SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "his Grace the Duke of Buckingham"/1) | (@(roleclean,performerclean) "his Grace the Duke of Buckingham")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1703 matches on Performance Comments, 1086 matches on Event Comments, 402 matches on Author, 353 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit for Mrs Clendining. 1st piece: Not acted these 2 years. 2nd piece: In one Act. Morning Herald, 22 May: Tickets to be had of Mrs Clendining, No. 22, Southampton-street, Covent-Garden. Receipts: #127 5s. (31.3.6; 6.2.6; tickets: 89.19.0)

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: Cross Purposes

Afterpiece Title: The Poor Sailor

Music: End 1st piece: the British March- his Royal Highnessthe Duke of York's Band

Event Comment: The King's Company. Pepys, Diary: Sir W. Pen and I to the Theatre, and there saw The Country Captain, a dull play

Performances

Mainpiece Title: The Country Captain

Related Works
Related Work: The Country Captain Author(s): William Cavendish, Duke of Newcastle
Event Comment: The King's Company. See Herbert, Dramatic Records, p. 117

Performances

Mainpiece Title: The Country Captain

Related Works
Related Work: The Country Captain Author(s): William Cavendish, Duke of Newcastle
Event Comment: The King's Company. Pepys, Diary: To the Theatre to The French Dancing Master, and there with much pleasure gazed upon her (Lady Castlemaine); but it troubles us to see her look dejectedly and slighted by People already. The play pleased us [Pepys and Mrs Pepys] very well; but Lacy's part, the Dancing Master, the best in the world

Performances

Mainpiece Title: The French Dancing Master

Related Works
Related Work: The French Dancing Master Author(s): William Cavendish, Duke of Newcastle
Event Comment: The King's Company. This performance is on L. C. lists 5@139, p. 129, and 5@12, p. 17, adds: King here. See also Nicoll, Restoration Drama, p. 344

Performances

Mainpiece Title: The Country Captain

Related Works
Related Work: The Country Captain Author(s): William Cavendish, Duke of Newcastle
Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and there saw The Country Captain, which is a very ordinary play. Methinks I had no pleasure therein at all

Performances

Mainpiece Title: The Country Captain

Related Works
Related Work: The Country Captain Author(s): William Cavendish, Duke of Newcastle
Event Comment: The King's Company. Pepys, Diary: I carried [Mercer and Mrs Gayet] to the King's house...and there saw The Country Captain, a very dull play, that did give us no content, and besides, little company there, which made it very unpleasing

Performances

Mainpiece Title: The Country Captain

Related Works
Related Work: The Country Captain Author(s): William Cavendish, Duke of Newcastle
Event Comment: The King's Company. This play is on the L. C. list, 5@12, p. 17: the King here. See also Nicoll, Restoration Drama, p. 344. Mrs John Evelyn to Mr Terryll, 10 Feb. 1668@9: one of my Lord of Newcastle's for whch printed apoligies are scattered in the assembly by Briden's order, either for himself who had some hand in it, or for the author most; I think both had right to them (Diary and Correspondence of John Evelyn, ed. William Bray, IV, 14)

Performances

Mainpiece Title: The Heiress

Performance Comment: The play was not published.
Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle
Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, where The Heyress, notwithstanding Kinaston's being beaten, is acted: and they say the King is very angry with Sir Charles Sedley for his being beaten, but he do deny it. But his part is done by Beeston, who is fain to read it out of a book all the while, and thereby spoils the part, and almost the play, it being one of the best parts in it; and though the design is, in the first conception of it, pretty good, yet it is but an indifferent play, wrote, they say, by my Lord Newcastle, But it was pleasant to see Beeston come in with others, supposing it to be dark, and yet he is forced to read his part by the light of the candles. and this I observing to a gentleman that sat by me, he was mightily pleased therewith, and spread it up and down. But that, that pleased me most in the play is, the first song that Knepp sings, she singing three or four; and, indeed, it was very finely sung, so as to make the whole house clap her.... My wife being in mighty ill humour all night, and in the morning I found it to be from her observing Knepp to wink and smile on me, and she says I smiled on her; and, poor wretch! I did perceive that she did, and do on all such occasions, mind my eyes. I did, with much difficulty, pacify her, and were friends, she desiring that hereafter, at that house, we might always sit either above in a box, or, if there be [no] room, close up to the lower boxes

Performances

Mainpiece Title: The Heiress

Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle
Event Comment: Mainpiece [1st time; C 5, by John Burgoyne, based in part on Le Pere de Famille, by Denis Diderot. Prologue by the Hon. Richard Fitzpatrick; Epilogue by the author (see text)]: With a Variety of new Scenes [by Greenwood (Daily Universal Register, 16 Jan.)], Dresses, and Decorations. Public Advertiser, 4 Feb. 1786: This Day is published The Heiress (1s. 6d.). "It rarely happens that all the characters of a piece are so well sustained" (Morning Chronicle, 16 Jan.). "We never saw a play more admirably performed in all its parts" (Gazetteer, 16 Jan.). "In point of performance the comedy had every advantage" (Morning Herald, 16 Jan.). Receipts: #226 2s. (205/10; 20/7; 0/5)

Performances

Mainpiece Title: The Heiress

Performance Comment: Principal Characters by King, Palmer, Parsons, Baddeley, Wilson, Chaplin, Bannister Jun., Aickin, R. Palmer, Smith; Miss Pope, Mrs Crouch, Mrs Wilson, Mrs Love, Miss Tidswell, Mrs Booth, Miss Barnes, Miss Farren. [Cast from text (J. Debrett, 1786), and European Magazine, January 1786, p. 8: Sir Clement Flint-King; Lord Gayville-Palmer; Alscrip-Parsons; Chignon-Baddeley; Mr Blandish-Bannister Jun.; Mr Rightly-Aickin; Prompt-R. Palmer; Clifford-Smith; Miss Alscrip-Miss Pope; Miss Alton-Mrs Crouch; Mrs Blandish-Mrs Wilson; Tiffany-Miss Tidswell; Mrs Sagely-Mrs Booth; Waiting Maid-Miss Barnes; Lady Emily-Miss Farren.] Wilson, Chaplin, Mrs Love are unassigned. Larpent MS 578 adds, unassigned: Chairman, Servants; Country Girl, Milliner. Prologue spoken by King. Epilogue spoken by Miss Farren. [These were spoken, as here assigned, at the 1st 15 performances only (see17860207).] hathi. Wilson, Chaplin, Mrs Love are unassigned. Larpent MS 578 adds, unassigned: Chairman, Servants; Country Girl, Milliner. Prologue spoken by King. Epilogue spoken by Miss Farren. [These were spoken, as here assigned, at the 1st 15 performances only (see17860207).] hathi.
Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle

Afterpiece Title: The Quaker

Song: In Act II a song in character by Mrs Crouch. [This was For tenderness formed, adapted by Linley Sen. from Saper bramate in; Barbiere di Siviglia by Paisiello. It was sung, as here assigned, in all subsequent performances.]

Performance Comment: [This was For tenderness formed, adapted by Linley Sen. from Saper bramate in; Barbiere di Siviglia by Paisiello. It was sung, as here assigned, in all subsequent performances.] hathi.
Event Comment: "So much has been curtailed of [The Heiress] that the time of the representation is now three quarters of an hour less than it was on Saturday" (Morning Chronicle, 17 Jan.). Receipts: #250 4s. (227/6/0; 21/6/6; 1/1/6; tickets not come in: 0/10/0)

Performances

Mainpiece Title: The Heiress

Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle

Afterpiece Title: The Englishman in Paris

Dance: In afterpiece The Minuet de la Cour by Hamoir and Miss Stageldoir

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: #216 1s. (186/18/0; 27/6/6; 1/16/6; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Heiress

Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle

Afterpiece Title: All the World's a Stage

Performances

Mainpiece Title: The Heiress

Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle

Afterpiece Title: Hurly-Burly

Performance Comment: As17860102, but Miss Collins in place of Mrs Wrighten. [The playbill lists the actors' names only; i.e. the parts are not assigned.] hathi.

Performances

Mainpiece Title: The Heiress

Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle

Afterpiece Title: Hurly-Burly

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: #307 or. 6d. (283/12/0; 21/16/6; 1/12/0; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Heiress

Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle

Afterpiece Title: The Romp

Performances

Mainpiece Title: The Heiress

Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle

Afterpiece Title: Hurly-Burly

Event Comment: [Mrs Jordan's 1st appearance as Miss Lucy was at the Crow Street Theatre, Dublin, 3 Nov. 1779.] Receipts: #237 8s. 6d. (192/13/0; 42/9/0; 2/4/0; ticket not come in: 0/2/6)

Performances

Mainpiece Title: The Heiress

Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle

Afterpiece Title: The Virgin Unmask'd

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: #269 10s. 6d. (232/0/0; 36/1/6; 1/9/0; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Heiress

Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle

Afterpiece Title: The Virgin Unmask'd

Performances

Mainpiece Title: The Heiress

Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle

Afterpiece Title: Hurly-Burly

Performances

Mainpiece Title: The Heiress

Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle

Afterpiece Title: Hurly-Burly

Performances

Mainpiece Title: The Heiress

Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle

Afterpiece Title: The Virgin Unmask'd

Event Comment: By Command of Their Majesties. Receipts: #283 14s. (280/18; 2/16)

Performances

Mainpiece Title: The Heiress

Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle

Afterpiece Title: Hurly-Burly

Performances

Mainpiece Title: The Heiress

Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle

Afterpiece Title: The Virgin Unmask'd

Performances

Mainpiece Title: The Heiress

Performance Comment: As17860116, but Prologue and Epilogue omitted, and thereafter .
Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle

Afterpiece Title: The Romp

Performances

Mainpiece Title: The Heiress

Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle

Afterpiece Title: The Virgin Unmask'd