SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "William Hall"/1) | (@(roleclean,performerclean) "William Hall")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 11056 matches on Author, 2066 matches on Performance Comments, 603 matches on Event Comments, 75 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Afterpiece [1st time at a public theatre; C 3, by Elizabeth Craven, Baroness Craven, afterwards Margravine of Anspach, 1st acted privately at the Town-Hall, Newbury, 6 Apr. 1780. Text (G. Riley, 1781) assigns no parts. Prologue by Richard Brinsley Sheridan. Epilogue by Joseph Jekyll (see text)]: With new Dresses, &c. "The Prologue [the first 30 lines and the concluding couplet of which were used by Sheridan as the Prologue to Pizarro (see dl, 24 May 1799)] was so much admired that at the request of the Duchess of Devonshire and several other of the nobility it was respoken after the piece; but as King was absent from the theatre, it was delivered by Palmer" (Town and Country Magazine, May 1780, p. 23 ). "The chief singularity was that [Lady Craven] went to it herself the second night, in form; sat in the middle of the front row of the stage-box, much dressed, with a profusion of white bugles and plumes, to receive the public homage due to her sex and loveliness. The Duchess of Richmond, Lady Harcourt,...Mrs Damer, Lord Craven,...and I were with her. It was amazing to see so young a woman entirely possess herself-but there is such an integrity and frankness in her consciousness of her own beauty and talents, that she speaks of them with a naivete as if she had no property in them, but only wore them as gifts of the gods. Lord Craven on the contrary was quite agitated by his fondness for her and with impatience at the bad performance of the actors, which was wretched indeed, yet the address of the plot, which is the chief merit of the piece, and some lively pencilling carried it off very well, though Parsons murdered the Scotch lord, and Mrs Robinson (who is supposed to be the favourite of the Prince of Wales) thought on nothing but her own charms, or him. There is a very good though endless prologue written by Sheridan and spoken in perfection by King, which was encored (an entire novelty) the first night: and an epilogue that I liked still better and which was full as well delivered by Mrs Abington, written by Mr. Jekyl. The audience, though very civil, missed a fair opportunity of being gallant, for in one of those ----logues, I forget which, the noble authoress was mentioned, and they did not applaud as they ought to have done, especially when she condescended to avow her pretty child and was there looking so very pretty...Yet Lady Craven's tranquillity had nothing displeasing;...and it was tempered by her infinite good nature, which made her make excuses for the actors instead of being provoked at them" (Walpole [28 May 1780], XI, 178-80). Public Advertiser, 14 July 1781: This Day at Noon will be published The Miniature Picture (price not listed). Receipts: #144 9s. (94.9; 48.3; 1.17)

Performances

Mainpiece Title: The Winters Tale

Cast
Role: Gentleman Actor: Williams
Related Works
Related Work: The Winters Tale Author(s): William Shakespeare

Afterpiece Title: The Miniature Picture

Dance: II: New Dance, as17791126; End II afterpiece: The Coopers, as17800224

Performances

Mainpiece Title: The Countess Of Salisbury

Performance Comment: Salisbury-Palmer; Gray-Aickin; Morton-R. Palmer; Sir Ardolf-Egan; Lord William-Miss Langrish; Leroches-Gardner; Knights-Davis, Kenny; Raymond-Bannister Jun.; Eleanor-Mrs Poussin; Countess of Salisbury-Mrs Crawford.
Cast
Role: Lord William Actor: Miss Langrish
Related Works
Related Work: The Countess of Salisbury Author(s): Hall Hartson

Afterpiece Title: The Wedding Night

Performances

Mainpiece Title: The Countess Of Salisbury

Performance Comment: Alwin-Crawford; Grey-Aickin; Morton-Farren; Sir Ardolph-Norris; Laroches-Chaplin; Peasant-Wright; Knights-Phillimore, Fawcett, Griffiths; Lord William-Miss Langrish; Raymond-Palmer; Eleanor-Miss Sherry; Countess of Salisbury-Mrs Crawford.
Cast
Role: Lord William Actor: Miss Langrish
Related Works
Related Work: The Countess of Salisbury Author(s): Hall Hartson

Afterpiece Title: The Critic

Performances

Mainpiece Title: The Countess Of Salisbury

Performance Comment: Alwin-Smith; Grey-Aickin; Morton-Farren; Sir Ardolph-Packer; Laroches-Chaplin; Peasant-Wright; Knights-Phillimore, Fawcett, Kenny, &c.; Lord William-Miss Heard; Raymond-Palmer; Eleanor-Miss Kemble; Countess of Salisbury-Mrs Siddons (1st appearance in that character [in London]) .in London]) .
Cast
Role: Lord William Actor: Miss Heard
Related Works
Related Work: The Countess of Salisbury Author(s): Hall Hartson

Afterpiece Title: The Deserter

Cast
Role: Henry Actor: Williames
Related Works
Related Work: The Deserter Author(s): William Reeve
Event Comment: Afterpiece [1st time; MD 2, by William Pearce. The Masque was produced in honor of the marriage of the Prince of Wales and Princess Caroline of Brunswick, 8 April 1795]: The Overture composed expressly for the Occasion by Haydn, as is the rest of the Music by Salomon [and see 9 Apr.]. The Scenery, Machinery, Decorations and Dresses are entirely New, and Designed by Noverre, except St. George's Hall, painted by the late Signor Cipriani. The Scenery executed by Hodgins, Walmsley, Phillips, Lupino, Hollogan, and many Assistants. The Machinery and Decorations by Sloper. Goosetree and Martinelli. The Dresses by Lupino, Dick and Mrs Egan. Books of the Songs to be had at the Theatre. "On the 10th [of April] I was at the Covent Garden Theatre-to see the big Spectacul [sic]-Windsor Castle, the music by Salomon quite passable. The decorations-costumes-scenery, and the enormous amount of people on the stage are exaggerated. All the Gods of Heaven and Hell, and everything that lives on the earth are in the piece" (Haydn, 299). Morning Chronicle, 7 May 1795: This Day is published Windsor Castle (1s. 6d.). Receipts: #266 8s. 6d. (250.12.6; 15.16.0)

Performances

Mainpiece Title: The Rage

Afterpiece Title: Windsor Castle

Related Works
Related Work: Windsor Castle Author(s): William Pearce

Afterpiece Title: Windsor Castle

Related Works
Related Work: Windsor Castle Author(s): William Pearce

Song: Part I: concludes with ancient British Airs-; Chorus of Bards-, accompanied on the Harp by Jones

Performances

Mainpiece Title: The Countess Of Salisbury

Performance Comment: Alwin-Kemble; Raymond-Barrymore; Lord William-Master Chatterley; Grey-Caulfield; Morton-C. Kemble; Sir Ardolf-Packer; Leroches-Holland; Knights-Trueman, Gibbon; Peasant-Maddocks; Countess of Salisbury-Mrs Siddons; Eleanor-Miss Tidswell.
Related Works
Related Work: The Countess of Salisbury Author(s): Hall Hartson

Afterpiece Title: Comus

Event Comment: [Account-Book: Tickets delivered by Mrs Egan, Hill, Hall (carpenter), Robson (music porter), Strahan, Simmons, Bologna, Williams, Hay, Findlay will be admitted.] Receipts: #438 18s. (43.18.6; 5.1.0; tickets: 389.18.6)

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot-Lewis; Sir George Airy-Holman; Charles Gripe-Clarke; Whisper-Farley; Sir Jealous Traffic-Thompson; William-Abbot; Sir Francis Gripe-Munden; Isabinda-Mrs Litchfield; Patch-Mrs Mattocks; Miranda-Miss Betterton.
Cast
Role: William Actor: Abbot

Afterpiece Title: The Highland Reel

Related Works
Related Work: The Highland Reel Author(s): William Shield

Ballet: End: Lowland Festivity. Jamie-Bologna Jun.; Croudy-Bologna; Jenny-Miss Bologna; Moggy-Mrs Watts

Event Comment: The Duke's Company. Pepys, Diary: To White Hall, and got my Lord Bellasses to get me into the playhouse; and there, after all staying above an hour for the players, the King and all waiting, which was absurd, saw Henry the Fifth well done by the Duke's people, and in most excellent habits, all new vests, being put on but this night. But I sat so nigh and far off, that I missed most of the words, and sat with a wind coming into my back and neck, which did much trouble me. The play continued till twelve at night. A Prologue for this play is in A Letter from a Gentleman to the Honourable Ed. Howard (London, 1668)

Performances

Mainpiece Title: Henry V

Related Works
Related Work: Henry V Author(s): William Shakespeare
Event Comment: The Duke's Company. Pepys, Diary: With my wife's knowledge and leave did by coach go see the silly play of my Lady Newcastle's, called The Humourous Lovers; the most silly thing tiat ever come upon a stage. I was sick to see it, but yet would would not but have seen it, that I might the better understand her. Here I spied Knipp and Betty Hall?, of the King's house, and sent Knipp oranges

Performances

Mainpiece Title: The Humourous Lovers

Related Works
Related Work: The Humourous Lovers Author(s): William Cavendish, Duke of Newcastle
Event Comment: Betterton's Company. This performance is recorded in A Calendar of the Inner Temple Records, ed. Inderwick, III, 227. Post Boy, 30 Oct.-2 Nov. 1697: There was Yesterday a very great Feast in the Temple, there being present the High Honourable the Lord Chancellor, with Divers of the Judges; after Dinner there was a Play Acted. John Oldmixon, Reflections on the Stage (London, 1699), p. 69: The Bar-Gown has often been play'd with, and shewn in a more despicable Figure, yet the Lawyers don't think it worth their while to cry out against Comedy, as aiming at the ruin of the Courts in Westminster-hall, and the Judges themselves have desir'd Love for Love, with all the faults Mr Collier has laid to its charge, to be presented 'em, and were extreamly well pleas'd with their entertainment, tho' the Lawyer there makes a trivial appearance

Performances

Mainpiece Title: Love For Love

Related Works
Related Work: Love for Love Author(s): William Congreve
Event Comment: Benefit Hall and Swiny.At the Desire of several Persons of Quality

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Related Works
Related Work: Hamlet Author(s): William Shakespeare

Music: Vocal and instrumental Music, to be expressed in the Great Bills-

Dance: As17040204

Event Comment: Benefit Baggs and Hall

Performances

Mainpiece Title: Love For Love

Related Works
Related Work: Love for Love Author(s): William Congreve
Event Comment: Benefit Mrs Powell and Hall. For the Entertainment of the Four Kings lately arriv'd from America

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Related Works
Related Work: Hamlet Author(s): William Shakespeare

Song:

Dance:

Event Comment: Benefit Hall and Legar

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Related Works
Related Work: Hamlet Author(s): William Shakespeare

Song: As17181103

Dance: Moreau, Miss Schoolding, delaGarde's Two Sons

Event Comment: At Mr Hall's Booth in Bird-Cage Alley. At 6 p.m

Performances

Mainpiece Title: The Old Batchelor

Related Works
Related Work: The Old Batchelor Author(s): William Congreve

Song:

Dance: Particularly The Italian Shadows-

Event Comment: Mainpiece: Written by Shakespear. With all the Scenes, Machines, and other Decorations proper to the Play and the Original Musick, Songs, and Dances. Afterpiece: With the Additional Scene representing the Drawing of the Lottery in Guild-Hall. [For a discussion of Wilks as actor-manager and a brief comment on the defects of T. Cibber as Macduff, see Grub St. Journal, 5 Oct.

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Mills; King-Boman; Macduff-Cibber Jr; Banquo-Bridgwater; Lenox-Roberts; Malcolm-A. Hallam; Seyton-Corey; Lady Macbeth-Mrs Horton; Lady Macduff-Mrs Butler; Hecate-Johnson; Witches-Griffin, Shepard, R. Wetherilt; Murderers-Harper, Jones.
Cast
Role: Malcolm Actor: A. Hallam
Related Works
Related Work: Macbeth Author(s): William Shakespeare

Afterpiece Title: The Lottery

Related Works
Related Work: The Shepherd's Lottery Author(s): William Boyce

Music: The Original Musick-; Vocal Parts-Stoppelaer, Miss Raftor, E. Roberts, Charke

Dance: Essex, Thurmond, Houghton, Tench, Davenport

Event Comment: Daily Courant, 2 Feb.: We are credibly informed, that Charles Fleetwood, Esq; of Bromley-Hall, in the county of Stefford . . . hath purchased all the shares of the Patentees of the Theatre in Drury-Lane

Performances

Mainpiece Title: Love For Love

Related Works
Related Work: Love for Love Author(s): William Congreve
Event Comment: Benefit Mills. By Command of His Royal Highness. To which (By Command) will be added, The Coronation of Anna Bullen, with the Military Ceremony of the Champion in Westminster-Hall, for the Entertainment of . . .the Prince of Orange, who accompanies his Royal Highness to the Play. [Prince of Wales, Prince of Orange, Princess Caroline present.]

Performances

Mainpiece Title: Henry Iv Part Ii

Performance Comment: King-Mills; Prince-W. Mills; Shallow-Johnson; Silence-Miller; Feeble-Griffin; Falstaff-Harper; Pistol-Cibber; Lancaster-A. Hallam; Gloster-Cross; York-Mil ward; Justice-Boman; Poins-Oates; Bardolph-Shepard; Hostess-Mrs Shireburn; Doll-Miss Mann. A new Prologue upon the Company's Return to the Theatre Royal, spoken by Mills .
Cast
Role: Shallow Actor: Johnson
Role: Lancaster Actor: A. Hallam
Related Works
Related Work: Henry ye Fourth, Part II Author(s): William Shakespeare

Song:

Dance:

Performances

Mainpiece Title: King Henry Viii

Performance Comment: Henry-Quin; Wolsey-Ryan; Buckingham-Hale; Cranmer-Bridgwater; Norfolk-Cashell; Suffolk-Stephens; Surrey-Gibson; Gardiner-Hippisley; Lord Chamberlain-Ridout; Cromwell-Goodall; Campeius-Chapman; Lord Sands-Woodward; Surveyor-Rosco; Abergavenny-Anderson; Dr Butts-Stoppelaer; Anne Bullen-Mrs Stevens; Old Lady-Mrs Mullart; Queen Catherine-Mrs Pritchard; With a Representation of the Coronation of Anne Bullen-; the Military Ceremony of the Champion-in Westminster Hall; all other decorations proper to the play. all other decorations proper to the play.
Related Works
Related Work: Henry VIII Author(s): William Shakespeare

Performances

Mainpiece Title: Henry Viii

Performance Comment: Henry-Quin; Wolsey-Ryan; Buckingham-Havard; Cranmer-Bridgwater; Norfolk-Cashell; Suffolk-Arthur; Surry-Gibson; Gardiner-Hippisley; Lord Chamberlain-Rosco; Cromwell-Ridout; Campeius-Chapman; Sands-Woodward; Surveyor-Marten; Abergavenny-Anderson; Butts-Stoppelaer; Ann Bullen-Mrs Horton; Old Lady-Mrs James; Queen Katherine-Mrs Pritchard; With the Representation of the Coronation of Anne Bullen-; Vocal parts-Leveridge, Beard, Roberts, Thompson, Mrs Dunstall, Mrs Lampe, Miss Young; Also the Military Ceremony of the Champion in Westminster Hall- and all other decorations proper to the play.-General Advertiser.
Related Works
Related Work: Henry VIII Author(s): Sir William Davenant

Performances

Mainpiece Title: King Henry Viii

Performance Comment: Henry 8th-Moody; Surrey-Davies; Suffolk-Blakes; Wolsey-Havard; Cranmer-Burton; Anne Bullen-Mrs Bennet; Buckingham-Austin; Norfolk; Palmer; Queen Katharine-Mrs Pritchard; Patience-Miss Young (with proper song); Lord Chamberlain-Bransby; Sands-Philips; Cromwell-Mozeen; Gardiner-Clough; With an exact representation of the Coronation-; and the Ceremony of the Champion in Westminster Hall-.
Related Works
Related Work: Henry VIII Author(s): William Shakespeare

Afterpiece Title: Harlequin Ranger

Event Comment: This play is alter'd by Mr Cumberland was very well receiv'd Mr & Mrs Barry play'd very well Alcibiades was perform'd by Mr Crofts being his first appearance upon any Stage bad figure bad voice & Play'd bad (Hopkins Diary). New Scenes, Decorations &c. Mr Crofts-a stationer in the Temple (Winston MS 10). Theatrical Review, 4 Dec.: We think ourselves oblig'd to declare that this gentleman (Crofts), by no means answered the expectations we had formed, from the accounts we had heard of him.--His voice is not bad, though it is not much above the level of common conservation; --his deportment is aukward and void of grace to an extreme; and he labors under the disadvantage of having a face destitute of expression. His gestures are extremely ungraceful, and the whole of his execution is glaringly untutored, and misconceived. His persons is very ill formed, and therefore it makes greatly against him, especially as he is the representative of Alcibiades, who was the handsomest man in all Athens, and we never remember any one's attempting to set out as a capital performer with so few requisites for the support of such an undertaking as this gentleman appears to have. Paid Dr Nares & Mr Cooke's 8 boys in the Garter, 12 nights (30th ult. incl.) #36; Master Brown 7 nights (2nd inst. incl.) #2 12s 6d.; Licence for Timon, #2 2s. (Treasurer's Book). [Larpent MS 328 of Cumberland's Timon, is one of the earliest to include scenic descriptions: "A Hall in Timon's House. The Flat Scene represents stately Folding Doors. Scene two, the Back scene is hastily drawn back and discovers a magnificent Levee Room or Salon. &c."] Receipts: #243 1s. (Treasurer's Book)

Performances

Mainpiece Title: Timon Of Athens

Related Works
Related Work: Timon of Athens Author(s): William Shakespeare

Afterpiece Title: The Musical Lady

Event Comment: [Maria Macklin wrote her father (13 March 1773): Smith has rais'd such a fury in the Town, owing to Colman's having refus'd Mrs Yates to play for him, that last Saturday [6 March] being the fifth night of Alzuma, when the play ought to have begun, the Audience made a most violent noise, called for Colman, insisted that the play should not begin till he was found & the reasons given why Mrs Yates was not suffered to play for Smith. In vain did Bensley endeavor frequently to speak and tell them that Colman was not to be found. The still continued hissing and roaring, and this last till past seven o'clock. Dagge and Harris were behind in a dreadful consternation least the house should be demolished, of which indeed it was in some danger. At last they said something must be said to quiet them, when Smith in the confusion ran on and told them that the managers had consented Mrs Yates should play for him. Then they sent him off to tell them that his day must be settled whenever he thought proper, to give her time to come here. He went off and made them fix it for the 19th of April, went on and told them it was settled. They then insisted that Smith should tell them whether everything was settled to his entire satisfaction. He assured them it was. The play was then ordered to begin. I am told they have given him up his articles for three years, at his desire. Several Gentlemen went round into the Hall and sent for Smith, telling him his private quarrels with the managers were nothing to them. That if Mrs Yates play'd they should be glad to see her, but that as she was not in the company it was not right in him to disturb the play and hinder them from seeing it. He expostulated with them and told his story. The Town rings with this affair. Various are the opinions. Some think it is her plan to get once more upon the stage, and they say there is a most powerful Party making to oppose her & that she shall not play that night. Others say Colman is very wrong to hinder her. I find she entirely built upon your playing for me, and there has been a very impatient card in the Ledger to Colman insisting upon his telling the town why Mrs Yates was hindered to play, and why Mr Macklin had any more right to be suffered to come over so long unmolested to play for Miss Macklin? But that everybody sees thru'....Colman I am certain has not a thing against your playing for me. He seems rather to wish for your coming....I do not think the Yeats's will be engag'd tho' the Town rail much at Mrs Hartley & Miss Miller, and sure enough they are bitter bad....On Tuesday I shall send you the fate of Dr Goldsmith's Comedy, which comes out on Monday next. It is call'd the Mistakes of a Night....Foote's Rary Shew has been rehears'd three mornings but he got no money, so he shews off again at night instead-but it does not fill violently. Alonzo goes on but Barry is too ill to play. The great support of it is Mrs Barry's acting." (Harvard Theatre Collection, A.L.S.)] Receipts: #196 19s

Performances

Mainpiece Title: Alzuma

Afterpiece Title: Cross Purposes

Related Works
Related Work: Cross Purposes Author(s): William O'Brien
Event Comment: By Command of Their Majesties. [Mainpiece in place of The Natural Son; afterpiece of Liberty Hall, both announced on playbill 22 Feb.] Receipts: #286 14s. 6d. (276/12/0; 9/12/0; 0/10/6)

Performances

Mainpiece Title: The Mourning Bride

Related Works
Related Work: The Mourning Bride Author(s): William Congreve
Event Comment: Tickets delivered by Marks, Brandon, Edwards, Hall, Rolles, Turtle, Walker, Doe will be admitted (Account-Book). Receipts: #265 5s. 6d. (60.8.6; 3.4.0; tickets: 201.13.0)

Performances

Mainpiece Title: The Mourning Bride

Related Works
Related Work: The Mourning Bride Author(s): William Congreve

Afterpiece Title: Midas