SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "his Grace the Duke of Buckingham"/1) | (@(roleclean,performerclean) "his Grace the Duke of Buckingham")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1703 matches on Performance Comments, 1086 matches on Event Comments, 402 matches on Author, 353 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 408. It is not known when the premiere occurred, but this is the earliest known performance. The Prologue, missing in the 1677 edition, is in the 1693 edition. A song, Make haste, my shepherd, come away, with music by Francis Forcer, is in Choice Ayres and Songs, Second Book, 1679

Performances

Mainpiece Title: Abdelazer; Or, The Moor's Revenge

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 408. There is no certainty that this is the premiere, but the reference in the Prologue to the long vacation and the licensing date of 25 Sept. 1676 point to a summer production

Performances

Mainpiece Title: The Wrangling Lovers; Or, The Invisible Mistress

Event Comment: The Duke's Company. It is not certain that this play was revived at this time, but Tom Essence, which was probably acted toward the end of August or in early September (it was licensed 4 Nov. 1676) contains a scene in "Malfey's Chamber," suggesting that a revival of The Duchess of Malfi had occurred not long before the production of Tom Essence. On the other hand, it should be noted that the cast in the edition of 1678 contains names which point to a much earlier production; for example, Cademan probably acted little after his injury in the summer of 1673 and Downes (Roscius Anglicanus, p. 35) states that Cogan and Price died ca. 1673-74

Performances

Mainpiece Title: The Duchess Of Malfy

Performance Comment: [An edition of 1678 has a cast partially pertaining to this time (see also 31 Jan. 1672): Ferdinand-$Harris; Cardinal-$Young; Antonio-$Smith; Delio-$Midburn; Bosola-$Betterton; Castruchio-$Richards; Sylvio-$Cademan probably not acting now]; Pescara-$Norris; Malateste-$Price (not living in 1676); Roderigo-$Cogun (not living in 1676); Grisolan-$Percival; Dutchess of Malfey-$Mrs Betterton; Cariola-$Mrs Norris; Old Lady-$Mrs Osborn; Julia-$Mrs Shadwell.
Event Comment: The Duke's Company. The date of the premiere is not known, but the large proportion of minor actors and the licensing for printing on 4 Nov. 1676 suggest a production in the late summer or early autumn

Performances

Mainpiece Title: Tom Essence; Or, The Modish Wife

Performance Comment: Edition of 1677: Prologue-; Old Monylove-Percival; Courtly-Crosby; Loveall-Norris; Stanly-Gillow; Tom Essence-Lee; Laurence-Richards; Mrs Monylove-Mrs Hughes; Theodocia-Mrs Barry; Luce-Mrs Osburn; Mrs Essence-Mrs Gibbs; Betty-Mrs Napper; Epilogue-Mrs Gibbs.
Cast
Role: Theodocia Actor: Mrs Barry
Event Comment: The Duke's Company. The date of the first production is not known, but the licensing date of 20 Sept. 1676 establishes this month as the latest date for its premiere

Performances

Mainpiece Title: The Town-fopp; Or, Sir Timothy Tawdry

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408

Performances

Mainpiece Title: The Guardian

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408

Performances

Mainpiece Title: The Country Wit

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408. An edition appeared in 1676

Performances

Mainpiece Title: Epsom Wells

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408

Performances

Mainpiece Title: The Tempest

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408

Performances

Mainpiece Title: Macbeth

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408

Performances

Mainpiece Title: The Libertine

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408

Performances

Mainpiece Title: Herod And Mariamne

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408

Performances

Mainpiece Title: Don Carlos, Prince Of Spain

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408: Sr Fopling

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege
Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408

Performances

Mainpiece Title: Macbeth

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408

Performances

Mainpiece Title: The Adventures Of Five Hours

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408

Performances

Mainpiece Title: The Villain

Related Works
Related Work: The Persian Princess: or, The Royal Villain Author(s): Lewis Theobald
Event Comment: G. Lady Chaworth to Lord Roos, 2 Nov. 1676: I have not yet seen Mr Pack, being att Lord Major's show when hee was heere....The pageants were but three and worse then others formerly, but the King, Queen, Duke and Duchess finer in both clothes, liveries, coaches and traine then ever, to the honour of the Citty (HMC, 12th Report, Part V, Rutland Papers, II, 31)

Performances

Mainpiece Title: London's Triumphs

Performance Comment: : Express'd in sundry Representations, Pageants and Shows, performed on Monday Octob. 30, 1676, at the Inauguration and Instalment of the Right Honourable Sir ThomasDavies, Kt, Lord Mayor of the City of London. Containing a true Description of the several Scenes and Habits of the Representers, with the Speeches Spoken on each Pageant. All the Charge and Expences of the Industrious Designs, being the sole Undertakings of the Ancient and Right Worshipful Society of Drapers. Being the Second Year without Intermission. Devised and Composed by Tho. Jordan.
Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408

Performances

Mainpiece Title: The Town Fop; Or, Sir Timothy Tawdry

Event Comment: The Duke's Company acted at the Revels on this day, but the play is not known. See A Calendar of the Middle Temple Records, ed. Hopwood, p.177

Performances

Event Comment: The Duke's Company. There is no indication of the first date of performance, but a licensing date of 19 Feb. 1676@7 suggests a December 1676 or January 1677 production.Downes (Roscius Anglicanus, p. 38): Titus and Berenice, Wrote by the same Author [Thomas Otway], consisting of 3 Acts: With the Farce of the Cheats of Scapin at the end: This Play, with the Farce, being perfectly well Acted; had good Success

Performances

Mainpiece Title: Titus And Berenice

Afterpiece Title: The Cheats of Scapin

Event Comment: The Duke's Company. The date of the first production is not known, but the licensing date of 26 Dec. 1676 establishes the premiere as occurring in December 1676 or earlier. One song, Why does the foolish world mistake, with music by William? Turner, is in Choice Ayres and Songs, The Second Book, 1679

Performances

Mainpiece Title: Pastor Fido; Or, The Faithful Shepherd

Event Comment: The Duke's Company. The date of the premiere is not known, but the fact that play was licensed for printing on 23 Feb. 1676@7 suggests a first performance about this time. The play was entered in the Term Catalogues, May 1677. Langbaine (English Dramatick Poets, p. 36) refers to this play as altered from Richard Brome's The Mad Couple

Performances

Mainpiece Title: The Debauchee; Or, The Credulous Cuckold

Event Comment: An unnamed play was acted by the Duke's Company. See A Calendar of the Middle Temple Records, ed. Hopwood, p. 177

Performances

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81. See also Nicoll, Restoration Drama, p. 348. The play has a musical setting by Jeremiah Clarke. There is no certainty that this date represents the premiere, but a certain performance on 14 Feb. 1676@7 suggests that this performance on 12 Feb. 1676@7 is part of the initial run. Very probably the play was repeated on 13 Feb. 1676@7

Performances

Mainpiece Title: Antony And Cleopatra