SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "five Princesses"/1) | (@(roleclean,performerclean) "five Princesses")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1088 matches on Event Comments, 213 matches on Performance Title, 104 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Not Acted these Five Years

Performances

Mainpiece Title: The Lady's Last Stake; Or, The Wife's Resentment

Dance: Mrs Booth

Event Comment: Mainpiece: Not Acted these Five Years

Performances

Mainpiece Title: The Inconstant; Or, The Way To Win Him

Afterpiece Title: Damon and Phillida

Event Comment: Whereas Thomas Arne, Jun. Proprietor of English Operas [at lif], has new set to Musick, after the Italian Manner, the Opera of Rosamond, Written by the late Mr Addison, Which is now in Rehearsal....This is to give Notice, that he...hoping to receive Encouragement from the Town, will (notwithstanding his Expences are considerably greater than any of the other English Theatres) Entertain the Town at the following Prices (viz) Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. 6d. And that he will give a private Rehearsal of the said Opera, to such Friends as shall oblige him with a Subscription...at One Guinea, to be paid on Receipt of a Ticket, which will admit the Bearer into the Boxes five Nights

Performances

Event Comment: At the Desire of several Persons of Quality. Mainpiece: Written by Shakespear. Afterpiece: Set to Musick by Mr Arne. [See Daily Post, 13 Nov., and London Evening Post, 13 Nov., for the trial of Harper. Daily Post, 13 Nov.: It was design'd also to prevent the Company acting last Night, by taking away so principal a Performer in the Play, which was advertis'd, he being conrin'd, &c. and his Hearing by Counsel deferr'd till between Five and Six o'Clock; but the Audience being duly acquainted with this Prosecution very kindly accepted Mr Cibber's reading the Part.]

Performances

Mainpiece Title: Henry Iv, Part I

Afterpiece Title: The Opera of Operas

Dance: Wattcau by Miss Robinson. La Bagatelle by Essex and Miss La Tour

Event Comment: Benefit Mrs Haughton and the Widow of Joseph Giffard, Apothecary. At the particular Desire of several Persons of Distinction. Any Gentleman, or Lady, who design to serve the Widow of Mr Joseph Giffard, Apothecary, who is left with Five Children are desired to take their Tickets at Pidgeon's Coffee-House

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: The Mock Doctor

Dance: III: La Follette c'est Ravize by Tench and Mrs Woodward. V: Scotch Dance by Mrs Bullock

Song: II: A Song with French Horns by Miss Jones. IV: In Italian by Mrs Chambers

Event Comment: Benefit Mr Perkins, who has unfortunately lost his Sight. At Lee's Great Theatrical Booth. Written by the late Mr Addison. The doors open at three; the play begins at five. [Perkins is the author of The Blind Man's Complaint in Gentleman's Magazine, September 1734.]

Performances

Mainpiece Title: The Drummer

Song: The Apprentices, Wardens, and Masters Songs, to be sung by a worthy Brother

Performances

Mainpiece Title: The Author's Farce

Performance Comment: By Wax Figures, five Feet High .

Afterpiece Title: The Mistake; or, The Lover's Quarrel

Event Comment: DDaily Post, 1 Nov.: Last Thursday Night four or five Persons (amongst whom two were known to belong to the Attorney of a neighbouring Manager) attended...Cato at [lif]: Their first Endeavour was to induce the Company in the Middle Gallery, where they were, to leave the House, insinuating there was nothing worth seeing could be play'd there, (tho' they had never seen the Gentleman who acted Cato,) and retiring towards the Door, as if to go out, in order to set others the Example: This Design failing, they thought fit to stay; and to make their Words good, resolv'd to interrupt the Performance, Their second Stratagem was to cry out Fire, making again to the Door to confirm the Reality of it: That miscarrying, the next was to hiss whenever the rest of the House applauded, no doubt, with the brutal Intention to confuse the Gentleman who play'd Cato in his first Attempt of that Kind, and might have effected their Purpose, if the whole House had not generously and vigorously oppos'd it, from a high Opinion of his Merit

Performances

Mainpiece Title: Cato

Afterpiece Title: Harlequin Shipwreck'd

Event Comment: Not Acted [there] these Twenty-Five Years. Written by Mr Lee. All the Principal Characters New Dress'd. And proper Musick, Scenes, and Decorations. Admission: 5s., 3s., 2s., 1s. [For a discussion of theatrical affairs, see Daily Journal, 22 Nov.

Performances

Mainpiece Title: The Rival Queens

Dance: Denoyer, Mlle Roland

Event Comment: Mainpiece: Not Acted these Twenty-Five Years [but see dl, 19 July 1720]

Performances

Mainpiece Title: Ignoramus; Or, The English Lawyer

Afterpiece Title: Harlequin Shipwreck'd

Event Comment: A New Opera. [Text by Xeno. Music by Broschi.] Lucy Wentworth, 8 Jan.: My mama has been so good to give me leave to goe to the Opera to night with Lady Anne. 'Tis to be a new one call'd Merophe, but the foolish Buffo's are to be left out which I am very glad of, but am sorry they are to have five hundred pound a piece for acting that silly stuf two nights if one may believe Mr Hamilton.The Opera is to be heard but once for he says 'tis the worst that ever was composed.-Wentworth Papers, p. 528. phay The Defeat of Apollo. Rehearsed. DDaily Advertiser, 11 Jan.: The Prologue to The Defeat of Apollo, which, in Compliment to some Gentlemen, was spoke last Saturday at the Rehearsal, encourages the Town to hope for what is new and entertaining. [For additional puffs, see Daily Advertiser, 11 and 12 Jan.

Performances

Mainpiece Title: Merope

Event Comment: Benefit John Festin. 7 p.m. Tickets Five Shillings each: Money to be taken at the Door

Performances

Mainpiece Title: Concert

Event Comment: Benefit Berry. For the Entertainment of the Grand Master, and the rest of the Brethren...of Free and Accepted Masons. By Desire, two Rows of the Pit will be rail'd into the Boxes for Masons only, who are desir'd to attend the Grand Master at the Shakespear's Head, Covent-Garden, exactly at Five o'clock, in order to proceed to the Play. Tickets to be had of Berry, in Crown-Court, Russell Street

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: The Virgin Unmask'd

Song: The Songs in Masonry, as usual: Brother Berry, Brother OatesI: Come let us prepare-Brother Berry, Brother Oates; III: On on my dear Brethren-Brother Berry, Brother Oates; V: Let Masonry be now my Theme-Brother Berry, Brother Oates

Dance: II: English Maggot-Villeneuve, Mrs Walter; IV: Wooden Shoe Dance-Livier, Villeneuve

Event Comment: Mainpiece: Taken from Plautus, Moliere. Egerton 2320: Receipts: #82. Hamlet Posted for a week but put off upon Mrs Cibber's refusing to do Ophelia for which she was forfeited five pounds--the Miser play'd instead of it

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Devil to Pay

Event Comment: Benefit the Reviver. N.B. To prevent any Interruption in the Musick, Dancing, Machinery or other Parts of the Performance, Side Boxes only will be form'd on the Stage, for the Accommodation of the Ladies. And (by Desire) five Rows of the Pit will be rail'd in at the Price of the BoXes

Performances

Mainpiece Title: Comus

Event Comment: Benefit Chetwood and Miss Brett. Afterpiece: Not Acted these Twenty-five Years. A Comical Tragedy of two short Acts. Decorated with proper Cloaths, Scenes, Musick, and Attendants. [Tickets at Chetwood's Lodgings, Blue Door, in Maiden Lane, cg.

Performances

Mainpiece Title: The Squire Of Alsatia

Afterpiece Title: The Rival Queans: With the odd Humours of little Alexander the Great

Dance: I: Punch-Master Ferg; II: A new Sailor's Dance-Phillips; III: Dance of Turks-Muilment; End I Afterpiece: Pierrots-Pelling, Vallois; II: Drunken Peasant (for the Entertainment of Alexander)-Phillips; III: Flanderkins-Master Ferg, Miss Wright

Song: IV: See from the Silent Groves-Beard

Music: H$Handel's Water Musick-; with Preamble on the Kettle Drums-Woodbridge, his first appearance here

Event Comment: The King's Opera House in the Haymarket. A new Opera...Dances and other Decorations entirely New. Pit and Boxes to be put together, and no Persons to be admitted without Tickets, which will be deliver'd this Day, at the Office in the Haymarket, at Half a Guinea each. Gallery 5s. By His Majesty's Command, no Persons Whatever to be admitted behind the Scenes. The Gallery will be open'd at Four o'Clock. Pit and Boxes at Five. To begin at Six o'clock. This Day Attendance will be given at the Opera-Office from Nine to One in order to deliver the Silver Tickets to the Subscribers. Each Subscriber is desir'd to send his printed Receipt, it being necessary for the Delivery of the Tickets [customary notice on the bills throughout the season]. BBurney, History of Music, IV, 445: A pasticcio, music mainly composed by Galuppi, now the resident composer for the Opera House. Edition lists libretto by Francesco Vanneschi

Performances

Mainpiece Title: Alexander In Persia

Event Comment: LLondon Daily Post and General Advertiser, 27 Nov.: At the particular Desire of several Persons of Quality. Last Night there was a great Number of Persons of Quality and Distinction at the Theatre in Goodman's Fields, to see the Play of Richard the Third, who all express'd the highest Satisfaction at the whole Performance, several hundred Persons were obliged to return for want of room, the House being full soon after Five o'clock

Performances

Mainpiece Title: Richard Iii

Dance: two Mwo Masters and Miss Granier

Event Comment: Benefit Sga Barberina. Mainpiece: By His Majesty's Command. Pit and Boxes put together, and none admitted without Tickets, which will be deliver'd at the Office at the Box Doors, at 5s. Gallery 2s. The Gallery doors will be open'd at three o'clock, and the Box Doors at Five o'clock. Servants will be allow'd to keep places on the stage. To begin exactly at six o'clock

Performances

Mainpiece Title: The Way Of The World

Dance: TTyrolean Dance, as17420206; A New Dance call'd Les Amants Heureux-Desnoyer, Sga Barberina

Ballet: RRural Assembly. As17420121

Event Comment: A New Opera. With Dances and other Decorations entirely new. Pit and Boxes to be put together; and no person to be admitted without Tickets, which will be deliver'd this Day at the Office in the Hay-Market, at Half a Guinea each. Gallery 5s. By His Majesty's Command, No Person to be admitted behind the Scenes. The Gallery to be open'd at Four o'clock, Pit and Boxes at Five. To begin at Six o'clock. [Customary notice will not be included again. A pasticcio; music by Hasse, Lampugnani, Brivio, and Rinaldo da Capua; librettist--Apostolo Zeno. See Burney, History of Music, IV, 447.

Performances

Mainpiece Title: Gianguir

Dance: Barbara Campanini (Horace Walpole's Correspondence with Sir Horace Mann, I, 191)

Event Comment: A New Oratorio. Tickets will be deliver'd to subscribers (on paying their Subscription money), this day, and every day following at Mr Handel's in Brook Street, near Hanover Square. Attendance will be given from 9 o'clock in the Morning till Three in the Afternoon. Pit and Boxes to be put together and no persons to be admitted without tickets, which will be deliver'd that day at the Office in Covent Garden Theatre, at Half a Guinea each, First Gallery 5s. Upper Gallery 3s. 6d. N.B. Each subscriber is to pay Six Guineas upon taking out his subscription ticket, which entitles him to three Box tickets every night of Mr Handel's first six performances in Lent; and if Mr. Handel should have any more performances after his first six nights, each subscriber may continue on the same conditions. The Gallery will be open'd at Four O'Clock. Pit and Boxes at Five. To begin at Six o'clock. [These notices concerning price, subscription, and time of performance recur regularly, but will not be recorded further here.

Performances

Mainpiece Title: Samson

Event Comment: By the late Mr Addison. Benefit Capt Norton, late Commander of the Crawley Pink, who was taken the 18th of Sept. last, after a Gallant Engagement of Five Hours with Twelve Spanish privateers

Performances

Mainpiece Title: Cato

Dance: II, V: As17431003

Event Comment: Performance After the manner of an Oratorio Set by Mr Handel. Tickets will be deliver'd to subscribers on paying their subscription money, this day and every day following at Mr Handel's House in Brook Street, near Hanover Square, where attendance will be given from nine o'clock in the Morning till three in the afternoon. Pit and Boxes to be put together, and no person to be admitted without tickets, which will be deliver'd at the Office in the theatre at Half a Guinea each, First Gallery 5s.; Upper Gallery 3s. 6d. [Customary notice which will not be repeated.] Gallery opened at Four o'clock, Pit and Boxes at Five. To begin at Six. Mrs Delany to Mrs Dewes: There is a four-part song that is delightfully pretty...there was no disturbance at the playhouse. -Delany, Autobiography, II, 262. [Libretto by Congreve.

Performances

Mainpiece Title: Semele

Event Comment: Benefit Shepard. For the Entertainment of the Grand Master and the rest of the Fraternity of the Ancient and Honourable Society of Free and Accepted Masons. None to be admitted into the Boxes, or behind the Scenes, but by Box tickets, which are to be had of Shepherd at his house on Mill Bank, and of Hobson at the stage door. Those Brethren who intend to honour the Grand Master to the Play, are desir'd to meet his Lordship, cloth'd, at the Rose Tavern, the Corner of Bridges St. at five o'clock

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Devil to Pay

Song: The Usual Masons' Songs-

Event Comment: According to the news column of the Daily Advertiser more than five hundred persons attended the Wells this night, including one hundred sailors; on 25 Aug., the same paper estimates upwards of six hundred people in attendance. *

Performances