SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "delaGardes Two Sons"/1) | (@(roleclean,performerclean) "delaGardes Two Sons")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1441 matches on Performance Title, 1101 matches on Event Comments, 564 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [1st two pieces in place of The Chapter of Accidents, advertised on playbill of 16 June. Miss Fontenelle was from the Edinburgh theatre.] 3rd piece: Never performed here

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: The Citizen

Afterpiece Title: The Follies of a Day

Entertainment: Monologue. End 2nd piece: As17900614

Performances

Mainpiece Title: The Spanish Barber

Performance Comment: As17900630 but Count Almaviva-Palmer (1st appearance in that character these 2 years); Doctor Bartholo-Parsons (1st appearance on this stage these 2 years).
Cast
Role: Doctor Bartholo Actor: Parsons

Afterpiece Title: Taste and Feeling: A Dramatic Caricature

Afterpiece Title: The Liar

Entertainment: Monologue. End I 3rd piece: Liberty; or, Two Sides of the Water-Bannister Jun

Performance Comment: End I 3rd piece: Liberty; or, Two Sides of the Water-Bannister Jun.
Event Comment: "Yesterday evening Palmer performed the part of Inkle for the first time to a very full house. He went through the two first acts with much credit, and had he been less imperfect in the last scene it would have proved more interesting" (Diary, 24 Aug.)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Deuce is in Him

Dance: As17900701

Performances

Mainpiece Title: The German Hotel

Afterpiece Title: Annette and Lubin

Afterpiece Title: The Death of Captain Cook

Performance Comment: As17901106 PART I. A Nuptial Procession, with the Performance of the Marriage Ceremony, according to the Custom observed at O'Whyee. The Manner of a Combat between two Natives. PART II. The Arrival of the Resolution. The Disembarkation of the English, with the Ceremonies observed at entering into a Treaty of Peace with the Natives. A Preparation for a Human Sacrifice. The Assassination of Captain Cook. PART III. A Representation of the Naval and Military Honour, observed on erecting a Pile to the Memory of Captain Cook by the Officers of the Resolution. The Ceremony performed on the same occasion, according to the Manner of the Natives of O'Whyee. To conclude with a Representation of a Burning Mountain.
Event Comment: Paid Kemble in lieu of Two Benefits last Season #364 Receipts: #192 14s. 6d. (154.17.0; 36.4.0; 1.13.6)

Performances

Mainpiece Title: The School For Scandal

Cast
Role: Crabtree Actor: Parsons

Afterpiece Title: The Fairy Favour

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: A Trip to Elysium; or, Foote, Weston, Shuter, and Edwin in the Shades

Performance Comment: Foote (in the character of the Devil [in The Devil upon Two Sticks])-Bannister; Weston (as Doctor Last [in the same])-Wewitzer; Shuter (as Justice Woodcock [in Love in a Village])-Parsons; Edwin (as Lingo [in The Agreeable Surprise])-Wilson; Wilson-Evatt.
Cast
Role: Shuter Actor: Parsons

Afterpiece Title: Peeping Tom

Event Comment: The Duenna [advertised on playbill of 7 Dec.] is obliged to be deferred on account of the Indispoaition of Quick. [In mainpiece the playbill retains Mrs Martyr as Lucy, but she "had kibes, and accordingly Mrs Harlowe was drawn out in Lucy" (Oracle, 9 Dec.). Afterpiece in place of Two Strings to Your Bow, advertised on playbill of 7 Dec.] Receipts: #193 9s. 6d. (188.14.6; 4.15.0)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Oscar and Malvina

Dance: As17911112

Music: As17911024

Event Comment: By Permission of the Lord Chamberlain. Under the Patronage of several Persons of Distinction. Beneath the immediate Direction of a Venerable Veteran of the Stage. Afterpiece [1st time; C 2, author unknown. Not in Larpent MS; not published]: Reduced into Two Acts, from The Provok'd Wife

Performances

Mainpiece Title: King Henry Ii; Or, The Death Of Fair Rosamond

Afterpiece Title: The Humours of Sir John Brute

Entertainment: Monologue End: The Monody on the Death of Mr Henderson (3rd time at this theatre)-Baker

Event Comment: [In lieu of 1st two pieces the playbill announces Macbeth, but "Holman was disabled by illness; Macbeth was allotted to Harley...who was also indisposed." The Farmer and The Merry Mourners [i.e. Modern Antiques] were acted, but "Quick, in hurrying to the theatre, fell, and materially bruised his knee. Waldron played Quick's character. Mrs Watts...took the part which belongs to Mrs Harlowe" (London Chronicle, 7 Jan.).] Receipts: #132 19s. (132.4; 0.15)

Performances

Mainpiece Title: The Farmer

Afterpiece Title: Modern Antiques

Afterpiece Title: Blue Beard

Event Comment: [La Pastorella Nobile, with La Fontaine d'Amour and La Fete Villageoise announced, in place of La Discordia Conjugale, "unavoidably postponed," but not performed. "On Saturday last [the Pantheon] was burnt to the ground. The fire broke out about two o'clock in the Painter's room...The building before seven in the morning was a mere shell" (Morning Herald, 18 Jan.). For continuation of opera season see hay, 14 Feb.

Performances

Mainpiece Title: None

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. "A considerable tumult prevailed last night among the audience of this Theatre, on account of the unavoidable substitution of Miss Chapman and Mrs Harlowe for Mrs Esten and Mrs Wells (who are both indisposed). It was not that the audience objected to the former two, but because the names of Mrs Esten and Mrs Wells were printed in the bills usually sold about the Theatre, though not in those properly issued from the House. [Mrs Esten's name, however (but not Mrs Wells'), is listed in the "House" playbill for this night.] The audience were very violent, and the actors, after having nearly finished the first Act twice, were obliged to begin the Comedy a third time, before it was suffered quietly to proceed" (Morning Herald, 9 Feb.). "The fracas at Covent-garden Theatre on Wednesday evening was occasioned by the dexterity of certain Lottery Office keepers, who, in order to give notoriety to their shops, daily cause spurious Dramatis Personae of the theatres to be circulated; and on the reverse of these bills is conspicuously held forth the advantages of the public paying their cash into their gambling treasuries" (Morning Herald, 10 Feb.). Receipts: #191 17s. 6d. (187.2.6; 4.15.0; tickets: none listed)

Performances

Mainpiece Title: Notoriety

Afterpiece Title: Three Weeks after Marriage

Dance: As17910912

Event Comment: [In mainpiece the playbill retains Mrs Bland as Madelon, but "Mrs Bland has just presented her husband with two fair daughters...In consequence Miss DeCamp, last night, assumed the part of Madelon" (Morning Herald, 15 Aug.).

Performances

Mainpiece Title: The Surrender Of Calais

Cast
Role: Parsons Actor: Parsons

Afterpiece Title: The Village Lawyer

Cast
Role: Sheepface Actor: Parsons
Event Comment: It having appeared to be the Sense of a considerable Part of the Audience on Monday Night that the One Shilling Gallery should be restored, the Proprietor has already given Directions that their Wishes may be obeyed with all possible Expedition. With respect to the other Point, upon which some difference of Opinion still continued throughout the Performance, it is necessary to declare, that without absolute Ruin to the Property, this Theatre cannot be opened at lower Prices of Admission. The Proprietor therefore relies with Confidence on the Justice and Protection of the Public should any Attempt be made again to interrupt the Performance upon this Ground. [The new Upper, or One-Shilling, Gallery was constructed within two weeks, and opened on 1 Oct. The audience accepted The argument for the necessity of raising the prices of admission, which, as they now stood, remained in effect for the remainder of the century. 2nd piece in place of The Suspicious Husband, advertised on playbill of 17 Sept.] Receipts: none listed

Performances

Mainpiece Title: A New Occasional Prelude

Afterpiece Title: The Duenna

Afterpiece Title: Modern Antiques; or, The Merry Mourners

Event Comment: [The playbill assigns the Dauphin to Barrymore but, "Benson performed the Dauphin instead of Barrymore" (Thespian Magazine, Nov. 1792, p. 125). It is not stated who acted Duke of Gloster; doubling these two parts is not likely.] Account-Book: Paid The Prince of Wales's Porter for Performances in Cymon [on 31 Dec. 1791, et seq.] #13 10s. Receipts: #169 9s. 6d. (118.6.6; 46.8.0; 4.15.0)

Performances

Mainpiece Title: At King's King Henry The Fifth; Or, The Conquest Of France

Afterpiece Title: The Liar

Event Comment: By Permission of the Lord Chamberlain. Benefit for Sims. Mainpiece: As altered from Wycherley by David Garrick, Esq. The Doors to be opened at 5:30. To begin at 6:30. Tickets to be had of Sims, the Theatrical Register, Wrekin Tavern, Broad-court, Long-acre; at the Blue Post Coffee-house, Charlotte-street, Rathbone-place; the Tun, Goodge-street, Middlesex Hospital; the Green Man, Union-street, Middlesex Hospital; the Wheat Sheaf, Rathbone-place; of Price, at the Coach and Horses, Holborn; at the Duke of Clarence Coffee-house, Haymarket; Spencer's, Two Blue Posts, Southampton-buildings; and of Rice at the Theatre

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Who's the Dupe

Song: End I: song-a Young Lady; End II: song-Incledon; End III: song-a Lady; End IV: song-Johannot

Entertainment: Monologues End: Roxana's Epilogue-; British Loyalty; or, A Squeeze to St. Paul's-Lyon

Performances

Mainpiece Title: At King's Jane Shore

Afterpiece Title: The Cheats of Scapin

Performance Comment: Thrifty-Wewitzer; Gripe-Suett [the assignment of these two parts may be a misprint; see17921222 and thereafter]; Octavian-Whitfield; Leander-Barrymore; Scapin-Bannister Jun.; Shift-R. Palmer; Lucia-Miss Heard; Clara-Miss Collins.
Event Comment: Benefit for Mrs Siddons. Mainpiece [1st time; T 5, by Arthur Murphy. Prologue by John Philip Kemble (see text). Author of Epilogue unknown; European Magazine, Apr. 1793, p. 306, prints two Epilogues: the one spoken by Mrs Siddons, and the one "as originally written by Thomas? Vaughan"]. Morning Herald, 20 Mar. 1793: This day is published The Rival Sisters (1s. 6d.). Morning Herald, 25 Feb.: Tickets to be had of Mrs Siddons, No. 49, Great Marlborough-street. Receipts: #451 6s. 6d. (243.1.0; 21.18.0; 1.18.0; tickets: 184.9.6) (charge: #154 9s. 8d.)

Performances

Mainpiece Title: At King's The Rival Sisters

Afterpiece Title: The Prisoner

Related Works
Related Work: The Prisoner Author(s): Thomas Attwood
Event Comment: 1st piece: With Alterations; Not acted these 6 years [acted 18 May 1792]. [The playbill announces this performance as "By Command of Their Majesties," but they, "who had been expected here last night, did not arrive; the indisposition of two of the Princesses having detained them at Windsor" (Morning Herald, 16 Apr.). "After the Relief of Williamstadt [which is not listed on the playbill, but which on 13 Apr. is called '8th Time,' and on 16 Apr. '10th Time'], the Irishman in London...was attempted to be performed; but after many unsuccessful apologies, the piece was not suffered to proceed, and the farce originally intended for representation, The Lying Valet, not without considerable difficulty, many of the performers having quit the theatre, was gone through with, to the gratification of a part of the audience who appeared determined rather to exercise their power than adhere to propriety" (Public Advertiser, 16 Apr.).] The Doors to be opened at 5:30. To begin at 6:30 [same for rest of season]. Receipts: #345 5s

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: The Relief of Williamstadt

Afterpiece Title: The Lying Valet

Dance: End: The Bouquet-Byrn, Mme Rossi

Song: III: a song in character-Mrs Clendining

Event Comment: [In mainpiece the playbill retains Palmer as Woodville , but "The curtain was dropped in the middle of the first act, and after a delay of near half an hour, Barrymore informed the audience Palmer was not come to the theatre...and therefore solicited permission for Benson to [act] Woodville, which he had undertaken at a few minutes' notice. Benson (who had played the two first scenes of Vane) agreeable surprised the audience by his representation of Woodville" (Thespian Magazine, June 1793, p. 2). Who continued in the part of Vane (which cannot be doubled with that of Woodville) is not stated. R. Palmer, who acted it on 14 Feb., was indisposed.] Receipts: #175 4s. (117.16; 52.14; 4.14)

Performances

Mainpiece Title: At King's The Chapter Of Accidents

Afterpiece Title: The Prize

Event Comment: Afterpiece: For the first time reduced to Two Acts

Performances

Mainpiece Title: The Spanish Barber

Cast
Role: Doctor Bartholo Actor: Parsons

Afterpiece Title: The Commissary

Event Comment: [Mrs Pollock's 1st two appearances were on 24 Nov. 1792 and 14 Jan. 1793.] Afterpiece: Not acted these 3 years. Being a Collection of Favorite Scenes from the following celebrated Pantomimes: Harlequin Sorcerer, Mother Shipton, Choice of Harlequin, Lord Mayor's Day, Druids, Fryar Bacon, Harlequin Freemason, Norwood Gipsies, Omai, Magic Cavern, Harlequin Rambler. [Synopsis of Entertainment in Public Advertiser, 3 Oct.] Receipts: #261 11s. (245.5; 16.6)

Performances

Mainpiece Title: How To Grow Rich

Afterpiece Title: Harlequin's Chaplet

Entertainment: Afterpiece: [To conclude with Three Entire New Scenes, representing the Town and Harbour of Toulon; with a View of the Manoeuvring of the British, Spanish, and French Fleets, after the Surrender of the Town and Fortifications to the English] on the Twenty-ninth of August [1793]. In which, When in War on the Ocean-Davies; an Entire New Song [composed by Shield,-Incledon; The Music- [Selected by Shaw from Pepusch, Dr Arne, Arnold, Fisher, [Michael] Arne, Vincent, Dibdin, Reeve, Shield; The Dances-Byrn, Holland[; The Scenery-Hodgins, Walmsley, Phillips

Performances

Mainpiece Title: The German Hotel

Afterpiece Title: Annette and Lubin

Afterpiece Title: The Death of Captain Cook

Performance Comment: As17931106 PART I. A Nuptial Procession, with the Performance of the Marriage Ceremony, according to the Custom observed at O'Whyee. The Manner of a Combat between two Natives. PART II. The Arrival of the Resolution. The Disembarkation of the English, with the Ceremonies observed at entering into a Treaty of Peace with the Natives. A Preparation for a Human Sacrifice. The Assassination of Captain Cook. PART III. A Representation of the Naval and Military Honour, observed on erecting a Pile to the Memory of Captain Cook by the Officers of the Resolution. The Ceremony performed on the same occasion, according to the Manner of the Natives of O'Whyee. To conclude with a Representation of a Burning Mountain.
Event Comment: A new Comic Opera; the music by Cimarosa, under the direction of Federici. The music of both dances by Miller. With entirely new Dresses, Scenes and Decorations, both in the Theatre itself, and in the Representations. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. No Money to be returned. The Subscribers are respectfully entreated to observe that they are to produce their Tickets at the doors. The Doors to be opened at 6:30. To begin at 7:30 [same throughout season, except on 15 May). The Ladies at the Head of the Boxes arc respectfully reminded that such Boxes as shall not be paid for at the opening of the Theatre become then vacant, and may be claimed by any of the old Subscribers. No one to be admitted behind the scenes. For the greater Safety of the Company in coming and going out of the Theatre Mr Townsend has taken charge of the Peace Officers, and will himself attend every night of Performance. [Morning Herald, 12 Jan., notes than the original gallery is now divided into two, a lower and an upper, and that the chief colors used in the repainting of the auditorium are blue, white and gold. Ibid, 13 Jan.: The scenes [in the opera], which were entirely new, have never been exceeded in splendour of general effect...One, representing the hall of an Italian villa, shews a ceiling designed like that of the theatre itself [which the same newspaper, 4 Jan., describes as being Apollo and the Muses, in a cove enriched with allegorical figures, flowers, and medals, in chiaroscuro].]

Performances

Mainpiece Title: Il Matrimonio Segreto

Dance: End of Act I a new Divertisement, composed by Noverre [performers not listed]; End of Act II a new Pantomimic Ballet, composed by Noverre, Adelaide; ou, La Bergere des Alpes, by Aumer, Gentili, Mme Del Caro, Mlle Hilligsberg, Mme M. L. Hilligsberg Sen

Related Works
Related Work: Albert and Adelaide; or, The Victim of Constancy Author(s): Thomas Attwood
Event Comment: [In 1st and 3rd pieces the playbill retains Wewitzer, but "Previous to the drawing up of the curtain Bannister Jun. solicited the indulgence of the audience for Benson, who had in the course of the day studied two characters for which Wewitzer (who was indisposed) was announced in the bills" (Thespian Magazine, Feb. 1794, p. 88).)

Performances

Mainpiece Title: My Grandmother

Afterpiece Title: THE CHILDREN IN THE WOOD

Afterpiece Title: HARLEQUIN PEASANT

Event Comment: Benefit for Kent and Family. By Desire of Her Serene Highness, the Margravine of Anspach. Kent's most respectful Compliments waits on the Ladies and Gentlemen of Hammersmith, and its Vicinity, informs them that Mr Newman has kindly granted the Assembly Room for one or two Evenings; to accomodate Her Highness the Margravine and principal Inhabitants: Kent has spar'd neither trouble or expence to render it conveniant [sic] as possible, the Room itself being very respectable & the Entrance unexceptionable. He earnestly solicits the company of his Friends in general, assuring them that every endeavour will be exerted for their Entertainment; the Interest of every Lady & Gentleman will be ever most gratefully remember'd, as very highly contributing to Kent's extricating himself from a Situation obvious to all acquainted with the Expence he has been at, and the ill Success he has met with. To begin exactly at 6:30. Admittance 2s. Tickets to be had at the Winsor Castle, of Kent, and Miss Connard in Union Court, and of Miss Kent, at Mrs Bevias

Performances

Mainpiece Title: The School For Scandal

Performance Comment: Sir Peter Teazle-Kent; Sir Oliver Surface-A Gentleman from London; Joseph Surface-A Gentleman from London; Crabtree-Morphew; Sir Benjamin Backbite-Baker; Rowley-Cooper; Moses-Parsons; Careless (with a song)-Johnson; Charles-Skerrett//Lady Teazle-Mrs Parsons; Maria-Miss Kent; Lady Sneerwell-Mrs Smith; Maid-Miss Connard; Mrs Candour-Mrs Johnson .

Afterpiece Title: WHO'S THE DUPE

Performance Comment: Granger-A Gentleman from London; Old Doiley-Kent; Grad us-Jo.hnson//Miss Doiley-Mrs Parsons; Charlotte-Miss Kent. VAUDEVILLE. End of mainpiece Garrick's Picture of a Modtrn Fint Lady by Miss Kent; a song (1st time) by Miss Connard; an Address to the Ladies by Miss C. Kent, a child 5 years old; a favourite song of Sans Cullote by Johnson; to conclude with an Address of ThtJnks, written by a Lady purposely for Mr Kent & Family, spoken by Kent . a song (1st time) by Miss Connard; an Address to the Ladies by Miss C. Kent, a child 5 years old; a favourite song of Sans Cullote by Johnson; to conclude with an Address of ThtJnks, written by a Lady purposely for Mr Kent & Family, spoken by Kent .