SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Y Cross"/1) | (@(roleclean,performerclean) "Y Cross")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2720 matches on Event Comments, 1258 matches on Performance Comments, 238 matches on Performance Title, 130 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: By Particular Desire. Miss Talbot to Miss Carter (28 Nov.): My other amusement was going to see Much Ado about Nothing, which has always been one of my favourite comedies, as surely a most excellent vein of pleasantry runs through the whole. It was incomparably acted, and I know not when we have spent so laughing an evening (Letters, 2 vols. (London 1808), I, 239). Receipts:#80 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Lying Valet

Event Comment: Receipts: #120 (Cross)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Anatomist

Event Comment: Mainpiece: By Desire. Receipts: #120 (Cross)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Virgin Unmask'd

Dance: II: Pigmalion, as17501102; III: Comic Dance, as17501117

Ballet: V: The Bird Catchers. As17501127

Event Comment: Receipts: #180 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Mock Doctor

Event Comment: Receipts: #180 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Lethe

Event Comment: Receipts: #180 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Lethe

Event Comment: No play at Covent Garden (Cross). Because Mr Barry & Mrs Cibber would not play (Winston MS 7)

Performances

Mainpiece Title: None

Event Comment: Receipts: #180 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: A Duke and no Duke

Event Comment: This day is publish'd a Guide to the Stage; or Select Instructions and Precedents from the best Authorities towards forming a polite Audience; with some account of the Players, &c. Printed and sold by D. Job, at the Spread Eagle in King St. [An ironical post-Addisonian quip at theatrical behavior]: I boldly enter the lists as the first champion for theatric decorum. The next thing to be consider'd is disapprobation, which I think may be sufficiently shewn, by an attention to something else, by loud discourse, profuse laughter, and the like. I cannot help thinking it a little out of character, for a polite audience to distort their features by a hiss: however for the sake of some ambitious youths, who thus love to signalize themselves, I shall leave a new play to their mercy. They then are at liberty to exercise their several talents whether they hiss or groan most successfully, or have a greater genius for the cat-call. If you desire to know when you are to shew your dislike, my answer is, when anything displeases you, or in fine when you will provided you have a strong party to second you; for the best hiss or groan in the universe may be drown'd in a general applause. [Never laugh at what passes on stage save it be an error, blunder, or accident. In tragic scenes avoid being visibly moved by humming a tune, regarding the audience, engaging in conservation, or turning your back to the stage. When a female social rival calls attention to herself and away from the stage, let fall your handkerchief into the pit, or call out to an acquaintance in the opposite box, or burst into loud and unexpected laughter. You'll know when to applaud, for the actors will tell you.] On these occasions Cato looks more than unusually big, Hamlet stares with great emphasis, Othello has a most languishing aspect, Monimia is all sighs and softness, Beatrice will bridle, and pretty Peggy Wildair leers you into a clap. Receipts: #170 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Anatomist

Event Comment: N.B. The entertainment of Robin Hood is oblig'd to be deferr'd for a few days on account of the indisposition of a principal performer. Receipts: #170 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Intriguing Chambermaid

Dance: Devisse, Mad Auretti

Event Comment: Publish'd this day A Guide to the Stage, (2nd Edition, with additions) at 6d. [See 10 Dec.] Receipts: #160 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Lethe

Dance: Mathews, Mad Camargo, the Little Swiss

Event Comment: Mainpiece: At the particular Desire of Several persons of Quality. Afterpiece: By Desire. Receipts: #100 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Duke and no Duke

Dance: Devisse, Mad Auretti

Event Comment: Receipts: #140 (Cross)

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: Queen Mab

Event Comment: Receipts: #100 (Cross)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Queen Mab

Event Comment: Receipts: #160 (Cross)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Queen Mab

Event Comment: Receipts: #150 (Cross)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Queen Mab

Dance: CComic Dance-Harvey, Mad Camargo

Event Comment: Publish d, The Theatrical Manager. A Dramatic Satire, London T. Lowns (Register of Books, Gentleman's Magazine, Jan. 1751, p. 48). Receipts: #120 (Cross)

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: Queen Mab

Dance: HHornpipe-the Little Swiss; Comic Dance, as17501231

Event Comment: Receipts: #160 (Cross)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Queen Mab

Dance: III: Hornpipe-the Little Swiss

Event Comment: Receipts: #140 (Cross)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Queen Mab

Dance: I: Hornpipe-the Little Swiss

Event Comment: Receipts: #170 (Cross)

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: Queen Mab

Event Comment: Receipts: #120 (Cross)

Performances

Mainpiece Title: Twelfth Night; Or, What You Will

Afterpiece Title: Queen Mab

Event Comment: [Mainpiece: By Particular Desire. Receipts: #150 (Cross)

Performances

Mainpiece Title: The Fop's Fortune

Afterpiece Title: [Queen Mab

Event Comment: Mainpiece: By Desire. Receipts: #160 (Cross)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Queen Mab

Dance: III: Hornpipe-the Little Swiss

Event Comment: Mainpiece: By Particular Desire. The Play of the Revenge, mentioned in one of yesterday's papers to have been rehearsed on Saturday last in St Paul's School, was got up by some of the scholars during the late holiday, without the consent or knowledge of the Master, but will not be performed on Saturday (General Advertiser). Receipts: #120 (Cross)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: Queen Mab

Dance: Devisse, Mad Auretti

Event Comment: Receipts: #160 (Cross)

Performances

Mainpiece Title: The Miser

Afterpiece Title: Queen Mab

Dance: Devisse, Mad Auretti