SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "ancient Rome"/1) | (@(roleclean,performerclean) "ancient Rome")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 116 matches on Performance Title, 94 matches on Event Comments, 87 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Rover

Song: I: The Opinions of the Ancients-Leveridge, Salway; II: Nestor's Advice to his Master when in Council-; III: By Particular Desire, The Roast Beef of Old England-Leveridge; IV: The Gallant Days of King Arthur (being the Sequel to The Roast Beef of Old England,)-Leveridge, Chorus

Dance: II: Two Pierots-Lalauze, Desse; III: Je ne scai quoy-Richardson, Villeneuve, Miss Oates; V: Scots Dance-Glover, Mlle Roland

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Virgin Unmask'd

Song: I: Come let us Prepare-Brother Berry; III: On on my Dear Brethren-Brother Beard; IV: Ye Brethren of the Ancient Craft-Brother Berry; End Afterpiece: Thus mighty Eastern Kings-Brother Beard

Dance: II: Ethiopian Dance-Muilment, Livier, Baudouin, Rector, Fromont; V: Hungarian Dance-Denoyer, Mrs Walter

Performances

Mainpiece Title: The True And Ancient History Of Fair Rosamond, Representing Her Amours With King Henry, And Her Being Poisoned By Queen Eleanor In Woodstock Bower

Afterpiece Title: The Modern Pimp; or, The Doctor Deceiv'd

Dance: TThe Miller and his Wife, The Jealous Savoyard-two Masters Granier, Miss Granier

Ballet: TThe Triumph of Britannia Over the Four Parts of the World. Britannia-Mlle Duval; Europe-Granier; Asia-Pelling; Africa-Miles; America-Olbeldiston; Women-Mrs Vallois, Mrs Phillips, Mrs Love, Mlle Glasson

Performances

Mainpiece Title: The True And Ancient History Of King Lear And His Three Daughters

Afterpiece Title: Harlequin Englishman

Performances

Mainpiece Title: The True And Ancient History Of King Lear And His Three Daughters

Dance: DDutch Skipper, as17421025; Comic Dance between Pantaloon and his Enamorata-Picq, Mlle Auguste; Grand Ballet, as17421108

Performances

Mainpiece Title: The True And Ancient History Of King Lear And His Three Daughters

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: The True And Ancient History Of King Lear And His Three Daughters

Afterpiece Title: Bickerstaff's Unburied Dead

Performances

Mainpiece Title: The True And Ancient History Of King Lear, And His Three Daughters

Afterpiece Title: The School Boy

Song: I, III: Sullivan

Dance: As17431022

Performances

Mainpiece Title: The True And Ancient History Of King Lear, And His Three Daughters

Afterpiece Title: The Lawyer's Feast

Performances

Mainpiece Title: The Second Part Of King Henry The Fourth; With The Humours Of Sir John Falstaff, Justice Shallow, Ancient Pistol

Afterpiece Title: Columbine Courtezan

Performances

Mainpiece Title: The Relapse

Song: I: Leveridge; II: Song of Diana, as17460313 IV: New Ballad Mirth gives Courage-Leveridge; V: The Wisdom of the Ancients-Leveridge

Dance: II: Drunken Tyrolese, as17460405 V: The Peasants, as17460405

Performances

Mainpiece Title: The True And Ancient History Of King Lear And His Three Daughters

Dance: Cooke, Sga Campioni

Performances

Mainpiece Title: The True And Ancient History Of King Lear, And His Three Daughters

Afterpiece Title: The Virgin Unmasked

Performances

Mainpiece Title: The London Merchant; Or, The True And Ancient History Of George Barnwell

Afterpiece Title: The Anatomist; or, The Sham Doctor

Dance: Mr Miles, Mrs Miles, Master Morgan, Miss Baker

Performances

Mainpiece Title: The London Merchant; Or, The True And Ancient History Of George Barnwell

Afterpiece Title: The Lying Valet

Performances

Mainpiece Title: The True And Ancient History Of Whittington, Thrice Lord Mayor Of London

Dance: [Between the acts: Entertainments of Dancing-

Song: [Between the acts: Entertainments of Singing-; A good Band of Musick

Performances

Mainpiece Title: The True And Ancient History Of Whittington

Performances

Mainpiece Title: The True And Ancient History Of King Lear, And His Three Daughters

Afterpiece Title: Perseus and Andromeda

Performances

Mainpiece Title: The Old Woman's Oratory

Afterpiece Title: [The Birth of Harlequin; or, The Old Woman's Whim

Dance: To conclude with A Dance in the Ancient British Taste-Choice Spirits from Comus's Court

Music: [NNew Concerto for the Tambour de Basque-

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I an entirely new Ballet, composed by Noverre, Adela of Pontbieu (the subject taken from the History of ancient Chivalry), by Gardel, Mme Simonet, Nivelon, Mlle Theodore, Simonet, Sga Crespi, Mlle Baccelli; End of Opera Medea and Jason, as originally composed by Noverre, by Gardel, Mme Simonet, Nivelon, Simonet, Mlle Theodore, Mlle Baccelli

Performances

Mainpiece Title: The Rage

Afterpiece Title: Windsor Castle 1

Afterpiece Title: Windsor Castle 2

Song: Part I: concludes with ancient British Airs-; Chorus of Bards-, accompanied on the Harp by Jones

Event Comment: Mainpiece: Not acted these 12 years. [See 24 Jan. 1758.] Prologue written by Paul Whitehead. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant (only) at the Stage-Door. No persons can be admitted behind scenes, nor any Money returned after curtain is drawn up. To begin exactly at 6 o'clock. [Customary note in succeeding bills.] Receipps: #190 14s. (Account Book). @The New Occasional Prologue@As when the merchant to increase his store@For Dubious seas, advent'rous quits the shore;@Still anxious for his freight, he trembling sees@Rocks in each buoy, and tempest in each breeze@The curling wave to mountain billow swells,@And every cloud a fancied storm fortells:@Thus rashly launch'd on this Theatric main,@Our All on board, each phantom gives Us pain;@The Aatcall's note seems thunder in our ears,@And every Hiss a hurricane appears;@In Journal Squibs we lightning's blast espy,@And meteors blaze in every Critic's eye.@Spite of these terrors, still come hopes we view,@Hopes, ne'er can fail us--since they're plac'd--in you.@Your breath the gale, our voyage is secure,@And safe the venture which your smiles insure;@Though weak his skill, th' adventurer must succeed,@Where Candour takes th' endeavor for the deed.@For Brentford's state, two kings could once suffice;@In ours, behold! four kings of Brentford rise;@All smelling to one nosegay's od'rous savor@The balmy nosegay of--the Public favor.@From hence alone, our royal funds we draw,@Your pleasure our support, your will our law.@While such our government, we hope you'll own us;@But should we ever Tyrant prove--dethrone us.@Like Brother Monarchs, who, to coax the nation@Began their reign, with some fair proclamation,@We too should talk at least--of reformation;@Declare that during our imperial sway,@No bard shall mourn his long-neglected Play;@But then the play must have some wit, some spirit,@And We allow'd sole umpires of its merit.@For those deep sages of the judging Pit,@Whose taste is too refin'd for modern wit,@From Rome's great Theatre we'll cull the piece,@And plant on Britain's stage the flow'rs of Greece.@If some there are, our British Bards can please,@Who taste the ancient wit of ancient days,@Be our's to save, from Time's devouring womb,@Their works, and snatch their laurels from the tomb.@For you, ye Fair, who sprightlier scenes may chuse,@Where Music decks in all her airs the Muse,@Gay Opera shall all its charms dispense,@Yet boast no tuneful triumph over sense;@The nobler Bard shall still assert his right,@Nor Handel rob a Shakespear of his night,@To greet the mortal brethren of our skies [upper galleries]@Here all the Gods of Pantomime shall rise:@Yet midst the pomp and magic of machines,@Some plot may mark the meaning of our scenes;@Scenes which were held, in good King Rich's days,@By sages, no bad epilogues to plays.@If terms like these your suffrage can engage,@To fix our mimic empire of the stage;@Confirm our title in your fair opinions,@And crowd each night to people our dominions.@--(Poems and Miscelaneous Compositions, Ed. Capt. Edward Thompson, 1777) Covent Garden opened with the Rehearsal with alterations. I was in the Pit. Powell, from Drury Lane, one of the new managers who have bought the patent from Rich's heirs, spoke an occasional Prologue. Shuter did Bayes pretty much to my liking, adding many crochets of his own.... Entertainment The Mock Doctor,...Young Jasper pretty well by one Massey, being his first appearance on that stage (Neville MS Diary)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: The Prophetess

Performance Comment: Diocles (elected Co-Emperor of Rome)-Lewis; Maximinian (Emperor of Rome)-Whitfield; Charinus (Emperor of Rome)-Hull; Cosroe (King of Persia)-Clarke; Niger-Davies; Geta-Quick; Drusilla (Niece to the Prophetess)-Mrs Kemble; Aurelia (Sister to the Emperor)-Mrs Inchbald; Delphia (the Prophetess)-Mrs Bates .
Cast
Role: Actor: Emperor of Rome-Lewis

Afterpiece Title: A Jubilee in Commemoration of Handel and Shakespeare

Afterpiece Title: The Election

Performances

Mainpiece Title: Judas Macchabaeus

Performance Comment: Parts were Judas-; Israelite Man-; Israelite Woman-; Chorus-; Simon, Brother to Judas-; Messenger-; Eupolemus, Jewish Ambassador to Rome- (Larpent MS).
Cast
Role: Jewish Ambassador to Rome Actor:

Performances

Mainpiece Title: Judas Maccabaeus

Performance Comment: Parts were: Judas-; Israelite Man-; Israelite Woman-; Chorus-; Simon-; (Brother to Judas), Messenger=-; Eupolemus-; (Jewish Ambassador to Rome). (Jewish Ambassador to Rome).