SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "his Grace the Duke of Buckingham"/1) | (@(roleclean,performerclean) "his Grace the Duke of Buckingham")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1703 matches on Performance Comments, 1086 matches on Event Comments, 402 matches on Author, 353 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: Not acted these 20 years [not acted since 2 Nov. 1761]. With new Scenes, Dresses, and Decorations. In Act I a Grand Banquetv. In Act II the Trial of Queen Katharinev. In V a Procession to the Christening of Princess Elizabethv. [These were included in all subsequent performances.] Mrs Siddons's Queen Katharine was "too laboured -particularly the Trial Scene, where the words came so slow and measured that they seemed to be distilled" (Public Advertiser, 29 Nov.). Receipts: #260 11s. (248.12; 11.6; 0.13)

Performances

Mainpiece Title: King Henry The Eighth

Performance Comment: King Henry-Palmer; Duke of Buckingham-Wroughton; Cranmer-Aickin; Duke of Norfolk-Whitfield; Duke of Suffolk-Williames; Lord Surry-Barrymore; Lord Chamberlain-R. Palmer; Cromwell-Kemble; Lord Sands-Baddeley; Winchester-Suett; Cardinal Campeius-Packer; Sir Henry Guilford-Lamash; Sir ThomasLovel-Fawcett; Doctor Butts-Waldron; Surveyor-Benson; Cardinal Wolsey-Bensley; Anne Bullen-Mrs Farmer; Lady-Mrs Love; Queen Katharine-Mrs Siddons.

Afterpiece Title: The Humourist

Related Works
Related Work: The Humourists Author(s): Theophilus Cibber

Song: In IV: a song (composed by Linley? Sen)-Mrs Crouch

Event Comment: [In mainpiece the playbill omits Earl of Richmond. The assignment is taken from Oracle, 14 Nov.] "In the play Trinculo's curtain [as used for his 1st scene in The Tempest] stood for the Tower, and Bosworth Field was a delightful little farm-yard" (Oracle, 15 Nov.). The Doors to be opened at 5:15. To begin at 6:15 [see 9 Jan. 1792]. Receipts: #189 2". (152.18; 35.1; 1.3)

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Henry-Bensley; Prince of Wales-Miss DeCamp; Duke of York-Miss Standen; Richard-Kemble; Duke of Buckingham-Barrymore; Earl of Richmond-Palmer; Duke of Norfolk-Dignum; Sir Richard Ratcliff-Phillimore; Sir William Catesby-Packer; Tressel-Whitfield; Earl of Oxford-Fawcett; Sir Robert Brackenbury-Benson; Lord Stanley-Aickin; Sir James Blount-Bland; Sir James Tyrrel-Jones; Lord Mayor-Hollingsworth; Elizabeth-Mrs Ward; Lady Anne-Mrs Powell; Duchess of York-Mrs Hopkins.

Afterpiece Title: The Sultan; or, A Peep into the Seraglio

Dance: Afterpiece: Grand Dance-[See17911210]

Performances

Mainpiece Title: At King's King Richard The Third

Performance Comment: King Henry-Bensley; Prince of Wales-Master DeCamp; Duke of York-Miss Menage; Richard-Kemble; Duke of Buckingham-Barrymore; Earl of Richmond-Palmer; Duke of Norfolk-Dignum; Ratcliff-Phillimore; Sir William Catesby-Packer; Tressel-Whitfield; Earl of Oxford-Caulfield; Sir R. Brackenbury-Benson; Lord Stanley-Aickin; Sir James Blount-Bland; Sir James Tyrrel-Jones; Lord Mayor-Hollingsworth; Elizabeth-Mrs Ward; Lady Anne-Mrs Powell; Duchess of York-Miss Tidswell.

Afterpiece Title: Richard Coeur de Lion

Cast
Role: Matthew Actor: Fawcett
Event Comment: Benefit for Mrs Kemble. Afterpiece: The [first] and only time of performing it [this season] at this theatre. Morning Herald, 31 July: Tickets to be had of Mrs Kemble, No. 24, corner of Panton-street, Haymarket

Performances

Mainpiece Title: The Life And Death Of King Richard The Iii

Performance Comment: Richard (for that night only)-Kemble; King Henry-Bensley; Prince of Wales-Master DeCamp; Duke of York-Miss Menage; Duke of Buckingham-Benson; Earl of Richmond-Barrymore; Duke of Norfolk-Usher; Ratcliffe-Evatt; Tressel-Bland; Sir William Catesby-Davies; Lord Stanley-Aickin; Sir R. Brackenbury-Palmer Jun.; Sir James Blount-Lyons; Sir James Tyrrel-Abbott; Lord Mayor-Burton; Elizabeth-Mrs Whitfield; Lady Anne-Mrs Kemble; Duchess of York-Mrs Powell.
Cast
Role: Duke of York Actor: Miss Menage
Role: Duke of Buckingham Actor: Benson
Role: Duke of Norfolk Actor: Usher

Afterpiece Title: No Song No Supper

Performance Comment: Crop (for that night only)-Huttley (from the Theatre Royal, Bath; 1st appearance on this stage); Frederick-Bland; Endless-Suett; Robin-Bannister Jun.; William-Sedgwick (of dl); Dorothy-Miss DeCamp; Louisa-Miss Dall; Nelly-Mrs Hatton; Margaretta-Mrs Kemble (1st appearance in that character).

Performances

Mainpiece Title: The Life And Death Of King Richard The Iii

Performance Comment: Richard-Kemble; King Henry-Bensley; Prince of Wales-Master DeCamp; Duke of York-Miss Menage; Duke of Buckingham-Benson; Earl of Richmond-Barrymore; Duke of Norfolk-Usher; Sir R. Ratcliff-Dignum; Tressel-Bland; Sir William Catesby-Caulfield; Lord Stanley-Aickin; Sir. R. Brackenbury-Palmer Jun.; Sir James Blout-Lyons; Sir James Tyrrel-Jones; Lord Mayor-Wewitzer; Elizabeth-Mrs Hopkins; Lady Anne-Mrs Goodall; Duchess of York-Mrs Booth.
Cast
Role: Duke of York Actor: Miss Menage
Role: Duke of Buckingham Actor: Benson
Role: Duke of Norfolk Actor: Usher

Afterpiece Title: The Prize; or, 2

Performances

Mainpiece Title: The Life And Death Of King Richard Iii

Performance Comment: Richard (for that night only)-Bannister Jun.; King Henry-Bensley; Prince of Wales-Master De Camp; Duke of York-Miss Menage; Duke of Buckingham-Benson; Earl of Richmond-Palmer; Duke of Norfolk-Abbot; Ratcliffe-Pindar; Tressel-Bland; Sir William Catesby-Davies; Lord Stanley-Aickin; Sir R. Brackenbury-Palmer Jun.; Sir J. Blount-Lyons; Sir James Tyrrel-Waldron Jun.; Lord Mayor-Burton//Elizabeth-Mrs Harlowe (1st appearance in that character); Lady Anne-Mrs Kemble; Duchess of York-Mrs Hopkins .
Cast
Role: Duke of York Actor: Miss Menage
Role: Duke of Buckingham Actor: Benson
Role: Duke of Norfolk Actor: Abbot

Afterpiece Title: COMUS

Performance Comment: Comus-Palmer; Spirit-Pindar; Brothers-Palmer Jun., Bland; Bacchanals-Bannister, Davies, Sedgwick, Cooke, Linton, Kenrick, Walker, Dorion, Willoughby, Little, Brown, Aylmer, Saunders, Dibble, &c.//1st Bacchant and Pastoral Nymph (with Sweet Echo, accompanied on the hautboy by Foster) (1st time)-Miss Leak; 2nd Bacchant and Sabrina-Miss De Camp; 3rd Bacchant-Mrs Harvey; Euphrosyne (1st time)-Mrs Harlowe; Bacchants-Mrs Norton, Mrs Masters, Mrs Hale, Mrs Butler, Mrs Gaudry, Misses M. and C. Wrighten, Miss Menage; The Lady-Miss Palmer (1st appearance in that character) .
Cast
Role: Brothers Actor: Palmer Jun., Bland
Role: The Lady Actor: Miss Palmer
Related Works
Related Work: Comus Author(s): George Colman, the elder
Event Comment: Mainpiece: Not acted these 4 years (notice on playbill of 8 Nov.). Afterpiece: The Musick composed by W. Linley. The Scenery by Greenwood. The Machinery and Decorations by Cabanel, Johnston, Jacobs. The Dresses by Johnston and Miss Rein. The Doors to be opened at 5:15. To begin at 6:15 [see 3 Apr. 1797]. Receipts: #318 4s. 6d. (237.14.6; 76.5.6; 4.4.6)

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Henry-Wroughton; Prince of Wales-Miss Granger; Duke of York-Master Chatterley; Richard-Kemble; Duke of Buckingham-Barrymore; Earl of Richmond-Palmer; Duke of Norfolk-Holland; Sir Richard Ratcliff-Phillimore; Sir William Catesby-Caulfield; Tressel-C. Kemble; Earl of Oxford-Denman; Sir Robert Brackenbury-Trueman; Lord Stanley-Packer; Sir James Blount-Wentworth; Sir James Tyrrel-Webb; Lord Mayor-Maddocks; Queen Elizabeth-Mrs Siddons; Lady Anne-Miss Miller; Dutchess of York-Miss Tidswell.

Afterpiece Title: Harlequin Captive; or, The Magick Fire

Event Comment: Mainpiece: Not acted these 2 years. [Afterpiece: Prologue by George Colman elder.] Receipts: #327 8s. (244.10.6; 81.2.0; 1.15.6)

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Henry-Aickin; Prince of Wales-Miss Wentworth; Duke of York-Master Chatterley; Richard-Kemble; Duke of Buckingham-Barrymore; Earl of Richmond-C. Kemble; Duke of Norfolk-Holland; Sir Richard Ratcliff-Maddocks; Sir William Catesby-Caulfield; Tressel-Surmont; Earl of Oxford-Sparks; Sir Robert Brackenbury-Trueman; Lord Stanley-Packer; Sir James Blount-Wentworth; Sir James Tyrrel-Webb; Lord Mayor-Hollingsworth; Queen Elizabeth-Mrs Powell; Lady Anne-Miss Miller; Dutchess of Yord-Miss Tidswell.

Afterpiece Title: Bon Ton

Performance Comment: Lord Minikin-R. Palmer; Sir John Trotley (with the original Prologue)-King; Col. Tivy-Barrymore; Jessamy-Wathen; Davy-Suett; Lady Minikin-Miss Pope; Miss Tittup-Miss Mellon.
Cast
Role: Jessamy Actor: Wathen
Event Comment: Benefit for Mrs Pope. Mainpiece: Not acted these 6 years. In I a Grand Banquet Scene. A Procession from the Abbey at the Coronation of Queen Anne Bullen. The Piece to conclude with the ceremony at the Royal Christening. [Holman's 1st appearance as King Henry was at this theatre, 24 May 1793.] Morning Chronicle, 27 Apr.: Tickets to be had of Mrs Pope, Half Moon-street, Piccadilly. Receipts: #391 0s. 6d. (299.15.6; 2.9.0; tickets: 88.16.0)

Performances

Mainpiece Title: King Henry The Eighth

Performance Comment: King Henry-Holman; Cromwell-Lewis; Bishop of Winchester-Munden; Lord Sands-Fawcett; Duke of Buckingham-H. Johnston; Earl of Surry-Knight; Cranmer-Murray; Doctor Butts-Emery (1st and positively the Only Time of the above Performers appearing in those Characters); Duke of Norfolk-Whitfield; Duke of Suffolk-Waddy; Campeius-Davenport; Brandon, Usher-Claremont; Lord Chamberlain-Clarke; Sir George [recte Thomas] Lovel-Farley; Surveyor-Thompson; Chancellor-Whitmore; Porter-Rees; Capucius-Abbot; Porter's Man-Wilde; Cryer-Street; Serjeant-Lee; Abergavenny-Curties; Cardinal Wolsey-Pope; Anne Bullen-Miss Chapman; Patience (with a song, composed by Attwood)-Mrs Atkins; Queen Catherine (1st time)-Mrs Pope.

Afterpiece Title: Hartford Bridge

Song: In course of Evening: Black Ey'd Susan-Incledon; Tomorrow-Incledon

Music: Preceding: Grand Sonata on the Piano Forte-Master Parker; with a new Rondo-Master Parker (Haydn); End I: a celebrated Lesson of Nicolai-Master Parker

Entertainment: Monologues End II: Alexander's Feast-Master Parker; End: Grand Address to the Audience-Master Parker

Event Comment: "...Richard III, which I saw performed at Drury-lane theatre at the beginning of the present season...The dresses of the characters which here make their appearance are in the usual half-and-half mode, made up from portraits of Charles I's reign, and from unrestrained fancy. Richard's habit, indeed, shews a faint hint, at the costume of his day; but how modernized! A fancy cap and feather,with a milliner's white-ribband rose, sewed thereon. A deep ruff, of that make not known until the reign of James I From the neck depends a ribband With the George: this decoration never seen in paintings till about the fashions of the abovementioned monarch's court. On his legs and feet, white silk stockings, white shoes, and red roses. These latter ornaments unknown before Elizabeth or James I's modes of dress prevailed; at any rate, they should have been white ones to have accorded with the party-badge in his cap." Writer signing himself "An Artist and an Antiquary" in Gentleman's Magazine, Apr. 1800, p. 319. Receipts: #225 16s. 6d. (178.3.6; 47.12.0; 0.1.0)

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Henry-Aickin; Prince of Wales-Miss Wentworth; Duke of York-Master Chatterley; Richard-Kemble; Duke of Buckingham-Barrymore; Earl of Richmond-C. Kemble; Duke of Norfolk-Holland; Sir Richard Ratcliff-Maddocks; Sir William Catesby-Caulfield; Tressel-Surmont; Earl of Oxford-Sparks; Sir Robert Brackenbury-Trueman; Lord Stanley-Packer; Sir James Blount-Wentworth; Sir James Tyrrel-Webb; Lord Mayor-Hollingsworth; Queen Elizabeth-Mrs Powell; Lady Anne-Miss Biggs; Dutchess of York-Miss Tidswell.

Afterpiece Title: The Embarkation

Performances

Mainpiece Title: King Richard Iii

Performance Comment: King Richard-A Gentleman (1st appearance on any stage [unidentified]); King Henry-Comerford; Duke of Buckingham-Russell; Lord Stanley-Lewis; Oxford-Thomas; Ractliff-Johnson; Catesby-Smith; Tressel-The Gentleman who performed King Lear [at this theatre, 16 Sept. 1776; unidentified]; Lord Mayor-Massey; Prince of Wales-Mrs Wilks; Duke of York-Master Russell; Lieutenant of the Tower-Smith; Tyrell-Dancer; Earl of Richmond-West; Queen-Mrs Massey; Duchess of York-Mrs Ross; Lady Ann-Miss Taylor; Prologue-Morgan (in character of a Jew).

Afterpiece Title: The Honest Yorkshireman

Song: As17760925

Entertainment: Imitations.As17760930

Event Comment: By Authority [of the Lord Chamberlain]. Benefit for West. The Doors to be opened at 5:30. To begin at 6:30. Tickets to be had of West, No. 4, Stanhope-street, Clare-market. [Authors of Prologue and Address unknown.

Performances

Mainpiece Title: King Richard Iii

Performance Comment: King Richard-A Gentleman (1st appearance on any stage [unidentified]); King Henry-Lucas; Duke of Buckingham-Thompson; Prince of Wales-Master Benson (1st appearance on any stage); Duke of York-Master Kenny; Norfolk-Massey; Oxford-Stevens; Lord Stanley-Painter; Blunt-Bell; Ratcliff-Kenny; Catesby-Bailey; Tressel-Mills; Lieutenant-Newton; Lord Mayor-Bowles; Tirrell-Edwards; Richmond-A Gentleman (1st appearance on any stage [unidentified]); Lady Anne-Mrs Lefevre; Duchess of York-Mrs Leister; Queen Elizabeth-Mrs Robinson (from the Theatre Royal at Bath); An occasional Prologue (written by a Gentleman eminent in the Republic of Letters [unidentified])-West.

Afterpiece Title: The Deuce is in Him

Performance Comment: Colonel Tamper (with the original Prologue)-West; Major Belford-Newton; Prattle-Smith; Emily-Mrs Lefevre; Bell-Mrs Robinson; Mademoiselle Florival-Mrs West.
Related Works
Related Work: The Deuce is in Him Author(s): George Colman, the elder

Song: A variety of Entertainments of Singing, particularly The Soldier tir'd-a Lady [unidentified]

Entertainment: Monologue. End: an occasional Address-Master Benson

Performances

Mainpiece Title: Richard The Third

Performance Comment: King Richard-Jerrold; King Henry-Leach; Prince Edward-Miss Painter; Duke of York-Master Jerrold; Duke of Buckingham-Price; Lord Stanley-Wilson; Tressel-Gardner; Catesby-Davis; Ratcliff-Wortley; Earl of Richmond-Jones; Lady Ann-Mrs Kingham; Dutchess of York-Mrs Weeks; The Queen-Mrs Jerrold.

Afterpiece Title: Death And Restoration Of Harlequin

Afterpiece Title: Miss In Her Teens

Performances

Mainpiece Title: The Life And Death Of King Richard The Third

Performance Comment: King Henry-Bensley; Prince of Wales-Miss DeCamp; Duke of York-Miss Gawdry; Richard-Kemble; Duke of Buckingham-Barrymore; Earl of Richmond-Palmer; D. of Norfolk-Williames; Sir Rich. Ratcliff-Phillimore; Sir William Catesby-Packer; Tressel-Whitfield; Earl of Oxford-Fawcett; Sir Robert Brackenbury-Benson; Lord Stanley-Aickin; Sir James Blount-Haymes; Sir James Tyrrel-Jones; Lord Mayor-Hollingsworth; Elizabeth-Mrs Ward; Lady Anne-Mrs Powell; Dutchess of York-Mrs Hopkins.

Afterpiece Title: No Song No Supper

Cast
Role: Grandmother Actor: Mrs Booth.
Event Comment: DDaily Post, 29 May: We are assur'd that there will be no more Plays acted this Season at [dl], and we hear that there was Yesterday no Play acted...as had been advertiz'd for that Day; the Occasion we are inform'd was, that at Midnight on Saturday last several persons arm'd took Possession of the same, by Direction from some of the Patentees, and lock'd up and barricado'd all the Doors and Entrances thereunto, against the whole Company of his Majesty's Comedians, as also against Mr Cibber, Jun. notwithstanding he had paid to one of the Patentees several hundred Pounds for one third Part of the Patent, Cloaths, Scenes, &c. and all Rights and Privileges thereunto annexed, for a certain Term not yet expired. Mr Cibber, Jun. and the rest of the Company of Comedians, and this Morning to wait upon his Grace the Duke of Grafton, Lord Chamberlain of his Majesty's Houshold, with their humble Petition, and the Representation of their Cast, and to beg his Grace's Favour and Protection

Performances

Mainpiece Title: Henry Viii

Afterpiece Title: The Harlot's Progress

Related Works
Related Work: The Harlot's Progress; or, The Ridotto Al' Fresco: With a Grand Masque call'd, The Judgment of Paris; or, The Triumph of Beauty Author(s): Theophilus Cibber
Event Comment: By Command of His Royal Highness the Duke. Mainpiece: Written by the late Mr Congreve

Performances

Mainpiece Title: The Old Batchelor

Performance Comment: Old Batchelor-Quin; Fondlewife-Griffin; Bluff-Johnson; Sir Joseph-Cibber; Belmour-Mills; Vainlove-Havard; Sharper-Wright; Setter-Macklin; Laetitia-Mrs Clive; Belinda-Mrs Pritchard; Sylvia-Mrs Chetwood; Lucy-Mrs Grace.
Cast
Role: Lucy Actor: Mrs Grace.

Afterpiece Title: Colombine Courtezan

Event Comment: By Command of their Royal Highnesses the Duke and the Princesses Amelia, Caroline, and Louisa. Benefit Glover. [Tickets at Glover's, in Chandos Street.] Stage as 10 March. Receipts: money #45 4s.; seals #126 17s. [In the Account Book, the space for the nightly charge is blank.] #200 (Rylands MS.)

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: As17410117, but Manly-Delane; Richard-Bencraft; Lady Grace-Mrs Stevens.
Cast
Role: Lady Grace Actor: Mrs Stevens.
Role: Mrs Motherly Actor: Mrs Martin

Dance: I: French Peasants-Mechel; II: English Peasants-Glover, Mlle Mechel, Delagarde, Oates, Mrs Villeneuve, Miss Horsington; III: Scots Dance-Glover, Mlle Roland, Villeneuve, Richardson, Oates, Mrs Villeneuve; IV: Serious Ballet-Glover, Mlle Mechel; V: Louvre, Minuet-Glover, Signora Barberini

Performances

Mainpiece Title: The Chances

Performance Comment: As17111006, but Peter-Cross; 2d Constantia-Mrs Porter; Mother-Mrs Powell. As it was Alter'd by the late Duke of Buckingham.
Related Works
Related Work: The Chances Author(s): George Villiers, Duke of Buckingham
Event Comment: Benefit Galliard. Pit and Boxes put together at 5s. Gallery 3s. Upper Gallery 2s. Special Care will be taken to have the Theatre well aired. [Last performance known at this theatre.

Performances

Mainpiece Title: Love And Folly

Afterpiece Title: Serenata

Performance Comment: consisting of the choruses in the tragedy Julius Caesar-; by the late Duke of Buckingham. by the late Duke of Buckingham.

Music: New concerto grosso-; 24 Bassoons-; accompanied- violincello-Caporale

Event Comment: MMr Jefferson played Buckingham for the first Time, as a tryal, and is engaged for the next season. --Pretty well (Hopkins MS Notes)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Holland; King Henry-Havard; Richmond-Palmer; Buckingham-Jefferson, first time in this character; Tressel-Cautherley; Norfolk-Burton; Stanley-Bransby; Lord Mayor-Baddeley; Catesby-Packer; Ratcliff-Strange; Lieutenant-Moody; Prince Edward-Miss Rogers; Duke of York-Miss Collett; Lady Anne-Mrs Palmer; Duchess of York-Mrs Johnston; Queen-Mrs Pritchard.

Afterpiece Title: Fortunatus

Performance Comment: Harlequin-Rooker; Other characters-Moody, Ackman, Johnston, Watkins, J. Burton, Clough, Mrs Hippisley, Mrs King, Miss Tetley,a; To conclude with a Dance-Sg and Sga Giorgi.
Event Comment: Edward Gower to Sir R. Leveson, 20 Nov. 1660: Yesternight the King, Queen, Princess, &c. supped at the Duke of Albemarle's, where they had the Silent Woman acted in the cockpit (HMC, 5th Report, 1876, p. 200). The King's Company. Pepys, Diary, 20 Nov. 1660: This morning I found my Lord in bed late, he having been with the King, Queen, and Princess, at the cockpit all night, where General Monk treated them; and after supper a play, where the King did put a great affront upon John? Singleton's musique, he bidding them stop and bade the French musique play, which, my Lord says, do much outdo all ours. The prologue was printed in 1660: The Prologue to His Majesty at the first Play presented at the cock-pit in Whitehall, Being part of that Noble Entertainment which Their Majesties received Novemb. 19. from his Grace the Duke of Albemarle. [The Prologue has been reprinted by Wiley, Rare Prologues and Epilogues, pp. 11-12. Bodleian Wood 398 has a MS note: By Sir Jo. Denham.

Performances

Mainpiece Title: The Silent Woman

Related Works
Related Work: Epicœne; or, The Silent Woman Author(s): George Colman, the elder
Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408. It is not certain that this was the premiere, but, as the play was licensed for publication on 20 Nov. 1676, the first performance may well have been on this day. A song, Away with the causes of riches and cares, with music by Matthew Lock, is in Catch that Catch Can, No. 64, 1685. Another, Beneath a shady willow, with music by William Turner, is in A New Collection of Songs and Poems...by Thomas D'Urfey, 1683. Edition of 1677: That its only good Fortune was, in being the Subject of the Courts Diversion, where their Noble Clemency and Good Nature were extremely requisite, in covering its defects from the too Censorious; His Majesty, according to His accustomed Royal and Excellent Temper, was pleas'd to descend so far, as to give it a particular Applause, which was seconded by your Grace [The Duke of Ormond]

Performances

Mainpiece Title: Madam Fickle; Or, The Witty False One

Event Comment: For the Entertainment of some Foreign Nobility. At the Desire of several Persons of Quality

Performances

Mainpiece Title: The Emperor Of The Moon

Performance Comment: A New Prologue occasion'd by the good News that arriv'd Yesterday, of the Great Victory gain'd over the French and Bavarians, by his Grace the Duke of Marlborough-.
Cast
Role: Duke of Marlborough Actor: .

Entertainment: With extraordinary Entertainments and Decorations, as will be express'd at large in the Bills-

Event Comment: The Duke's Company. Downes (p. 29): It took well, but Inferior to Love in a Tub. Pepys, Diary: I to the Duke of York's playhouse; where a new play of Etherige's called She Would if she Could; and though I was there by two o'clock, there was 1000 people put back that could not have room in the pit: and I at last, because my wife was there, made shift to get into the 18d. box, and there saw; but, Lord! how full was the house, and how silly the play, there being nothing in the world good in it, and few people pleased in it. The King was there; but I sat mightily behind, and could see but little, and hear not all. The play being done...here was the Duke of Buckingham to-day openly sat in the pit; and there I found him with my Lord Buckhurst, and Sidly, and Etherige, the poet; the last of whom I did hear mightily find fault with the actors, that they were out of humour, and had not their parts perfect, and that Harris did do nothing, nor could so much as sing a ketch in it; and so was mightily concerned: while all the rest did, through the whole pit, blame the play as a silly, dull thing, though there was something very roguish and witty; but the design of the play, and end, mighty insipid. Thomas Shadwell, Preface to The Humorists (1671): The last (viz.) imperfect Action, had like to have destroy'd She Would if she could, which I think (and I have the Authority of some of the best Judges in England for't) is the best Comedy that has been written since the Restauration of the Stage: And even that, for the imperfect representation of it at first, received such prejudice, that, had it not ben for the favour of the Court, in all probability it had never got up again; and it suffers for it, in a great measure, to this very day

Performances

Mainpiece Title: She Would If She Could

Event Comment: Add. Mss. 36916, folio 128, 2 March 1668@9: The occasion of this [a challenge of the Duke of Buckingham to a duel by Lord Halifax or another friend of Sir William Coventry] there was a new play to be acted on Saturday last called the Country Gentleman, said to be made by the Duke & Sr Robt Howard, wherein tis said that the Earle of Clarendon, Sr Wm Coventry and some other Courtiers are plainly personated, but especially Sr William in the midst of his table of Writings; this he (or some of his relations) would not brooke, but whether he or the Ld Halifax was to fight the Duke is not knowne, but the King hath prevented all; and the play is not acted. [See also Pepys, 4 and 6 March]

Performances