs Gibbs; +Lucy-Mrs Mountain; +Phoebe Whitethorn-Miss DeCamp; +Martha-Miss Leserve Chorusses-Abbot, Sawyer, Little, Kenrick, Caulfield Jun., Fisher, Dibble, Aylmer, Thomas, Willoughby.
Cast
Role: Grace Gaylove Actor: Mrs Gibbs
Related Works
Related Work: The Review; or, The Wags of Windsor Author(s): George Colman, the younger

1549
18 July 1682 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: On this date, L. C. 5@16, p. 101 (Nicoll, Restoration Drama, p. 10n) Nathaniel Lee's The Duke of Guise was banned. John Drummond to Marquis and Duke of Queensberry, 16 July 1682: Ther is a play hear to be acted that maks a great business, for the Duke of Munmuth has complained of it, and they say that notwithstanding it is to be acted sometime nixt weik. They call it the Duke of Guise, but in the play the true story is cheinged to the plott time hear (HMC, Buccleuch-Queensberry MSS., 1903, II 108). Newsletter, 29 July 1682: A play by Mr Dryden, termed the Duke of Guise, wherein the Duke of Monmouth was vilified and great interest being make for the acting thereof, but coming to His Majesty's knowledge is forbid, for though His Majesty be displeased with the Duke yet he will not suffer others to abuse him (HMC, 15th Report, Part VII, 1898, p. 108). Newdigate newsletters, 29 July 1682: A play having been made [by] Mr Dryden termed ye Duke of Guise supposed to Levell att the villifying the Duke of Monmouth & many other protestants & great Interest made for the Acting thereof but bringing to the knowledge of his Matie the same was forbidd for though his Maties pleasure is to be dissatisfyed and angry with the Duke of Monmouth, yet hee is not willing that others should abuse him out of a naturall affection for him (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81)

Performances

1550
05 December 1723 @ Drury Lane Theatre

Event Comment: [By Aaron Hill.] On Shakespear's Foundation. With several Sets of Scenes entirely new and properWto the Play. [In an advance notice in Daily Journal, 6 Nov., the scenes are reported to be designed by Signior Angelo, an Italian.

Performances

Mainpiece Title: King Henry The Vth; Or, The Conquest Of France By The English

Performance Comment: Edition of 1723 lists: King Henry-Booth; Dauphin-Wilks; King of France-Thurmond; Princess Catherine-Mrs Oldfield; Harriet-Mrs Thurmond; Charlot-Mrs Campbell; Duke of Exeter-Mills; Duke of York-Cory; Lord Scroop-Williams; Duke of Bourbon-Bridgwater; Duke of Orleans-Watson; Earl of Cambridge-Mills Jr; Sir Thomas Grey-Oates; French Officer-Roberts; Prologue-Wilks; Epilogue-Mrs Oldfield.
Cast
Role: Princess Catherine Actor: Mrs Oldfield
Role: Duke of Exeter Actor: Mills
Role: Duke of York Actor: Cory
Role: Duke of Bourbon Actor: Bridgwater
Role: Duke of Orleans Actor: Watson