Event Comment: Boxes 7s. 6d. Pit 5s. First Gallery 3s. Second Gallery 2s. Places for Boxes to be taken of Mr Sarjeant (only) at the stage door. Books of the Oratorios to be had at the Theatre. Doors opened at Half past Five. To begin at Half past Six. [This note recurrs on all Oratorio bills this season. It will not be repeated here.

Event Comment: Benefit for Mrs Yates. Mainpiece: By Particular Desire. Part of pit laid into boxes. Send servants at 4 o'clock. Tickets delivered for Cyrus (for this night) will be taken. [The Epilogue is Larpent MS 408. N.B. The Treasurer's Account Book for this year differs from those of the preceding five in not recording the income from tickets delivered out for benefit nights. See Comment, 23 Sept. 1775. The box receipts for benefit performances during this season, therefore, are not an accurate reflection of the popularity of a play.] Paid Mr Stainer for Music #2 4s. 9d. Receipts: #147 19s. 6d. Charges: #68 10s. Profits to Mrs Yates: #79 9s. 6d. (Treasurer's Book)

Event Comment: The People flock'd about the doors by Two o'clock. there never was a greater Overflow-Mr G. was never happier in Lear -the Applause was beyond description 3 or 4 loud Claps Succeeding one another at all his exits and many Cry'd out Garrick for Ever &c., &c. House (Hopkins Diary). [Kemble's note differs slightly.] Paid Mr Short, Chorus Singer #1 10s. (Treasurer's Book). Hannah More wrote to Mrs Gwatkin: The eagerness of the people to see Garrick is beyond anything you can have an idea of. You will see half a dozen duchesses and countesses a night in the upper boxes: for the fear of not seeing him at all, has humbled those who used to go, not for the purpose of seeing but being seen; and they now courtsy to the ground for the worst places in the house" (Hampden, Journal). [Letter to David Garrick, Esq on his appearance in Lear last night 13 May: The correspondent who signs himself Stock Fish and who claims to have been one of the survivors of the Black Hole of Calcutta, and who took a young lady from the country to see Garrick's last performance, blames him for endangering the lives of his majesties subjects for not providing proper bars, lanes, and queue lines to handle the crowds: "I went with intention to get into the Pit as the most eligible Part of the House (for your Boxes are always engag'd) and we got to the Door in Vinegaryard about five o'clock. Here the Passage to the first Door was too full for me to entertain any Hopes of getting in that Way, we therefore made for Catharine-street but the Multitudes of People waiting for the Opening of the Gallery-doors, rendered it impossible for us to get along through the Court; we therefore made a Circuit, and at length arrived opposite the Door in Catharine-street, where it was with Difficulty we could keep our Stands on a Foot Pavement....You will be absolutely inexcusable, if after this Warning you neglect to adopt some Method for the Security of the Lives of his Majesties Subjects on similar Occasions.--What think you of the following Scheme, viz. To keep the outer Doors next the Street shut, till the inner ones are opened ; and then, by a Proper bar, to prevent more than one at a Time entering, who shall there pay Entrance-money, and receive the Tickets of Admission through the inner Doors' (Public Advertiser 18 May).] Receipts: #308 1s. (Treasurer's Book)

Event Comment: Ladies send servants by 5 to keep Places and prevent Confusion. Doors will be opened at half after five o'clock. To begin at half after 6 o'clock (playbill). Mr G. Voice and Spirits was never finer he never wanted Spirit or Voice thro' the whole part and Convinced the Audience that those Amazing powers he has always possess'd are now as brilliant as ever. Never was a part play'd with greater Propriety nor an Audience more lavish of their Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] [A full column letter for the Morning Chronicle this date from Theatricus to Garrick protested the fact that his announced benefit for the Theatrical Fund on the 30th of May would be all sold out to the highest bidders for tickets; that a nobleman offering ten Guineas for four box seats would get them in preference to the tradesmen who offered only a pound, the stated price of the tickets. Since charity was the cause this writer suggested that Garrick give a second benefit night to the Fund, with the hopes (1) that the Fund would be thereby vastly increased, and (2) that opportunity might be given for twice as many People to see a Garrick final performance. It was, perhaps, in response to this public request that Garrick gave a second Benefit night for the Fund on 10 June. The Morning Post, 29 May, noted: "The concourse of servants assembled yesterday morning at seven o'clock, at Drury Lane Stage Door, to take places for the approaching benefit, in which it is said Mr Garrick will again play Richard III , was astonishing, amounting to many hundreds, three fourths of which were not able to Succeed in their embassies' (Hampden, Journal).] Receipts: #307 3s. 6d. (Treasurer's Book)

Event Comment: Mr Garrick's last time of performing Hamlet . Benefit towards encreasing a Fund, for the relief of those who from their infirmities shall be oblig'd to retire from the stage. Pit and Boxes are laid together, and no admittance into the Pit or Boxes without Tickets. Ladies and Gentlemen urged to come early. Servants must be at the theatre by 5 o'clock to keep places. Doors will be opened at half past Five. Play to begin at half past Six. On Saturday Mr Garrick will perform a principal part in a Comedy. Pit and Boxes put together, most of the tickets were sold for a Guinea a piece, very few under half a Guinea and the whole quantity Sold in about Two hours (Hopkins Diary). [Kemble's note briefer.] Receipts: #85 8s. 6d. Charges: #23 4s. 1d. [See 10 June.] (Treasurer's Book)

Event Comment: House (Hopkins Diary). Last time of Garrick's performing Richard . Ladies desired to send their Servants a little after Five to keep places, to prevent Confuson. It is Vanity to endeavor to describe Mr G. Merits they beggar all Descripiton, suffice it to Say he was what he represented (Hopkins Diary). [MacMillan's note from Kemble conservatively toned down.] Paid Sg Como and Crispi in full #3 8s. 3d. Mr Hurd ditto 7s. 6d. Receipts: #284 10s. (Treasurer's Book)

Event Comment: Mr Baker made his first Appearance in Jerry Sneak--he is a tall, thin, awkward Figure, looked like a Pinmaker, is a very strong Copy of poor Weston, has some Requisites, may in Time be a tolerable Actor in low Comedy--pretty well received. [Note added by $J. P. Kemble: Mr Baker, I have heard, had at this Time just received an Inheritance of fifteen thousand Pounds, which he so quickly dissipated as to be reduced within five years after to the Condition of Coachman to a Bristol Diligence] (Hopkins Diary). Receipts: #181 2s

Event Comment: Benefit for a Fund, for the Relief of those who from their Infirmities shall be obliged to retire from the Stage. Prelude [1st time; M. PREL 1, by David Garrick, and others. In a synopsis of the plot the London Chronicle assigns Bannister; it lists the names of the other performers and, separately, their parts. The assignments given above are my own conjecture. Not in Larpent MS; the composer of the vaudeville written by Garrick is unknown]. The Words of the Songs will be given at the Theatre. Ladies and Gentlemen are requested to come early, to prevent Confusion. And to send their Servants by Five o'clock to keep the Places. Receipts: #217 8s. 6d. (100.9.0; 25.14.6; 0.0.0; tickets: 91.5.0) (charge: free)

Event Comment: Ladies and Gentlemen who have taken Places are desired to send their Servants to the Door in Suffolk-Street by Five o'Clock

Event Comment: A Concert of Music, Vocal and Instrumental, by the most celebrated performers, with Dancing by Miss Cranfield. Between the several parts of the Concert will be rehearsed (gratis) by Pupils, for their mutual improvement in Oratory The Fair Penitent [etc., as above]. By Subscription. The Doors to be opened at 5:30. To begin precisely at 6:30. Boxes 3s. Pit 2s. Gallery 1s. No money will be taken at the door, nor any person admitted without a ticket, which may be had at the Office near the Concert Room, where attendance will be given from Ten to One every day; and from half past Five till Eleven each evening of performing. Morning Chronicle, 19 June: A correspondent who was present declares the business of the evening was conducted with great regularity and decorum... The dresses were as good as those of the Theatres Royal, the band excellent, and the decorations neat and ornamental

Event Comment: By Authority of the Lord Chamberlain. Benefit for Stewart and Walker. Mainpiece [1st time; PAST 5]: Done into English, from the Original of Allan Ramsay, by Cornelius Vanderstop, Esq. As it has long been the Desire of the Nobility and Gentry to have this celebrated Piece performed in English, the Gentleman who has undertaken this ardent Task hopes it will give Satisfaction to the Public in general. [Text 1st published For the Author, 1777.] Afterpiece [1st time; F 2, by James Stewart. Authors of Prologues unknown.]. The Doors to be opened at 5:00. To begin at 6:00. No Persons whatever to be admitted behind the Scenes, nor any Money returned after the Curtain is drawn up. Ladies are desired to send their Servants by Five to keep Places. Tickets to be had at the Edinburgh Coffee-house and Jamaica Coffee-house, Cornhill; the St. Andrew, Wapping; and of Walker, No. 4, New Round Court, Strand

Event Comment: King Lear [announced on playbill of 31 Jan.] is obliged to be deferred on account of the Indisposition of Mrs Hartley and Lewis. The Rehearsal having been found too tedious in Representation, and Part of the Dialogue between Bayes and the two Gentlemen wholly obsolete, it has been thought advisable to...reduce the Piece to Three Acts [from the original five]. Receipts: #219 10s. [216.4.6; 3.5.6)

Event Comment: Benefit for Smith. Morning Chronicle, 24 Mar.: Tickets to be had of Smith at his house, Beaufort-buildings, Strand. Part of the Pit will be laid into the Boxes. Ladies and Gentlemen are desired to send servants before Five o'Clock, to keep their Places; and those who have Places in the Pit are requested to come early, to prevent Confusion and Inconvenience to themselves. Receipts: #284 6s. (145.4: 10.15; 1.6; tickets: 127.1) (charge: #62 2s.)

Event Comment: Benefit for a Fund for the Relief of those who from their Infirmities shall be obliged to retire from the Stage. Part of the Pit will be laid into the Boxes. Ladies and Gentlemen are requested to come early to prevent Confusion, and to send their Servants by Five o'Clock to keep the Places. Receipts: #278 12s. 6d. (157.10.0; 9.18.0; 0.4.6; tickets: 111.0.0) (charge: #60 7s. 4d.)

Event Comment: Mainpiece: Altered from [The Artful Wife, by William? Taverner. [1st time; C 3, by George Colman elder. Not in Larpent MS; not published; synopsis of plot in London Chronicle, 20 May. Public Advertiser, 19 May, notes that the Prologue was the same as that spoken on 15 May 1777. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Servants to keep Places are to be at the door in Suffolk-street by Five o'clock. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. On account of the Performers employed at other Theatres the second Night of Representation cannot be till Thursday, the 21st inst. [On this night, the 18th, Baddeley's name is in the playbills at both dl and hay.

Event Comment: Mainpiece: Not acted these 150 years [acted 31 Jan. 1723]. Written by Beaumont and Fletcher [with alterations by George Colman elder. Prologue by David Garrick (Poetical Works, II, 354)]. The Musick by Purcell. New Scenes, Dresses and Decorations. Public Advertiser, 30 July 1778: This Afternoon at five is published Bonduca (1s.)

Event Comment: Mainpiece: Not acted these 4 years acted 6 Nov. 1775. Prologue by Nicholas Rowe. Afterpiece [ 1st time; f 2, by Frederick Pilon. Prologue by the author (Public Advertiser, 5 Nov.). In speaking a line in the Prologue that won applause Whitfield waved his hat so vehemently tha he "dislocated a Bone in his Arm. He went to the side of the stage, and one of the Scene-men taking him by the Wrist, and giving four or five pretty severe jerks, the Bone recovered its place" (ibid). In all subsequent performances the Prologue was spoken by Lee Lewes.]. Public Advertiser, 18 Nov. 1778: This Day at Noon is published The Invasion (1s.)

Event Comment: Mainpiece: Written by Beaumont and Fletcher [and altered by George Colman elder]. The Music by Purcell. New Scenes, Dresses and Decorations. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be taken of Rice at the Theatre. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Servants to keep places are to be at the Door in Suffolk-street by Five o'Clock

Event Comment: By Permission of the Lord Chamberlain. Mainpiece: Written by Farquhar, with Alterations. Not acted these 80 years [acted 24 Oct. 1735]. A great Demand being made for Places, Ladies and Gentlemen are requested to send their Servants by Five o'Clock

Event Comment: Opera [1st time; Past 3, author unknown]. The music [to Part I] composed by Giovanni Battista? Bianchi, [to Part II by] Rauzzini, [to Part III by] Giordani. With Grand Chorusses. With new Decorations devised and painted by Novosielski, and new Dresses. The Side-boards, with a cold Collation and all sorts of Wines, at 12 o'clock. The Performance under the direction of Vestris Sen., and to conclude with a Ball. Tickets, at 2 Guineas each, are ready to be delivered at the Office in Union-court, where Boxes may be taken. No Masks will be admitted. The Doors will be opened at 9:00, and the Performance to begin at 10:00. Books of the Performance will be given out (gratis) at the Theatre. Morning Herald, 7 June: The Omaggio, or homage paid by the vassals and tenants to their Lord, is naturally calculated to give free scope to lively, and sentimental music. In the former stile Bianchi and Giardini [sic] were equally succesful; and in the latter Rauzzini was surprisingly great, both as composer and performer...Slingsby would, in our opinion, have come out with as great a share of applause as the best of them, having to go through an English dance in his own stile, but by some unaccountable accident...the music-band stopped short when he was in the very climax of his exertions. The scenes are in the rural stile, with the addition of natural trees, flowering shrubs, &c., set in the neatest order...The company did not begin to move till about four, and by five the rooms were cleared. Public Advertiser, 7 June: The Vestris' gave incontrovertible proof of the variety of their powers...They did more, they shewed what this country had never seen-the possibility of presenting to the eye a large and extensive stage filled with dancers all in motion at the same time

Event Comment: Benefit for Walker. Mainpiece: Not acted these 30 years [not acted since 4 Oct. 1722], wrote by Mrs Ccntlivre. Afterpiece: Never performed there. The doors to be opened at 5:30. To begin at 6:30. Ladies are requested to send their servants by five o'clock to keep places. Tickets to be had of Walker, the Globe, Pall-mall

Event Comment: By Authority of the Lord Chamberlain. Benefit for Stewart. Mainpiece: In its original state, as it was written by Allen Ramsay, in 1724 [recte 1725]. Afterpiece [1st time; F 2 (?)]: Taken [probably by the author] from The Students [by James Stewart. MS not in Larpent; not published]. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. 'Tis hoped that none of Stewart's friends will expect to be admitted behind the scenes, as the audience will, and not without great reason, be much displeased at any such proceedings, nor will it upon any pretence whatever be complied with. No money returned after the curtain is drawn up. Ladies are requested to send their servants by Five to keep places. Tickets to be had at Walker's, the Globe, Pall-mall; the Edinburgh and Jamaica Coffee-houses, Cornhill; the St. Andrew, Wapping; of Denham, bookseller, No. 366, Hermitage Bridge, Wapping; at the Bouncing B Printing Office, Ratcliff Highway; at Stewart's china shop, No. 201, Ratcliff Highway, and at the Theatre, where places for the boxes may be taken

Event Comment: "Among other Obligations that the Town has to the new Open is that it has, for this year, delivered the Play-goer from his periodical Endurance of Rowe's Tamerlane" (Public Advertiser, 6 Nov.). The reference is to the long established custom of performing Tamerlane either on 4 Nov. (the date of William III's birth) or 5 Nov. (the date of his landing in England). In the play the virtuous Tamerlane was held to be the portrait of an upright monarch, and the vicious Bajazet [i.e. Louis xiv] as that monarch's enemy. At DL Tamerlane was acted on either or both of these nights uninterruptedly from 1716 to 1777; at LIF and CG, with the exception of five seasons, from 1721 to 1784. The Doors to be opened at 5:15. To begin at 6:15 [see 1 May 1783]. Receipts: #155 2s. 6d. (153/4/0; 1/18/6)