SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "delaGardes Two Sons"/1) | (@(roleclean,performerclean) "delaGardes Two Sons")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1441 matches on Performance Title, 1101 matches on Event Comments, 564 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: N.B. The two new dancers will make their first appearance this evening (Public Advertiser)

Performances

Mainpiece Title: Arianna E Teseo

Event Comment: An Oratorio in two Parts never perform'd before. 7 p.m. By Charles Barbandt. Boxes 10s. 6d. Pit 3s. Gallery 2s. By Subscription. N.B. Ladies are desired to send servants to take places

Performances

Mainpiece Title: David And Jonathan

Music: Solo on Violin-Jackson; Solo on German Flute-Kolowiky; Solo Violincello-Paxton; Solo Hautboy-Barbandt

Event Comment: Afterpiece: By Desire. Boxes #62 10s. 6d. Macklin's fifth above charges came to #25 2s. 11d. Paid for sundry clothes from Voelcher #30 10s. Paid Blackmore a Bill for Rich #29 10s. and a Bill for the Theatre from 19 April last: #84 (Account Book). [On 1 Feb. one H. F. of the Middle Temple wrote to Macklin suggesting two things to insure the success of the Married Libertine. The first was practical, "bring in a claque of friends to counteract the noise of the Scots Lords who are opposing it." The second was revisional: "The play is too long,--shorten it and give the house notice that you have so done. The scenes wherein Lady Belville is solemn, grave, complaining and moral may be much abbreviated; this will...take away that heavy, lazy and sleepy (however just) part which makes your friends languish and grow cold, and gives your enemies an opportunity to improve their rancor and malignity. This observation may be applied to every recital, narrative or description which is not absolutely necessary or descriptive,--I mean necessarily connected with the frame, contexture & execution of the drama, or something designed or painted with uncommon poetic fire and enthusiasm. Pray consider whether that serious, moral and sentimental part in the character of Angelica might not be curtailed, or entirely omitted. I would have your young captain fully employed in action without ever standing still to moralize or harangue, however sensibly and poignantly he may do it. After all this there will remain a rich and uninterrupted vein of true comic humour and lively representation in short, a well connected series and succession of business which I am convinced would keep the audience so attentive and so entirely possessed that there would be no room for languor or malice to produce any effect to your detriment." (Memoirs of Macklin [Harvard Theatre Collection, extra-illustrated edition, I, part 2, p. 414.] Receipts: #188 14s. 6d. (Account Book)

Performances

Mainpiece Title: The Married Libertine

Afterpiece Title: Love a-la-Mode

Dance: Poitier Jr, Mlle Capdeville

Event Comment: A sacred oratorio in two parts by Charles Barbandt. Tickets delivered for 28 Jan. will be admitted

Performances

Mainpiece Title: Paradise Regained

Music: Solos on violin-Jackson; German Flute-Kolowiky; Violincello-Paxton; Hautboy and on Organ-Barbant [sic]

Event Comment: Boxes #15 12s. 6d. Macklin's fifth came to #16 9s. Paid Woodfall's Printing Bill, commencing 22 Sept. last and ending 10 Jan. #128 11s. Paid Ledlay for 7 1!2 doz. wax candles #11 12s. 6d. Paid Pattinson, tallow chandler #14 17s. 6d. Paid Besworth for making ghost's dress for Hamlet #6 18s. Paid for a wig for Cable in Thomas and Sally 3s. 6d. (Account Book). On Saturday Evening during the play of the Married Libertine...several riots ensued, occasioned by a number of Jews assembled for that purpose in the two shilling gallery; but they were soon quelled (Public Ledger, 10 Feb.). Receipts: #143 4s. (Account Book)

Performances

Mainpiece Title: The Married Libertine

Afterpiece Title: Love a-la-Mode

Dance: As17610202

Event Comment: Boxes #23 15s. Paid Mr Forrest Sr, in full his bill ending Nov. last #97 10s. Paid Wilkinson on account #50. Paid Bingley two bills for wax candles #9 14s. Paid Bosworth a bill for Mrs Latter's Board for 8 weeks. #1 16s. (Account Book). Receipts: #116 6s. (Account Book)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Rape of Proserpine

Event Comment: Farce in two acts never performed before. Full prices. [See advertisement to Reed's 1761 edition where he accuses Foote of taking the character of Mrs Cole in the Minor from Mrs Snarewell.] A new farce wrote by one Reed, a ropemaker, brought out by Mr Foote--went off tolerable--hissed a little at the end (Hopkins MS Notes). [See advertisement for the Universal Register Office General Advertiser 18 Oct. 1750: This Office being much approv'd and encouraged especially by Ladies and Gentlemen in the Country, we have daily enquiries by those who are just come to town, and many letters from those in the country to procure houses and lodgings, both furnished and unfurnished, for single Gentlemen, Ladies, and Families for the winter; and also boarding houses as well in French Families as in English Families." Announces its books open to any who wish to register there. The afterpiece met with trouble from the Licenser. Larpent MS 189 and 196, indicate the exceptionable passages to be those using profanity, and those of Mrs Snarewell's capable of double entendre, principally about the comfort she received from Mr Watchlight who was called twice out of bed to pray-"so ernest in his ejaculations, &c."

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Register Office

Event Comment: Afterpiece: In Two Acts. Last Night

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Citizen

Dance: As17610727 Hornpipe-Miss Scott

Performances

Mainpiece Title: Le Speranze Della Terra

Performance Comment: The Music performed not only by the Opera singers and the usual orchestra, but also by a very considerable number of vocal and instrumental performers (all Englishmen) who will be divided into two bands: one in the usual place, and the other in the upper gallery. The Dances, Scenes, Illuminations, Dresses and other Decorations (the whole new) will be made to correspond as much as possible, with the solemnity of the drama.

Afterpiece Title: Le Promesse del Ciels

Event Comment: Mainpiece: Not acted these two years. [See 12 Dec. 1759.] Income from Boxes #15 10s. Nightly expenses as usual #39 7d. [See 3 Nov. payment to Shaw.] Receipts: #109 8s. 6d. (Winston Theatrical Record)

Performances

Mainpiece Title: Zara

Afterpiece Title: The Fair

Event Comment: Income from Boxes #17 17s. Expenses #41 2s. 5d. Bought a figured velvet suit lac'd for #16 16s.; a Pursuivant's coat for #3 3s.; Extras in Romeo: 2 Trumpets 10s.; Two Flutes 10s.; one Kettle Drum 5s.; and Mr Vincent 5s. Receipts: #110 9s. 6d. (Winston Theatrical Record)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Fair

Event Comment: Farce not acted in two years. [See 23 Oct. 1759.] Dance taken from the picture by Teniers

Performances

Mainpiece Title: The Provoked Wife

Afterpiece Title: Fortunatus

Event Comment: [The Singing, a Musical Interlude by G. A. Stevens, comprising a song and dance of sailors. Popular on Declaration of war with Spain (Biographia Dramatica).] Mainpiece: Not performed in two years. [See 29 April 1760.

Performances

Mainpiece Title: The Lady's Last Stake

Afterpiece Title: The Genii

Song: IV: A New Comic Interlude of Singing and Dancing, call'd Hearts of Oak The Characters-Lowe, Stevens, Fox, Vincent, Miss E. Young, Miss Baker

Performances

Mainpiece Title: The Lyar

Afterpiece Title: The Minor

Performance Comment: As17611110, but reduc'd to two acts; The Minor-Dyer; Richard Wealthy-Lewis.

Dance: II: The Pedlar Trick'd, as17620107; End: The French Country Gentleman, as17611210

Event Comment: Mainpiece: Not acted these two years. [See 5 May 1760.

Performances

Mainpiece Title: The Funeral; Or, Grief A-la-mode

Afterpiece Title: The Genii

Song: III: Hearts of Oak-. [See17620209]

Event Comment: Mainpiece: Reduc'd to two acts. After which (being particularly desired) will be performed the New Serenata, composed by Dr Arne in honour of the late Royal Nuptials

Performances

Mainpiece Title: Alfred The Great

Afterpiece Title: Beauty and Virtue

Music: As17620305

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Minor

Performance Comment: As17611109, but reduc'd to two acts: Shift, Smirk, Mrs Cole, Epilogue-King; Minor-Holland; Lucy-Mrs Hopkins.

Entertainment: I: King (for this night only) will present the Public with a Serio-Comic, Satiric, Prophetic, Poetic Oration, call'd The Brass Prophecy or News Ten Years Hence-King; End Farce, By Particular Desire: The Picture of the Playhouse or Bucks Have at ye All-King

Dance: IV: A New Hornpipe-Miss Baker. *uö?dl After: The Farmer's Return from London. As17620329

Event Comment: Benefit for Lalauze. Afterpiece: Not perform'd these two years. [See 6 May 1760.

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Jealous Farmer Deceiv'd [Harlequin Statue]

Dance: II: La Petite Bergere-Miss Lalauze (Eight years of age) being her fourth appearance on the stage [see17590425; 23 April 1760; 22 April 1761]; IV: A Serious Dance-Miss Lalauze; V: [A Ball Dance, call'd The Louvre, Minuet-a Young Gentleman (Eight years of age, a scholar to Mr Lalauze, his first appearance on any stage), Miss Lalauze

Entertainment: After: By Particular Desire, for this night only Hippisley's Drunken Man-Shuter

Event Comment: The Sixteenth Day. The last morning lecture but two

Performances

Mainpiece Title: The Orators

Event Comment: The Thirtieth Day, Being the last night but two

Performances

Mainpiece Title: The Lyar

Afterpiece Title: The Orators

Event Comment: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. No Admittance behind Scenes. No Money to be returned after Curtain is drawn up. Places to be had of Mr Johnston at the Stage Door. To Begin precisely at half an hour after Six. [Customary information at foot of each bill, will not be further noted.] [Announcement of improvements in the physical plant appeared in the newspapers in August 1762. Aug. 2. "A great number of workmen are now employed in getting ready Drury Lane Theatre for the ensuing season. The stage has been greatly lengthened, and the Pit and Boxes considerably enlarged, having taken in one of the lobbies for that purpose; the two galleries are also entirely rebuilt, and rendered much larger and more commodious, and the slips on each side are formed into green boxes. It is computed from the several alterations made that the house will contain #90 more than heretofore." Aug. 11: "We hear that the greatest improvements are making in Drury Lane Theatre against the ensuing season ever known, particularly a fine artificial cascade which will be exhibited in an entertainment the grandest and most beautiful ever seen in this or in any Kingdom."-Theatrical Miscellanies, Boston Public Library, Cuttings, G 60.23.

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Old Maid

Dance: End: Hornpipe-Vincent

Event Comment: Mainpiece: Not acted this season. Tomorrow will be Reviv'd the second part of King Henry the 4th, New Dress'd in the Habits of the Times (playbill). [In a letter 14 Nov. 1762, T. H. suggested to Garrick a scenic device for the last scene of Act II, of the Wonder, a device he had noted in the Portuguese theatres in Lisbon, to give a view of a number of gallants passing before the window of a lady": two large windows to be made in the scene, cover'd with gauze to give a transparancy and the effect of glass, the windows to be barrel likewise in imitation of a casement (Harvard, D. Garrick, Original MSS (1930) No. 6. TS 1116.256.3).

Performances

Mainpiece Title: The Wonder; Or, A Woman Keeps A Secret

Afterpiece Title: Fortunatus

Dance: I: The Bavarian Shoemakers, as17621009

Event Comment: With New Habits, Scenes, Decorations and Music. Full Prices. Songs in the Entertainment will be given out at the Theatre. Afterpiece compos'd by Love, perform'd with success (Victor, I, 40). [N.B. In June 1762 the King of the Cherokee Indians arrived with two of his chiefs to pay respects to King George III. On 28 August they appeared at Marylebone Gardens. A dmission Price to see them 6d. (London Chronicle, No 857 & 860).

Performances

Mainpiece Title: Lady Jane Gray

Afterpiece Title: The Witches; or, Harlequin Cherokee

Song: IV: Miss Young

Event Comment: Tomorrow, Never acted there, The Two Gentlemen of Verona, from Shakespear

Performances

Mainpiece Title: Rule A Wife

Afterpiece Title: The Witches

Event Comment: The good sense of the audience condemned this piece to oblivion, after, we think, two representations (Biographia Dramatica). [Contrived by Guerini (Nicoll, Eighteenth Century Drama, p. 355). Victor says Guerini played Pantaloon (History of Theatre, III, 48.] Sunday 2 January, Mr Pritchard Died (Cross Diary)

Performances

Mainpiece Title: Barbarossa

Afterpiece Title: The Magician of the Mountain