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1978 results for: Keyword - Worshipful Company of Goldsmiths
We found 1853 matches on Event Comments, 100 matches on Performance Comments, 29 matches on Performance Title, 16 matches on Author, and 0 matches on Roles/Actors.

26
29 October 1689 @ The City, London

Performances

Mainpiece Title: London's Great Jubilee

Performance Comment: Restor'd and Perform'd On Tuesday, October the 29th 1689. For the Entertainment of the Right Honourable Sir ThomasPilkington Kt. Lord Mayor of the City of London. Containing a Description of the several Pageants and Speeches together with a Song for the Entertainment of Their Majesties, who with their Royal Highnesses the Prince and Princess of Denmark, the whole Court, and both Houses of Parliament, Honour His Lordship this Year with their Presence. All set forth at the Proper Cost and Charges of the Right Worshipful Company of Skinners. [By Matthew Taubman.]

27
29 October 1691 @ The City, London

Performances

Mainpiece Title: The Triumphs Of London Performed On Thursday, Oct

Performance Comment: 29. 1691, for the Entertainment of the Right Honourable Sir ThomasStamp, Kt; Lord Mayor of the City of London. Containing a true Description of the several Pageants, with the Speeches spoken on each Pageant. All set forth at the proper Costs and Charges of the Worshipful Company of Drapers. [By Elkanah Settle.]

28
29 October 1692 @ The City, London

Performances

Mainpiece Title: The Triumphs Of London

Performance Comment: Performed on Saturday, Octob. 29th 1692. For the Entertainment of the Right Honourable Sir John Fleet, Kt. Lord Mayor of the City of London. Containing A True Description of the several Pageants w ith the Speeches spoken on each Pageant. All set forth at the proper Costs and Charges of the Worshipful Company of Grocers. Together with An Exact Relation of the most Splendid Entertainments, prepared for the Reception of Their Sacred Majesties.

29
29 October 1698 @ The City, London

Performances

Mainpiece Title: Glory's Resurrection

Performance Comment: Being the Triumphs of London Reviv'd for the Inauguration of the Right Honourable Sir Francis Child, Kt. Lord Mayor of London. Containing the Description (and also the Sculptures) of the Pageants, and the whole Solemnity of the Day: All set forth at the proper cost and charge of the Honourable Company of Goldsmiths. By Elkanah Settle.

30
28 March 1787 @ Red-Lion Inn, Lordship Road, Stoke Newington

Event Comment: This [main] Piece, written by Dr Brown, is peculiarly happy in evincing to the world "That Virtue still shall conquer tho' in ruin." Mr Sterne presents his respectful Compliments to the Ladies and Gentlemen of Newington and its Vicinity, and now begs leave to inform them that he has been at a considerable Expence in procuring several Performers, in order that every Performance may give Satisfaction to those Ladies and Gentlemen who have so generously exerted their Interest for him and his Company; and as their Stay will be but very short, he hopes that his Care by obtaining so many fresh Members may meet with the Encouragement of a candid Public. N. B. Any Lady or Gentleman who will honor the Company by bespeaking a Play, their Commands will be thankfully received and attended to by applying to Mr Sterne

Performances

Mainpiece Title: Barbarossa; Or, The Freedom Of Algiers

Afterpiece Title: Thomasand Sally

Performance Comment: Squire-Sidney; Thomas-Wilson; Huntsmen and Sailors-The rest of the Company; Dorcas-Mrs Fowler; Sally-Mrs Sterne.
Cast
Role: Huntsmen and Sailors Actor: The rest of the Company

Song: End: Ma chere amie-Wilson

Entertainment: Monologue. A favorite Prologue-Marriot

31
20 March 1667 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. For details of the acting by young members of the company, see 21 March

Performances

Mainpiece Title: The Wedding Night

Performance Comment: [The Marriage Night] young actors of the company.

32
18 December 1699 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. It is not certain that this play was given at this time, but Vanbrugh, writing on 25 Dec. 1699, states that Thomas Dogget, who had been acting in Norwich, was in London "last Week," and acted six times, presumably on 18, 19, 20, 21, 22, 23 Dec. 1699. The Amorous Widow is a likely play for this week, as Barnaby Brittle was one of Dogget's best roles. In addition, the Inner Temple, which usually requested popular plays, selected it for its revels on 3 Feb. 1699@1700. Nearly all the individuals in the cast in the 1710 edition acted in London during this season, with two exceptions: Fieldhouse and Mrs Hunt. Their roles may have been played by them or by other performers if they were not in the company at this time. I owe the suggestion that this was the play in which Dogget appeared to Professor Lucyle Hook

Performances

Mainpiece Title: The Amorous Widow; Or, The Wanton Wife

Performance Comment: . A cast in the edition of 1706 is compatible with the company at this time: Sir Peter Pride-Freeman; Cuningham-Verbruggen; Lovemore-Betterton; Barnaby Brittle-Dogget; Jeffrey-Fieldhouse; Clodpole-Bright; Merryman-Underhill; Lady Laycock-Mrs Leigh; Lady Pride-Mrs Willis; Mrs Brittle-Mrs Bracegirdle; Philadelphia-Mrs Porter; Prudence-Mrs Hunt; Damaris-Mrs Prince.

33
21 March 1667 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. Pepys, Diary: I alone out and to the Duke of York's play-house, where unexpectedly I come to see only the young men and women of the house act; they having liberty to act for their own profit on Wednesdays and Fridays this Lent; and the play they did yesterday, being Wednesday, was so well-taken, that they thought fit to venture it publickly to-day; a play of my Lord Falkland's called The Wedding Night, a kind of tragedy, and some things very good in it, but the whole together, I thought, not so. I confess I was well enough pleased with my seeing it: and the people did do better, without the great actors, than I did expect, but yet far short of what they do when they are there, which I was glad to find the difference of

Performances

Mainpiece Title: The Marriage Night

Performance Comment: See16670320 young actors of the company.

34
31 January 1672 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, Plays on the English Stage, p. 19

Performances

Mainpiece Title: The Duchess Of Malfi

Performance Comment: The edition of 1678 contains a cast which corresponds to the Duke's Company at this time: Ferdinand-Harris; Cardinal-Young; Antonio-Smith; Delio-Midburn [Medbourne]; Bosola-Betterton; Castruchio-Richards; Sylvio-Cademan; Pescara-Norris; Malateste-Price; Roderigo-Cogun; Grisolan-Percival; Dutchess of Malfey-Mrs Betterton; Cariola-Mrs Norris; Old Lady-Mrs Osborn; Julia-Mrs Shadwell.

35
06 February 1672 @ Dorset Garden Theatre

Event Comment: The Duke's Company. There is no indication as to whether this is the premiere. This performance is on the L. C. lists at Harvard. See VanLennep, Plays on the English Stage, p. 19. Downes (Roscius Anglicanus, p. 32): The third new Play Acted there [dg] was the Gentleman Dancing-Master, Wrote by Mr Witcherly, it lasted but 6 Days, being like't but indifferently, it was laid by to make Room for other new ones. A song, with music by John Bannister, for this play is in Choice Songs and Ayres, The First Book, 1673

Performances

Mainpiece Title: The Gentleman Dancing Master

Performance Comment: Edition of 1672: Prologue to the City-; Newly after the Removal of the Duke's Company from Lincoln Inn Fields to their new Theatre, near Salisbury-Court. Epilogue-Flirt; allusions in the play imply: Don Diego-Angel?; Monsieur de Paris-James Nokes?.

36
22 October 1730 @ Kew Gardens

Event Comment: DDaily Journal, 23 Oct,: Yesterday being the Anniversary of the Princess Royal's Birth-Day, a Masque was prepared at His Royal Highness's Command, on that Occasion, by Mr Rich, and perform'd by his Company in His Royal Highness's@Gardens at Cue, which were illuminated with above a thousand Lamps

Performances

Mainpiece Title: A Masque

Performance Comment: The company from Lincoln's Inn Fields.

37
18 September 1760 @ Southwark Fair

Event Comment: During the short time of the Fair, at a large Commodious Booth at the bottom of the Bowling Green. Boxes 2s. 6d. Pit 2s. 6d. First Gallery 1s. Upper Gallery 6d. The Company chose to wave [sic] the usual pompous and bombastic stuff generally crowded into Advertisements on these occasions. They early beg leave to say, that they humbly presume, their having been at an uncommon expence, care, and trouble in getting up this comedy, will entitle them to some degree of preference and encouragement above those paltry performances usually exhibited at Fairs. [But see the puff on 19Sept.

Performances

Mainpiece Title: The Female Minor

Performance Comment: the company who performed with Foote at the Haymarket.

Song: Several New Comic Songs-

Dance: The Dances-the same performers who were with Mr Shuter at Bartholomew Fair

38
07 May 1773 @ Covent Garden

Performances

Mainpiece Title: Lady Jane Grey

Afterpiece Title: Harlequin Sorcerer

Entertainment: End: A New Occasional Epilogue written by Mr Goldsmith will be spoken-Lewes

39
27 April 1776 @ Covent Garden

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Irish Widow

Monologue: Interlude. Taken from The Register Office. End of Play, By Particular Desire and for that night only. The New Character-Mrs Gardener , her first appearance here these 2 years; Melpomene-Miss Francis

Entertainment: After Interlude: Epilogue-Lee Lewes in the character of Harlequin (Written by late Dr Goldsmith) which will conclude with an escape thro' the Tub, as in the Pantomime of Mother Shipton

Dance: End Epilogue: The Merry Sailors, as17760314

40
18 May 1787 @ Covent Garden

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: The Romp

Entertainment: Monologues End: A Dissertation on Hobby Horses , in which (the speaker) will mount upon their different Hobbies the following Personages: The Ladies , Patriots , Statesmen , Captains , Lawyers , Macaronies , Soldiers , Fidlers , Manager , and his own Hobby-Brown; End afterpiece: Dr Goldsmith's Epilogue in the Character of Harlequin , to conclude with a Leap eight feet high-Brown

41
04 July 1754 @ Haymarket Theatre

Performances

Mainpiece Title: The British Roratory; Or, Mrs Midnight's New Carnival Concert

Music: Will be introduced a NewConcerto for the Tambour de Basque-; accompanied with the Original Jews@Harp-; the Hurdy Gurdy-

Dance: DDancing-Banbaregines, Rerriminonies (just arived from +Piemons); End Concert: a New British Dance, The Cassey-a company of Lilliputians; to which will be added a new Entertainment of Music and Dancing-a company of Lilliputians just arrived, being their first time of performing in +England

42
26 January 1771 @ Covent Garden

Performances

Mainpiece Title: The Good-natured Man

Afterpiece Title: Mother Shipton

43
01 February 1771 @ Covent Garden

Performances

Mainpiece Title: The Good-natured Man

Afterpiece Title: Mother Shipton

44
22 October 1773 @ Covent Garden

Performances

Mainpiece Title: She Stoops To Conquer; Or, The Mistakes Of A Night

Afterpiece Title: The Commissary

Dance: End: A New Dance-. [See17731021]

45
26 August 1783 @ Haymarket Theatre

Performances

Mainpiece Title: The Good-natured Man

Afterpiece Title: Midas

Song: End of mainpiece Four-and-Twenty Fidlers all on a Row, by Edwin

Monologue: 1783 08 26 End of Act I of afterpiece A Description of the Tombs in Westminster Abbey, by Edwin

46
30 August 1783 @ Haymarket Theatre

Performances

Mainpiece Title: The Good-natured Man

Afterpiece Title: Gretna Green

47
29 March 1787 @ Red-Lion Inn, Lordship Road, Stoke Newington

Performances

Mainpiece Title: She Stoops To Conquer; Or, The Mistakes Of A Night

Afterpiece Title: Bon Ton; or, High Life above Stairs

Entertainment: Monologue. Entertainments: An Epilogue describing the Furor Dramatica, Epilogue to The Lying Valet [by David Garrick], Paul Prigg's Description of his Journey thro' Gravesend Rochester Boulogne Amiens and Chantilly, Prologue to Bon Ton [describing the Folly and Fashions of the Times by George Colman elder], Bucks have at Ye all, An Occasional Address of Thanks to the Ladies and Gentlemen [by Marriot, Johnny Gilpin's Account of his Journey thro' Stoke Newington Edmonton to Ware shewing how he went farther than he intended and arrived safe Home at last-Marriot

48
26 May 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: She Stoops To Conquer; Or, The Mistakes Of A Night

Afterpiece Title: The Island of St

Dance: End II: As17900308

49
29 September 1790 @ Haymarket Theatre

Performances

Mainpiece Title: She Stoops To Conquer; Or, The Mistakes Of A Night

Afterpiece Title: The Romp

Entertainment: Monologues. Preceding: [Collins's Ode on the Passions-a Young Lady [unidentified]; End: [Hippisley's Drunken Man=-Harper

Music: End III: concerto on the violin-Hindmarsh

50
15 October 1793 @ Haymarket Theatre

Performances

Mainpiece Title: She Stoops To Conquer; Or, The Mistakes Of A Night

Afterpiece Title: The Humourist