SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "delaGardes Two Sons"/1) | (@(roleclean,performerclean) "delaGardes Two Sons")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 1441 matches on Performance Title, 1101 matches on Event Comments, 564 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: In a letter to the Daily Post. 4 June, the Patentees of Drury Lane-Mary Wilks, John Ellys, Hester Booth, and John Highmore-stated the cast of the Patentees. The gist of their statement is: (1) They operate under a Patent commencing 1 Sept. 1732 which, by Deaths and Legal Assignments, is the property of the four, with Highmore possessing one half, at an expence of #6,000 and upwards. (2) Several of the Players have threatened to desert the service of the Patentees and have contracted with some of the Trustees (the Sharers) to secure possession of the Theatre. (3) Drury Lane is let upon lease from the Duke of Bedford, granted to Thomas Kynaston and Francis Stanhope, Trustees for the Sharers (commonly called Renters) of Drury Lane at the rent of #50 annually upon a Fine of 1,000 guineas paid for the renewal of the lease. (4) The Players, under the Patentees, have acted at Drury Lane for twenty-one years without any interruption form the Trustees upon the sole contract that the Patentees pay the Trustees #3 12s. each acting night, besides the Liberty of seeing Plays. (5) At the beginning of this Season the manager's office received a letter from a few of the Renters demanding an Advance of Rent. Highmore, being new, was concerned, and asked the managers to take care of the matter; and thereafter the signers (the Patentees) had heard of no further discontent among the Renters. (6) To defend themselves against stories of hardship or complaint by the actors, the Patentees point out that the following weekly salaries had been paid: Colley Cibber #12 12s.; Theophilus Cibber #5; Mills Sr, #1 daily for 200 days certain, and a benefit, clear of all charges; Mills Jr #3; Johnson #5; Miller #5; Harper #4; Griffin #4; Shepard #3; Hallam, for himself and his father, the latter of little or no service, #3; Mrs Heron #5; Mrs Butler #3. For these charges and others, the Patentees stand a daily expence of #49 when the theatre is open. (7) Further, the Patentees paid Cibber Jr his wife's whole salary without her being able to act the greater part of the winter, #9 weekly for the two; Mills Jr, in the same circumstances with his wife, #5 10s. weekly for the two; Miller a salary (amounting to #40) for eight weeks before he acted, and a gratuity of ten guineas; Griffin a present of ten guineas; Harper a present, amount not specified; Mrs Heron an increase form 40s. to #5 weekly, although she refused afterward to play several parts assigned her and acted but seldom

Performances

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Don Quixote in England

Performance Comment: Don Quixote-Roberts; Sancho-Mullart; but see17340405: In which are introduc'd two Scenes representing Don Quixote as a Candidate for Member of Parliament, which contain the Humours of Mayors and Corporations . but see17340405: In which are introduc'd two Scenes representing Don Quixote as a Candidate for Member of Parliament, which contain the Humours of Mayors and Corporations .

Dance: I: Prince of Wales's Saraband and Minuet by Davenport and Miss Brett. III: Les Bergers Heureux by Davenport and Miss Brett. V: The Black Joke by Davenport and Miss Brett

Song: In II: Lempio Rigor del Fato by Miss Jones. IV: Was ever Nymph like Rosamond by Miss Jones. End Afterpiece: A Dialogue by Master Arne and Miss Jones

Performances

Mainpiece Title: The Tender Husband

Afterpiece Title: Colombine Courtezan

Performance Comment: Pierot-Poitier; Harlequin-Le Brun; Colombine-Mrs Clive; Spaniard-Salway; Two Monkeys-Towers, Roberts; With Ridotto Al Fresco, but cast not listed; see17351206 . With Ridotto Al Fresco, but cast not listed; see17351206 .
Cast
Role: Two Monkeys Actor: Towers, Roberts

Dance: III: Drunken Peasant by Philips. V: Drunken Man by Salway

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Beggar's Pantomime: With New Scenes and several Alterations and Additions, particularly a Sequel to the Contention, call'd Pistol in Mourning

Performance Comment: Polly-Mrs Roberts; Pretender to Polly-Mrs Hamilton; Ghost of Gay-Lyon; Squire-Yates; Constable-Dove; Ben-Richardson; Beggar-Hewitt; Molly-Mrs Haughton; Sukey-Miss Tollett; Jenny-Mrs Dove; Mrs Slammekin-Miss Thornowets; Harlequin-Lun Jr; Clown-Penkethman; Attendants on Polly-Kelly, Corfe, Richardson, Stitchbury, Mrs Marshall, Miss Tollet, Miss Wilson, Miss Thornowets; Manager-Cox; Pistol-Mrs Charke; Ballad Singers-Two Masters Hamilton; With a New Ballad Prologue to the Pantomime,-Mrs Roberts; To which (by Desire) will be prefix'd, The Landing of Prince Germanicus-, and his Reception.

Performances

Mainpiece Title: Esther See deutsch, Handel, P

Performance Comment: 431, for a possible cast. With two Concertos on the Organ-; other Instruments-.
Event Comment: The hay advertised for 30 May and later two plays which never got staged: Macheath turn'd Pyrate; or, Polly in India. An Opera. Very much taken, if not improv'd from the famous Sequel of the late celebrated Mr Gay. With a New Prologue, proper to the Occasion. And after the Run of that, the Town will be entertain'd with a new Farce of two Acts, call'd The King and Titi; or, The Medlars. Taken from the History of Prince Titi, Originally written in French, and lately translated into English

Performances

Performances

Mainpiece Title: Theodosius; Or, The Force Of Love

Afterpiece Title: The Dragon of Wantley

Performance Comment: More-Salway; Mauxalinda and Margerinia-Two Misses Young; Gubbins-Laguerre; Dragon-Reinhold.
Event Comment: By Command of Their Royal Highnesses the Prince and Princess of Wales. Mainpiece: Written by Shakespear. N.B. The Boxes, not being equal to the great Demand for Places, by particular Desire, two Rowes of the Pit will be Rail'd into the Boxes; and two large Side-Boxes will be form'd on the Stage for the Accommodation of Ladies only

Performances

Mainpiece Title: King Henry The Fourth, Part Ii

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: Love For Love

Performance Comment: Sir Sampson-Shepard, the first time of his appearing on the stage these two years; Valentine-Milward; Ben-Macklin; Foresight-Johnson; Scandal-Mills; Tattle-Cross; Trapland-Griffin; Jeremy-Woodward; Angelica-Mrs Mills; Mrs Foresight-Mrs Pritchard; Mrs Frail-Mrs Butler; Prue-Mrs Clive; Nurse-Mrs Marshall.

Afterpiece Title: Robin Goodfellow

Cast
Role: 2d Colombine Actor: Mrs Chetwood

Performances

Mainpiece Title: Israel In Egypt

Performance Comment: See17390404 but Which will be shortned and Intermix'd with Songs-; And the two last new Concertos on the Organ-.

Performances

Mainpiece Title: Jupiter In Argos

Performance Comment: See Deutsch, Handel, p. 484, for speculation concerning the singers. Intermix'd with Choruses-; two Concertos on the Organ-.
Cast
Role: two Concertos on the Organ Actor: .

Performances

Mainpiece Title: Alexander's Feast

Afterpiece Title: An Ode of Mr Dryden's [For St

Performance Comment: Cecilia's Day]. Deutsch, Handel, p. 490, lists Signora Francesino, Beard; [With two new Concertos for several Instruments-.

Performances

Mainpiece Title: Alexander's Feast

Afterpiece Title: An Ode of Mr Dryden's

Performance Comment: See17391122, but two new Concertos for several Instruments-.

Performances

Mainpiece Title: Acis And Galatea

Performance Comment: Acis-Beard; Galatea-Signora Francescina; Polyphemus-Reinhold; Damon-The Boy (Deutsch, Handel, p. 492; Dean, Handel's Dramatic Oratorios, p.177); With two new Concertos for several Instruments-never perform'd before; The last New Ode of Mr Dryden's-; And a Concerto on the Organ-.

Performances

Mainpiece Title: Acis And Galatea

Performance Comment: See17391213, but two new Concertos for several Instruments-(never perform'd but once)-; Also The last New Ode of Mr Dryden's-; And a Concerto on the Organ-.

Performances

Mainpiece Title: Acis And Galatea

Performance Comment: See17391213, but With two new Concertos for several Instruments-; Also The last New Ode of Mr Dryden's- .

Music: nd% a Concerto on the Organ-

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Berry; Caliban-Johnson; Trincalo-Macklin; Ferdinand-Ridout; Stephano-Shepard; Ventoso-Woodward; Mustachio-Ray; Alonzo-Winstone; Antonio-Turbutt; Gonzalo-Woodburn; Sycorax-Taswell; Ariel-Miss Cole; Hippolito-Mrs Mills; Miranda-Mrs Walter; Dorinda-Mrs Clive; Infernal Spirit-Savage; Neptune-Savage; Milcha-Mrs Arne; Amphitrite-Mrs Arne; in which will be sung two additional new Songs by Mr Arne. in which will be sung two additional new Songs by Mr Arne.

Afterpiece Title: The Intriguing Chambermaid

Song: V: Lowe, During which the whole Crew will appear and return their humble Thanks to the Generous Audience

Performances

Mainpiece Title: A Fond Husband; Or, The Plotting Sisters

Performance Comment: Fond Husband-Chapman; Rashly-Milward; Ranger-Berry; Fumble-Johnson; Sir Roger-Marten; Sneak-Woodward; Cordelia-Mrs Pritchard; Betty-Miss Bennet; Spatterdash-Raftor; Jeremy-Woodburn; Governess-Mrs Egerton; Mrs Snare-Mrs Penkethman; Maria-Mrs Butler; Emilia-Mrs Clive; with two new songs-.
Cast
Role: with two new songs Actor: .

Dance: II: Les Jardinieres Suedois (Grand Comic Ballet, new)-Fausan, Signora Fausan, Muilment, Mlle Chateauneuf; V: Le Boufon-Fausan, Signora Fausan

Song: In IV: Lowe

Event Comment: Benefit a Tradesman under Misfortunes. At the Old Tennis-Court in James Street...a Concert of Musick, divided into Two Parts. To which will be given gratis [the two plays]. Stage-Boxes 3s. Front Boxes 2s. Pit 1s. 6d. Gallery 1s. 6 p.m. [Announced in Daily Advertiser only.

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Mock Doctor

Performance Comment: Parts-Persons for their Diversion.

Song: TThe Cuckow Song-

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Imprisonment, Release, Stratagems, and Marriage of Harlequin; with The Triumphs of Love

Performance Comment: Harlequin-Yates; Columbine-Mrs Dunstall; Father to Columbine-Julian; Florio-Marr; Dr Tack'em-Hemskirk; Clerk-Crofts; Mrs Drab-Mrs Bishop; Lawyer-Bennet; Keeper-Dunstall; Turnkey-Clough; Master of Punch House-Naylor; Porter-Laws; Dwarfs-Miss Naylor, two Masters Granier; Bustle-Vaughan; A grand Ballet-Froment, Granier, Dugay, Mlle Duval, Mrs Bullock, Mrs Vallois; Priests-Hemskirk, Naylor, Bennet; Priestesses-Mrs Bishop, Mrs Steel, Mrs Yates.

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Chapman; Johnson-Ryan; Smith-Cashell; First King of Brentford-Roberts; Prince Prettyman-Hale; Gentleman Usher-Hippisley; Second King of Brentford-Harrington; Prince Volscius-Gibson; Physician-Rosco; Drawcansir-Mullart; General-Stephens; Lieut General-Stevens; Lord Mayor-Marten; Tom Thimble-James; Thunder-Bridgwater; Lightening-Mrs Villeneuve; Sun-Bencraft; Moon-Leveridge; Earth-Salway; Amarillis-Miss Burgess; Chloris-Mrs Mullart; Pallas-Woodward; Two Sing@Song Dancing Spirits-Mrs Lampe, Miss Young; Players, Soldiers horse and foot, Cardinals, Judges, Sargeant at Arms-the rest of the comedians; With the Music-; Songs-; Dances-; Scenes, Machines, Habits, other Decoration proper to the play; With the Additional Reinforcements of Mr Bayes's New Rais'd Troops-.

Afterpiece Title: The Necromancer

Event Comment: Masque: By Particular Desire. The Gentlemen's Magazine for Jan. 1742 (p. 28) in an article On Two Italian Dancers comments rather fully on the Fausans' performance in Le Boufon; or the Idiot: My expectation was rais'd to the height but at their entrance on the stage, they alarm'd me by the inexpressive Agility and descriptive Action, Look and Motion, which were all performed With such mimic Variety, that I defy the most severe Cynic to say that they wou'd not at least raise in him an agreeable surprise, to see all the attitudes, Oddities and mock Gesticulations of the two Idiots, who may be suppos'd to be in Love with one another. It is not any distortion of Body or unnatural transposition of the limbs which they exhibit to the view, but the extravagant Idiotry which the passions of Love, Disdain, Joy, Resentment, would on a real occasion actuate on the personages they represent: Nor do they so manage their Dance that it is ungraceful: they take opportunities to show by actions and movements, that in their comic Humour they have an elegancy. This performance therefore, on Reflection, appear'd to me, instead of an unnatural extravaganza to be founded on the nicest Observations of Human Nature, and prove Signor and Signora to be persons of good judgment, as well as agility. Receipts: #80

Performances

Mainpiece Title: Comus

Dance: LLe Boufon-the Fausans; Le Genereux Corsaire, as17411021

Performances

Mainpiece Title: The Happy Captive

Performance Comment: With An Interlude in two Comic Scenes-Signior Capoccio, a Director from the Canary Island, and Signora Dorinna, a Virtuso.

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Garrick; Johnson-Giffard; Smith-W. Giffard; two Kings of Brentford-Vaughan, Clough; Prince Pretty@man-Marshall; Volscius-Peterson; Drawcansir-Paget; Thunder and Lightning-Dunstall, Miss Naylor; Players, Soldiers, Cardinals, Bishops, Judges, Lord@Mayor, Serjeants at Arms-the Comedians; the facetious Grand Dance-the Whole Company; King Phiz-Julian; Gentleman Usher-Yates; Amaryllis-Mrs Dunstall; Chloris-Mrs Yates; Pallas-Blakes; Parthenope-Miss E. Hippisley; With the total Eclipse of the Sun and Moon-; the part of Sol-Hemskirk; Luna-Stitchbury; Orbis-Mrs Bishop; Likewise Mr Bayes's Representation of a Grand Theatrical Battle by his new@rais'd Troops-; With Dancing-, Scenes, Machines, Habits, other proper Decorations.

Dance: As17420115

Event Comment: A New Opera [a pasticcio, Metastasio text altered by Rolli, form Pergolesi's Olimpiade, 1735 (Loewenberg, Annals of Opera, I, 183)]. Music by Pergolesi, Scarlatti, Lampugnani. L. Leo, F. Leo [libretto in L. C.]. Two of the principal Performers being greatly indispos'd, the Dancers are oblig'd to be deferr'd. Thomas Gray to John Chute, 24 May: Our fifth Opera was the Olimpiade, in which they retain'd most of Pergolesi's Songs & yet 'tis gone already, as if it had been a poor thing of Galuppi's. Two nights did I enjoy it all alone, snugg in a Nook in the Gallery, but found no one in those regions had ever heard of Pergolesi, nay, I heard several affirm it was a Composition of Pescetti's.-Gray, Correspondence, I, 203

Performances

Mainpiece Title: Meraspe O L'olimpiade