SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "battle of Agincourt"/1) | (@(roleclean,performerclean) "battle of Agincourt")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 169 matches on Performance Title, 72 matches on Event Comments, 43 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: Containing the Distresses and Death of King Henry VIv ; the Artful Acquisition of the Crown by Richardv ; the Cruel Murder of the young King Edward Vv and his brother in the Tower; the Landing of the Earl of Richmondv ; and the Death of Richard in the memorable Battle of Bosworth Fieldv ; being the last that was fought between the Houses of York and Lancasterv ; with many other historical passages [a regular notice appearing with performances of this play]. Receipts: #118 18s. 6d. [Paid to] Lee one third of the surplus of this night's receipts over the charge of #100, #3 19s. 6d. (Account Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Contrivances

Dance: Lucas, Miss Hilliard

Performances

Mainpiece Title: New Medley Concert

Afterpiece Title: Harlequin's Frolic

Performance Comment: See17570902 , but the whole to conclude with an additional Scene representing the Battle of Rosbachv where the combined armies of the Empire and France were totally defeated by that of the Glorious King of Prussia.

Song: Kear

Ballet: LLe Carneval de Venice. Dutchman-Dupuis; Harlequin-T. Hussey; Scotchman-Froment; Pierrot-Rainel; Frenchman-Delascey; Punch-Joly; Dutchwoman-Miss Wilkinson; Harliquinette-Mad Stivaux; Scots Lass-Mad Dulisse; Pierotte-Mad Clary; Mademoiselle-Miss Durham; Mlle Ragonsby-Hussey

Performances

Mainpiece Title: New Medley Concert

Afterpiece Title: Harlequin's Frolic

Performance Comment: The Battle of Rosbach. As17571226, but concluding with a new song- in honour of that day; Music by Bryan-Kear.

Ballet: LLe Carneval de Venice. As17571226, but Harlequin-J. Hussey

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Love; Smith-Burton; Johnson-Palmer; Others-Packer, Philips, Lee, Baddeley, Clough, Parsons, Moody, Bransby, Fox, Marr, Ackman, Vaughan, Raftor, Johnston, Strange, Watkins, Miss Pearce, Mrs Hippisley, Miss Mills, Miss Rogers; songs-; Dances-; A Dance of State-; Grand Battle-; in which will be introduc'd an Additional Re-inforcement of Mr Bayes's New Rais'd Regiments of Horse and Foot-.
Cast
Role: Grand Battle Actor:

Afterpiece Title: The Witches

Dance: III: The Medley, as17641120

Performances

Mainpiece Title: The Gamester

Afterpiece Title: Linco's Travels-Barnshaw

Entertainment: I: Overture in Artaxerxes-; Favourite Cantata from Anacreon (set by Sterling Goodwin)-A. Smith; Favourite Scots air-Miss Dowson (words and Music by A. Smith); Overture-Abel; New Hunting Song (set by Brewster)-Barnshaw; II: Soldier Tir'd-Miss Dowson; Songs-the Italian Young Gentleman; Trumpet Concerto-Mas. Green (pupil to Jones); What a Charming Thing's a Battle (from the Recruiting Sergeant)-Barnshaw

Performance Comment: Smith; Favourite Scots air-Miss Dowson (words and Music by A. Smith); Overture-Abel; New Hunting Song (set by Brewster)-Barnshaw; II: Soldier Tir'd-Miss Dowson; Songs-the Italian Young Gentleman; Trumpet Concerto-Mas. Green (pupil to Jones); What a Charming Thing's a Battle (from the Recruiting Sergeant)-Barnshaw.
Event Comment: Mainpiece: Not acted these 2 years. [See 18 May 1770.] Paid Cipriani (painter) #63 (Account Book). [Apparently his price for painting the taking of the Bohemian Standard at the battle of Cressyv. See 20 Jan.] Receipts: #163 16s. 6d. (Account Book)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Mother Shipton

Event Comment: Mainpiece: By Particular Desire. Afterpiece: With an Additional Scene painted by Cipriani, Representing the taking of the Bohemian Standard at the Battle of Cressyv. In memory of which, the Princes of Wales have ever since borne three Ostrich Feathers (the Bohemian Standard) as their crest, with the original motto Ich Dien. This scene is pleasingly executed and has a very good effect, and is the work of that celebrated artist Cipriani (Theatrical Review, II, p. 36). Paid Whitefield a Bill for making cloaths #30 8s. 7d. (Account Book). Receipts: #184 8s. (Account Book)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Fairy Prince

Dance: IV: Comic Dance, as17711031

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Lottery

Dance: I: Dance-Daigville's Scholars

Monologue: 1773 5 13 The Recruiting Serjeant. Serjeant-Bannister (with song, O What a Charming Thing's a Battle); Countryman-Dibdin; Mother-Mrs Love; Wife-Mrs Wrighten

Performance Comment: Serjeant-Bannister (with song, O What a Charming Thing's a Battle); Countryman-Dibdin; Mother-Mrs Love; Wife-Mrs Wrighten.

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Mayor of Garratt

Song: (By Particular Desire) O! What a Charming Thing's a Battle!-Mr Bannister

Performance Comment: What a Charming Thing's a Battle!-Mr Bannister.

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Mayor of Garratt

Performance Comment: As17750203, but Lint-Wrighten; Heeltap-Bransby; Oh what a charming Thing's a Battle!-Bannister (in character of Sturgeon); Song of Johnny Pringle-Weston as Jerry.

Dance: II: A New Dance, call'd The Pirates-Como, Sga Crespi. [See17730422.

Entertainment: End Opera: (By particular Desire) Imitations Vocal and Rhetorical-Bannister

Event Comment: Benefit for Mrs Jewell. By Permission. A Tragedy for Warm Weather, not acted these ten Years, written after the manner of the worst as well as the best English Poets [author unknown] Containing, amongst a Variety of Particulars curious, entertaining, and pathetic, the Rebellion of the Journeymen Tailors, their Military Preparations and Election of a Chief, their Skirmishes, Ambushes, Sieges, Councils and Combats; their Division into Flints, and Dungs; with the Defection of the Dungs, at the Pass of Butcher Row and total Overthrow of the Flints at the famous Battle of Temple Bar; together with the Captivit and End of their valiant leader. [Colman's shortened version of the 1767 play (Biographia Dramatica).

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Taylors

Entertainment: The Cries of London-Shuter

Event Comment: Mainpiece: A Tragedy for Warm Weather, written after the Manner of the Worst as well as the Best English Poets; containing, amongst a Variety of Particulars, the Rebellion of the Journeymen Tailors; their Military Preparations and Election of a Chief; their Skirmishes, Ambushes, Sieges, Councils and Combats; their Division into Flints and Dungs, with the Defection of the Dungs at the Pass of the Butcher-Row, and total Overthrow of the Flints at the Famous Battle of Temple-Bar; together with the Captivity and Fatal End of their Valiant Leader

Performances

Mainpiece Title: The Tailors

Afterpiece Title: Lilliput

Event Comment: Afterpiece: Written after the Manner of the worst as well as the best English Poets. Containing, amongst a Variety of Particulars, curious, entertaining and pathetic, the Rebellion of the Journeymen Tailors; their Military Preparations and Election of a Chief; their Skirmishes, Ambushes, Sieges, Councils, and Combats; their Division into Flints and Dungs; with the Defection of the Dungs at the Pass of the Butcher-Row, and total overthrow of the Flints at the famous battle of Temple-Bar; together with the Captivity and fatal End of their valiant Leader

Performances

Mainpiece Title: The Female Chevalier

Afterpiece Title: The Tailors

Dance: As17780518

Event Comment: Afterpiece [1st time; B 3, by Richard Brinsley Sheridan. Prologue by the Hon. Richard Fitzpatrick (Public Advertiser, 3 Aug. 1781)]: With a Procession. [This was included in all subsequent performances. For the Sea Fight see 20 Nov.] With New Scenes, Dresses and Decorations. The Scenery designed by DeLoutherbourg, and executed under his direction. The Doors to be opened at 5:15. To begin at 6:15 [same for rest of season, except on 1 May 1780]. "The House was so crowded that there were many disturbances, one so great that Smith when he had nearly finished 'To be or not to be' was obliged to leave the Stage, and when the noise subsided, to return and begin the soliloquy again... As The Critic took up two hours and a half in performance, it must of necessity be considerably shortened" (Morning Chronicle, 1 Nov.). "The scene of the battle with the Armadav [was] executed in the most masterly manner. The Motion of the sea, the engaging of the ships, and the destruction occasioned by the fire-ships were happily contrived and accurately represented" (London Chronicle, 1 Nov.). Account-Book, 9 Nov.: Paid R. B. Sheridan on Acct. of Critic #320. Receipts: #241 19s. 6d. (222.11.0; 19.3.6; 0.5.0)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Critic; or, A Tragedy Rehears'd

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: A Fete

Performance Comment: A favourite Overture by Haydn, scene I. A Forest. The Death of the Stag. Sportsmen, Horses and Dogs returned from the Chace. No Sport to the Chace can compare (the Music by Dr Arnold) by Brett, scene II. The Cave of Echo. They say there is an Echo here (composed by Herschel) by Brett, Wood, Gaudrey and others, scene III. A Wood. The Triumph of Diana. With Horns and with Rounds (the Music by Boyce) by Miss George. SCENE IV. A Sea Shore and Cottage. The celebrated Sequel to Auld Robin Gray, taken from the Movement of Haydn's Overture, by Brett and Miss Morris. Scene V. A Cobler's Cottage. The Loves of John and Jane (the Music by Dibdin) by Wilson. Scene VI. Description of a Battle. Stand to your Guns, my Hearts of Oak (the Music by Carter) by Bannister, scene VII. A Palace and Banquet. Come, honest Friends (singers not listed'). The Dances by Mr and Miss Byrne. Principal Attendant Genius-Miss Painter .

Afterpiece Title: The Dead Alive

Performances

Mainpiece Title: Virginia

Performance Comment: Announced, but not performed. "On Saturday night the opera was that King's scene of confusion and distress that no serious opera, with all its cantabile faintings, rapes, battles and murders ever produced. On the drawing up of the curtain it was not a Roman legion in marshal array that caught the eye. No, it was a corps of the sons of the feather and fashionâ??British bucksâ??British beaus . . . Off! Off! was the cry from every part of the house. To this admonishing shout they were all Atlases ... By no efforts could the opera be put in train. The manager and his friends exerted themselves in vain to appease the fury ... This scene of tumult and disorder continued for upwards of three hours and a half, when the audience retreated, some discontented, and others more pleased than ever they were at a regular entertainment" (Morning Herald, 15 May) .

Performances

Mainpiece Title: The Recruiting Serjeant

Performance Comment: Serjeant (with O what a charming thing's a Battle)-Sedgwick; Countryman-Suett; Mother-Mrs Edwards; Wife-Miss Romanzini.

Afterpiece Title: Love for Love

Afterpiece Title: The Honest Yorkshireman

Song: End II 2nd piece: Wake Sons of Odin (composed by Stevens)-Sedgwick

Event Comment: The Battle of Hexham [advertised on playbill of 7 Aug.] is unavoidably postponed till Tuesday next

Performances

Mainpiece Title: The Agreeable Surprise

Afterpiece Title: Peeping Tom

Dance: As17890727

Event Comment: [1st piece in place of The Battle of Hexham, advertised on playbill of 28 Aug.

Performances

Mainpiece Title: The Agreeable Surprise

Afterpiece Title: Peeping Tom

Dance: As17890727

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: The Recruiting Serjeant

Performance Comment: Serjeant-Bannister; with Oh, what a charming Thing's a Battle!-Bannister; Countryman-Blanchard; Mother-Mrs Davenett; Wife-Mrs Mountain.

Afterpiece Title: Rose and Colin

Entertainment: Monologue. End 2nd piece: A Dissertation on Macaronyism-Bernard

Event Comment: The Battle of Hexham [advertised on playbill of 24 June] is obliged to be deferred till Monday next on account of the Insidposition of Edwin

Performances

Mainpiece Title: The Suicide

Afterpiece Title: A Mogul Tale; or, The Descent of the Balloon

Dance: End I: a new dance, The Generous Sportsman-Byrn, Boyer [recte Boyce], Platt, Miss DeCamp, Mrs Goodwin

Event Comment: Edwin still continuing unable to perform, The Battle of Hexham [advertised on playbill of 26 June] is obliged to be deferred. [Bannister Jun.'s 1st appearance as Trudge was at dl, 28 May 1789.

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Try Again

Event Comment: Mainpiece [1st time; CO 3, by James Cobb. Text 1st published (unauthorized), Dublin, 1792]: The Scenes entirely new, designed and executed by Greenwood. With new Dresses and Decorations. The Musick composed principally by Storace, with a few Pieces selected from [Una Cosa Rara, by] Martini [i.e. Martin y Soler], Salieri, and Paisiello. "The Siege of Belgrade is a very pleasing vehicle for the music, which in a modern opera is all that is expected from the poet" (Universal Magazine, Jan. 1791, p. 66). "The battle between Palmer and Kelly ought to be shortened. It is almost as ludicrous as that between Don Whiskerandos and Beefeater, in Mr Puff's Tragedy [in The Critic]" (Gazetteer, 4 Jan. 1791). Account-Book, 24 May 1791: Paid Cobb for Copyright of Siege of Belgrade of #210. Receipts: #267 9s. 6d. (242.0.0; 23.9.6; 2.0.0)

Performances

Mainpiece Title: The Siege Of Belgrade

Afterpiece Title: The Deuce is in Him

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: As17910427, but Serjeant Kite-Sedgwick; O what a charming things's a battle-Sedgwick; Coster Pearmain-Hollingsworth; a song-Mrs Jordan.

Afterpiece Title: The Court of Apollo [i

Afterpiece Title: The Pannel

Event Comment: In consequence of the Indisposition of a principal Performer [Mrs Goodall (Diary, 29 July)] The Battle of Hexham [advertised on playbill of 27 July] is unavoidably postponed

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: The Son-in-Law

Afterpiece Title: Next Door Neighbours