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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "comte de Pont de Veyle"/1) | (@(roleclean,performerclean) "comte de Pont de Veyle")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1607 results for: Keyword - comte de Pont-de-Veyle
We found 994 matches on Performance Title, 431 matches on Performance Comments, 165 matches on Event Comments, 159 matches on Author, and 0 matches on Roles/Actors.

26
30 April 1799 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: As17990330

27
02 July 1799 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: End I: La Double Epreuve, as17990617 End Opera: La Fille Mal Gardee, as17990418

28
23 July 1799 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: As17990617

29
30 July 1799 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: As17990617

30
18 March 1800 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Performance Comment: [Principal Characters by Viganoni, Rovedino, Benelli, Mme Banti. Cast from libretto (Da Ponte [1800]: Don Pietro-Viganoni; Rodrigo-Rovedino; Alfonso-Benelli; Fernando-DeGiovanni; Ines-Mme Banti; La Regina-Sga Pastorelli.

Dance: As18000304

31
25 March 1800 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: As18000322

32
05 April 1800 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: As18000322

33
02 July 1789 @ Covent Garden

Performances

Mainpiece Title: A Favourite Opera

Dance: End I: La Nymphe et le Chasseur, as17890319at king's; in which Minuet of Iphigenia, as17890428 at king's; Pas de Deux Anacreontique, as17890428 at king's; End Opera: Le Tuteur Trompe-see17890615; in which Minuet de la Cour, as17890615at king's; Les Folies d'Espagne-see17890615; Pas de Six de la Rosieu, as17890521 at king's

34
29 January 1719 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Pierot Maitre Valet Et Lopera De Campagne Ou La Critique De Lopera De Paris

Entertainment: Vaulting, Tumbling-

35
21 April 1798 @ King's Theatre

Performances

Mainpiece Title: Il Matrimonio Segreto

Dance: End I: A New Divertisement, as17980419; End Opera: La Vengeance de l'Amour-; Pas de Quatre de Panurge-

36
11 June 1798 @ Covent Garden

Performances

Mainpiece Title: The Farmer

Afterpiece Title: The Child of Nature

Dance: End 1st piece: Peggy's Love- in which, by permission of the Proprietor of the Opera House, who has generously allowed Principal Dancers and Whole Corps de Ballet to appear, the following Ladies and Gentlemen will exert their well known Abilities:Laborie, Didelot, Mme Laborie, Mme Hilligsberg; End 2nd piece: La Vengeance d'Amour, in which the Pas de Quatre de Panurge-Laborie, Didelot, Mme Laborie, Mme Hilligsberg

37
01 February 1722 @ Haymarket Theatre

Performances

Mainpiece Title: Les Precieuses Ridicules Et De Lesprit De Contradiction

Afterpiece Title: Arlequin Cartouche

38
29 March 1725 @ Haymarket Theatre

Performances

Mainpiece Title: Les Amours De Colombine De Scaramouche Pedant Scrupuleux Pierot Escallier

Afterpiece Title: LOmbre DArlequin le Diable Boitteux

Dance: Variety of New Dances-Mrs Roger, the pierrot,, also by young Scaramouch lately arriv'd

39
20 November 1773 @ King's Theatre

Performances

Mainpiece Title: Lucio Vero

Dance: I: Grand Comic Pantomime Ballet, call'd La Bagatelle-Bocchini, Sga Mazzoni, other principals; II: A Pastoral Dance with a Pas de Trois, de Deux-Mariottini, Bocchini, Sga Mazzoni; End Opera: A Grand Serious Ballet-; with a Grand Chaconne-Fierville

Entertainment: A Poetical Exordium-Mrs Yates [In which she proposed to intermix plays and operas this season. (Burney, II, 879, notes she could not get permission.)]

40
21 May 1789 @ King's Theatre

Performances

Mainpiece Title: Il Disertore

Dance: End I: Les Jalousies du Serail, as17890317End Opera: Ninette a la Cour, as17890514; but to conclude with the Pas de Six de la Rosieu-

41
09 December 1734 @ Haymarket Theatre

Performances

Mainpiece Title: Sampson Judge Of Israel

Afterpiece Title: Le Francois a Londres

Dance:

42
26 March 1735 @ Haymarket Theatre

Performances

Mainpiece Title: Letourdy

Afterpiece Title: Arlequin Sauvage

Music: Several Concertoes, particularly a Grand Concerto with French Horns and Trumpets; and another with one French Horn, the French Horn part by Mr Charles

43
30 August 1777 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber Or The Fruitless Precaution

Afterpiece Title: Thomasand Sally

Dance: End: Dance-. [This was included in all subsequent performances.

44
14 December 1784 @ Covent Garden

Performances

Mainpiece Title: The Follies Of A Day Or The Marriage Of Figaro

Afterpiece Title: The Citizen

45
11 December 1798 @ Covent Garden

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Albert and Adelaide or The Victim of Constancy

Dance: In afterpiece: Procession and Dance of Swabian Peasants-Blurton, Dyke, Wilde, L. Bologna, T. Cranfield, Platt, Masters, Slape, Ramage, Goodwin, Little, Ms Watts, Ms Iliff, Ms Norton, Ms Castelle, Ms Leserve, Miss Gray, Ms Bologna, Ms Masters, Ms Burnett, Ms Gilbert, Ms Lloyd, Ms Blurton, Ms Ward

46
07 February 1778 @ King's Theatre

Performances

Mainpiece Title: Erifile

Dance: End I: La Polonaise Favourite, as17780131; End II: Les Bohemiens, as17771216; End Opera: Divertisement-Mons and Mlle Banti, Vallouy@le@cadet, Mlle Baccelli

Song: In II: Air-Sga Danzi; accompanied on the Hautboy-LeBrun. [This was sung, as here assigned, in all subsequent performances.

47
14 November 1782 @ King's Theatre

Performances

Mainpiece Title: Medonte

Dance: End of Act I New Divertisement, as17821102, but Sga Crespi in place of Sga Sala, and added: Passacaille, as17821109; End of Opera Apelles and Campaspe, as17821102, but added: Sga Crespi

48
25 July 1785 @ Windsor Castle Inn, King Street, Hammersmith

Performances

Mainpiece Title: The Follies Of A Day Or The Marriage Of Figaro

Afterpiece Title: The Poor Soldier

Afterpiece Title: Harlequin Skeleton

49
24 April 1787 @ Covent Garden

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: Nina

Afterpiece Title: The Intriguing Chambermaid

Song: Between acts 1st piece: an entire new song, The Nymph's Refusal-Mrs Martyr

50
22 August 1788 @ Haymarket Theatre

Performances

Mainpiece Title: The Catch Club i

Afterpiece Title: Gretna Green

Afterpiece Title: Look before You Leap

Afterpiece Title: The Village Lawyer

Entertainment: Monologue End 1st piece: George Alexander Stevens's Original Lecture on Heads (Head of Alexander the Great, Head of a Cherokee Chief, Head of a Quack-Doctor, Cuckold's Head, Nobody's Head, The laughing and crying Philosophers' Heads, Head of Flattery, A fine Lady's Head, Head of an Old Maid, Cleopatra's Head, Plain Moll's Head, Head of a Married Lady)-Palmer