SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "court"/1) | (@(roleclean,performerclean) "court")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 582 matches on Event Comments, 131 matches on Roles/Actors, 64 matches on Performance Title, 41 matches on Performance Comments, and 0 matches on Author.

Performances

Mainpiece Title: Il Curioso Indiscreto

Dance: End of Act I New Divertissement, as17850303End of Opera; Convitato di Pietra, as17850312athi

Performances

Mainpiece Title: Finta Principessa

Dance: As17850329hroughout

Performances

Mainpiece Title: La Finta Principessa

Dance: End of Act I A La Plus Sage, as17850303End of Opera Il Convitato di Pietra, as17850312athi

Performances

Mainpiece Title: La Finta Principessa

Dance: As17850329hroughout

Performances

Mainpiece Title: La Finta Principessa

Dance: As17850329hroughout

Performances

Mainpiece Title: Artaserse

Dance: As17850329hroughout

Performances

Mainpiece Title: The Follies Of A Day

Cast
Role: Crier of the Court Actor: Bates

Afterpiece Title: The Nunnery

Dance: As17841116

Performances

Mainpiece Title: Artaserse

Dance: As17850405 throughout

Performances

Mainpiece Title: Artaserse

Dance: As17850405 throughout

Performances

Mainpiece Title: La Finta Principessa

Dance: End of Act I New Divertissement, as17850303End of Opera The Deserter, as17850111

Performances

Mainpiece Title: Artaserse

Dance: As17850426 throughout

Performances

Mainpiece Title: The Follies Of A Day

Cast
Role: Crier of the Court Actor: Bates

Afterpiece Title: The Poor Soldier

Performances

Mainpiece Title: Ii Pittore Parigino

Dance: End of Act I New Divertissement, as17850303but omitted: Frederic, and Dance in Wooden Shoes; End of Opera Il Convitato di Pietra, as17850312athi

Performances

Mainpiece Title: The Follies Of A Day

Cast
Role: Crier of the Court Actor: Bates

Afterpiece Title: The Poor Soldier

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I Dance in Wooden Shoes [here entitled La Dance del Sabots], as17850303End of Opera Don Juan, as17850407

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I La Dance des Sabots, as17850609 End of Opera The Deserter, as17850111, but added: Mme Bithmer

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I an entirely New Divertissement (1st time; composed by Simonet) by Lepicq, Mme Rossi, Sg and Sga Angiolini, Zuchelli, Mme Bithmer, Duquesney, Miss Harvey, Frederic, Nivelon, Mlle Dorival; End of Opera The Deserter, as17850614

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I New Divertissement, as17850618 but omitted: Lepicq, Mme Rossi; End of Opera Robin Gray, as17850414, with a Pas de Deux, as17850115, and the Caledonian Reels, as17850421, but Nivelon in place of Lepicq

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I Robin Gray, as17850628 End of Opera The Deserter, as17850111

Event Comment: The King's company. On 31 Aug. or 1 Sept. 1664 Orrery wrote to Sir Henry Bennett: Ther was noe Play of myne Acted, they are now but Studyinge it; I hope within less then a Fortnight twill be on ye Theater And if you are not surfetted, with what of mine you have already seene [Henry V], I will beg ye honour to wait on you when tis Acted (see The Dramatic Works of Roger Boyle, ed. W. S. Clark@II [Cambridge, Mass., 1937], 1, 102). The play is also on the list of Herbert, Dramatic Records, p. 138. Boswell, Restoration Court Stage, p. 281, lists it among the plays given at court, but Sir Heneage Finch's note (see below) seems to indicate an afternoon performance. Sir Heneage Finch to Sir Edward Dering, 15 Sept. 1664: Yesterday was acted, in the Greatest and noblest presence wch ye Court can make, before ye fullest Theatre, & with the highest applause imaginable, my Lo Orerys new play calld ye Generall formerly acted in Ireland by the name of Altamira, but much altered & improved. From thence the whole Court went to Wallingford house, where the Earl of Arran and the Lady Mary Stuart were that night before Supper marryd in the Gallery (Dramatic Works of Roger Boyle, I, 103, from Stowe MS 744 f. 81)

Performances

Mainpiece Title: The Generall

Event Comment: On this date the masque was certainly acted, and the possible performance on 15 Feb. 1674@5 may have been a final rehearsal. Newdigate newsletters (Folger Shakespeare Library): This day the great maske at court is publiquely acted wch is intended to exceed all others of that Nature, the 2 young Princesses, the Duke of Monmouth & all ye principall persons of quality abt ye Court having parts in it (Wilson, Theatre Notes, p. 79). The Bulstrode Papers (1, 277): 15 Feb. 1674@5: To-morrow the great mask at Court is to be publickly acted in all its bravery and pompe, the like of whch was never yett seene, all the greatest persons of quality about Court having pts in it

Performances

Mainpiece Title: Calisto

Afterpiece Title: Calisto's Additional performers

Event Comment: Edward Gower to Sir R. Leveson, 26 Feb. 1660@1: No more plays at court after this night, and but three days this week at the playhouse (HMC, 5th Report, 1876, p. 202). Boswell (Restoration Court Stage, p. 279) accepts this as evidence that a play was acted at Court on this night. As this was Shrove Tuesday, Gower's statement may well reflect the restrictions upon plays during Lent

Performances

Event Comment: The King's Company. See 5 Feb. Pepys, Diary: [The Slighted Maid] being done, we took coach and to court, and there got good places, and saw The Wilde Gallant, performed by the King's house, but it was ill acted, and the play so poor a thing as I never saw in my life almost, and so little answering the name, that from beginning to end, I could not, nor can at this time, tell certainly which was the Wild Gallant. The King did not seem pleased at all, all the whole play, nor any body else, though Mr Clerke whome we met here did commend it to us....Now as my mind was but very ill satisfied with these two plays themselves, so was I in the midst of them sad to think of the spending so much money and venturing upon the breach of my vow, which I found myself sorry for, I bless God, though my nature would well be contented to follow the pleasure still. But I did make payment of my forfeiture presently, though I hope to save it back again by forbearing two plays at court for this one at the Theatre, or else to forbear that to the Theatre which I am to have at Easter. But it being my birthday and my day of liberty regained to me, and lastly, the last play that is likely to be acted at Court before Easter, because of the Lent coming in, I was the easier content to fling away so much money

Performances

Mainpiece Title: The Wild Gallant

Event Comment: The Duke's Company. Boswell (Restoration Court Stage, p. 282) thinks that this play given on the L. C. lists--see Nicoll, Restoration Drama, p. 346--between 29 Oct. and 6 Nov., may have been acted on this day. See also an order for supplies for the comedians acting at court in Alwin Thaler, Shakespear to Sheridan, p. 290. Pepys, Diary: I to White Hall, where I staid walking up and down till night, and then got almost into the playhouse, having much mind to go and see the play at Court this night; but fearing how I should get nome, because of the bonefires and the lateness of the night to get a coach, I did not stay

Performances

Mainpiece Title: Mustapha

Event Comment: The King's Company. For an edition of this play from the MS prompt copy, see The Change of Crownes, ed. F. S. Boas (Oxford University Press, 1949). For the consequences of Lacy's ad libbing, see 16, 20, and 22 April, and 1 May. Pepys, Diary: I to the King's house by chance, where a new play: so full as I never saw it; I forced to stand all the while close to the very till I took cold, and many people went away for want of room. The King and Queene, and Duke of York and Duchesse of York there, and all the Court, and Sir W. Coventry. The play called The Change of Crownes; a play of Ned Howard's the best that ever I saw at that house, being a great play and serious; only Lacy did act the country-gentleman come up to Court, who do abuse the Court with all the imaginable wit and plainness about selling of places, and doing every thing for money. The play took very much.... Gervase Jaquis to the Earl of Huntington, 16 April: Here is another play house erected in Hatton buildings called the Duke of Cambridgs play-house, and yester-day his Matie the Duke & many more were at the King's Playe house to see some new thing Acted (Hastings MSS, HA 7654, Huntington Library)

Performances

Mainpiece Title: The Change Of Crowns