SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Winston MS 9"/1) | (@(roleclean,performerclean) "Winston MS 9")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2243 matches on Event Comments, 454 matches on Performance Comments, 27 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: GGarrick ill (Winston MS.)

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: The Amorous Goddess

Event Comment: GGarrick ill (Winston MS.)

Performances

Mainpiece Title: The Recruiting Officer

Cast
Role: Kite Actor: Winstone

Afterpiece Title: The Amorous Goddess

Event Comment: GGarrick recover'd [Winston MS.)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Amorous Goddess

Event Comment: t foot of Bill]: Whenever a Pantomime or Farce shall be advertised, the advanced prices shall be returned to those who do not choose to stay; and on Thursday next will be published the Manager's reasons for his conduct in the present dispute. Winston MS.: Fleetwood, the manager, and servants driven from doors & all rushed in. Genest, IV, 137-38: A country gentleman was taken from an upper box and carried before a magistrate. This step when known by the audience occasioned much mischief. Acting the play not allowed. General Advertiser, 22 Nov.: An Address to the Public, dl Theatre 20 November. As the extraordinary disturbances which have lately happened at this theatre greatly affect the diversions of the publick, as well as the property of the manager, he thinks it incumbent on him to justify his conduct by giving a fair statement of the case....The reasons of complaint assigned, he apprehends, are the exhibition of Pantomimes, Advanced Prices, and Insults on the audience--as to the first, he submits it to be considered that however distasteful such pieces may be to the delicacy of some judgments, yet there are others to whose taste they are suited; as the playhouse may be considered as the general mart of pleasure, it is only from the variety of entertainment, the different tastes of the public can be supplied--of this the receipts of the house are a sufficient evidence, it being notorius, how necessary the addition of such pieces is towards procuring the best play a numerous audience. With regard to the advanced prices, the Manager hoped he should in some measure be justified by the great increase of the charges of the theatre which, notwithstanding any reduction that has been made, are still at least a fourth part greater than usual--but as in this point he has already submitted, he conceives it can no longer remain the subject of their displeasure, especially as by an advertisement handed about the theatre it was said that every objection would cease, when the manager consented to return the advanced prices to those, who did not choose to be tortured with entertainments. As to insults on the audience...last week upon some persons flinging the sconces and candles on the stage a quarrel arose, in the confusion of which a Gentleman was secured, but by whom the Manager knows not, nor ever gave any order, or was any acquainted with the affair till after he was discharged, for the truth of which he refers to the affidavit annexed. As to the accusation of several bruisers (as they are termed) being employed on Saturday night to insult Gentlemen, the Manager declares, that there was none but the Peace Officers, Carpenters, and Scene-men (which on account of the Entertainments are very numerous) and other servants belonging to the theatre; nor did they appear till urged by the tumult, by tearing up benches and threat'ning to come on the stage and demolish the scenes; nor could the Manager apprehend this legal precaution to prevent mischief and defend his property would ever be construed as an infringement on the liberty of an audience, especially when it is considered, what great damages he sustained some years ago on an attempt of the like nature--if any such persons appeared in the pit, the Manager presumes, they must have come in with the multitude, after his doorkeepers were drove from their posts, and the house was open to all; which was evident from several hundred persons more being present at the disturbance than were at the performance that night, who then came to a determination to prevent any performance on the Monday. After this impartial account of his conduct, the manager appeals to the judgment of the publick what foundation he has given for the outrageous disturbance on Monday night; and cannot help thinking, the real injuries he has sustained, too severe a punishment for an imaginary offence, having lost several hundred pounds already, by people being terrified from frequenting the theatre. A total exclusion is now insisted on, the Manager to resign his property, the Publick to be deprived of their diversions and the players of their subsistence; And all this after every concession, becoming one gentleman to ask, or another to make, has been submitted to. [Affidavit of Constable followed. See Genest, IV, 139-40.] The following three pamphlets came out expressing points of view concerning Fleetwood and his policy and management: I. The Disputes between the Director of d.l. and the Pit Potentates, 20 Nov. As a Letter to a Friend it tells the resolution: not to have old Pantomimes (so execrably bad that they were damn'd when new) imposed on them, unless the manager would take no more than common prices; reports how Fleetwood stocked the pit with Men of doughty valor...disguised in the habits of Gentlemen, to throw out all who protested; protests the system of casting employed whereby 2nd rate actors appeared in good parts; discusses hardship cases of certain actors (Mrs Roberts, Mrs Horton, Mrs Mills) and asks why Theophilus Cibber is not on the stage. 2. An Impartial Examen of the Present Contests, by Mr Neitherside, 1744: harks back to Fleetwood's finacial policies of the previous year, deploring his relations with the actors and with manager of cg; scourges him for miscasting his plays around one prominent actor, rather than giving a balanced performance; deplores his paying Mrs Cibber, Mrs Clive so much; revives the 1743 dispute which led to secession; dislikes the casting for 2 Nov. of Love's Last Shift; suggests better casts for many plays; scores the Licensing Act for reducing players to slavery; hopes for resumption of balanced performances. 3. Stage Policy Detected, or some Selcet Pieces of Theatrical Secret History Laid Open, in a Letter to a Certain Manager, 1744: takes apart Fleetwood's Defense, statement by statement, giving him the lie at each point. Suggests the real money from the house comes from Pit and Box, which are protesting his pantomimes; shows full attendance at Rehearsal and Macbeth with no afterpieces. Especially dislikes the hired bruisers, and the cast of the Alchemist for 6 Nov

Performances

Mainpiece Title: The Provoked Wife

Dance: Muilment

Event Comment: [Full prices (Winston MS.).

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: Harlequin Incendiary

Cast
Role: Highlander Actor: Winstone
Event Comment: [Full Prices (Winston MS.).] By Particular Desire

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Conspiracy Discovered

Event Comment: Benefit Sga Padouana. The last night of Mlle Violette's dancing (Winston MS.)

Performances

Mainpiece Title: The Merchant Of Venice

Cast
Role: Duke Actor: Winstone

Dance: Entertainments-Salomon, Mlle Violette, Sga Padouana, Salomon's Son

Event Comment: Mainpiece: By Particular Desire. [Lee had returned to Covent Garden. See Winston MS 7.] Notwithstanding the reports of Mrs Cibber's Indisposition, we hear that she is not ill at Bath. We hear that the Comic part of the Little French Lawyer is alter'd from Beaumont and Fletcher, and will be acted very soon at Drury Lane, the part of the little French Lawyer will be perform'd by Woodward (General Advertiser). [See 7 Oct.] Receipts: #170

Performances

Mainpiece Title: Much Ado About Nothing

Cast
Role: Don John Actor: Winstone

Afterpiece Title: The Virgin Unmask'd

Event Comment: LLondon Post: We hear that the French Players will (barring Accidents) open at the Little theatre in the Haymarket next Saturday. 'Tis added that the Italian Company of Comic Strolers will exhibit the Week after next; but as they have lost three of their ablest performers, the Connoisseurs are in great Pain about those who are to supply their Places. Possibly some Foreigners may think, that the worst Dramatic Offals are good enough for the vitiated Palates of the E-sh No-y and Gen-ry. 'Tis further expected, that the Company of Gallo-English Players, who made the Town laugh so heartily last Winter, are preparing to entertain them this. Why all these unnatural Fooleries?...and for what Y-ke are we preparing? [Schedule of Nights on which the Turkish Dancer Caratha rented the Haymarket in the fall of 1749: 1, 2, 3, 4, 6, 8, 10, 13, 16, 22, 23, November; 3 December. See Winston MS Calendar of the Haymarket, Harvard Theatre Collection.

Performances

Mainpiece Title: None

Event Comment: Benefit for Mr Plummer. Mainpiece: By particular desire of Several Ladies and Gentlemen. A cheesemonger announced that his distresses arose from [an] unperformed engagement with the late manager of Drury Lane (Winston MS 7). Mr Plummer being reduced to great distress, by some unfortunate engagements for a late manager of Drury Lane Theatre, has obtained the Indulgence of a Benefit Night, and humbly hopes the Favour of the Publick on so charitable an occasion will effectually make it such, especially as it is the last time he intends to give them the like trouble (General Advertiser). Receipts: #40 5s. 6d

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Miss in Her Teens

Event Comment: BBeard robb'd in his chair at 2 in the Morning in Drury Lane (Winston MS 7). Lent Mr Beard by order #21; Paid Blandford (T: Chandler) #11 19s. 8d.; Bought 36 yds. garter ribbon #4 10s. (Treasurer's Book). Receipts: #100 (Cross); #107 11s. (Treasurer's Book)

Performances

Mainpiece Title: Edward The Black Prince

Afterpiece Title: A Duke and no Duke

Event Comment: By Particular Desire. We Hear that at Drury Lane is now in rehearsal and will shortly be perform'd a New Musical Entertainment call'd Don Saverio. The Music composed by Mr Arne (General Advertiser). Author of Merope [Aaron Hill] confin'd to his bed (Winston MS 7). Paid Cross for playing Young Worthy #1 1s. [See 26 Jan.]; Paid Salary list #254 3s. 9d.; Norton 4 chorus #1 (Treasurer's Book). Receipts: #200 (Cross); #142 17s. (Treasurer's Book)

Performances

Mainpiece Title: Merope

Cast
Role: High Priest Actor: Winstone

Ballet: SSavoyard Travellers. As17491110, but Principal Savoyards-Mrs _Addison

Event Comment: Benefit for a young Gentlewoman in Distress thro' ye Bankrupcy of her Guardian (Cross). [Treasurer's Book lists Miller of Mansfield as the Afterpiece, and indicates the ready cash for Mrs Crokatt, the young gentlewoman, was #63 2s.] Paid 1!2 year's Poor rate due Xmas #17 13s. 4d.; Paid Mrs Reynolds for wax & Brick dust 3s. 11d. (Treasurer's Book). [Winston MS 7 lists Intriguing Chambermaid as afterpiece.] Tickets to be had at Mr Owen's at Temple Bar; Batson's Coffee House in Cornhill, and of Hobson at the stage door. Receipts: #210 (Cross); charges #80 (Treasurer's Book)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Miller of Mansfield

Cast
Role: King Actor: Winstone

Dance: III: Comic Dance, as17500221; IV: Swedish Gardeners, as17491219

Event Comment: Paid to Mr Franklin [the printer?] #8 2s.; To Mr Norton 5 chorus 9s. (Treasurer's Book). Those Gentlemen who borrow'd gold laced hats to go to Drury Lane in order to damn the new play are desir'd to return them to the owners, or their names will be publish'd at full length (Winston MS 7, from No 5 of The Midwife). This month was publish'd Corneille's Horace and the Roman Father Compared (Gentleman's Magazine, Register of Books). Receipts: #190 (Cross); #175 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Roman Father

Event Comment: CCovent Garden drops ye play, & tonight does the Beg. Opera (Cross). Dropped because Mrs Cibber would act in Romeo no longer (Winston MS 7). Daily Advertiser: On the Run of Romeo and Juliet: @Well--what tonight, says angry Ned,@As up from bed he rouses,@Romeo again! and shakes his head,@Ah! Pox on both your houses!@I. H-tt Receipts: #160 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Cast
Role: Escalus Actor: Winstone
Event Comment: [[No General Advertiser for this day. Information from the Winston MS 7.

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The King and Miller

Dance: [As17500926

Event Comment: No play at Covent Garden (Cross). Because Mr Barry & Mrs Cibber would not play (Winston MS 7)

Performances

Mainpiece Title: None

Event Comment: Benefit for Mr Norton Amber, formerly a Patentee, & Banker, now Pit Doorkeeper (Cross), late of the Strand (Winston MS 7). Tickets to be had at Mr Pierce's at the Castle Tavern, Corner of Henrietta Street, in Bedford Street, Covent Garden; Mr Frye's a Hosier, the Corner of James Street, Long Acre; King Street Coffee House, near Guild Hall; Batson's Coffee House, Cornhill; and at the Theatre. Places will be taken at the Stage Door of the theatre. This Day publish'd, Young Scarron, at 2s. 6d. sew'd, 3s. bound. Dedicated to the managers of both theatres. "The Stage reproves the follies of the age. For once we'll laugh at Follies of the Stage." Anon. Printed for T. Tyre, near Gray's Inn Holborn and W. Reeve in Fleet St. (General Advertiser). A comical and satirical account of summer strolling players: "When the time draws near that the Theatres Royal disband their troops, or rather grant their furloses till the next Campaign, each private Man becomes an Officer; and they who for nine months before submitted to Monarchical Government, now form themselves into several republicks for the remaining three. Then each Hero takes the path of his own ambition...The various whimsical disputes that arise from this kind of Emulation, are, in part the subject of the following sheets" (173 pp. Written by Thomas Mozeen, Biographia Dramatica). Receipts: #220 (Cross)

Performances

Mainpiece Title: The Revenge

Afterpiece Title: Lethe

Dance: HHornpipe-Matthews, the Little Swiss; With Entertainments as will be express'd in the Great Bills

Song: I: Song-Beard

Event Comment: Benefit for a Widow & Children (Cross), who are fallen into great distress (Winston MS 8). Tickets to be had at Mr Gladman's, a Trunk-maker, Charing Cross; at the Amsterdam Coffee House, behind the Exchange; at the Rainbow and Janeways in Cornhill; at Anderton's and the Temple-Exchange, in Fleet St.; at George's, Temple Bar; Somerset Coffee House, Strand and at Stage Door of the Theatre. Receipts: #97 (Cross)

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Ross; Lady Townly-Mrs Pritchard; Lady Grace-Mrs Mills; Manly-Davies; Mrs Trusty-Miss Hippisley; Sir Francis-Yates; Basset-Blakes; Moody-Winstone; Squire Richard-Shuter; Mrs Motherly-Mrs Cross; Myrtilla-Mrs Bennet; Lady Wronghead-Mrs James; Miss Jenny-Miss Minors.
Cast
Role: Moody Actor: Winstone

Afterpiece Title: Lethe

Cast
Role: Aesop Actor: Winstone

Dance: Devisse, Mad Auguste

Event Comment: RRichard by Mr Brown from Bath very bad but no hissing (Cross). The Genii oblig'd to be deferred till Tomorrow (Winston MS 8). Receipts: #50 (Cross)

Performances

Mainpiece Title: King Richard Iii

Cast
Role: Stanley Actor: Winstone

Afterpiece Title: The Double Disappointment

Dance: Mlle Auretti

Event Comment: N.B. Neither Prologue nor Epilogue mentioned in Bills for first 11 nights (Winston MS 8). Receipts: #200 (Cross)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Genii

Event Comment: Benefit for Mr Macklin, to which he spoke a farewell Prologue hinting at his new scheme (a Coffee house now fitting up in the Piazza) Mrs Mack, Miss & He play'd (Cross). [Macklin discharged last June from Covent Garden, one night given him at Drury Lane when he took leave; Poor I toss'd up...King Henry 7, 1764 (Winston MS 8). Gray's Inn Journal noted this performance by the bequeathing to the stage of Miss Macklin who should succeed in genteel comedy.] Receipts: #220 (Cross)

Performances

Mainpiece Title: The Refusal

Afterpiece Title: The Englishman in Paris

Event Comment: MMacklin has built two magnificent Rooms, ground floor [one] for Coffee, the other a [meeting] Room (Winston MS 8). [The Tuner pub. at 1s. by Dr Hiffernan. Fifty-three pages touching on theatre in general but particularly on Boadicia. There is no plot in the play...Boadicia is a monster well deserving what she suffers; therefore is neither an object of Terror or Compassion: but of Detestation. Sh deserts us in the third act...Tender-hearted Venusia is introduc'd to be whined to death...There is scarce any sentiment throughout; no moral to be deduced...the Diction...favors more of the level, languid, and underepic, than of the vigorous marrowy, tragic style...Never was Author more oblig'd to Performers, they acted to the full amount of his meaning; the Matter often fail'd Mr Garrick's continued and vigorous exertion."] Receipts: #180 (Cross)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Fortunatus

Event Comment: Wrote by one Mr Crisp. A Gentlewoman, who never appear'd upon ye Stage before did Marcia (Mrs Graham) & had deservidly great applause, the whole play went off, with General Approbation. Mr Carey had his fiddle broke by an apple playing the first Music--the Prologue & Epilogue much lik'd--both wrote by Garrick (Cross). Gentlewoman-Mrs Graham, afterwards Mrs Yates (Winston MS 8). Tuner Letter the 2nd pub. at 6d.--29 pages

Performances

Mainpiece Title: Virginia

Event Comment: Died M Destrade, Dancing Master, late of Covent Garden (Winston MS 8)

Performances

Mainpiece Title: Saul