SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Y Cross"/1) | (@(roleclean,performerclean) "Y Cross")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2720 matches on Event Comments, 1258 matches on Performance Comments, 238 matches on Performance Title, 130 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Receipts: #180 (Cross)

Performances

Mainpiece Title: Isabella; Or, The Fatal Marriage

Afterpiece Title: The Male Coquette

Dance: IV: Shepherd's Holiday-Giorgi, Miss Baker

Event Comment: Receipts: #120 (Cross)

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: Fortunatus

Event Comment: Receipts: #200 (Cross)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Lying Valet

Event Comment: Receipts: #100 (Cross)

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: Fortunatus

Event Comment: For ye Tripoline Embassrs. Receipts: #200 (Cross)

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: Harlequin Ranger

Event Comment: bout this time in the month was printed a 42-page pamphlet, Reasons why David Garrick should not appear on the Stage, in a Letter to John Rich. This is high praise of Garrick: 'I am so blinded either by prejudice of admiration that I can see nobody else" when Garrick plays.] Receipts: #170 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Fortunatus

Event Comment: Mainpiece: By Particular Desire. Receipts: #120 (Cross)

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Afterpiece Title: Lethe

Dance: II: Italian Gardiner, as17591006

Event Comment: Receipts: #190 (Cross)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: Harlequin Ranger

Event Comment: Receipts: #140 (Cross)

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: High Life Below Stairs

Event Comment: Receipts: #150 (Cross)

Performances

Mainpiece Title: Zara

Afterpiece Title: High Life Below Stairs

Event Comment: MMrs Abington left about this time for Ireland (Genest, IV, 574). Receipts: #170 (Cross)

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: High Life Below Stairs

Event Comment: Mainpiece: By Particular Desire. For ye Author of ye farce (not put up so). Receipts: #160 (Cross)

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: High Life Below Stairs

Event Comment: Receipts not in Cross

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Anatomist

Event Comment: Receipts: #180 (Cross)

Performances

Mainpiece Title: Woman Is A Riddle

Afterpiece Title: High Life Below Stairs

Dance: TThe Swiss, as17591108

Event Comment: Receipts: #140 (Cross)

Performances

Mainpiece Title: Woman Is A Riddle

Afterpiece Title: High Life Below Stairs

Dance: TThe Swiss, as17591108

Event Comment: Mainpiece: By Particular Desire. Receipts: #190 (Cross)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Mock Doctor

Event Comment: Mainpiece: Not acted these 2 years [but see 8 May 1758]. Receipts: #100 (Cross)

Performances

Mainpiece Title: Amphitryon; Or, The Two Sosias

Afterpiece Title: High Life Below Stairs

Event Comment: Receipts: #80 (Cross)

Performances

Mainpiece Title: Woman Is A Riddle

Afterpiece Title: Fortunatus

Event Comment: Receipts: #180 (Cross)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Fortunatus

Event Comment: Receipts: #120 (Cross)

Performances

Mainpiece Title: Isabella

Afterpiece Title: High Life Below Stairs

Event Comment: Receipts: #130 (Cross)

Performances

Mainpiece Title: The Wonder; A Woman Keeps A Secret

Afterpiece Title: The Chaplet

Event Comment: TThe Guardian deferred; Mrs Clive indisposed. Tomorrow will be reviv'd Comus, the characters of the Bacchanal and Euphrosyne by a Gentleman and Gentlewoman who never appeared on the stage before. Receipts: #150 (Cross)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: Fortunatus

Event Comment: [C+Charlotte in the afterpiece probably by Miss Hippisley. See 11 March 1760. No receipts in the Cross Diary.

Performances

Mainpiece Title: Comus

Afterpiece Title: The Apprentice

Event Comment: Receipts: #100 Cross)

Performances

Mainpiece Title: Comus

Afterpiece Title: Harlequin Ranger

Event Comment: HHamlet by Fleetwood. Receipts: #100 (Cross)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: High Life Below Stairs