SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Winston MS 7"/1) | (@(roleclean,performerclean) "Winston MS 7")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2724 matches on Event Comments, 439 matches on Performance Comments, 27 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Cato

Afterpiece Title: Cambro' Britons; or, Fishguard in an Uproar

Afterpiece Title: Animal Magnetism

Song: In 2nd piece: Together let us range the fields-Incledon, Mrs Mountain; Gallant Soldiers born to Arms, Old England will be England still-Incledon; To arms! Britons strike Home!-Incledon, Bowden

Performances

Mainpiece Title: Cross Partners

Afterpiece Title: The Family Compact

Performances

Mainpiece Title: Robin Hood

Afterpiece Title: NAPLES BAY; or, The British Seamen at Anchor

Afterpiece Title: THE FOLLIES OF A DAY

Dance: In 2nd piece A Medley Hornpipe in Wooden Shoes by Byrn

Song: End of 1st piece Black-Eyed Susan by Incledon

Performances

Mainpiece Title: The Separate Maintenance

Afterpiece Title: The Mayor of Garratt

Dance: As17790818

Performances

Mainpiece Title: Douglas

Afterpiece Title: Deaf Indeed

Performances

Mainpiece Title: the Feast Of Thalia; Or, A Dramatic Olio

Afterpiece Title: First Course, a substantial Dish from: Henry IV

Afterpiece Title: Second Courae, a Comic Dish, never serv'd up before: Kensington Gardens; or, The Walking Jockey

Afterpiece Title: Third Course, an Operatic Dish: The Son-in-Law

Afterpiece Title: Also by way of Entremet: Ripe Fruit; or, The Marriage Act

Afterpiece Title: Desert: Tom Thumb

Song: In Second Course: Auld Robin Gray-Miss Harper

Performances

Mainpiece Title: The Green Room

Afterpiece Title: The English Merchant

Afterpiece Title: The Sheep Shearing

Song: End of Act I of mainpiece a favourite song by Miss George; End of Act IV Admiral Benbow by Bannister

Monologue: 1783 08 27 As 13 Aug. IMITATIONS. As 20 Aug

Event Comment: DDaily Post, 1 Jan., is missing; this play is entered in Winston MS. (Folger Shakespeare Library)

Performances

Mainpiece Title: A Woman's Revenge

Event Comment: Benefit Corey and Shepard (Winston MS.)

Performances

Mainpiece Title: King Henry The Eighth

Event Comment: By Command of their Royal Highnesses The Prince and Princess of Wales. Rylands: Prince of Wales present. [Winston MS. lists Miser, which had been announced before this command performance interrupted the schedule.] Receipts: #120

Performances

Mainpiece Title: The Constant Couple

Dance: LLes Jardiniers Suedois, as17411128

Ballet: LLes Satires Puny. As17420106

Event Comment: Benefit for daughter of the late Mr Ben Johnson. [Fleetwood let Johnson's Daughter have this Benefit for the money he owed to her father who died just after the last season and acted to the last (Winston MS.).] The Play with entertainments of singing and dancing Servants will be admitted to keep places on the stage, which for the better accommodation of the ladies will be form'd into side boxes. To prevent mistakes, the Ladies who have taken places are desir'd to send for tickets. Tickets to be had and places taken of Mr Johnson's daughter, at the third Door on the right hand in Beaufort buildings in the Strand; and of Mr Hobson at the stage door of the theatre

Performances

Mainpiece Title: The Recruiting Officer

Cast
Role: Ballance Actor: Winstone

Afterpiece Title: The Devil to Pay

Song: I: Beard; IV: Lowe

Event Comment: CClytus identified by Winston MS. as Clarke. Mainpiece not acted these 6 years

Performances

Mainpiece Title: The Rival Queens; Or, Alexander The Great

Performance Comment: Clytus-A gentleman who never before apPeared on any stage; Alexander-Delane; Roxana-Mrs Roberts; Lysimachus-Mills; Hephestion-Hallam; Cassander-Havard; Polyperchon-Winstone; Phillip-Green; Thessalus-Blakes; Perdicas-Woodburn; Eumenes-Ray; Meleagar-Marr; Aristander-Turbutt; Statira-Mrs Mills; Sysigambis-Mrs Cross; Parisatis-Mrs Ridout.
Cast
Role: Polyperchon Actor: Winstone

Afterpiece Title: The Devil to Pay

Song: As17430120

Music: IV: Concerto on German Flute-Burk Thumoth

Event Comment: Benefit Chiaretta Aquilanti. B the particular desire of several Ladies of Quality. [A poor Benefit (Winston MS.).] Tickets and places to be had of Hobson, &c; and at Mr Garnier's, a Jeweller, in Bow St

Performances

Mainpiece Title: The Spanish Fryar

Cast
Role: Raymond Actor: Winstone

Dance: I: Italian Gardeners, as17421231; III: a New Serious Dance-Sga Aquilanti; V: A New Sicilian Peasant-Checo, Chiaretta

Event Comment: Benefit Macklin. Stage form'd into Front and Side Boxes. N.B. As Mr Macklin has reason to believe that several of his tickets are counterfeited, and will be offer'd for sale in the streets and passages leading to the theatre, he begs leave to give this publick caution of the fraud; and humbly desires that Gentlemen and Ladies who have taken places, to send for tickets to the Theatre, or to Mr Macklin at his House in Bow Street.--Daily Advertiser. Winston MS.: In 1743 Macklin, Mrs Woffington, and Garrick took house No. 6 Bow St.--a joint establishment

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: The School Boy

Dance: II: Sicilian Peasant, as17430310 IV: Italian Gardeners, as17421231

Song: III: Beard

Performances

Mainpiece Title: Cato

Performance Comment: Cato-Delane; Juba-A Gentleman [Charles Jones-Winston MS.]; Sempronius-Giffard; Syphax-Bridges; Portius-W. Giffard; Marcus-Cross; Lucius-Winstone; Decius-Taswell; Marcia-Mrs Roberts; Lucia-Mrs Bennet.
Cast
Role: Charles Jones Actor: Winston MS.
Role: Lucius Actor: Winstone

Afterpiece Title: The Lying Valet

Event Comment: [Not allowed to be performed. Macklin's faction rioted.] N.B.: This caused riot House taken [apart].--Winston MS. [See The Case of Charles Macklin. Macklin did not return to dl until 19 Dec. 1744.

Performances

Mainpiece Title: The Rehearsal

Event Comment: At this time died the celebrated Mrs Haywood (Winston MS.

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Anatomist

Dance: III: Dance, as17431123

Event Comment: GGarrick ill (Winston MS.)

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: The Amorous Goddess

Event Comment: GGarrick ill (Winston MS.)

Performances

Mainpiece Title: The Recruiting Officer

Cast
Role: Kite Actor: Winstone

Afterpiece Title: The Amorous Goddess

Event Comment: GGarrick recover'd [Winston MS.)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Amorous Goddess

Event Comment: t foot of Bill]: Whenever a Pantomime or Farce shall be advertised, the advanced prices shall be returned to those who do not choose to stay; and on Thursday next will be published the Manager's reasons for his conduct in the present dispute. Winston MS.: Fleetwood, the manager, and servants driven from doors & all rushed in. Genest, IV, 137-38: A country gentleman was taken from an upper box and carried before a magistrate. This step when known by the audience occasioned much mischief. Acting the play not allowed. General Advertiser, 22 Nov.: An Address to the Public, dl Theatre 20 November. As the extraordinary disturbances which have lately happened at this theatre greatly affect the diversions of the publick, as well as the property of the manager, he thinks it incumbent on him to justify his conduct by giving a fair statement of the case....The reasons of complaint assigned, he apprehends, are the exhibition of Pantomimes, Advanced Prices, and Insults on the audience--as to the first, he submits it to be considered that however distasteful such pieces may be to the delicacy of some judgments, yet there are others to whose taste they are suited; as the playhouse may be considered as the general mart of pleasure, it is only from the variety of entertainment, the different tastes of the public can be supplied--of this the receipts of the house are a sufficient evidence, it being notorius, how necessary the addition of such pieces is towards procuring the best play a numerous audience. With regard to the advanced prices, the Manager hoped he should in some measure be justified by the great increase of the charges of the theatre which, notwithstanding any reduction that has been made, are still at least a fourth part greater than usual--but as in this point he has already submitted, he conceives it can no longer remain the subject of their displeasure, especially as by an advertisement handed about the theatre it was said that every objection would cease, when the manager consented to return the advanced prices to those, who did not choose to be tortured with entertainments. As to insults on the audience...last week upon some persons flinging the sconces and candles on the stage a quarrel arose, in the confusion of which a Gentleman was secured, but by whom the Manager knows not, nor ever gave any order, or was any acquainted with the affair till after he was discharged, for the truth of which he refers to the affidavit annexed. As to the accusation of several bruisers (as they are termed) being employed on Saturday night to insult Gentlemen, the Manager declares, that there was none but the Peace Officers, Carpenters, and Scene-men (which on account of the Entertainments are very numerous) and other servants belonging to the theatre; nor did they appear till urged by the tumult, by tearing up benches and threat'ning to come on the stage and demolish the scenes; nor could the Manager apprehend this legal precaution to prevent mischief and defend his property would ever be construed as an infringement on the liberty of an audience, especially when it is considered, what great damages he sustained some years ago on an attempt of the like nature--if any such persons appeared in the pit, the Manager presumes, they must have come in with the multitude, after his doorkeepers were drove from their posts, and the house was open to all; which was evident from several hundred persons more being present at the disturbance than were at the performance that night, who then came to a determination to prevent any performance on the Monday. After this impartial account of his conduct, the manager appeals to the judgment of the publick what foundation he has given for the outrageous disturbance on Monday night; and cannot help thinking, the real injuries he has sustained, too severe a punishment for an imaginary offence, having lost several hundred pounds already, by people being terrified from frequenting the theatre. A total exclusion is now insisted on, the Manager to resign his property, the Publick to be deprived of their diversions and the players of their subsistence; And all this after every concession, becoming one gentleman to ask, or another to make, has been submitted to. [Affidavit of Constable followed. See Genest, IV, 139-40.] The following three pamphlets came out expressing points of view concerning Fleetwood and his policy and management: I. The Disputes between the Director of d.l. and the Pit Potentates, 20 Nov. As a Letter to a Friend it tells the resolution: not to have old Pantomimes (so execrably bad that they were damn'd when new) imposed on them, unless the manager would take no more than common prices; reports how Fleetwood stocked the pit with Men of doughty valor...disguised in the habits of Gentlemen, to throw out all who protested; protests the system of casting employed whereby 2nd rate actors appeared in good parts; discusses hardship cases of certain actors (Mrs Roberts, Mrs Horton, Mrs Mills) and asks why Theophilus Cibber is not on the stage. 2. An Impartial Examen of the Present Contests, by Mr Neitherside, 1744: harks back to Fleetwood's finacial policies of the previous year, deploring his relations with the actors and with manager of cg; scourges him for miscasting his plays around one prominent actor, rather than giving a balanced performance; deplores his paying Mrs Cibber, Mrs Clive so much; revives the 1743 dispute which led to secession; dislikes the casting for 2 Nov. of Love's Last Shift; suggests better casts for many plays; scores the Licensing Act for reducing players to slavery; hopes for resumption of balanced performances. 3. Stage Policy Detected, or some Selcet Pieces of Theatrical Secret History Laid Open, in a Letter to a Certain Manager, 1744: takes apart Fleetwood's Defense, statement by statement, giving him the lie at each point. Suggests the real money from the house comes from Pit and Box, which are protesting his pantomimes; shows full attendance at Rehearsal and Macbeth with no afterpieces. Especially dislikes the hired bruisers, and the cast of the Alchemist for 6 Nov

Performances

Mainpiece Title: The Provoked Wife

Dance: Muilment

Event Comment: [Full prices (Winston MS.).

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: Harlequin Incendiary

Cast
Role: Highlander Actor: Winstone
Event Comment: [Full Prices (Winston MS.).] By Particular Desire

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Conspiracy Discovered

Event Comment: Benefit Sga Padouana. The last night of Mlle Violette's dancing (Winston MS.)

Performances

Mainpiece Title: The Merchant Of Venice

Cast
Role: Duke Actor: Winstone

Dance: Entertainments-Salomon, Mlle Violette, Sga Padouana, Salomon's Son

Event Comment: LLondon Post: We hear that the French Players will (barring Accidents) open at the Little theatre in the Haymarket next Saturday. 'Tis added that the Italian Company of Comic Strolers will exhibit the Week after next; but as they have lost three of their ablest performers, the Connoisseurs are in great Pain about those who are to supply their Places. Possibly some Foreigners may think, that the worst Dramatic Offals are good enough for the vitiated Palates of the E-sh No-y and Gen-ry. 'Tis further expected, that the Company of Gallo-English Players, who made the Town laugh so heartily last Winter, are preparing to entertain them this. Why all these unnatural Fooleries?...and for what Y-ke are we preparing? [Schedule of Nights on which the Turkish Dancer Caratha rented the Haymarket in the fall of 1749: 1, 2, 3, 4, 6, 8, 10, 13, 16, 22, 23, November; 3 December. See Winston MS Calendar of the Haymarket, Harvard Theatre Collection.

Performances

Mainpiece Title: None