SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Y Cross"/1) | (@(roleclean,performerclean) "Y Cross")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2720 matches on Event Comments, 1258 matches on Performance Comments, 238 matches on Performance Title, 130 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Nothing under Full Price will be taken. Benefit for the author of the Alterations [in mainpiece]. A Riot to demand admittance at 1!2 price after 3rd act, all times except at the run of New Pantomime, wch. not agreed to, the Mob broke Chandeliers, &c. No Play (Cross Diary). [Fuller account in Victor, History of the Theatres, III, 46 ff., he being the beneficiary that night. Elvira publish'd at 1s. 6d. (Winston MS 9). See account of riot in Gentlemen's Magazine (p. 31). See Comment 5 Feb.

Performances

Mainpiece Title: Two Gentlemen Of Verona

Afterpiece Title: Fortunatus

Entertainment: s 15 Dec. 1762.

Event Comment: Benefit For the Author. A Riot to demand the same [half-price after third act] agreed to (Cross Diary). [Advertised for Drury Lane that particulars will be published in a few days on the charge of innovation in prices which last night prevented the play being heard.] When Holland appeared for the Prologue-hiss'd. Garrick appeared and agreed to take half-price at the end of the third act to all performances except the first [Winter] of a New Pantomime (Winston MS 9)

Performances

Mainpiece Title: Elvira

Afterpiece Title: Catharine and Petruchio

Event Comment: Benefit for Author (Cross Diary)

Performances

Mainpiece Title: The Discovery

Event Comment: Benefit for Author (Cross Diary)

Performances

Mainpiece Title: The Discovery

Event Comment: Benefit for Vincent. Tickets deliver'd by Mrs Cross, Mrs Bradshaw, Miss Rogers, and others will be taken. No Building, &c

Performances

Mainpiece Title: Zara

Afterpiece Title: The Devil to Pay

Dance: II: A Comic Dance call'd the Old Fool, or the Farmer Trick'd-Vincent, Miss Rogers; IV: Dutch Dance, as17630425 V: By Desire, a Louvre and Minuet-Noverre, Miss Rogers; By Particular Desire a Hornpipe-Vincent

Event Comment: [The Winston entry appears to be an insert accompanied by the following note: N.B. by the Bills it appears there was no performance on Thurs. Mr Woodrg Bills say on Fri King Lear. J. W."] No Performance. Thanksgiving (Cross Diary)

Performances

Mainpiece Title: King Lear

Afterpiece Title: Polly Honeycomb (Winston MS 9)

Event Comment: Benefit for Mrs Simson. No building on Stage. Mr Blakes died (Cross Diary)

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: Miss in Her Teens

Dance: IV: The Irish Lilt, as17621023

Event Comment: Benefit for Receivers (Cross Diary). Smith, Watson, Cridland, Dalton (playbill)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Beggar's Wedding

Dance: IV: The Irish Lilt, as17621023

Event Comment: Benefit for Weston and Mrs Daly. Tickets to be had of Mrs Daly at Mr Allen's in Great Suffolk St., near the Haymarket; and of Mr Weston, in Monmouth Court, Hedge Lane, Charing Cross

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: The Contented Cuckold

Dance: Master Clinton, Miss Street

Event Comment: MMrs Love play'd Mrs Peachum very bad. Her fit seem'd a very Aukward Imitation of Mrs Pritchard in the Jealous Wife (Hopkins). Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. No money received at the Stage Door. None returned after the curtain is up. Play to begin exactly at 6 o'clock. Places may be had of Mr Johnston at the Stage Door. Vivat Rex et Regina. [Customary notice, which will not be repeated here, Sept. 15 David Garrick & his Lady set out for Italy from his house in Southampton St. Covent Garden (Winston MS 9). Winston also refers to a Sept. 9 Letter from T. Davies, cg, to the poet Charles Churchill begging he would not introduce so unimportant a person as himself in his Smithfield Rosciad.] Receipts: #248 9s. (Cross Diary)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Miss in Her Teens

Event Comment: MMr Baddeley-Polonius, first time (Cross Diary). Receipts: #194 17s. 6d. (MacMillan)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Polly Honeycombe

Event Comment: MMiss Cheney made her first appearance this Night, in Miss Prue, a Pretty Figure, play'd with Spirit, very Aukward, & Speaks too much at the top of her Voice (Hopkins). Miss Prue by a young Gentlewoman. Great Applause (Cross Diary). This night Miss Cheney made her first appearance on the stage in the character of Miss Prue--play'd with spirit,--a very pretty, genteel Figure, but very raw and aukward--got great applause. Think there is materials in her composition with care and application to make an actress.--Mr Yates in the speech where he says 'the more she cries, the less she'll p--' happened to speak the words a little too plain, and was justly hissed by the Audience--his song was encored,--he sung it again,--a Hiss and a Clap when he went off (Hopkins Diary--MacMillan). Receipts: #187 16s. 6d. (MacMillan)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Fortunatus

Event Comment: MMiss Williams made her first appearance this Night in Polly. Spoke some of the part tolerably well, wants power in her singing (Hopkins). Polly by Miss Williams. Great Applause (Cross Diary). Miss Williams made her first appearance this night in Polly--a Lady, I think, that has but few requisites for the stage--a very indifferent voice spoke some of the part tolerable,--some few hisses (Hopkins Diary--MacMillan). Receipts: #256 9s. 6d. (MacMillan)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Genii

Event Comment: Mainpiece: By Beaumont and Fletcher, reviv'd. Afterpiece: Not acted these three years. [See 8 Aug. 1761.] Mr Powell made his first appearance this Night in Philaster. His Reception was very great, he play'd the part amazingly well, & Seems to have Requisites to make a very Capital Performer. N.B. Covent Garden Theater begun to play every Night (Hopkins). Philaster by Mr Powell. Prodigious applause (Cross Diary). This play [Philaster] was wrote by Beaumont and Fletcher, and is now altered by Mr Colman. Mr Powell, a young gentleman clerk to Sir Robert Ladbrook, made his first appearance in the character of Philaster.--A greater reception was never shown to anybody,--he was so very much frightened, he could not speak for some time, and, when he did, the tears ran fast down his cheeks,--but he soon recovered himself, and went through the part with a great deal of nature and feeling,--Continued claps and huzza of bravo! &c. &c. Upon the whole I think him possessed of every requisite necessary to make him an ornament to the stage.--N.B. Mr D. Garrick instructed him in this part--when I see him in another shall be able to judge better of his capabilities.--Miss Pope appeared this Night in the character of Maria in the Citizen,--by endeavoring to be very fine she overdid it,--and it was plain to see she wanted her master. N.B.--Covent Garden began to play of our nights--the first time they ever begin first since Mr Garrick was manager (Hopkins Diary--MacMillan). Receipts: #258 11s. 6d. (MacMillan)

Performances

Mainpiece Title: Philaster

Afterpiece Title: The Citizen

Event Comment: Mainpiece: By Particular Desire. Mr Holland but coolly receiv'd in Oakly, at first. The last Scene in the Genii the Wings did not change on Account of the Barrel being broke (Hopkins). Oakly by Mr Holland, First time (Cross Diary). Receipts: #124 18s. 6d. (MacMillan)

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: The Genii

Event Comment: This Farce is suppos'd to be written by Mr King. & was tolerably well receiv'd. The Tunes are very dull (Hopkins). Farce well receiv'd (Cross Diary). Receipts: #144 2s. 6d. (MacMillan)

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: Love at First Sight

Dance: IV: The Provancalle, as17631014

Event Comment: MMiss Plym made her first appearance in the character of Viola--a very pretty figure both in breeches and otherwise,--a thin weak voice, and received a decent reception (Hopkins Diary--$MacMillan). Miss Plym made her first appearance this Night in Viola, a very pretty Figure in both Dresses, a Thin weak Voice. pretty well receiv'd (Hopkins). Viola Miss Plym, first appearance; great applause (Cross Diary). Mainpiece: Not acted these 5 years. [See 5 Feb. 1755.] Receipts: #99 3s. (MacMillan)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: Love at First Sight

Dance: End: The Provancalle, as17631014

Event Comment: By Command of their Majesties. King & Queen (Cross Diary). The play and Farce went off extremely well--The King and Queen seemed vastly pleased--after the play the King sent the Lord Huntington to return Mr Powell thanks in his name for the entertainment he gave them, and his good wishes for his success (Hopkins Diary--MacMillan). Receipts: #240 15s. 6d. (MacMillan)

Performances

Mainpiece Title: Philaster

Afterpiece Title: Miss in Her Teens

Dance: End II: The Provancalle, as17631014

Event Comment: This Farce was written by Mr Coleman. The Novelty of the Subject, together with its being extremely well perform'd; gave the Audience such entire Satisfaction that I never heard Such Bursts of Applause; crying out Bravo! Bravo! &c. &c. (Hopkins). [Identical in Hopkins Diary.] Farce very greatly receiv'd (Cross Diary)

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Deuce Is in Him

Event Comment: This Night is for the Author of the Farce. There being a Command on the 6th Night was the Reason of its being deferr'd so long (Hopkins). Author of Farce (Cross Diary). Receipts: #64 4s. (MacMillan)

Performances

Mainpiece Title: Philaster

Afterpiece Title: The Deuce Is in Him

Dance: II: The Provancalle, as17631014

Event Comment: This piece was greatly Cut & Alter'd. the 5th Act Entirely left out & many Airs interspers'd all through; got up with a vast deal of trouble to everbody concern'd in it but particularly to Mr Coleman, who attended every Rehearsal & had alterations innumberable to make. Upon the Whole, never was anything so murder'd in the Speaking. Mr W. Palmer & Mrs Vincent were beyond Description bad; & had it not been for the Children's Excellent performance, (& particularly Miss Wright who Sung delightfully) the Audience would not have Suffer'd'em to have gone half thro' it. The Sleeping Scene particularly displeas'd. Next day it was reported, The Performers first Sung the Audience to S leep, & then went to Sleep themselves (Hopkins). Fairies pleas'd--Serious parts displeas'd--Comic between both (Cross Diary). This piece of Shakespear's was greatly cut and altered,--the fifth act entirely left out,--and many airs introduced--got up with a vast deal of trouble to all concerned, but particularly to Mr Colman, who attended every rehearsal, and had alterations innumerable to make. Upon the whole, I believe, never was piece so murdered as this was by the singing speakers, in which Mrs Vincent and Mr W. Palmer were beyond description bad; and had it not been for the children's excellent performance (particularly Miss Wright, who ran away with all the applause and very deservedly) the audience would not have suffered them to have gone half thro' it.--The sleeping particularly displeased. The next day it was reported, the performers sung the audience to sleep, and then went to sleep themselves (Hopkins Diary-MacMillan). Overture and airs composed by the most eminent English masters. Book of the play sold at the theatre, 1s. [See "A Midsummer Night's Dream in the Hands of Garrick and Colman," PMLA, June 1939.] Receipts: #98 7s. (MacMillan)

Performances

Mainpiece Title: A Midsummer Night's Dream

Event Comment: This Farce is taken From the Midsummer Night's Dream, by Coleman, & is a very pleasing Farce, & well receiv'd by the Audience (Hopkins). Songs of the Entertainment to be given at theatre. Mdsr Night's Dream Cut. Serious parts quite out. Went off well (Cross Diary). This Farce is taken from The Midsummer Night.-Mr Colman thought it was a pity so much pains and expense as was bestowed on the Midsummer Night's Dream should be thrown away,-he luckily thought of turning it into a farce, which alteration he made in one night,-and now I think as pleasing a farce as most that are done.-Miss Wright? is vastly great in her songs (Hopkins Diary-MacMillan). [See "A Midsummer Night's Dream in the hands of Garrick and Colman," PMLA, June 1939.

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: The Fairy Tale

Dance: TThe Italian Gardiners, as17631119

Event Comment: MMr Foote's Night as Author (Hopkins). Foote (Cross Diary). The New Comedy, The Dupe, deferred until Saturday. Receipts: #108 7s. 6d.; charges: #84. [Profits to auth. #24 7s. 6d. (MacMillan)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Mayor of Garratt

Event Comment: A New Comedy Written by Mrs Sheridan. This play was well Acted, but the subject seem'd to displease. The three first Acts pass'd off tolerably; in 4 Act they begun to hiss, & continued it to the End of the play. When Mr Havard went forward & Address'd the Audience &c. as follows Ladies & Gentn as Some passages in the play had given offence, they should be omitted the Next Night. Much hissing, & many Cry'd out No more! no more &c. (Hopkins). Much Hiss'd (Cross Diary). A new Comedy (The Dupe) wrote by Mrs Sheridan.--This play was very well acted,--but the subject much displeased.--in 4th act much hissing, and so on to the end. When Mr Havard told the audience as some passages in the play had given offence, they should be omitted the next night, much hissing and many cried out, "No more, No more." (Hopkins Diary-MacMillan). Receipts: #167 18s. (MacMillan)

Performances

Mainpiece Title: The Dupe

Dance: III: The Irish Lilt, as17630922

Event Comment: This Night the passages that seem'd to give offence were omitted. A little hissing but not so much as the first Night (Hopkins). [Identical in Hopkins Diary-MacMillan.] went off pretty well, tho' 'twas expected the audience would not suffer it to be Acted. The Company ready to play the Stratagem (Cross Diary). The Characters New Dress'd. Play Publish'd at 1s. 6d. Receipts: #160 5s. (MacMillan)

Performances

Mainpiece Title: The Dupe

Dance: III: The Irish Lilt, as17630922