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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "battle of Agincourt"/1) | (@(roleclean,performerclean) "battle of Agincourt")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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276 results for: Keyword - battle of Agincourt
We found 169 matches on Performance Title, 72 matches on Event Comments, 43 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

176
24 January 1758 @ Covent Garden

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Lee; Johnson-a Gentleman, his 1st appearance; Smith-Sparks; With Occasional Decorations, viz: A Dance of State-; Grand Battle of Horse and Foot-; A New Prologue on the Birthday of the King of Prussia-Lee.
Cast
Role: Grand Battle of Horse and Foot Actor:

Afterpiece Title: Lethe

Dance: FFingalian Dance, as17571013

177
19 September 1768 @ Haymarket Theatre

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Lee; Johnson-Young Gentleman, first appearance on any stage; Smith-Casey; Prince Volscius-Keasberry, from the Theatre Royal in Bath; Prince Prettyman-Loveman; Gentleman Usher-Vandermere; Physician-Graham; Drawcansir-Hamilton; Tom Thimble-Brownsmith; Chloris-Mrs Graham; also a Grand Battle-Mr Bayes new rais'd Regiment of Horse.
Cast
Role: also a Grand Battle Actor: Mr Bayes new rais'd Regiment of Horse.

Afterpiece Title: Damon and Phillida

178
28 April 1778 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Wrighten. Morning Post, 6 Apr.: Tickets to be had of Mrs Wrighten, No. 56, Drury-lane. The Battle of Hastings [announced on playbill of 27 Apr.] is obliged to be deferred on account of Mrs Yates' Indisposition. Tickets delivered for the Battle of Hastings will be taken. Receipts: #288 10s. 6d. (74.0.0; 7.7.0; 0.8.6; tickets: 206.15.0) (charge: #66 2s.). Account-Book totals the charge as follows: Ord[inary] Charge #64 4s.; Nosegay 1s. 6d.; Tea for three 1s. 6d.; Negus 1s. 2d.; Bread & Cheese 4d.; K[ettle] D[rum] 5s.; 19 Carp[enter]s #1 8s. 6d

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Waterman

Dance: End III: as17780425

Song: Between Acts: her two favorite Vauxhall songs He's Aye Kissing Me, Tally Ho!-Mrs Wrighten

179
07 May 1781 @ Covent Garden

Performances

Mainpiece Title: The Farmer's Return From London

Afterpiece Title: All for Love

Afterpiece Title: Phusimimesis; or, Resemblances of Nature

Performance Comment: SCENE I. Morning, a Landscape. The Rising of the Sun. Hunters preparing for the Chace. When Phoebus the tops of the hills, as17810425; SCENE II. A View of the Rock of Gibraltar, with the Fleet sailing to its Relief; The Storm-Reinhold; [SCENE III. Thunderstorm, Tempest and Shipwreck. Stand to your guns my hearts of oak-Bannister [of dl]; [SCENE IV. A Town Besieged (Painted by Carver; taken from Harlequin Every-where). The Enemies' Attack; the Destruction of the Fort; and an Engagement of the Troops, represented by Moving Figures. O what a charming thing's a battle-Cubitt; [After which a Grand Transparency, representing the famous Battle of Cressy, with the taking of the Bohemian standard by Edward the Black Prince, painted by Cipriani. To conclude with a trio-Davies, Mrs Morton, Mrs Martyr.
Cast
Role: O what a charming thing's a battle Actor: Cubitt

Afterpiece Title: The Royal Chace; or, Harlequin Skeleton

Song: End II 2nd piece: The Huntsman's Sweet Halloo, as17810226; 4th piece: The Early Horn-Cubitt; Scene I: When Phoebus the tops of the hills, as17810425

180
17 November 1794 @ Covent Garden

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Hercules and Omphale

Performance Comment: Morning Chronicle, 19 Nov., notes that the Principal parts-Incledon, Quick, Munden, Fawcett, Mrs Martyr, Mrs Mountain; Part I. The Piece commences with a View of Omphale's Palace; Omphale, Queen of Lydia, seated on her Throne, surrounded by Virgins--The Princes of Dacia and Mycoene send Ambassadors, each demanding her hand in marriage--then follows the Magnificent Entry of the Two Princes; Dacians: Dacian Soldiers bearing Spears, Trophies of Armour, Egyptians bearing Presents, Musician, Dacian Officers with Trophies, The Prince of Dacia borne in a Triumphal Car drawn by War-Horses in compleat Armour. Mycoeneans: Mycoenean Officers with Swords and Shields, Armour Bearer, Women bearing Presents, Numidians with Presents, Martial Music, The Prince of Mycoene drawn in a Triumphal Car by Horses richly caparisoned. The Procession over, a Pyrrhic Dance takes place, when Thunder is heard--Jove's Eagle descends, bearing a Festoon with this inscription, "Hercules is doomed the Slave of Omphale"--Hercules enters cloathed in the hide of Nemean Lion, attended by Iolaus--he offers Presents to Omphale--she receives them with tenderness-The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber (a monster with three heads) who had desolated the adjacent country, hearing the sound of horns, lays in wait for his prey--the rival Princes are seen passing thro' the trees--Omphale and her train appear returning from the Chace--The Princes retire and plan to seize her-Cacus enters and forces her into the cave--the Princes with their Attendants attempt to seize Hercules, who for some time defends himself against their united force; nearly va quished he prays to Jupiter, when a Storm arises, thunder, lightning, hail, fire, and massey stones are seen to descend--Hercules gains the Mouth of the Cavern, and thus defends himself from the Storm and his Assailants--Screams are heard within the Cavern--the Prince of Dacia bearing off Omphale, the Prince of Mycoene forces her from him, and after slaying the Prince of Dacia, escapes with his conquest--the Tempest ceases--Hercules and Cacus come from the Cave, a Combat ensues, in which Hercules vanquishes the Robber--He then pursues the Prince of Mycoene, and is informed by Iolaus, that Omphale is shut up in the city of Mycoene--Catapultas, Battering Rams, are prepared, and the Scene changes to The Town and Fortifications of Mycoene. Hercules at the head of his Army summons it to surrender--the Prince brings Omphale on the Battlements bound in Chains-The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Cast
Role: the Prince brings Omphale on the Battlements bound Actor: The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.

181
26 December 1794 @ Covent Garden

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Mago and Dago; or, Harlequin the Hero

Performance Comment: Vocal Characters-Bernard, Gray, Street, Linton, Mrs Martyr; Harlequin-Byrn; Clown-Follett; Dago-Farley; Mago-Richardson; Father to Columbine-Hawtin; Zany-Simmons; Columbine-Mme Rossi; Seraphil-Mrs Martyr; I. The Cave of Magov. The Meeting of Fantastic Spirits-the Arrival of Mago-his Address to Seraphil-Richardson; II. Dago's Cavernv. The Magic Concerto-the Phantom of Harlequin-the escape of Columbine. III. A Mountainous Snow Scenev. The Drift of Snow-the Preservation of Columbine, and the Re-animation of the frozen Harlequin. Song by Seraphil-Mrs Martyr; IV. A Romantic Summer Viewv. It blows Hot and Cold-a Storm-an angry Parley between Mago and Dago. V. Inside of the Woodman's Cottagev. Thy introduction of Count Ugolino, with a display of the Magic Powers of Harlequin and Dago. VI. A Precipice, with a Distant Valleyv. The flight of Harlequin, Columbine, and Clown-with the ayrial pursuit of Dago and his Imps. VII. An Inn-Yard near Londonv. The Humours of a Stage Coach-the descent of the Aerial Characters, and Adventures by Lanthern Light. VIII. A Bedchamber at an Innv. A Rumpus in the Dark-the Mistakes of the Night-the Apparition. IX. A Smith's Shop and Forgev. Harlequin changes to a Blacksmith-Columbine to an Anvil-the Bed to a Forge-many Irons in the Fire. X. The Adam and Eve at Pancrasv. The Promenade, with a song, A New Trade for a Jew-Bernard; XI. The Trap-Ball Groundv. The Humours of the Whirligig-one below sees all-the ups-and-downs of life, with the disaster. XII. A Streetv. Harlequin in the dumps-Zany in the wrong box, with the Battle of the Wigs, Shoes, Cabages, Cucumbers, Ribbons, and Ram's-horns. XIII. Milliners' Work-Roomv. The Knight of the Band-box overcome-Harlequin's jump thro' a Cloak-and the Clown in a scrape. XIV. A Corn Field and Distant Countryv. The Transformation of the Band-boxes-the Assembly of Scarecrows. XV. A Dark Woodv. Columbine turned Fidler-Every one their Hobby-Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street; XVII. A Sketch from Naturev, which changes to A Flemish Fetev, from Teniers. A Throw with the dice-Seven's the Main-Win her and wear her. XVIII. A Gardenv. Dago's Triumph-Friends are faithless-The Picture reversed. XIX. Temple of Fortunev. A new Game of Gards-the odd Trick-Fortune's a Jilt-a Visit from her eldest Daughter, Miss Fortune, with a Song in Character- XX. A Landscapev. A Puzzle for the Pursuers-Jack in the Green-Mirth in full Measure-the Cream of the Jest-the Devil in the Milk Pails. XXI. The Outside of a Cottagev. Not at Home-the Clown in the Pig-stye-Miss in the Dumps-Papa in a Passion-all in a Blaze. XXII. A Street with Apothecary's Shopv. Medical Feeling, or the pluckt Apothecary-how to kick up a Dust, and how to come off with flying Colors. XXIII. Inside of the Apothecary's Shopv. Dr Wormwood in full Practice-the Remedy worse than the Disease-Dago's Vengeance-the Dissection of Harlequin-all Alive and Leaping. XXIV. A Dreary Dell and Hermitagev. Harlequin Triumphant-The Recovery of the Talisman-Dago in Durance. XXV. Mago's Hall in the Chrystal Rockv. Beauty the Reward of Virtue-Forget and Forgive-the Reconciliation, All's Well that Ends Well.
Cast
Role: The Trap Actor: Ball Groundv. The Humours of the Whirligig-one below sees all-the ups-and-downs of life, with the disaster. XII. A Streetv. Harlequin in the dumps-Zany in the wrong box, with the Battle of the Wigs, Shoes, Cabages, Cucumbers, Ribbons, and Ram's-horns. XIII. Milliners' Work-Roomv. The Knight of the Band-box overcome-Harlequin's jump thro' a Cloak-and the Clown in a scrape. XIV. A Corn Field and Distant Countryv. The Transformation of the Band-boxes-the Assembly of Scarecrows. XV. A Dark Woodv. Columbine turned Fidler-Every one their Hobby-Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street
Role: The Humours of the Whirligig Actor: one below sees all-the ups-and-downs of life, with the disaster. XII. A Streetv. Harlequin in the dumps-Zany in the wrong box, with the Battle of the Wigs, Shoes, Cabages, Cucumbers, Ribbons, and Ram's-horns. XIII. Milliners' Work-Roomv. The Knight of the Band-box overcome-Harlequin's jump thro' a Cloak-and the Clown in a scrape. XIV. A Corn Field and Distant Countryv. The Transformation of the Band-boxes-the Assembly of Scarecrows. XV. A Dark Woodv. Columbine turned Fidler-Every one their Hobby-Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street
Role: one below sees all Actor: the ups-and-downs of life, with the disaster. XII. A Streetv. Harlequin in the dumps-Zany in the wrong box, with the Battle of the Wigs, Shoes, Cabages, Cucumbers, Ribbons, and Ram's-horns. XIII. Milliners' Work-Roomv. The Knight of the Band-box overcome-Harlequin's jump thro' a Cloak-and the Clown in a scrape. XIV. A Corn Field and Distant Countryv. The Transformation of the Band-boxes-the Assembly of Scarecrows. XV. A Dark Woodv. Columbine turned Fidler-Every one their Hobby-Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street
Role: the ups Actor: and-downs of life, with the disaster. XII. A Streetv. Harlequin in the dumps-Zany in the wrong box, with the Battle of the Wigs, Shoes, Cabages, Cucumbers, Ribbons, and Ram's-horns. XIII. Milliners' Work-Roomv. The Knight of the Band-box overcome-Harlequin's jump thro' a Cloak-and the Clown in a scrape. XIV. A Corn Field and Distant Countryv. The Transformation of the Band-boxes-the Assembly of Scarecrows. XV. A Dark Woodv. Columbine turned Fidler-Every one their Hobby-Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street
Role: and Actor: downs of life, with the disaster. XII. A Streetv. Harlequin in the dumps-Zany in the wrong box, with the Battle of the Wigs, Shoes, Cabages, Cucumbers, Ribbons, and Ram's-horns. XIII. Milliners' Work-Roomv. The Knight of the Band-box overcome-Harlequin's jump thro' a Cloak-and the Clown in a scrape. XIV. A Corn Field and Distant Countryv. The Transformation of the Band-boxes-the Assembly of Scarecrows. XV. A Dark Woodv. Columbine turned Fidler-Every one their Hobby-Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street
Role: Harlequin in the dumps Actor: Zany in the wrong box, with the Battle of the Wigs, Shoes, Cabages, Cucumbers, Ribbons, and Ram's-horns. XIII. Milliners' Work-Roomv. The Knight of the Band-box overcome-Harlequin's jump thro' a Cloak-and the Clown in a scrape. XIV. A Corn Field and Distant Countryv. The Transformation of the Band-boxes-the Assembly of Scarecrows. XV. A Dark Woodv. Columbine turned Fidler-Every one their Hobby-Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street

182
14 January 1795 @ Covent Garden

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Mago and Dago

Performance Comment: As17950113, but in X: Descriptive Sea Song-Haymes (for that night only); in place of Wou'd you see the World in little-_; in XII: the Devil's in them all, in place of the Battle of the Wigs; omitted: all named parts; Harlequin-_; Clown-_; Dago-_; Mago-_; Father to Columbine-_; Zany-_; Columbine-_; Seraphil-_.
Cast
Role: The Trap Actor: Ball Groundv. The Humours of the Whirligig-one below sees all-the ups-and-downs of life, with the disaster. XII. A Streetv. Harlequin in the dumps-Zany in the wrong box, with the Battle of the Wigs, Shoes, Cabages, Cucumbers, Ribbons, and Ram's-horns. XIII. Milliners' Work-Roomv. The Knight of the Band-box overcome-Harlequin's jump thro' a Cloak-and the Clown in a scrape. XIV. A Corn Field and Distant Countryv. The Transformation of the Band-boxes-the Assembly of Scarecrows. XV. A Dark Woodv. Columbine turned Fidler-Every one their Hobby-Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street
Role: The Humours of the Whirligig Actor: one below sees all-the ups-and-downs of life, with the disaster. XII. A Streetv. Harlequin in the dumps-Zany in the wrong box, with the Battle of the Wigs, Shoes, Cabages, Cucumbers, Ribbons, and Ram's-horns. XIII. Milliners' Work-Roomv. The Knight of the Band-box overcome-Harlequin's jump thro' a Cloak-and the Clown in a scrape. XIV. A Corn Field and Distant Countryv. The Transformation of the Band-boxes-the Assembly of Scarecrows. XV. A Dark Woodv. Columbine turned Fidler-Every one their Hobby-Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street
Role: one below sees all Actor: the ups-and-downs of life, with the disaster. XII. A Streetv. Harlequin in the dumps-Zany in the wrong box, with the Battle of the Wigs, Shoes, Cabages, Cucumbers, Ribbons, and Ram's-horns. XIII. Milliners' Work-Roomv. The Knight of the Band-box overcome-Harlequin's jump thro' a Cloak-and the Clown in a scrape. XIV. A Corn Field and Distant Countryv. The Transformation of the Band-boxes-the Assembly of Scarecrows. XV. A Dark Woodv. Columbine turned Fidler-Every one their Hobby-Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street
Role: the ups Actor: and-downs of life, with the disaster. XII. A Streetv. Harlequin in the dumps-Zany in the wrong box, with the Battle of the Wigs, Shoes, Cabages, Cucumbers, Ribbons, and Ram's-horns. XIII. Milliners' Work-Roomv. The Knight of the Band-box overcome-Harlequin's jump thro' a Cloak-and the Clown in a scrape. XIV. A Corn Field and Distant Countryv. The Transformation of the Band-boxes-the Assembly of Scarecrows. XV. A Dark Woodv. Columbine turned Fidler-Every one their Hobby-Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street
Role: and Actor: downs of life, with the disaster. XII. A Streetv. Harlequin in the dumps-Zany in the wrong box, with the Battle of the Wigs, Shoes, Cabages, Cucumbers, Ribbons, and Ram's-horns. XIII. Milliners' Work-Roomv. The Knight of the Band-box overcome-Harlequin's jump thro' a Cloak-and the Clown in a scrape. XIV. A Corn Field and Distant Countryv. The Transformation of the Band-boxes-the Assembly of Scarecrows. XV. A Dark Woodv. Columbine turned Fidler-Every one their Hobby-Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street
Role: Harlequin in the dumps Actor: Zany in the wrong box, with the Battle of the Wigs, Shoes, Cabages, Cucumbers, Ribbons, and Ram's-horns. XIII. Milliners' Work-Roomv. The Knight of the Band-box overcome-Harlequin's jump thro' a Cloak-and the Clown in a scrape. XIV. A Corn Field and Distant Countryv. The Transformation of the Band-boxes-the Assembly of Scarecrows. XV. A Dark Woodv. Columbine turned Fidler-Every one their Hobby-Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street

183
15 January 1795 @ Covent Garden

Performances

Mainpiece Title: The Rage

Afterpiece Title: Mago and Dago

Performance Comment: As17950113 but in XII: the Devil's in them all, in place of the Battle of the Wigs.
Cast
Role: The Trap Actor: Ball Groundv. The Humours of the Whirligig-one below sees all-the ups-and-downs of life, with the disaster. XII. A Streetv. Harlequin in the dumps-Zany in the wrong box, with the Battle of the Wigs, Shoes, Cabages, Cucumbers, Ribbons, and Ram's-horns. XIII. Milliners' Work-Roomv. The Knight of the Band-box overcome-Harlequin's jump thro' a Cloak-and the Clown in a scrape. XIV. A Corn Field and Distant Countryv. The Transformation of the Band-boxes-the Assembly of Scarecrows. XV. A Dark Woodv. Columbine turned Fidler-Every one their Hobby-Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street
Role: The Humours of the Whirligig Actor: one below sees all-the ups-and-downs of life, with the disaster. XII. A Streetv. Harlequin in the dumps-Zany in the wrong box, with the Battle of the Wigs, Shoes, Cabages, Cucumbers, Ribbons, and Ram's-horns. XIII. Milliners' Work-Roomv. The Knight of the Band-box overcome-Harlequin's jump thro' a Cloak-and the Clown in a scrape. XIV. A Corn Field and Distant Countryv. The Transformation of the Band-boxes-the Assembly of Scarecrows. XV. A Dark Woodv. Columbine turned Fidler-Every one their Hobby-Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street
Role: one below sees all Actor: the ups-and-downs of life, with the disaster. XII. A Streetv. Harlequin in the dumps-Zany in the wrong box, with the Battle of the Wigs, Shoes, Cabages, Cucumbers, Ribbons, and Ram's-horns. XIII. Milliners' Work-Roomv. The Knight of the Band-box overcome-Harlequin's jump thro' a Cloak-and the Clown in a scrape. XIV. A Corn Field and Distant Countryv. The Transformation of the Band-boxes-the Assembly of Scarecrows. XV. A Dark Woodv. Columbine turned Fidler-Every one their Hobby-Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street
Role: the ups Actor: and-downs of life, with the disaster. XII. A Streetv. Harlequin in the dumps-Zany in the wrong box, with the Battle of the Wigs, Shoes, Cabages, Cucumbers, Ribbons, and Ram's-horns. XIII. Milliners' Work-Roomv. The Knight of the Band-box overcome-Harlequin's jump thro' a Cloak-and the Clown in a scrape. XIV. A Corn Field and Distant Countryv. The Transformation of the Band-boxes-the Assembly of Scarecrows. XV. A Dark Woodv. Columbine turned Fidler-Every one their Hobby-Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street
Role: and Actor: downs of life, with the disaster. XII. A Streetv. Harlequin in the dumps-Zany in the wrong box, with the Battle of the Wigs, Shoes, Cabages, Cucumbers, Ribbons, and Ram's-horns. XIII. Milliners' Work-Roomv. The Knight of the Band-box overcome-Harlequin's jump thro' a Cloak-and the Clown in a scrape. XIV. A Corn Field and Distant Countryv. The Transformation of the Band-boxes-the Assembly of Scarecrows. XV. A Dark Woodv. Columbine turned Fidler-Every one their Hobby-Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street
Role: Harlequin in the dumps Actor: Zany in the wrong box, with the Battle of the Wigs, Shoes, Cabages, Cucumbers, Ribbons, and Ram's-horns. XIII. Milliners' Work-Roomv. The Knight of the Band-box overcome-Harlequin's jump thro' a Cloak-and the Clown in a scrape. XIV. A Corn Field and Distant Countryv. The Transformation of the Band-boxes-the Assembly of Scarecrows. XV. A Dark Woodv. Columbine turned Fidler-Every one their Hobby-Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street

184
28 May 1800 @ Covent Garden

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: St

Cast
Role: The Battle of La Hogue Actor: Incledon

Afterpiece Title: The Hermione

Performance Comment: As18000405, but The Battle of La Hogue-_.
Cast
Role: The Battle of La Hogue Actor: Incledon

Song: End I 1st piece: a Song-Master Gray; End II: The Muffin Man (Written by T. Dibdin, and composed by Moorehead)-Dighton (1st appearance on this stage); End 1st piece: the celebrated Laughing Song-Dighton

185
28 May 1675 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 81. See also Nicoll, Restoration Drama, p. 348. There is no certainty as to whether this is the date of the first performance. Downes (Roscius Anglicanus, p. 35): Then the Conquest of China by the Tartars, by Mr Settle; in this Play Mr Jevon Acting a Chinese Prince and Commander in it, and being in the Battle, Vanquisht by the Tartars; he was by his Part to fall upon the point of his Sword and Kill himself, rather than be a Prisoner by the Tartars: Mr Jevon instead of falling on the point of his Sword, laid it in the Scabbard at length upon the Ground and fell upon't, saying, now I am Dead; which put the Author into such a Fret, it made him speak Treble instead of Double Jevons answer was; did not you bid me fall upon my Sword

Performances

Mainpiece Title: The Conquest Of China By The Tartars

186
03 December 1680 @ Drury Lane Theatre

Event Comment: Nahum Tate published a poem The Battle of the B@@d's in the Theatre Royal Dec. 3, 1680, in Poems Written on Several Occasions, 2d edition, 1684, pp. 153-54

Performances

187
04 April 1704 @ Drury Lane Theatre

Event Comment: Benefit Cibber. Not Acted these Three Years. At the Desire of several Persons of Quality. Mainpiece: With the Famous Battle of Bosworth Fieldv, between him and the Earl of Richmond, afterwards King Henry the Seventh. Written Originally by Shakespear, who in the true and lively Character of Richard, has shewn his most Masterly Strokes of Nature

Performances

Mainpiece Title: The Tragical History Of King Richard Iii

Song: As17031102

Music: Sonata for violin and flute-Gasperini, Paisible

Dance: As17040204

188
13 May 1710 @ Queen's Theatre

Event Comment: At the particular Desire of several Ladies of Quality. Containing the Distresses and Death of King Henry the Sixth , the Murther of young King Eduard the Fifth and his Brother in the Tower, with the Landing of the Earl of Richmond , and the Memorable and Decisive Battle in Bosworth Field

Performances

Mainpiece Title: Richard Iii

189
14 February 1713 @ Drury Lane Theatre

Event Comment: Not Acted these Three Years. At the Desire of several Ladies of Quality. Containing the Distresses and Deathv of King Henry the Sixth; the Murther of Young King Edward the Fifth, and his Brother, in the Tower; with the Landingv of the Earl of Richmond, and the Memorable Battle of Bosworth Fieldv, being the last that was fought between the Houses of York and Lancaster

Performances

Mainpiece Title: The Tragical History Of King Richard The Third

190
02 January 1714 @ Drury Lane Theatre

Event Comment: Containing the Distresses and Death of King Henry the Sixth; the Murther of Young King Edward the Fifth, and his Brother, in the Tower; with the Landing of the Earl of Richmond, and the Memorable Battle of Bosworth Fieldv, being the last that was fought between the Houses of York and Lancaster

Performances

Mainpiece Title: The Tragical History Of King Richard The Third

191
30 March 1717 @ King's Theatre

Event Comment: By His Majesty's Command. In which will be seen two New Scenes, one representing a most Magnificent Palace, containing above a Thousand Yards of Painting. The other a Room adorn'd with Tapestry, representing the famous Battles of Alexander by Mons leBrun; both (in their kind) exceeding any Scenes that has been seen in England. Admission as 8 Dec. 1716

Performances

Mainpiece Title: Cleartes

192
12 October 1717 @ Drury Lane Theatre

Event Comment: Mainpiece: With a New Sett of Scenes, after LeBrun's Battle of Alexander

Performances

Mainpiece Title: The Maid's Tragedy

Afterpiece Title: The Loves of Mars and Venus

193
07 March 1719 @ King's Theatre

Event Comment: Performed after the French Manner. With New Scenes and Decorations proper to the Play. In which will be seen a Battle on Horseback between the Knight of the Sun and the Emperour of the Moon, call'd in French La Cavalcade Espagnol, a Performance never yet seen in England

Performances

Mainpiece Title: Arlequin Empereur Dans La Lune; Or, Harlequin Emperor In The Moon

Entertainment: A new leap over 14 Men-the Tumblers

194
05 July 1723 @ Drury Lane Theatre

Event Comment: [By Theophilus Cibber.] Alter'd from Shakespear. Containing the Marriages of King Edward the Fourth , and young Prince Edward , with Lady Gray , and Lady Anne . The Distresses of Queen Margaret . The Deposing King Henry the Sixth . The Battles Fought at St. Albans, Wakefield, Mortimer's-Cross, and Tewkesbury. The Deaths of Lord Clifford of Cumberland , and his Son, the Duke of York , his Steward. And many other True Historical Passages

Performances

Mainpiece Title: An Historical Tragedy Of The Civil Wars Between The Houses Of York And Lancaster In The Reign Of King Henry The Vith

195
12 May 1732 @ Haymarket Theatre

Event Comment: Benefit Mrs Stevens. Second Piece: a New Pantonimical Something. Third Piece: The Practice of a new Serious Scene to be Introduc'd. Shewing the various and hazardous Adventures he met with to get his Wife Joan; particularly, his last memorable Battle and Victory over a great and monstrous Pig, by which she was to be devour'd chain'd to a Rock. 7 p.m

Performances

Mainpiece Title: The Author's Farce

Afterpiece Title: Monstrum Horrendum; or, The Practice of a Modern Comic Entertainment

Afterpiece Title: Punchanello's Encounter with the Pig

Dance: DDutch Skipper-Davenport, Miss Price

196
13 October 1741 @ Covent Garden

Event Comment: Mainpiece: Not acted these Six years [8 April 1735]. Containing the Distresses and Death of King Henry VIv. The artful acquisition of the Crown by King Richardv. The Murder of Young King Edward Vv and his Brother, in the Tower. The Landing of the Earl of Richmondv, and the Death of King Richard in the memorable Battle of Bosworth Fieldv, being the last that was fought between the Houses of York and Lancaster. [This customary description appears in all subsequent notices.

Performances

Mainpiece Title: Richard Iii

Afterpiece Title: The Necromancer

197
03 February 1742 @ Goodman's Fields

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Garrick; Johnson-Giffard; Smith-W. Giffard; two Kings of Brentford-Vaughan, Clough; Prince Pretty@man-Marshall; Volscius-Peterson; Drawcansir-Paget; Thunder and Lightning-Dunstall, Miss Naylor; Players, Soldiers, Cardinals, Bishops, Judges, Lord@Mayor, Serjeants at Arms-the Comedians; the facetious Grand Dance-the Whole Company; King Phiz-Julian; Gentleman Usher-Yates; Amaryllis-Mrs Dunstall; Chloris-Mrs Yates; Pallas-Blakes; Parthenope-Miss E. Hippisley; With the total Eclipse of the Sun and Moon-; the part of Sol-Hemskirk; Luna-Stitchbury; Orbis-Mrs Bishop; Likewise Mr Bayes's Representation of a Grand Theatrical Battle by his new@rais'd Troops-; With Dancing-, Scenes, Machines, Habits, other proper Decorations.

Dance: As17420115

198
13 October 1742 @ Drury Lane Theatre

Event Comment: Mainpiece: Containing the Distresses and Death of King Henry VI; the Artful acquisition of the Crown by King Richardv; the Murder of young King Edward V, and his brother in the Tower; The landing of the Earl of Richmond, and the death of King Richard in the memorable Battle of Bosworth Fieldv, being the last that was fought between the Houses of York and Lancaster. With many other Historical passages. [This descriptive passage accompanies all notices of the play this season and will not be recorded here further.

Performances

Mainpiece Title: Richard Iii

Song: II: Song-Beard

Music: IV: Concerto-Veracini

Dance: V: Grand Serious Ballet, as17421005

199
04 August 1743 @ Tottenham Court

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Into which will be introduc'd an exact Representation of the Battle of Dettingen, intermix'd with a Comedy call'd The Wanton Trick; or, All Alive and Merry.

Afterpiece Title: HHarlot's Progress

200
28 September 1743 @ Covent Garden

Event Comment: Containing the Distresses and death of King Henry the Sixth; the Artful acquisition of the Crownv by King Richard; the Murder of Young King Edward V and his Brother in the Tower. The Landing of the Earl of Richmond, and the death of King Richard in the memorable battle of Bosworth Field, being the last that was fought between the Houses of York and Lancaster. [This notice accompanies subsequent performances of Richard III, but will not be recorded here further.

Performances

Mainpiece Title: King Richard Iii