SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "four Generals"/1) | (@(roleclean,performerclean) "four Generals")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 880 matches on Event Comments, 263 matches on Performance Comments, 119 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Mrs Siddons. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. Morning Herald, 1 May: Tickets to be had of Mrs Siddons, Gower-street, Bedford-square. "In the apparent assumption of madness [and] the express'd weakness and melancholy of the character Kemble is not equalled by any of his predecessors . . . Till [Mrs Siddons] there never was, in sensible discrimination, as there ought to be, the real madness of Ophelia from the feigned distraction of Hamlet. Till then the dignity, the love, even the pathos of the part [were] but poorly, if at all administered" (Public Advertiser, 17 May). Receipts: #326 14s. 6d. (137/3/0; 7/3/6; 0/4/0; tickets: 182/4/0)(charge: #109 16s.)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Comus

Event Comment: The Lord Chamberlain sent an order, between four and five in the evening, to the two theatres to cease representing any plays, till after the funeral of the late Princess Amelia [daughter of George II; she died on 31 Oct.] (Morning Chronicle, 2 Nov.)

Performances

Mainpiece Title: None

Event Comment: Benefit for Mrs Siddons [whose 1st appearance as Imogen was at Bath, 15 Apr. 1779]. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their Servants at half past Four o'Clock. Public Advertiser, 13 Jan.: Tickets to be had of Mrs Siddons, Gower-street, Bedford-square. "The exact receipts of Mrs Siddons's house on Monday were #332 [actually #335 5s., excluding the 2nd account and after-money], which, with bank notes for side-boxes, and gold tickets through all the boxes, raise the total to about #650 or #700. This benefit is clear of the nightly charges of the house" (Morning Chronicle, 1 Feb.). Receipts. #344 17s. 6d. (161.10.0; 9.11.6; 0.1.0; tickets: 173.15.0) (charge: free)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Romp

Dance: II: a Masquerade Scene-; with Dancing-Ferrere, Menage, Miss Stageldoir; End III: La Soiree Provencalle, as17870113

Song: II: Singing-Miss Romanzini [The Dancing was included, as here assigned, in all subsequent performances]

Event Comment: Benefit for Smith. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their Servants at half past Four o'Clock. Receipts: #313 (139.19.0; 11.15.6; 0.11.6; tickets: 160.14.0) (charge: #70 5s. 8d.)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Romp

Dance: End II: As17870113

Song: As17870201

Event Comment: Benefit for Palmer. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their Servants at half past Four o'Clock. Public Advertiser, 10 Mar.: Tickets to be had of Palmer, Kentish Town. Receipts #322 8s. 6d. (151.11.0; 8.2.0; 0.3.6; tickets: 162.12.0) (charge: #66 4s. 8d.)

Performances

Mainpiece Title: Isabella

Afterpiece Title: The Sultan

Event Comment: Benefit for Kemble. Tickets delivered for The Careless Husband will be taken. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their Servants at half past Four o'Clock. [Mrs Siddons's 1st appearance as Lady Restless was at Manchester, 17 Feb. 1777.] Public Advertiser, 12 Mar.: Tickets to be had of Kemble, No. 16, Charles-street, Covent Garden. Receipts: #293 12s. 6d. (148.16.0; 15.3.0; 0.7.6; tickets: 129.10.0) (charge: #105 11s. 6d.)

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Romp

Event Comment: Benefit for Mrs Jordan. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their Servants at half past Four o'Clock. Receipts: #304 2s. (110.18.0; 11.6.6; 2.2.6; tickets: 179.15.0) (charge: #107 14s. 10d.)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Sultan

Dance: End: As17870113; End I: The Minuet de la Cour, as17861125

Song: V: song-Miss Romanzini

Event Comment: Benefit for Bensley. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their Servants at half past Four o'Clock. The Romp [announced on playbill of 16 Apr.] cannot be performed on Account of the Indisposition of Mrs Jordan. Public Advertiser, 31 Mar.: Tickets to be had of Bensley at his house, No. 21, Charlotte-street, Bedford-square. Receipts: #285 12s. (126.18.0; 13.17.6; 2.16.6; ticket2: 140.0.0;) (charge: #107 8s.)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Who's the Dupe

Event Comment: Benefit for Mrs Siddons [whose 1st appearance as Alicia was at York, 26 Apr. 1777]. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their Servants by half past Four o'Clock. Public Advertiser, 27 Apr.: Tickets to be had of Mrs Siddons, Gower-street. [In the interim she changed the play. The Announcement of 27 Apr. advertises Romeo and Juliet, by Kemble and Mrs Siddons, in which play she did not appear until May 1789.] Receipts: #337 16s. 6d. (146.1.0; 8.7.6; 0.14.0; tickets: 182.14.0) (charge: #105 16s.)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Bon Ton

Event Comment: "Performed only four nights this week, on accou[nt] of Covent Garden being open, and employ[ing] some Performers, necessary in our most favou[red] Pieces" (MS annotation on Harvard playbill)

Performances

Mainpiece Title: I'll Tell You What

Afterpiece Title: Harvest Home

Entertainment: Monologue Occasional Address (with Alterations), as17870516

Event Comment: Benefit for Mrs Siddons. Mainpiece: Not acted these 9 years. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their servants by Half past Four o'Clock. Public Advertiser, 10 Jan.: Tickets to be had of Mrs Siddons, Gower-street, Bedford-square. Receipts: #343 12s. 6d. (189.9.0; 6.12.0; 0.11.6; tickets: 147.0.0) [charge: free)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Deserter

Event Comment: Smith's last Benefit. The Pit and Boxes will be laid together. Servants, who keep Places, are desired to be at the Theatre by Half past Four o'Clock; and those Ladies and Gentlemen who have Seats in the Pit are humbly requested to come early, to prevent Confusion. [Author of Epilogue unknown.] Receipts: #363 19s. 6d. (162.4.0; 0.0.0; 5.0.6; tickets: 196.15.0) (charge: #72 13s. 10d.)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Bon Ton

Dance: End: The Lucky Return-Mills, Miss J. Stageldoir

Song: original Music, as17871103; Chorusses and additional Accompaniments, as17871103, but _Chaplin

Entertainment: Monologue After the Dancing: an Epilogue-Smith on his Intention of retiring from the Stage

Event Comment: Benefit for Kemble [whose 1st appearance as Hastings was in Dublin in the spring of 1782]. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their servants by Half past Four o'Clock. Public Advertiser, 25 Feb.: Tickets to be had of Kemble, No. 13, Caroline-street, Bedford-square. Receipts: #324 12s. (190.0; 9.8; 0.14; tickets: 124.10) (charge: #107 4s. 7d.)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Catherine and Petruchio

Dance: End: The Conjugal Frolick, as17880221

Event Comment: Benefit for Kelly. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their servants by Half past Four o'Clock. [Mme Mara had sung in concert at the Pantheon in 1784; in opera at the king's in 1786; and in the dl oratorios in 1787 and 1788.] Public Advertiser, 27 Mar.: Tickets to be had of Kelly, No. 48, Rathbone Place. Receipts: #351 5s. 6d. (177.12.0; 9.13.6; 0.5.0; tickets: 163.15.0) (charge: #111 3s.)

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: Who's the Dupe

Event Comment: Benefit for Bensley. Tickets delivered for the 10th will be admitted. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their servants by Half past Four o'Clock. Public Advertiser, 28 Mar.: Tickets to be had of Bensley, No. 21, Charlotte-street, Bedford-Square. Receipts: #271 19s. 6d. (122.5.0; 22.15.6; 0.9.0; tickets: 126.10.0) (charge: #114 5s. 6d.)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Critic

Event Comment: Benefit for Mrs Jordan. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their servants by Half past Four o'Clock. Public Advertiser, 19 Apr.: Tickets to be had of Mrs Jordan, No. 82, Gower-street, Bedford-square. Receipts: #299 4s. (79.5; 14.12; 1.5; tickets: 204.2) (charge: #115 3s. 4d.)

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: Richard Coeur de Lion

Event Comment: Benefit for Mrs Siddons. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their servants by Half past Four o'Clock. Mainpiece: Not acted these 8 years. Public Advertiser, 26 Apr.: Tickets to be had of Mrs Siddons, Gower-street, Bedford-square. Receipts: #327 3s. (140.12.0; 9.14.6; 0.19.6; tickets: 175.17.0) (charge: #111 1s.)

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Afterpiece Title: Catherine and Petruchio

Dance: As17880313

Event Comment: Benefit for Mrs Jordan. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their Servants by Half past Four o'Clock. Afterpiece: Not acted these 10 years. Public Advertiser, 12 Dec.: Tickets to be had of Mrs Jordan, Gower-street, Bedford-square. Receipts: #282 6s. (143.1.0; 22.19.6; 0.10:6; tickets: 115.15.0) (charge: #107 9s. 7d.)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Devil to Pay; or, The Wives Metamorphosed

Dance: As17881113

Song: As17881002

Event Comment: Benefit for Mrs Siddons. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their Servants by Half past Four o'Clock. Mainpiece: Not acted these 10 years. [Epilogue by Robert Jephson.] Afterpiece: Written by D. Garrick, Esq. Public Advertiser, 31 Jan.: Tickets to be had of Mrs Siddons, Gower-street, Bedford-square. Receipts: #340 5s. 6d. (166.10.0; 11.0.0; 1.4.6; tickets: 161.11.0) (charge: free)

Performances

Mainpiece Title: The Law Of Lombardy

Afterpiece Title: Lethe; or, AEsop in the Shades

Event Comment: Benefit for Mrs Jordan. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their Servants by Half past Four o'Clock. Mainpiece: Never performed there. Public Advertiser, 24 Mar.: Tickets to be had of Mrs Jordan, Gower-street, Bedford-square. Receipts: #302 14s. 6d. (104.15.0; 13.19.0; 0.17.6; tickets: 183.3.0) (charge: #108 15s. 3d.)

Performances

Mainpiece Title: Know Your Own Mind

Afterpiece Title: Rosina

Event Comment: Benefit for Mrs Siddons (the last Night of her Engagement). [She had 1st acted Juliet at Birmingham, 6 Sept. 1776, and 1st recited the Ode, written by Robert Merry (European Magazine, Apr. 1789, pp. 335-38), at the King's on 21 Apr.] Part of the Pit will be laid into the Boxes, To prevent Confusion, Ladies are desired to send their Servants by Half past Four o'Clock. Public Advertiser, 29 Apr.: Tickets to be had of Mrs Siddons, Gower-street, Bedford Square. "The pouting Scene with the old Nurse was the cleverest thing I ever saw--so pretty, so Babyish, so charming" (Thraliana, II, 748). On this and every Evening for the Remainder of the Season the Doors will not be opened till 5:30, and the Performance will commence exactly at 6:30. Receipts: #320 6s. 6d. (112.12.0; 11.12.0; 1.7.6; tickets: 194.15.0) (charge: #112 13s. 7d.)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Toy Shop

Song: As17881117, but Vocal Parts-Miss Hagley, Miss _Collett

Entertainment: Monologue. End afterpiece: An Ode on the Recovery of His Majesty-Mrs Siddons; in the Character of Britannia. Conclude with: God save the King!-

Event Comment: [Kemble Mem.: Haymes, from Margate.] Afterpiece: Not acted these 2 years. With Alterations and Restorations, particularly the admired Shades and Transparencies representing the Amusements of Harlequin, and the Destruction of the Pantomimical Fleet. Harlequin's Invasion will be performed only Four Times this Season, when it must necessarily give place to Preparations for other Entertainments. Receipts: #183 3s. 6d. (119.4.0; 62.2.0; 1.17.6)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Harlequin's Invasion

Event Comment: By Command of Their Majesties. To prevent inconvenience, Ladies and Gentlemen are requested to be early at the Theatre-and to order their Servants to keep Places at Four o'Clock. Receipts: #452 14s. 6d. (438.16.0; 13.18.6)

Performances

Mainpiece Title: The Dramatist

Afterpiece Title: The Highland Reel

Event Comment: By Command of Their Majesties. To prevent inconvenience, Ladies and Gentlemen are requested to be early at the Theatre--and to order their Servants to keep Places at Four o'Clock. Receipts: #396 14s. 6d. (394.8.0; 2.6.6)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Barnaby Brittle

Event Comment: By Command of Their Majesties. To prevent Confusion Ladies and Gentlemen are requested to send their Servants to keep Places by Half past Four o'Clock. God save the King was sung "by the performers and by the audience five times: twice on the entrance of the King and Queen, once after the Play, twice after the Farce" (World, 19 Dec.). And see 23 Apr. 1790. Account-Book: In the Pit of this Night 525 Persons, this is the greatest Number ever remembered to be in at any One Time. R. P. [i.e. Richard Peake, sub-treasurer]. Receipts: #290 11s. 6d. (279.13.0; 9.18.6; 1.0.0)

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: Who's the Dupe

Dance: As17891204