SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Young Cross"/1) | (@(roleclean,performerclean) "Young Cross")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4163 matches on Performance Comments, 3182 matches on Event Comments, 920 matches on Performance Title, 858 matches on Author, and 1 matches on Roles/Actors.
Event Comment: "In consequence of the usual indecorum of a number of young men forcing themselves forward upon the Stage during the representation the gallery became vociferous, and considerable interruption took place in the scene" (Morning Chronicle, 7 Jan.)

Performances

Mainpiece Title: Elfrida

Dance: As17981211

Event Comment: By Permission of the Lord Chamberlain. Benefit for the Choral Fund, instituted for the Relief of their decayed Members, Widows and Orphans, under the Patronage of his Royal Highness the Duke of Clarence. The Band and Chorus will be select, and the Young Gentlemen of the Westminster Choir will assist. A New Organ, built by Lincoln, will be opened on this occasion. Boxes #S. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 5:30. To begin at 6:30. Tickets and Places for the Boxes to be had of Rice, at the Theatre

Performances

Mainpiece Title: The Messiah

Music: Previous to The Messiah: An Ode, written by W. T. Fitzgerald, Esq., the Music entirely new by Dr Arnold-; Concerto on the violin-Barthelemon

Event Comment: Mainpiece: A New Oratorio, in Two Parts, the only one composed in this Country nearly these 30 years. Afterpiece: An Ode, in One Part. The Band will wholly consist of Professors of the first eminence, and the Chorusses will be numerously supported by the best Performers in London, assisted by the young Gentlemen of his Majesty's Chapels, and of Westminster Abbey. The music entirely new, composed by Thomas? Busby, who will take the Piano Forte. Boxes 7s. Pit 4s. 1st Gallery 3s. 2nd Gallery 2s. Grove: [Busby] worked at a setting of Pope's 'Messiah' for some years, and it was produced in 1799 with considerable success as 'The Prophecy.

Performances

Mainpiece Title: The Prophecy

Afterpiece Title: Ocean

Event Comment: "[Allegranti] in an evil hour came again to England, and reappeared in Cimarosa's Matrimonio Segreto. Never was there a more pitiable attempt: she had scarcely a thread of voice remaining, nor the power to sing a note in tune: her figure and acting were equally altered for the worse, and after a few nights she was obliged to retire, and quit the stage altogether...But she was at least remembered to have had a voice, and was looked upon only with compassion" (Mount-Edgcumbe, 39-40). "The opera of last night was also enriched by the first appearance, on any stage, of a young lady, a daughter of Signor Rovedino...She was received with the warmest applause" (Morning Chronicle, 10 Apr.)

Performances

Mainpiece Title: Il Matrimonio Segreto

Dance: As17990330

Performances

Mainpiece Title: Life's Vagaries

Afterpiece Title: Saturday Night at Sea; or, Tars at Anchor

Performance Comment: With a jolly full Bottle-Incledon, Townsend, Linton, Street; Boxing the Compass-Fawcett; Young William-Incledon; A Song-Johnstone; The Wind blew fresh-Townsend; Great Britain still her charter boasts-Incledon, Chorus.
Cast
Role: Young William Actor: Incledon

Afterpiece Title: The Norwood Gipsies

Song: End II 1st piece: Admiral Benbow-Incledon; End 1st piece: The Group of Lovers-Munden

Event Comment: [Account-Book: Tickets delivered by Jackson, Thompson (box-keeper), Webb (door-keeper), Dibdin, Purkins, Pitt, Williamson, Goodwin, Anselmo, Roberts, Loyd, West, Berecloth, Young, Norton will be taken.] Receipts: #374 16s. (38.1.6; 4.18.0; tickets: 331.16.6)

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Hartford Bridge

Dance: End: A Scotch Divertisement-Jackson, Platt, Dyke, Miss Bologna, Mrs Watts

Performances

Mainpiece Title: Cymbeline, King Of Britain

Afterpiece Title: The Child of Nature

Afterpiece Title: The Soldier's Festival

Song: In II 1st piece: Hark! the Lark-Hill, Linton, Miss Wheatley, Mrs Atkins; Young William was a Seaman True (composed by himself), Sally in our Alley-Incledon

Performance Comment: the Lark-Hill, Linton, Miss Wheatley, Mrs Atkins; Young William was a Seaman True (composed by himself), Sally in our Alley-Incledon.

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Follies of a Day

Afterpiece Title: St

Performance Comment: David's Day. As18000414, but added Young Shenkin was born in Montgomeryshire-Townsend.

Song: End I 1st piece: song-Master Gray; End I 2nd piece: Time has not thin'd my flowing Hair-Incledon, Townsend; End 2nd piece: This Life is like a Country Dance-Fawcett; The Advantage of Toping-Townsend; Fat Dolly the Cook-Munden; The Anchor Smiths-Townsend

Entertainment: Imitations End I 1st piece: a Few Select Imitations-Townsend

Performances

Mainpiece Title: Abroad And At Home

Cast
Role: Young Flourish Actor: Fawcett
Role: Young Testy Actor: Knight

Afterpiece Title: Britain's Sons; or, Success to our Heroes

Performance Comment: New Mariners-Hill, Linton, Townsend; Black Ey'd Susan (for this night only)-Hill; Song-Townsend; Song-Johnstone; Young William was a Seaman true-Incledon; Rule Britannia, as18000430, but Johnstone. Rule Britannia, as18000430, but Johnstone.

Afterpiece Title: The Turnpike Gate

Song: In: Together let us range the Fields-Incledon, Mrs Atkins; The Soldier Tir'd (from Artaxerxes)-Mrs Atkins

Performances

Mainpiece Title: The Review

Related Works
Related Work: The Review; or, The Wags of Windsor Author(s): George Colman, the younger

Afterpiece Title: The Deaf Lover

Performance Comment: See18000814, but Young [i.e. Capt.] Meadows-Palmer; Betsy Blossom-Mrs Mountain.

Afterpiece Title: Obi

Event Comment: Edition of 1661: By the Worshipful Company of Grocers. Evelyn, Diary: I saw the Lord Major passe in his Water Triumph to Westminster being the first solemnity of this nature after 20 years. Pepys, Diary: I was (after office was done) ready to go to my Lord Mayor's feast, as we are all invited; but the Sir Williams were both loth to go, because of the crowd, and so none of us went....This Lord Mayor, it seems, brings up again the custom of Lord Mayors going the day of their instalment to Paul's, and walking round about the Cross, and offering something at the altar

Performances

Mainpiece Title: London's Triumphs

Event Comment: Pepys, Diary: And taking my wife up, carried her to Charing Cross, and there showed her the Italian motion, much after the nature of what I showed her a while since in Covent Garden. Their puppets here are somewhat better, but their motions not all

Performances

Mainpiece Title: Puppets

Event Comment: Pepys, Diary: [After looking in at lif], to Charing Cross, there to see Polichinelli. [It being begun, Pepys did not stay. See Speaight, English Puppet Theatre, p. 75.

Performances

Mainpiece Title: Puppetry

Event Comment: A playbill [PRO, State Papers 29, Vol. 317, No. 187): At the Booth at Charing-Cross, every day in the Week will be presented variety of Farces Drolls, and Comical Entertainments by Mr Anthony Devo, His Majesties Servant. And this present Monday being the Eleventh of November, will be presented the Dutch cruelties at Amboyna, with the humours of the Valiant Welch-Man. Acted by Men and Women. Beginning exactly at Two of the Clock in the Afternoon, and at Four. Vivat Rex. [This playbill is reproduced in Theatre Notebook, VI (1952), opposite page 36.] L. C. 5@140, p. 129 (Nicoll, Restoration Drama, p. 250): That Antonio diVoto Doe sett forth Exercise & Play all Drolls and Interludes, He not receiuing into his Company any person belonging to his Mates or Royal Highnesse Theatres Nor Act any Play usually acted at any of ye said Theatres Nor takes peeces or Sceenes out of ye Playes Acted at ye said Theatres

Performances

Mainpiece Title: The Dutch Cruelties At Amboyna; With The Humours Of The Valiant Welch-man

Event Comment: Rich's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Boy, 25-27 Aug. 1696, suggests that it was first acted not later than July 1696 and possibly in June 1696. In the edition of 1696 are two dialogues, set by Clarke, the words by Haynes, and sung by Bowen and Mrs Cross. A Comparison Between the Two Stages (1702), p. 18: Cornish Comedy: No matter whose, 'twas Damn'd

Performances

Mainpiece Title: The Cornish Comedy

Event Comment: Rich's Company. The date of the first performance is not known, but the Prologue suggests that it was given shortly before Bartholomew and Southwark Fairs (Drolls shortly will amuse ye at the Fair), even though the play was not advertised until mid-October (Post Boy, 15-17 Oct. 1696). One song, Alas! when charming Sylvia's gone, is in the Edition and was also published separately,with the indication that Daniel Purcell set it. In the Edition, a song, Fairest nymph that ever bless'd our Shore, is sung in Act II Betwixt Mr Leveridge a Spaniard, and Mrs Cross an English Lady. Tne composer is not named. A Comparison Between the Two Stages (1702), p. 18: and 'tis a most damnable Farce

Performances

Mainpiece Title: The Spanish Wives

Event Comment: Luttrell, A Brief Relation, IV, 268, 24 Aug. 1697: The lord mayor has published an order forbidding all unlawfull gameing, excesse in drinking, swearing, cursing in Bartholomew fair. The only notice of a performance is an advance one, Post Boy, 12-14 Aug. 1697: At Mr Barns's Booth, between the Crown Tavern, and the Hospital-Gate, over against the Cross-Daggers in West-Smithfield Rounds, during the time of Bartholomew Fair, is to be seen the famous Rope-Dancers of Europe, being four Companies join'd in one, viz. the English, High-German, French and Morocco Companies of Rope-Dancers, by whom will be presented a Variety of Agility of Body, as Danceing, Tumbling, Walking, and Vaulting, the like was never seen before

Performances

Event Comment: Rich's Company. The date of the first performance is not certain, but the Preface refers to the Long Vacation and a thin house, suggesting a late summer production. As the play was advertised in the Post Boy, 16-18 Nov. 1697, a first performance in October 1697 is probably the latest date for this play, and September seems more likely. Among the songs are several for whom the composer and singer are named: Happy we who free from love, and How calm Eliza are these groves, the music set by Morgan and both sung by Mrs Lindsey. She comes my goddess comes, set by Morgan and sung by Mrs Cibber. Sleep shepherd sleep, the music set by Morgan and sung by Mrs Cross. All four are in A Collection of New Songs, 1697. Preface, Edition of 1698: To serve the wants of a thin Playhouse, and Long Vacation...This hasty Brat...had the Honor of keeping the Stage for five Days Reign. Animadversions on Mr Congreve's late Answer to Mr Collier (1698), pp. 34-35: The mighty Man of Wit [Congreve]...at the Representation of this Play...was seen very gravely with his Hat over his Eyes among his chief Actors, and Actresses, together with the two She Things, call'd Poetesses, which Write for his House, as 'tis nobly call'd; thus seated in State among those and some other of his Ingenious critical Friends, they fell all together upon a full cry of Damnation, but when they found the malicious Hiss would not take, this very generous, obliging Mr Congreve was heard to say, We'll find out a New way for this Spark, take my word there is a way of clapping of a Play down

Performances

Mainpiece Title: Imposture Defeated; Or, A Trick To Cheat The Devil

Event Comment: Post Man, No 515, 15-17 Sept. 1698: At Mr Barnes's and Mr Appleby's Booth in the Coachyard near St Georges Church, Southwark, during the space of 14 days, is to be seen the most famous Rope Dancers of Europe, viz. the English, High German, Dutch, and Morocco Companies, who perform strange and wonderful things on the Rope, the German Maiden outdoing all Men and Women, that ever danc'd before her, both for high leaping and fine Dancing, and whatever has been done by any person on the Ground, as side, upright, cross or back Capers, is performed by her on the Dancing Rope, and rises to that prodigious height, as will startle all that see her

Performances

Mainpiece Title: Entertainments

Event Comment: The proclamation against plays and interludes at bf was printed again in the London Post, 7-9 Aug. 1700. Nevertheless, entertainment occurred at the Fair: Flying Post, 13-15 Aug. 1700: At Barns's and Findley's Booth, between the Crown-Tavern and the Hospital-Gate, over-against the Cross Daggers in West-Smithfield (during the usual Time of Bartholomew Fair)...Four of the most Famous Companies ever in England, who perform such Curiosities in Dancing, Tumbling, and Vaulting, far surpassing any ever yet seen. Post Boy, 17-20 Aug. 1700: At the Monument Booth, over against the Fleece and Seven Stars, near the Crown Tavern in West Smithfield, will be perform'd by the famous Dutch Womans Companies of Rope-Dancers, at the same Ground where she was last Year

Performances

Event Comment: At the Famous Dutchwoman's Booth against the Hospital Gate. At Barnes and Finley's Rope-Dancing Booth between the Crown Tavern and the Hospital Gate, over against the Cross-Daggers in Smithfield

Performances

Mainpiece Title: Entertainments

Dance: [By] 6 Companies of Rope Dancers; who] [are joyned in one, they being the greatest Performers of Men, Women, and Children, that could be found beyond the Seas, where will be performed such wonderful variety of Dancing, Vaulting, Walking on the Slack Rope, the Sloaping Rope-; [you will see a wonderful Girl of 10 years of Age, who walk backward up the sloaping Rope-Girl of 10 years[, driving a Wheel-barrow behind her; [also you will see the Great Italian Master, who not only passes all that has yet been seen upon the low Rope, [but he Dances[ without a Pole upon the Head of a Mast [as high as the Booth will permit, and afterwards stands upon his Head on the same-Great Italian Master; [You will also be entertained with the many Conceits of an Italian Scaramouch, who Dances on the Rope [with 2 Children and a Dog in a Wheel-barrow, and a Duck on his Head-Italian Scaramouch

Dance: Such variety of Dancing, Vaulting, Walking on the Slack/Rope, Tumbling, as has never been seen in this Fair before-

Event Comment: At Widow Barnes'/Booth, over against the Cross Daggers in Smithfield

Performances

Mainpiece Title: Rope Dancing

Entertainment: By the most Famous Rope Dancers of Europe; who perform such strange and surprising Things on the Dancing Rope, as are incredible to relate; with great Variety of Encomparable fine Tumbling, Walking on the Slack Rope, Vaulting-; far surpassing all that has ever yet been seen. Together with the diverting Entertainments of your Old Friend Pickle Herring-, the chief of all his imitating Brethren

Performances

Mainpiece Title: The Relapse

Performance Comment: Penkethman, Mrs Cross performing their own parts.

Performances

Mainpiece Title: Timon Of Athens

Afterpiece Title: Cupid and Bacchus

Performance Comment: As17070121, but Mrs Cross.

Dance: duRuel, Cherrier, Mrs Evans

Event Comment: Benefit Miss Cross

Performances

Mainpiece Title: She Wou'd And She Wou'd Not; Or, The Kind Imposter