SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "five Princesses"/1) | (@(roleclean,performerclean) "five Princesses")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1088 matches on Event Comments, 213 matches on Performance Title, 104 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Kensington Gardens

Afterpiece Title: Ripe Fruit

Afterpiece Title: Tom Thumb

Song: In 2nd piece: As17810822; End of 3rd piece: Moderation and Alteration, as17810817

Performances

Mainpiece Title: King Charles I

Afterpiece Title: The Beggar's Opera (Last Act only)

Dance: In afterpiece a Hornpipe by Middleton. IMITATIONS. End of mainpiece a variety of new Imitations by a Gentleman [probably Kean (see17850124)]. VAUDEVILLE. After the Imitations A Comic Sketch of the Times by Ryder, Greville, Mrs Hudson; and Bucks have at ye All by Cross

Performances

Mainpiece Title: The Law Of Lombardy

Afterpiece Title: Lethe; or, AEsop in the Shades

Performances

Mainpiece Title: The Giant Defeated; Or, The Reward Of Valour

Afterpiece Title: The Child of Nature

Afterpiece Title: The Death of Captain Cook

Song: End 2nd piece: Poor Thomas Day-Edwin, Davies, Bannister

Performances

Mainpiece Title: King Henry The Fifth; Or, The Conquest Of France

Afterpiece Title: The Virgin Unmask'd

Performances

Mainpiece Title: King Henry The Fifth; Or, The Conquest Of France

Afterpiece Title: The Romp

Performances

Mainpiece Title: King Henry The Fifth

Afterpiece Title: Comus

Performances

Mainpiece Title: At King's King Henry The Fifth; Or, The Conquest Of France

Afterpiece Title: The Liar

Performances

Mainpiece Title: King Henry The Fifth; Or, The Conquest Of France

Afterpiece Title: All the World's a Stage

Performances

Mainpiece Title: The Provok'd Husband; Or, The Journey To London

Afterpiece Title: Lodoiska

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: Lodoiska

Performances

Mainpiece Title: The Purse; Or, Benevolent Tar

Afterpiece Title: The Children in the Wood

Afterpiece Title: Lodoiska

Ballet: The Scotch Ghost. As17970105

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Lodoiska

Song: As17970222

Monologue: The Masque of Neptune and Amphitrite. As 22 Feb

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: Lodoiska

Ballet: The Scotch Ghost. As17961221

Performances

Mainpiece Title: The Last Of The Family

Afterpiece Title: The Fairy Festival

Afterpiece Title: Lodoiska

Dance: In 2nd piece: Dances incidental to the Piece, composed by Gentili. Principal Dancers-Gentili, Master Menage, Sga Bossi DelCaro, Mrs Wild

Performances

Mainpiece Title: Ramah Droog; Or, Wine Does Wonders

Afterpiece Title: The Ghost

Entertainment: Procession. End II: A Return from a Tiger Hunt- [, to the Rajah's Palace, representing the Rajah on an Elephant, returning from Hunting the Tiger, preceded by his Hircarrahs, or military Messengers, and his State Palanquin-the Vizier on another Elephant-the Princess in a Gaurie, drawn by Buffaloes-the Rajah is attended by his Fakeer, or Soothsayer, his Officers of State, and by an Ambassador from Tippoo Sultaun in a Palanquin; also by Nairs (or Soldiers from the South of India), Poligars (or Inhabitants of the Hilly Districts), with their Hunting-dogs, other Indians carrying a dead Tiger, and young Tigers in a Cage; a number of Seapoys-Musicians on Camels and on Foot-Dancing Girls. [This was included in all subsequent performances.

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Lodoiska

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: Lodoiska

Performances

Mainpiece Title: Indiscretion

Afterpiece Title: Lodoiska

Performances

Mainpiece Title: The Cities Loyalty Display'd; Or The Four Famous And Renowned Fabricks

Performance Comment: in the City of London Exactly described in their several Representations, what they are, with their private meanings and perfect Actions at the day of publick View, which is not yet discovered. Together with a true Relation of that high and stately Cedar erected in the Strand bearing five Crowns, a Royal Streamer, three Lanthorns, and a rich Garland.
Event Comment: The King's Company. Pepys, Diary: Sir W. Pen, my wife and I to the Theatre, and there saw The Country Captain, the first time it hath been acted this twenty-five years, a play of my Lord Newcastle's, but so silly a play as in all my life I never saw, and the first that ever I was weary of in my life. Herbert (Dramatic Records, p. 118) lists Love's Mistress for this date for Vere St., but the item is out of the normal order of the entries. To move it to 26 Oct. 1662 would place it on a Sunday. The play had been given previously (2 March 1661, 11 March 1661, 25 March 1661) by both the Duke's Company and King's Company. Possibly Herbert entered it on the wrong day. On Herbert's list, following Love's Mistress, are two plays, The Contented Collinell [Brenoralt] and Love at First Sight, each listed without a date. The former, under the title Brenoralt, had been acted at Vere St. on 23 July 1661; the second was soon to be acted there on 29 Nov. 1661

Performances

Mainpiece Title: The Country Captain

Event Comment: Boswell, (Restoration Court Stage, p. 280) lists this as by the King's Company, which had given it on 23 July 1662. Pepys, Diary: Hearing that there was a play at the Cockpit (and my Lord Sandwich, who came to town last night, at it), I do go thither, and by very great fortune did follow four or five gentlemen who were carried to a little private door in a wall, and so crept through a narrow place and come into one of the boxes next the King's, but so as I could not see the King or Queene, but many of the fine ladies, who yet are really not so handsome generally as I used to take them to be, but that they are finely dressed. Here we saw The Cardinall, a tragedy I had never seen before, nor is there any great matter in it. The company that came in with me into the box, were all Frenchmen that could speak no English, but Lord! what sport they made to ask a pretty lady that they got among them that understood both French and English to make her tell them what the actors said

Performances

Mainpiece Title: The Cardinal

Event Comment: The Duke's Company, the receipts for #20 being signed by Richard Baddeley (A Calendar of the Middle Temple Records, ed. Hopwood, p. 170). W. J. Lawrence (Review of English Studies, IX (1933), 221) suggests The Adventures of Five Hours as a possibility. Pepys, Diary: I met Madam Turner...she and her daughter having been at the play to-day at the Temple, it being a revelling time with them

Performances

Mainpiece Title: An Unidentified Play

Event Comment: The Duke's Company. The play apparently was never printed. Downes, Roscius Anglicanus, p. 26: Made out of Spanish, by the Earl of Bristol. Pepys, Diary: Went to a play, only a piece of it, which was at the Duke's house, Worse and Worse; just the same manner of play, and writ, I believe, by the same man as The Adventures of Five Hours; very pleasant it was, and I begin to admire Harris more than ever

Performances

Mainpiece Title: Worse And Worse

Event Comment: The King's Company. Pepys, Diary, 23 Jan.: Knipp made us stay in a box and see the dancing preparatory to to-morrow for The Goblins, a play of Suckling's, not acted these twenty-five years; which was pretty. Pepys, Diary, 24 Jan.: And, anon, at about seven or eight o'clock, comes Mr Harris, of the Duke's playhouse, and brings Mrs Pierce with him, and also one dressed like a country-mayde with a straw hat on; which, at first, I could not tell who it was, though I expected Knipp: but it was she coming off the stage just as she acted this day in "The Goblins"; a merry jade

Performances

Mainpiece Title: The Goblins