SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Young Killigrew"/1) | (@(roleclean,performerclean) "Young Killigrew")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3116 matches on Performance Comments, 915 matches on Author, 685 matches on Performance Title, 566 matches on Event Comments, and 0 matches on Roles/Actors.
Event Comment: The King's Company. Pepys, Diary: Thence to the King's play-house, and there saw Bartholomew Fayre, which do still please me; and is, as it is acted, the best comedy in the world, I believe. I chanced to sit by Tom Killigrew, who tells me that he is setting up a Nursery; that is, is going to build a house in Moorefields, wherein he will have common plays acted. But four operas it shall have in the year, to act six weeks at a time; where we shall have the best scenes and machines, the best musique, and every thing as magnificent as is in Christendome; and to that end hath sent for voices and painters and other persons from Italy

Performances

Mainpiece Title: Bartholomew Fair

Event Comment: [No notice of production exists. See William VanLennep, "Thomas Killigrew Prepares His Plays for Production," Joseph Quincy Adams; Memorial Studies, p. 805

Performances

Mainpiece Title: Comment

Performance Comment: ThomasKilligrew prepared Thomaso?. for production in the autumn of 1664, with an intended cast: Serulina-Wevar Elizabeth Weaver?; Calis-Franki Frances Davenport?; Angelica Bianca-M. Marsh Mrs Ann Marshall?; Anna-Core Mrs Corey?; Paulina-Nell Nell Gwyn?; Kecka-Bette Elizabeth Hall?, Elizabeth Davenport?; Lusetta-Knep Mrs Knepp?.
Event Comment: For performances in Sept. 1667 preceding this date, see the season of Pepys, Diary: I fell in talk with Tom Killigrew about musick, and he tells me that he will bring me to the best musick in England (of which, indeed, he is master), and that is two Italians and Mrs Yates, who, he says, is come to sing the Italian manner as well as ever as he heard any: says that Knepp won't take pains enough, but that she understands her part so well upon the stage, that no man or woman in the House do the like!

Performances

Event Comment: See 27 Feb. and 4 March. Pepys, Diary: [Sir W. Coventry] told me the matter of the play [The Rehearsal] that was intended for his abuse, wherein they foolishly and sillily bring in two tables like that which he hath made, with a round hole in the middle, in his closet, to turn himself in; and he is to be in one of them as master, and Sir J. Duncomb in the other, as his man or imitator: and their discourse in those tables, about the disposing of their books and papers, very foolish. But that, that he is offended with, is his being made so contemptible, so that any should dare to make a gentleman a subject for the mirth of the world; and that therefore he had told Tom Killigrew that he should tell his actors, whoever they were, that did offer any thing like representing him, that he would not complain to my Lord Chamberlain, which was too weak, nor get him beaten, as Sir Charles Sidly is said to do, but that he would cause his nose to be cut

Performances

Event Comment: During February and March 1678@9 two plays, titles unknown, were acted before the King. See an order: To Edward Griffin, Esq. Treasurer of the Chamber, to be paid over to John Lacy, assigne of Charles Killigrew, Mastr of the revells, for two plays acted before his said Majestie in Feb'ry and March 1678@9 (Moneys Received and Paid for Secret Services, ed. J. Y. Akerman, Camden Society, LII 1851, 34)

Performances

Event Comment: Benefit for Miss Norris. Tickets at Stage Door. Rec'd Cash #73 11s. 6d., plus #73 6s. from tickets. Total #146 17s. 6d. Paid Blandford (Tallow Chandler) #17 18s.; Paid Mr Field for Mr Killigrew's 9 s[hares] for 100 nights #105 (Treasurer's Book). Receipts: #160 (Cross); charges, #63 (Treasurer's Book)

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Rehearsal; or, Bayes in Petticoats

Song: Between the acts: Miss Norris

Performances

Mainpiece Title: The Busy Body

Performance Comment: Busy Body-Young Pervil; Sir Jealous-Young Ray; Sir George-Young Boman; Charles-Young Mills; Whisper-Young Norris; Miranda-Miss Younger; Isabinda-Miss Porter; Parch-Miss Lydell; With a new Epilogue-Miss Porter.
Cast
Role: Busy Body Actor: Young Pervil
Role: Sir Jealous Actor: Young Ray
Role: Sir George Actor: Young Boman
Role: Charles Actor: Young Mills
Role: Whisper Actor: Young Norris
Role: Miranda Actor: Miss Younger

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Miser; or, Wagner and Abericock

Performance Comment: Miser (Quaker)-Cibber Jr; Pierrot (Starved Servant)-Roger; Wagner (Faustus' Heir, in Character of Harlequin)-Clark; Abericock (Spirit left him by Faustus)-Miss Robinson Jr; Harlequin's Servant (Clown)-Harper; Miller's Wife and Daughter (Quakers)-Mrs Wetherilt, Miss Tenoe; Four Spirits (Quakers) rais'd to entertain Harlequin-Young Rainton, Young Sandham, Miss Robinson, Mrs Walter; Spirits rais'd for the Celebration of Harlequin's Marriage: Rural Lass-Miss Robinson; Country Lads-Young Rainton, Young Sandham; Countrymen-Boval, Haughton, Duplessis; Countrywomen-Mrs Brett, Mrs Walter, Mrs Young; Pomona-Mrs Booth; Statues-Thurmond, Lally, Roger, Essex.

Performances

Mainpiece Title: She Wou'd And She Wou'd Not; Or, The Kind Imposter

Afterpiece Title: Harlequin Happy and Poor Pierrot Married

Performance Comment: Pierrot-Roger; Colombine's Father-Weaver; His Servants-Hallam Sr, Ray; Harlequin-Clark; Pierrot's Servants-Young Hallam, Young Wetherilt; Cupid-Miss Robinson Jr; Colombine-Mrs Mills; Bridemen-Lally, Essex, Boval, Rainton; Bridesmaids-Mrs Brett, Miss Lindar, Mrs Walter, Mrs Young; Children of Love representing two Harlequin s-Young Master Lally, Miss Brett.

Performances

Mainpiece Title: The Second Part Of King Henry The Fourth

Afterpiece Title: Harlequin's Triumph

Performance Comment: Miser-Cibber Jr; Pierot-Roger; Harlequin-Clark; Clown-Harper; Harlequin's Attendant Spirit-Miss Robinson Jr; Miller's Wife and Daughter-Mrs Wetherilt, Miss Tenoe; Rural Lass-Miss Robinson; Country Lads-Young Rainton, Young Sandham; Countrymen-Boval, Haughton, Duplessis; Countrywomen-Mrs Brett, Mrs Walter, Miss Young; Pomona-Mrs Booth; Statues-Thurmond, Roger, Lally, Essex.

Performances

Mainpiece Title: The Amorous Widow

Afterpiece Title: Apollo and Daphne; or, Harlequin's Metamorphoses

Performance Comment: Harlequin-Clark; Pierot-Roger; Pantalon-Cibber Jr; Harlequin's Child-Miss Robinson Jr; Pigmy Dancing Master-Sandham; Scaramouch-Haughton; Pantalon's Daughters-Mrs Young, Mrs Paulet; Adonis-Young Rainton; Venus-Miss Robinson; Apollo-Thurmond; Daphne-Mrs Booth; Night-Miss Lindar; Aurora-Mrs Bowman; Cupid-Young Leigh; Daphne's Followers-Miss Tenoe, Mrs Walter; Sylvan-Essex; Nymph-Mrs Booth; Pan-Roger; Shepherds-Lally, Boval; Shepherdesses-Mrs Tenoe, Miss Lindar; Countrymen-Haughton, Duplessis; Countrywomen-Mrs Walter, Mrs Young.

Performances

Mainpiece Title: King Henry The Ivth, Part Ii; With The Humours Of Sir John Falstaff And Justice Shallow

Afterpiece Title: Harlequin Happy and Poor Pierrot Married

Performance Comment: Pierrot-Roger; Clombine's Father-Cibber Jr [possibly an error for Weaver; see17281101]; Servants-Hallam Sr, Ray; Harlequin-Cibber Jr; Pierot's Servants-Young Hallam, Young Wetherilt; Cupid-Miss Robinson Jr; Colombine-Mrs Mills; Bridemen-Lally, Essex, Boval, Rainton; Bridemaids-Miss Robinson, Miss Lindar, Mrs Walter, Mrs Roger; Children of Love, representing Two Harlequins-Young Master Lally, Miss Brett.

Performances

Mainpiece Title: The Married Philosopher

Performance Comment: Parts-Quin, Hulet, Milward, Ryan, Walker, Chapman, Mrs Hallam, Mrs Younger, Mrs Stevens; but edition of 1731 lists: Sir Harry Sprightly-Ryan; Odway-Hulett; Old Bellefleur-Quin; Young Bellefleur-Milward; Horatio-Walker; Brush-Chapman; Melissa-Mrs Hallam; Violetta-Mrs Younger; Pinwell-Mrs Stevens; Prologue-Ryan; Epilogue-Mrs Younger.

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Barry; Capulet-Sparks; Montague-Bridgwater; Escalus-Gibson; Benvolio-Usher; Paris-Anderson; Lady Capulet-Mrs Barrington; Friar Lawrence-Ridout; Gregory-Bennett; Sampson-Collins; Abram-Dunstall; Balthazar-White; Mercutio-Dyer; Tibalt-Cushing; Nurse-Mrs Pitt; Juliet-aYoung Gentlewoman (who never appeared on any stage before); [With a Masquerade Dance- [proper to the play; [and an Additional Scene introduced representing the Funeral Procession of Juliet-; [which will be accompanied with a Solemn Dirge-; the vocal parts-Lowe, Howard, Legg, Baker, Roberts, Mrs Lampe, Miss Young, Mrs Chambers; [With an Occasional Prologue-Barry.*c1753 10 10 cg A Prologue by Barry to introduce a young gentlewoman in Juliet (Miss Nossiter) who never appear'd upon any stage. Great Applause. The Prologue about Mrs Cibber's Leaving Rich (Cross). Romeo was perform'd by Barry and Juliet by Miss Nossiter, being the first time of her appearing on any theatre. The delicacy of her figure, and her gracefull distress, obtained for her the warmest applause; and as she grew more animated in the progress, she frequently alarmed the audience with the most striking attitudes. If this young actress studies the management of her voice, and attains a more simple elocution--she will prove a shining ornament to the stage (Gentleman's Magazine, Oct., p. 493, from Grays' Inn Journal, 13 Oct.). [The Occasional Prologue was printed in the Public Advertiser, 20 Nov.: @Who could have thought that Juliet could e'er prove@False to her Romeo, faithless to her Love?@She Mrs Cibber? on whose voice the raptured audience hung,@Caught with th'angelic music of her tongue;@Whose native tenderness so oft has charm'd;@Whose grief afflicted, and whose Rage alarm'd,@Deaf to her vows, and to her Romeo's calls,@Has fled alas from our Verona's walls!@In such a plight what cou'd poor Romeo do?@Why, Faith, like modern lovers, seek anew;@And happy shall I think me in my Choice,@If 'tis approv'd of by the public voice.@ Twenty three more lines present the qualifications for Miss Nossiter to play the part, and plead for an encouraging round of applause for her.] and as she grew more animated in the progress, she frequently alarmed the audience with the most striking attitudes. If this young actress studies the management of her voice, and attains a more simple elocution--she will prove a shining ornament to the stage (Gentleman's Magazine, Oct., p. 493, from Grays' Inn Journal, 13 Oct.). [The Occasional Prologue was printed in the Public Advertiser, 20 Nov.: @Who could have thought that Juliet could e'er prove@False to her Romeo, faithless to her Love?@She Mrs Cibber? on whose voice the raptured audience hung,@Caught with th'angelic music of her tongue;@Whose native tenderness so oft has charm'd;@Whose grief afflicted, and whose Rage alarm'd,@Deaf to her vows, and to her Romeo's calls,@Has fled alas from our Verona's walls!@In such a plight what cou'd poor Romeo do?@Why, Faith, like modern lovers, seek anew;@And happy shall I think me in my Choice,@If 'tis approv'd of by the public voice.@ Twenty three more lines present the qualifications for Miss Nossiter to play the part, and plead for an encouraging round of applause for her.]

Performances

Mainpiece Title: Comus

Performance Comment: Comus-Fleetwood 1st time; Lady-Mrs Cibber; Spirit-Mrs Vernon; 1st Bacchanal-a Gentleman his 1st on the stage; Euphrosyne-a Gentlewoman her 1st on the stage; Elder Brother-Holland; Younger Brother-Packer; 1st Spirit-Davies; 2d Spirit-Master Simson; 2d Bacchanal-Champnes; Sabrina-Miss Young; (with song of) Sweet Echo-Miss Young; Nymph-Miss Eliz. Young; The dances-Giorgi, Miss Baker.
Cast
Role: Younger Brother Actor: Packer
Role: Sabrina Actor: Miss Young
Role: Sweet Echo Actor: Miss Young
Role: Nymph Actor: Miss Eliz. Young

Afterpiece Title: The Apprentice

Performances

Mainpiece Title: The Capricious Lovers

Performance Comment: Parts-Vernon, Yates, Baddeley, Packer, Didier, Mrs Clive, Miss Young, Miss Wright, a Young Gentlewoman in her first appearance on any stage. Colin-Vernon; Hobbinol-Yates; Damon-Baddeley; Astolpho-Packer; Fabian-Didier; Phoebe-Miss Slack , 1st appearance on any stage; Lisetta (with a mock Italian song)-Mrs Clive; Emily-Miss Young; Clara-Miss Wright (Genest, V, 63) Emily-$Miss Scott (Winston MS 9).

Dance: Grimaldi, Aldridge, Giorgi, Berardi, Sga Giorgi, Miss Baker

Performances

Mainpiece Title: The Sot

Performance Comment: Fairlove-Young Gentlewoman, first appearance; Clarinda-Young Gentlewoman, first appearance; Pert-Young Gentlewoman, fifth appearance; Sir Thomas-young Gentleman, first appearance.

Song: Catches and Glees-; Diana's Chace-Miss Jameson

Music: After Comic piece: two Ariettas on the Octave Flute in the Polonese taste-a new performer from that country; After Part II Catches and Glees: Concerto on Clarinet with variations on the Wanton God-Mahon

Performances

Mainpiece Title: He's Much To Blame

Afterpiece Title: Joan of Arc

Performance Comment: As17980214, but The Argument-. [The Ballet (principally taken from Historical facts) commences with a Grand Battle before the Town of Orleans, in which the English being victorious, a wounded French Officer (Alenson) solicits shelter in the Inn where Joan of Arc and her sister Blanche reside; this is granted, and they scarcely retire, before the conquering party rush into the Inn, but are prevented from using outrage by the intervention of a young English General (Talbot) of whom the sisters become enamoured. He prefers Blanche; and Joan, from resentment, in conjunction with Alenson, meditate his ruin, in which they fail, and are forced to fly--Joan grown desperate, invokes supernatural aid, and receives a Banner from Lucifer--distinguishes the French King in the midst of his Courtiers, tho' a Nobleman in his habit had been imposed on her for him--demands a consecrated sword and shield at the tomb of Charlemagne--heads the French troops, and being victorious, takes young Talbot and her sister (whom he had espoused) Prisoners. +Edwin (young Talbot's Page), not allowed to attend on his master, by concealing himself in the spoils of his tent is conveyed to the court-yard of his Prison, thro' the grating of which he gives him a sleeping draught, telling him on drinking it that they will suppose him dead, and the English demand his body. He complies, but the request of the English is refused, and he lowered into the Cell where Blanche is confined--She conceives him dead--despairing, is on the point of destroying herself, when he awakes--the Page from the top of the Cell points out the means of escape, which they are accomplishing, when Joan rushes in, but appalled at the ghost-like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant (as17980214)] . .
Cast
Role: by concealing himself in the spoils of his tent is Actor: yard of his Prison, thro' the grating of which he gives him a sleeping draught, telling him on drinking it that they will suppose him dead, and the English demand his body. He complies, but the request of the English is refused, and he lowered into the Cell where Blanche is confined--She conceives him dead--despairing, is on the point of destroying herself, when he awakes--the Page from the top of the Cell points out the means of escape, which they are accomplishing, when Joan rushes in, but appalled at the ghost-like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: appalled at the ghost Actor: like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: and forces him to combat Actor: disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: her sword and shield break to pieces Actor: she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: Young Talbot Actor: Bologna Jun.

Music: As17980214

Performances

Mainpiece Title: The Capricious Lovers

Performance Comment: Parts-Ryan, Walker, Hippisley, Egleton, Bullock, Spiller, Mrs Younger, Mrs Bullock, Mrs Parker, Mrs Moffet, Mrs Egleton; but edition of 1726 lists: Colonel Mockyouth-Hippisley; Beaumine-Walker; Galliard-Ryan; Squire Pert-Egleton; Sir John Cuddy-Bullock Jr; Trust-Spiller; Roger-Bullock Sr; Flora-Mrs Moffet; Graciana-Mrs Younger; Mrs Mincemode-Mrs Bullock; Mrs Fading-Mrs Parker; Frizle-Mrs Egleton;In which will be perform'd a Pastoral Entertainment of Musick-; Vocal Parts-Leveridge, Leguerre, Salway, Mrs Chambers, and others; the edition of 1726 lists: Strephon-Leveridge; Damon-Legare; Phyllis-Mrs Chambers; Prologue-; Epilogue-Mrs Younger in Boy's Cloaths.

Dance: Proper Dances-DuPre, Salle, Lally, Mrs Bullock, Mrs Wall, Mrs Anderson

Performances

Mainpiece Title: The Female Fortune Teller

Performance Comment: Parts-Ryan, Walker, Quin, Hippisley, Hulett, Hall, Mrs Egleton, Mrs Parker, Mrs Younger, Mrs Moffett, Mrs Vincent, Mrs Morgan; but edition of 1726 lists: Spring-Quin; Ringwood-Rian; Sir Charles Mirmont-Walker; Owen Apwigeon-Hippisley; Mrs Joiner-Mrs Egleton; Frances-Mrs Morgan; Astrea-Mrs Parker; Clarinda-Mrs Mowfet; Scuttle-Mrs Younger; Mrs Apwigeon-Mrs Vincent; Prologue-Ryan; Epilogue-Mrs Younger.

Performances

Mainpiece Title: Sir Courtly Nice

Afterpiece Title: Apollo and Daphne; or, Harlequin's Metamorphoses

Performance Comment: Apollo-Thurmond; Daphne-Mrs Booth; Night-Miss Lindar; Aurora-Mrs Boman; Cupid-Young Leigh; Daphne's Followers-Miss Tenoe, Mrs Brett, Mrs Walter; Pastora-Mrs Robinson; Harlequin-Cibber Jr; Pierrot-Roger; Pantalon-Miller; Cookmaid-Harper; Punch-Boval; Pigmy Dancing Master-Sandham; Scaramouch Singing Master-Haughton; Pantalon's Daughters-Mrs Brett, Mrs Young; Adonis-Young Rainton; Venus-Miss Robinson; Concluding with a Rural Masque: Les Bois d'Amourette-; Nymph-Mrs Booth; Rival Swains-Thurmond, Roger; Shepherds-Boval, Lally, Haughton, Duplessis; Shepherdesses-Miss Tenoe, Mrs Brett, Mrs Walter, Miss Lindar.

Performances

Mainpiece Title: Money The Mistress

Performance Comment: Parts-Diggs, Quin, Ryan, Walker, Boheme, Hippisley, Hall, Mrs Younger, Mrs Bullock, Mrs Moffett; but edition of 1726 lists: Governor of Tangier-Diggs; Warcourt-Quin; Mourville-Ryan; Marsan-Walker; Don Manuel-Boheme; Wingrave-Milward; Davila-Hippisley; Mouluza-Hall; Mariana-Mrs Younger; Harriet-Mrs Bullock; Diana-Mrs Moffet; Teresa-Mrs Martin; Prologue by Welstead-Quin; Epilogue by George Jeffreys-Mrs Younger.

Performances

Mainpiece Title: Love's Last Shift; Or, The Fool In Fashion

Afterpiece Title: Apollo and Daphne; or, Harlequin's Metamorphoses

Performance Comment: Harlequin-Clark; Pierrot-Roger; Pantalon-Cibber Jr; Harlequin a Child-Miss Robinson Jr; Pigmy Dancing Master-Sandham; Scaramouch-Haughton; Pantalon's Daughters-Mrs Young, Mrs Paulet; Adonis-Rainton; Venus-Miss Robinson; Apollo-Thurmond; Daphne-Mrs Booth; Night-Miss Lyndar; Aurora-Mrs Bowman; Cupid-Young Leigh; Nymph-Mrs Booth; Pan-Roger; Shepherds-Lally, Boval; Shepherdesses-Miss Tenoe, Miss Lindar; Countrymen-Haughton, Duplessis; Countrywomen-Mrs Walter, Mrs Young.

Performances

Mainpiece Title: The Dissembled Wanton; Or, My Son Get Money

Performance Comment: Principal Parts-Quin, Ryan, Walker, Hall, W. Bullock, Hippisley, Mrs Bullock, Mrs Younger, Mrs Laguerre, Mrs Egleton; but edition of 1727 lists: Lord Severne-Quin; Colonel Severne-Ryan; Beaufort-Walker; Sir Humphrey Staple-Hall; Toby-W. Bullock; Wormwood-Hippisley; Emilia-Mrs Bullock; Sir Harry Truelove-Mrs Younger; Jenny Staple-Mrs Legar; Lettice-Mrs Egleton; Prologue by a Gentleman of the Temple-Ryan; Epilogue by Molloy-Mrs Younger dressed as a Beau.

Performances

Mainpiece Title: Philip Of Macedon

Performance Comment: Principal Parts-Hulett, Walker, Ryan, Milward, Quin, Ogden, Mrs Younger, Mrs Berriman, but edition of 1727 lists: Perses-Walker; Philip-Hulett; Demetrius-Ryan; Antigonus-Milward; Lysimachus-Ogden; Onomastus-Horton; Didas-Quin; Herodorus-Lacy; Philocles-Berriman; Xychus-Morgan; Olympias-Mrs Younger; Isteria-Mrs Berriman; Prologue-Ryan; Epilogue-Mrs Younger.